Rungano rgwe nerera (Story of the orphan girl in the cave)
- Authors: Rufashas and friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154577 , vital:39750 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-10
- Description: A variation of a story collected at Gutu and eleswhere. It tells of a girl who was locked in a cave and whose brother brought her food every day. He used to sing a special song by which she recognised him and opened the door. But a hyena had been hiding nearby and observed all this. And one day he impersonated the brother and sang his song. The girl opened the door and the hyena ate her up. Stroy with song.
- Full Text: false
- Date Issued: 1958
Rungano rgwe rombe (The story of the minstrel)
- Authors: Robin Magiriri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154658 , vital:39760 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-19
- Description: The story teller is a nephew of the chief Takawarasha. One day when a hungry minstrel waswalking through the country he found a woman spreading her mealie meal in the sun and asked her for some of it. She said "I cannot do so or I will be beaten tonight", "Who will beat you?" he asked. She said "My mother", So he sang what had happened so that she would be persuaded to change her mind and give him some.
- Full Text: false
- Date Issued: 1958
Shangara pa chikaranga
- Authors: Stephen R. Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154132 , vital:39612 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-03
- Description: The player has taken a Nyasa instrument instead of the local Njari. He explained he found the smaller instrument easier to play inspite of the fact that it had only half the number of notes. He claimed he had tuned it the same as the Njari but in point of fact his scale was one note short appearing to be hexatonic whereas his tribe is known to be heptatonic. The missing note is clearly situated between 212 and 260 vs and might have been approximately 234 to 238 vibrations per second. Humorous song with Mbira.
- Full Text: false
- Date Issued: 1958
Tsuro Wa siye mwana (The rabbit has left its child)
- Authors: Young Tonga men and girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179177 , vital:39862 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-06
- Description: This item was recorded to demonstrate the way the drums fitted into the scheme of the Gororombe dance. The raising and lowering of the pitch of the Jenje drum with the heel of the player can be clearly heard. Gororombe dance with 4 sets of end blown pipes, rattles and drums.
- Full Text: false
- Date Issued: 1958
Wamwira mangarangara (If you drink too quickly you get yourself drunk)
- Authors: Younf Tonga men and women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179094 , vital:39859 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-03
- Description: The four drums used were 1) Mutumba, an open conical drum 37" tall, 11" membrane; 2) Jenje, an open cylindrical drum 14" tall on three legs with 10" head; 3) Miningo karipi-karipi, another conical open drum 25' tall with 9 and 4 quarter head; and a small closed drum, Usindi, 11" tall with 7 and a half head, on a three legged pedestal. The player of the two drums, Mutumba and Jenje, used his right heel to raise and lower the pitch of the Jenje as it lay on the ground beside the longer Mutumba, playing only with his hands. The other two players used sticks. The reeds were imported from the Salisbury district as no such reed grows in this district, they say, except in the Mazoe river nine miles away which was not so good as these. Four sets of end blown flutes (--11,325--). (1) 3 tied together. Katero, pitch 784, 744 and 680 vs (4 and a half" - 5") (2) 3 tied together. Shauriro, 680, 600, 552 vs (5 and a quarter , 6 and a quarter) (3) 2 tied together. Dendera, 504 and 448 vs (7", 7 and a half") (4) 2 tied together. Madobi, 416, 384 vs. (8 and a half, 8 and 3 quarters). Gororambe dance with end blown pipes, drums and rattles.
- Full Text: false
- Date Issued: 1958
Wano Gambire nyama we Jarusarima (They fry meat in Jersusalem)
- Authors: Stephen R. Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154123 , vital:39611 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-02
- Description: The player has taken a Nyasa instrument instead of the local Njari. He explained he found the smaller instrument easier to play inspite of the fact that it had only half the number of notes. He claimed he had tuned it the same as the Njari but in point of fact his scale was one note short appearing to be hexatonic whereas his tribe is known to be heptatonic. The missing note is clearly situated between 212 and 260 vs and might have been approximately 234 to 238 vibrations per second. Humorous song with Mbira.
- Full Text: false
- Date Issued: 1958
Ye chikoro (Of the school)
- Authors: Stephen Runeso Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154265 , vital:39641 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR081-02
- Description: A tune after the style of the 'Makolwa' (converts to christianity) with all the simplicity of melody, lack od sublety and false (iambic) accent. It is a clever skit on the style of performance introduced by the readers into most African schools. Humorous song with Kalimba (mbira).
- Full Text: false
- Date Issued: 1958
Zimbige 1
- Authors: Tawagaza Sibanda , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154494 , vital:39739 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-01
- Description: The player was playing with the thumb of the left hand, the thumb and first finger of the right hand. The Njari is the traditional instrument of the district having originated from the Buhera district further north over two centuries ago, when it began to displace an older variety called the Mbira-dza-Midgimu. Self delecatative song with Njari (Mbira).
- Full Text: false
- Date Issued: 1958
Zimbige II
- Authors: Tawagaza Sibanda , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154503 , vital:39740 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-02
- Description: The player was playing with the thumb of the left hand, the thumb and first finger of the right hand. The Njari is the traditional instrument of the district having originated from the Buhera district further north over two centuries ago, when it began to displace an older variety called the Mbira-dza-Midgimu. This is an instrumental recording only. Self delecatative song with Njari (Mbira).
- Full Text: false
- Date Issued: 1958