Antoinette wa Kolwezi (Antoinette of Kolwezi)
- Authors: Ilunga Patrice and Misomba Victor, and friends , Misomba Victor , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Topical song , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135719 , vital:37292 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR025-12
- Description: Topical song with 2 guitars and bottle
- Full Text: false
- Date Issued: 1957
Kashama wa ndiambo (Kashama the powerful man)
- Authors: Group of 16 Bena Budia men , 16 Bena Budia men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ensemble playing , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135609 , vital:37280 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR025-02
- Description: Kashama was an old "sultan", chief famous for his strength of puporse, and powers of ruling. Mushiba-(Mishiba-plural). Mbuwa- bass x 2. Kiteba- middle register x 3 to 6. Ntendo- treble x 2. Song of greeting with 2 goblet drums, weighted closed, hand beaten, with 16 sets of "Mishibu" panpipes.
- Full Text: false
- Date Issued: 1957
Kalenda wa muchombela
- Authors: Kankolongo Alidor , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182593 , vital:43845 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-13
- Description: The Likembe was rested on a guitar which acted as a resonator and the rhythm was tapped out on the body of the guitar. As it stands the instrument appears to be pentatonic but reference to other examples shows that the scale played is in fact hexatonic one note being absent from this assembly. Topical song with Chisanzhi Likembe
- Full Text: false
- Date Issued: 1952