Bia gaza
- Authors: Zande men , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Nguru f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167869 , vital:41518 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0123-10
- Description: The conical drums were all called either Gaza or Ndimo (-14-03303-). The slit drum is Gugu or Bugu (-12.183-). The beaters of the conical drums are called Luiringwa Gaza. The method of playing the slit drum is unusual, as the player sits astride his drum and may even rest one leg its length. The small ebony carvings from this district demonstrate this stance. Dance song performed with large wooden slit drum with feet, 3 conical drums, cross laced and double headed, metal hand bells.
- Full Text: false
- Date Issued: 1952
Kitumbu
- Authors: Temusewo Mukasa , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170923 , vital:41984 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0138-09
- Description: Many years ago there was a white man (said to be an Australian) called Kitumbu, a trader, who made tiles. He was a very fat man and used to ride on a donkey. One day he fell ill and went to the mission hospital where an operation became necessary. The famous Dr. Cook had just arrived from the coast on foot leaving all his instruments behind, so he had to make use of domestic plates, knives and bowls in the make-shift operating theatre. Kitumbu was operated on near Easter time and, it is said, did not survive. Local legend has it that all the people thought that 700 Europeans, 800 Indians and 800 Goans all ate up the remains of Kitumbu till only his back bone was left. Mugwanya, a judge, and one of the three signatories to the Buganda treaty, it was also said, did not eat the meat, but only the pancreas, and so he was excused! In such manner are local legends made! Historical song, with horizontal, arched, harp.
- Full Text: false
- Date Issued: 1952
Mbo I
- Authors: Chief Bianoko and Buudu men , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168331 , vital:41567 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-01
- Description: This is a man's dance performed on festive occassions to celebrate a Chief's arrival or when the coffee has been harvested. The steps are very simple the whole group moving slowly around in a circle with the drums either in the centre or to one side. The notables wore attractive scarlet parrot tail feathers on their head of plaited palm leaf. The ivory was covered with several cat skins. These horns, beautifully carved out of elephant tusks are a notable feature of the material culture of this part of the Congo. They use the hollow end of the tusk, cutting it off at the nerve tip, so that the tip of the horn is open and can produce two notes. A special feature is the carefully carved broad mouthpiece on the inner side of the curve about one third of the length of the horn from the small end. The small end is often carved as a small human head. In playing the orifice is opened and closed with the thumb. Party dance, with 1 very small slit drum, 1 small slit drum 2 conical laced drums, 2 pod slit drums, ivory horn and basket rattles.
- Full Text: false
- Date Issued: 1952
Mongu
- Authors: Mbuti men, women and children , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Mbuti (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Congo Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168232 , vital:41554 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0125-10
- Description: The local popular name for these Pygmies is "Batikitiki". Like other groups of pygmies they are very much at the mercy of the Bantu tribes who live outside on the edges of their portion of the Ituri forest. They exchange meat and honey from the forest for grain and other food stuff, but as often as not are robbed of their efforts by exploiting Africans. The musical instruments used by these Pygmies are those borrowed from teh Bantu outside the forest. Drums, especially, would be too heavy and cumbersome for the Pygmies to carry into the forest with them, or keep in their flimsy camps. Party song with 2 conical, laced drums and 1 basket rattle.
- Full Text: false
- Date Issued: 1952
Omusango gwenyama tegugwa
- Authors: Temusewo Mukasa , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170950 , vital:41988 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0138-12
- Description: This meat affair goes on and on. Nakatanga took the singer's meat and ate it. Then Nakatanga went off to the war and the singer said "That is right, I hope you get killed". This brilliant singer is well known in Buganda. The clarity both of his singing and playing on the harp is delightful. Song with horizontal, arched, 8 stringed harp.
- Full Text: false
- Date Issued: 1952