Chimangala mangala (The cannibal)
- Daliya Kafaniza and Mang'anja women, Hugh Tracey
- Authors: Daliya Kafaniza and Mang'anja women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-mw
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158160 , vital:40156 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-13
- Description: Here is one of the rare references to cannibalism in Southern Africa where it was not frequently practised. "Let us go, Achimangala Mangala, let us go. There was a man who asked a woman to marry him. This man used to eat before going to the garden to hoe, and so when he went hoeing he always came back late. A boy used to come and bring him food in the garden and he would ask the boy "how many plates of food have you bought?" This happened frequently and last of all he ate not only the food but the plates and the boy found nothing, and the man had vanished also as he was a cannibal. Story and song.
- Full Text: false
- Date Issued: 1958
- Authors: Daliya Kafaniza and Mang'anja women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-mw
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158160 , vital:40156 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-13
- Description: Here is one of the rare references to cannibalism in Southern Africa where it was not frequently practised. "Let us go, Achimangala Mangala, let us go. There was a man who asked a woman to marry him. This man used to eat before going to the garden to hoe, and so when he went hoeing he always came back late. A boy used to come and bring him food in the garden and he would ask the boy "how many plates of food have you bought?" This happened frequently and last of all he ate not only the food but the plates and the boy found nothing, and the man had vanished also as he was a cannibal. Story and song.
- Full Text: false
- Date Issued: 1958
Ndachinyuka, Pitoria (I will say no more, Pitoria)
- George Zongoloti and chorus of small girls, Hugh Tracey
- Authors: George Zongoloti and chorus of small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155721 , vital:39909 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-06
- Description: The two people mentioned in the song are imaginary and not actual people. "I will not say any more, Pitoria (sometimes pronounced Vitoria by the singers). For you have no teeth left. "Yes" she said, "but you Bitoni, when you come near you sound like Thomas, you make a noise like a motor car engine. When you laugh you make a noise like a maize mill." Pitoria was an old woman who was married to Bitoni. He told her she was now to old. Topical song with Nthikuri barrel drum.
- Full Text: false
- Date Issued: 1958
- Authors: George Zongoloti and chorus of small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155721 , vital:39909 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-06
- Description: The two people mentioned in the song are imaginary and not actual people. "I will not say any more, Pitoria (sometimes pronounced Vitoria by the singers). For you have no teeth left. "Yes" she said, "but you Bitoni, when you come near you sound like Thomas, you make a noise like a motor car engine. When you laugh you make a noise like a maize mill." Pitoria was an old woman who was married to Bitoni. He told her she was now to old. Topical song with Nthikuri barrel drum.
- Full Text: false
- Date Issued: 1958
Ndiza fera chuma (I never have enough money)
- Sitero Mbewe and Frank Mukweza, Hugh Tracey
- Authors: Sitero Mbewe and Frank Mukweza , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Central Nyasaland f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160816 , vital:40548 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-07
- Description: "I left my mother in 1950 and came to work. I had no money for I spent it all on women." This song was performed by Chewa men who had come over from Nyasaland to Rhodesia where they were employed upon the constructio of the Kariba Dam on the Zambezi river. Topical song with two guitars.
- Full Text: false
- Date Issued: 1957
- Authors: Sitero Mbewe and Frank Mukweza , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Central Nyasaland f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160816 , vital:40548 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-07
- Description: "I left my mother in 1950 and came to work. I had no money for I spent it all on women." This song was performed by Chewa men who had come over from Nyasaland to Rhodesia where they were employed upon the constructio of the Kariba Dam on the Zambezi river. Topical song with two guitars.
- Full Text: false
- Date Issued: 1957
Siyakulindila utinina? (What are you waiting for?)
- Group of 14 Ngoni men abd chorus of women, Hugh Tracey
- Authors: Group of 14 Ngoni men abd chorus of women , Hugh Tracey
- Date: 1957
- Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa Zambia Fort Jameson f-za
- Language: Nyanja , Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137547 , vital:37536 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-12
- Description: The song belongs to "umgubo" or, in Zulu "ihubo" type of regimental singing. They were sung by the Mpezeni regiment, in 1920. The last of the age groups to be called officially a regiment by the Ngoni tribe. Ngoma dance song with stamping and 1 pair of leg rattles.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 14 Ngoni men abd chorus of women , Hugh Tracey
- Date: 1957
- Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa Zambia Fort Jameson f-za
- Language: Nyanja , Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137547 , vital:37536 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-12
- Description: The song belongs to "umgubo" or, in Zulu "ihubo" type of regimental singing. They were sung by the Mpezeni regiment, in 1920. The last of the age groups to be called officially a regiment by the Ngoni tribe. Ngoma dance song with stamping and 1 pair of leg rattles.
- Full Text: false
- Date Issued: 1957
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