Whose Wakanda is it anyway? A reception analysis of Black Panther among young black urban Africans
- Authors: Muzenda, Makomborero
- Date: 2020
- Subjects: Motion picture audiences , Youth, Black -- Africa -- Attitudes , Popular culture – Africa , Motion pictures -- Social aspects , Youth, Black -- Race identity -- Africa , Identity politics in motion pictures , Identity (Psychology) and mass media , Mass media and youth -- Africa , Mass media and culture -- Africa , Mass media -- Social aspects -- Africa , Postcolonialism and the arts , Representation (Philosophy) , Black Panther (Motion picture : 2018) -- History and criticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/144311 , vital:38330
- Description: As a writer and as an academic, I have long been interested in young black Africans. As a demographic group, we are heralded as the future of Africa and a vital resource, but not much is known about us, what we think, and how we make sense of things. As an African youth myself, I know that we are a diverse group with different backgrounds, perspectives and beliefs. I am interested in exploring our identities, how we express ourselves and how we make sense of ourselves, each other, the continent and the world. I want to learn more about how we see the world, and what we think of how media narratives and messages represent us. This research project is an extension of this personal curiosity. It focuses on Black Panther, a film that received particularly strong responses from young black Africans. I want to explore why this film in particular prompted such a strong reaction, and what the imagining of an uncolonised, technologically advanced African nation that Black Panther offers means for the young black Africans born after the official end of apartheid and colonisation.
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- Date Issued: 2020
Themes in self-presentation on a gay male dating site: a content analysis of the profiles of a sample of online daters from the Eastern Cape Province
- Authors: Lelimo, Thabang Lucky
- Date: 2018
- Subjects: Online dating -- South Africa -- Eastern Cape , Gay men -- South Africa -- Eastern Cape , Gay men -- Identity , Self-presentation , Homophobia -- South Africa -- Eastern Cape , Gay men -- Sexual behavior -- South Africa -- Eastern Cape , Language and sex , Communication and sex
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/60233 , vital:27757
- Description: My thesis research explores themes in self-presentation in the dating profiles of gay men from the Eastern Cape Province on an online dating site for men only. Although there is a growing body of research on this topic, this research is generally located in Europe and North America. In South Africa, research on same-sex intimacies has a chequered history. In the apartheid past, gay men and lesbian women were largely ignored by psychologists and social scientists. And, when they did receive their attention, it was largely discriminatory. In the post-apartheid context, there is far more interest in queer sexualities. However, as this research focuses on HIV transmission and on discrimination and violent homophobia, it too has played a role in painting a gloomy picture of what it means to be queer in South Africa. This study both address a ‘gap in literature’ on gay male dating online by focusing on the South African context, and it addresses the crisis of representation by giving consideration to the ways in which gay men see and present themselves to others. This study takes the form of a content analysis of 200 dating profiles. Key themes in self-presentation emerging in the analysis are: Ethnicity; Age; Education; Geographic Location; Living Arrangements; Sexuality; Relationship Status; Lifestyle; Appearance; Political Outlook; Personality; Faith. I discuss important observations relating to these themes and the insights they provide on key issues shaping public debate on same-sex sexualities in the South African context.
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- Date Issued: 2018