On Their Own: women, Urbanization, and the Right to the City in South Africa, by Allison GoebelUbuntu und die Post-Development-Debatte. A review
- Authors: Matthews, Sally
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/142169 , vital:38055 , DOI: 10.1080/14616742.2017.1400210
- Description: Allison Goebel's book gives much-needed attention to the experiences of women in South African cities. While there is plenty of literature on the urban experience in South Africa, such literature does not often give much attention to gender. Goebel's book draws on the experiences of poorer women living in informal and township areas in the Msunduzi Municipality in KwaZulu-Natal. Goebel has conducted extensive fieldwork in the area and uses this fieldwork to provide the reader with a sense of South African women's experiences of urban living.
- Full Text:
- Date Issued: 2018
- Authors: Matthews, Sally
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/142169 , vital:38055 , DOI: 10.1080/14616742.2017.1400210
- Description: Allison Goebel's book gives much-needed attention to the experiences of women in South African cities. While there is plenty of literature on the urban experience in South Africa, such literature does not often give much attention to gender. Goebel's book draws on the experiences of poorer women living in informal and township areas in the Msunduzi Municipality in KwaZulu-Natal. Goebel has conducted extensive fieldwork in the area and uses this fieldwork to provide the reader with a sense of South African women's experiences of urban living.
- Full Text:
- Date Issued: 2018
Back to good health
- Authors: Machanick, Philip
- Date: 2017
- Language: English
- Type: article , text
- Identifier: http://hdl.handle.net/10962/61144 , vital:27984 , http://dx.doi.org/10.18489/sacj.v29i3.565
- Description: From introduction: We have a bumper issue, with eleven research papers and one letter to the editor. 2016 was a difficult year for academia in South Africa with highly disruptive protests. 2017 was mostly better from that point of view, though the protest movement has not completely gone away. This issue contains some papers that were submissions to special issues that were not ready in time and hence to some extent is a catch-up issue. In previous issues this year, 29(1), published in July, contained nine research papers, of which five were extended papers from the 2016 SAICSIT annual conference. There was also a special issue on ICT in Education published in October, 29(2), which had five research papers. Two papers from the ICT in Education special issue spilled over to this issue. Overall, we have published 25 research papers this year, compared with four in 2016, fourteen in 2015 and nineteen in 2014. Numbers are therefore looking healthy again; I hope the underlying causes of protest are addressed so we do not have to endure another year like 2016. In the remainder of this editorial, I give an update on the effects of indexing in Scopus, list papers in this issue and end with changes in the editorial team.
- Full Text:
- Date Issued: 2017
- Authors: Machanick, Philip
- Date: 2017
- Language: English
- Type: article , text
- Identifier: http://hdl.handle.net/10962/61144 , vital:27984 , http://dx.doi.org/10.18489/sacj.v29i3.565
- Description: From introduction: We have a bumper issue, with eleven research papers and one letter to the editor. 2016 was a difficult year for academia in South Africa with highly disruptive protests. 2017 was mostly better from that point of view, though the protest movement has not completely gone away. This issue contains some papers that were submissions to special issues that were not ready in time and hence to some extent is a catch-up issue. In previous issues this year, 29(1), published in July, contained nine research papers, of which five were extended papers from the 2016 SAICSIT annual conference. There was also a special issue on ICT in Education published in October, 29(2), which had five research papers. Two papers from the ICT in Education special issue spilled over to this issue. Overall, we have published 25 research papers this year, compared with four in 2016, fourteen in 2015 and nineteen in 2014. Numbers are therefore looking healthy again; I hope the underlying causes of protest are addressed so we do not have to endure another year like 2016. In the remainder of this editorial, I give an update on the effects of indexing in Scopus, list papers in this issue and end with changes in the editorial team.
- Full Text:
- Date Issued: 2017
Bearers of Memory: Georges Senga’s Assani’s ‘Cette maison n’est pas a vendre et a vendre
- Mukendi, Jean-Sylvain Tshilumba
- Authors: Mukendi, Jean-Sylvain Tshilumba
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147182 , vital:38600 , https://artthrob.co.za/2017/06/06/bearers-of-memory-georges-senga-assanis-cette-maison-nest-pas-a-vendre-et-a-vendre/
- Description: Dedicated to the work of emerging international photographers, the upper gallery of the new Market Photo Workshop relocated building is showcasing Georges Senga Assani’s latest series ‘Cette maison n’est pas à vendre et à vendre’ which translates as ‘This house is not for sale, and for sale’. The Lubumbashi-based photographer has been wandering his surroundings, alert to the passage of time and history. Immutable concepts like history and time leave traces. Time enforces memory, history bequeaths and infuses collective memory.
- Full Text:
- Date Issued: 2017
- Authors: Mukendi, Jean-Sylvain Tshilumba
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147182 , vital:38600 , https://artthrob.co.za/2017/06/06/bearers-of-memory-georges-senga-assanis-cette-maison-nest-pas-a-vendre-et-a-vendre/
- Description: Dedicated to the work of emerging international photographers, the upper gallery of the new Market Photo Workshop relocated building is showcasing Georges Senga Assani’s latest series ‘Cette maison n’est pas à vendre et à vendre’ which translates as ‘This house is not for sale, and for sale’. The Lubumbashi-based photographer has been wandering his surroundings, alert to the passage of time and history. Immutable concepts like history and time leave traces. Time enforces memory, history bequeaths and infuses collective memory.
- Full Text:
- Date Issued: 2017
Boast and bellow, giggle or chatter: gender and verbs of speech in children's fiction
- Authors: Hunt, Sally
- Date: 2017
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/139279 , vital:37722 , ISBN no ISBN , https://www.birmingham.ac.uk/research/activity/corpus/events/2017/cl2017/index.aspx
- Description: Continued gender inequality and gendered representations in the media, broadly construed, remain of concern because of the dialectic relationship between language and society. One source of gender cues is fiction written for and consumed by children. The characters encountered in the pages of a popular book constitute the stuff of identity building and may become role models for thousands of young and impressionable readers.
- Full Text:
- Date Issued: 2017
- Authors: Hunt, Sally
- Date: 2017
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/139279 , vital:37722 , ISBN no ISBN , https://www.birmingham.ac.uk/research/activity/corpus/events/2017/cl2017/index.aspx
- Description: Continued gender inequality and gendered representations in the media, broadly construed, remain of concern because of the dialectic relationship between language and society. One source of gender cues is fiction written for and consumed by children. The characters encountered in the pages of a popular book constitute the stuff of identity building and may become role models for thousands of young and impressionable readers.
- Full Text:
- Date Issued: 2017
Book Review: Losing the Plot. Crime, reality and fiction in postapartheid writing
- Authors: Naidu, Samantha
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/124942 , vital:35712 , https://dx.doi.org/10.17159/tvl.v.54i2.2980
- Description: In this wide-ranging and impressive ac¬count of postapartheid writing, De Kock describes the “dizzingly heterogeneous corpus” (1) of South African literature after apartheid with the aim of describing its distinctive features and complexity. The methodology is straightforward. De Kock has chosen to read particular liter¬ary works in order to identify broader ideas and trends. To contextualise the study, De Kock deploys the key, perva¬sive notion of “transition”. The notion is variously defined as a “transformative shift from one ‘state’ to another” (2), a “popular mythology” in the “collective consciousness” (3), and as containing a counter-discourse of disillusionment or disorientation, which De Kock refers to as “‘plot loss’” (3). This “plot loss” becomes a central trope in the book to express the social and political chaos of the country, evident in various criminal manifestations of neo-colonialism such as neo-liberal economic policies, new forms of racism, and corruption.
- Full Text:
- Date Issued: 2017
- Authors: Naidu, Samantha
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/124942 , vital:35712 , https://dx.doi.org/10.17159/tvl.v.54i2.2980
- Description: In this wide-ranging and impressive ac¬count of postapartheid writing, De Kock describes the “dizzingly heterogeneous corpus” (1) of South African literature after apartheid with the aim of describing its distinctive features and complexity. The methodology is straightforward. De Kock has chosen to read particular liter¬ary works in order to identify broader ideas and trends. To contextualise the study, De Kock deploys the key, perva¬sive notion of “transition”. The notion is variously defined as a “transformative shift from one ‘state’ to another” (2), a “popular mythology” in the “collective consciousness” (3), and as containing a counter-discourse of disillusionment or disorientation, which De Kock refers to as “‘plot loss’” (3). This “plot loss” becomes a central trope in the book to express the social and political chaos of the country, evident in various criminal manifestations of neo-colonialism such as neo-liberal economic policies, new forms of racism, and corruption.
- Full Text:
- Date Issued: 2017
Book review: Shannen L. Hill, The Iconography of Black Consciousness: Biko’s Ghost
- Authors: Nsele, Zamansele
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/145653 , vital:38455 , https://0-doi.org.wam.seals.ac.za/10.1177/0021909616634233
- Description: As a student uprising tears across the fabric of post-apartheid campuses, the class of 2015 conjures Black Consciousness to articulate the pervasive epistemic assaults they endure daily at the ivory tower. As if time stood still, as though 1976 never left the scene, the philosophy of Black Consciousness is no lurking spectre; but it is an indispensable affirmation, a restorative life force that gives elaboration and credence to the grammar of black suffering. This is, therefore, a timely book.
- Full Text:
- Date Issued: 2017
- Authors: Nsele, Zamansele
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/145653 , vital:38455 , https://0-doi.org.wam.seals.ac.za/10.1177/0021909616634233
- Description: As a student uprising tears across the fabric of post-apartheid campuses, the class of 2015 conjures Black Consciousness to articulate the pervasive epistemic assaults they endure daily at the ivory tower. As if time stood still, as though 1976 never left the scene, the philosophy of Black Consciousness is no lurking spectre; but it is an indispensable affirmation, a restorative life force that gives elaboration and credence to the grammar of black suffering. This is, therefore, a timely book.
- Full Text:
- Date Issued: 2017
Singing History: Dineo Seshee Bopape’s ‘Sa Kosa Ke Lerole’
- Mukendi, Jean-Sylvain Tshilumba
- Authors: Mukendi, Jean-Sylvain Tshilumba
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147159 , vital:38598 , https://artthrob.co.za/2017/08/15/singing-history-dineo-seshee-bopapes-sa-kosa-ke-lerole/
- Description: In ‘Sa Koša Ke Lerole’, exhibited during the National Arts Festival in Grahamstown, Dineo Seshee Bopape lays the history of the Polokwane Chorale Society – founded in 1977 – on the walls and structure of the Gallery in the Round located in the basement of the Settlers National Monument. In a sterling spatial arrangement of images, texts and sounds, she revives the voices of the first and longest living adult choir in the Limpopo region.
- Full Text:
- Date Issued: 2017
- Authors: Mukendi, Jean-Sylvain Tshilumba
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147159 , vital:38598 , https://artthrob.co.za/2017/08/15/singing-history-dineo-seshee-bopapes-sa-kosa-ke-lerole/
- Description: In ‘Sa Koša Ke Lerole’, exhibited during the National Arts Festival in Grahamstown, Dineo Seshee Bopape lays the history of the Polokwane Chorale Society – founded in 1977 – on the walls and structure of the Gallery in the Round located in the basement of the Settlers National Monument. In a sterling spatial arrangement of images, texts and sounds, she revives the voices of the first and longest living adult choir in the Limpopo region.
- Full Text:
- Date Issued: 2017
Stranded Action: Musa N Nxumalo’s ’16 Shots’
- Authors: Lila, Philiswa
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147115 , vital:38594 , https://artthrob.co.za/2017/05/23/stranded-action-musa-n-nxumalos-16-shots/
- Description: Musa Nxumalo’s exhibition ‘16 Shots’ at SMAC Johannesburg, reveals moments of particular and familiar events. It comprises a selection of sixteen black and white photographs focusing on #feesmustfall protest, youth parties, objects of still life and portraits of individuals. At face value, the images fall into the genre of documentary, reportage, of less excitement visually but meaningful as photo essays of relations between political and social matters of youth.
- Full Text:
- Date Issued: 2017
- Authors: Lila, Philiswa
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147115 , vital:38594 , https://artthrob.co.za/2017/05/23/stranded-action-musa-n-nxumalos-16-shots/
- Description: Musa Nxumalo’s exhibition ‘16 Shots’ at SMAC Johannesburg, reveals moments of particular and familiar events. It comprises a selection of sixteen black and white photographs focusing on #feesmustfall protest, youth parties, objects of still life and portraits of individuals. At face value, the images fall into the genre of documentary, reportage, of less excitement visually but meaningful as photo essays of relations between political and social matters of youth.
- Full Text:
- Date Issued: 2017
Tracks and Traces: Andrew Tshabangu’s ‘Footprints’
- Authors: Lila, Philiswa
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147138 , vital:38596 , https://artthrob.co.za/2017/03/08/tracks-and-traces-andrew-tshabangus-footprints/
- Description: Andrew Tshabangu ‘Footprints’ at the Standard Bank Art Gallery is a hand-picked collection of photographs that span the past 20 years of Tshabangu’s career. Curated by Thembinkosi Goniwe, the narrative is uncomplicated and uncluttered, thus allowing the images breathing space for engagement. The display is precise with careful attention to detail, appearing neat, slick and efficient; a characteristic mirrored in Tshabangu’s photography.
- Full Text:
- Date Issued: 2017
- Authors: Lila, Philiswa
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147138 , vital:38596 , https://artthrob.co.za/2017/03/08/tracks-and-traces-andrew-tshabangus-footprints/
- Description: Andrew Tshabangu ‘Footprints’ at the Standard Bank Art Gallery is a hand-picked collection of photographs that span the past 20 years of Tshabangu’s career. Curated by Thembinkosi Goniwe, the narrative is uncomplicated and uncluttered, thus allowing the images breathing space for engagement. The display is precise with careful attention to detail, appearing neat, slick and efficient; a characteristic mirrored in Tshabangu’s photography.
- Full Text:
- Date Issued: 2017
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