Ichinenjane lapa mkoponi
- Silaule, Elias, Group of Shaangan men, Composer unknown, Tracey, Hugh
- Authors: Silaule, Elias , Group of Shaangan men , Composer unknown , Tracey, Hugh
- Date: 1958-03-31
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Manica f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/249819 , vital:51871 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT570-M22 , Research no. M2G11
- Description: A kwaya topical song about working on the mine .
- Full Text: false
- Date Issued: 1958-03-31
- Authors: Silaule, Elias , Group of Shaangan men , Composer unknown , Tracey, Hugh
- Date: 1958-03-31
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Manica f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/249819 , vital:51871 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT570-M22 , Research no. M2G11
- Description: A kwaya topical song about working on the mine .
- Full Text: false
- Date Issued: 1958-03-31
Ichinenjane lapa mkomponi (How do you get on in the compound)
- Elias Silaule and group of 7 Shangaan men, Hugh Tracey
- Authors: Elias Silaule and group of 7 Shangaan men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Tsonga , Ronga language , Tsonga (African people) , Folk music , Africa Mozambique Manica f-mz
- Language: Ronga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153091 , vital:39392 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR074-03
- Description: The song is about working on the mine. A certain man with a bald head figures largely and one of the episodes in the song is about how the singers saw this bald head shinning like glass. So one of them hit it to seeif it would break, but it bled instead. This skilled form of unison singing must demand considerable rehearsal to get it perfect. It is usually gay, rhythmic and cleverly syncopated eben breaking into speech for dramatic effect as in this example. Kwaya topical song.
- Full Text: false
- Date Issued: 1958
- Authors: Elias Silaule and group of 7 Shangaan men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Tsonga , Ronga language , Tsonga (African people) , Folk music , Africa Mozambique Manica f-mz
- Language: Ronga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153091 , vital:39392 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR074-03
- Description: The song is about working on the mine. A certain man with a bald head figures largely and one of the episodes in the song is about how the singers saw this bald head shinning like glass. So one of them hit it to seeif it would break, but it bled instead. This skilled form of unison singing must demand considerable rehearsal to get it perfect. It is usually gay, rhythmic and cleverly syncopated eben breaking into speech for dramatic effect as in this example. Kwaya topical song.
- Full Text: false
- Date Issued: 1958
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