Showing items 41 - 60 of 101

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Funda fwanla aponya mwana nawona umwiko

- Safuke, Mwape and Kunda, Composer not specified, Tracey, Hugh

Malala wabila

- Muchindu, Ruth, Tonga girls, Composer not specified, Tracey, Hugh

Chiyabula

- Nyundu Gabriel, Kwadi Bonza with Luba men, Composer not specified, Tracey, Hugh

Funda infwala aponya mwana nawona umwiko

- Performer not specified, Composer not specified, Hugh Tracey

Heehee ndithe gebelele

- Group of Qwathi women, Hugh Tracey

  • Authors: Group of Qwathi women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Xhosa , Herbalists , Africa South Africa Engcobo f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134841 , vital:37211 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0022-02
  • Description: In the course of this divination song, they broke off for a woman to call out after the fashion of the diviners, to which everyone clapped their hands replying "siya vuma", "we agree". Song for diviner's ceremony with clapping.
  • Full Text: false
  • Date Issued: 1957

Igada (A clod of earth)

- 5 young Xhosa men and women, Hugh Tracey

  • Authors: 5 young Xhosa men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Kentani f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/150761 , vital:39003 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-03
  • Description: This was sung by the same group of young Xhosa men and women as the first 2 songs. The dancing was static, done by the mwn only, who used a single stamping step, but very stlised elegant gestures of arms and hands. They were holding decorated sticks. One man held up the two end corners of his blanket-skirt. His forearms were solidly encased in brass wire bracelets from wrist to elbow. Intlombe dances for young people with clapping.
  • Full Text: false
  • Date Issued: 1957

Intsimbi ka Ntsikana

- Zwelitsha Choir, Performer not specified, Composer not specified, Tracey, Hugh

Satuva

- Miriam Makeba, Performer not specified, Composer not specified, Tracey, Hugh

Title not specified

- Performer not specified, Composer not specified, Tracey, Hugh

Title not specified

- Performer not specified, Composer not specified, Tracey, Hugh

Title not specified

- Performer not specified, Composer not specified, Tracey, Hugh

Title not specified

- Performer not specified, Composer not specified, Tracey, Hugh

Title not specified

- Performer not specified, Composer not specified, Tracey, Hugh

Title not specified

- Performer not specified, Composer not specified, Tracey, Hugh

Title not specified

- Performer not specified, Composer not specified, Tracey, Hugh

Undebulisele ku Lungwengwe (Give my best wishes to Lungwengwe, also to your mother)

- Group of young Mpondo married women, Hugh Tracey

Wadianda wa Bena Shimba (We are the people of Bena Shimba)

- Group of 9 Bena Shimba women, Hugh Tracey

  • Authors: Group of 9 Bena Shimba women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Luba (African people) , Northern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Bakwanga f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139183 , vital:37712 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-01
  • Description: This group belonged to the Bena Shimba clan. As well as tipping and sometimes singing into their gourds through a length of metal pipe or tube, the gourd-blowers also struck the sides of the gourds with their hands. The gourds of this group were handsomely decorated with metal studs arranged in patterns. When asked when they performed this song, the answer was, "we sing it for funerals, but also on any sad occassion, for example when a man has to pay a large sum of money to another. Lament with 3 singing gourds (Chipuri), 1 basket rattle (-12.54-), hand clapping (-12.03-) and 1 bottle (-12.17-).
  • Full Text: false
  • Date Issued: 1957

Mwemiso movement of Ngodo of chief Mikumbi 1955

- Ngodo of Chief Mikumbi, Zandamela, John, Tracey, Hugh

Analysis of Msitso Wombidi

- Ngodo of Regula Banguza, Performer not specified, Komukomu Wa Simbe, Tracey, Hugh

Msitso wombidi second orchestral analysis

- Chopi performers, Komukomu, Hugh Tracey

  • Authors: Chopi performers , Komukomu , Hugh Tracey
  • Date: 1955
  • Subjects: Folk music--Africa , Musical instruments--Africa , Instrumental music , Africa Mozambique Zavala f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/131856 , vital:36763 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR002-02 , Field card no. H1L-3
  • Description: This analysis demonstrates the left and right hand technique of Komukomu whose instrument is featured against the background of the orchestra. The Debinda, bass instrument is also faetured. Complete Ngodo xylophone orchestral dance of Regulo Banguza, with 15 xylophones and 1 Rattle.
  • Full Text: false
  • Date Issued: 1955
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