Showing items 21 - 40 of 40

Your selections:

Nsanguke Pungwa Maiswetu Nsanguke (I can change myself into a hawk)

- Shewess Mwali and group of Bemba men, Hugh Tracey

Tamulela bantu baKuno

- Justine Mwamba, Group of Bemba men, Hugh Tracey

Tikonkote (The praying mantis)

- Sashi and group of Lumbo men, Hugh Tracey

  • Authors: Sashi and group of Lumbo men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Mufulira Copper Mine f-za
  • Language: Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/151698 , vital:39161 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-03
  • Description: "When you see the praying mantis, it means that someone is going to die. I will put a samll bone in the middle of the path so that it will kill an 'eagle' (An eagle is a synonym for a 'witch'") The singers employ the Kalela type of singing in organum. The similarity of magical symbolism of this kind with that of the middle ages in Europe is notable. Topical song.
  • Full Text: false
  • Date Issued: 1957

Tulenwo bwalwa we mwana tule (We drink beer, child, until morning)

- Shewess Mwali and group of Bemba men, Hugh Tracey

  • Authors: Shewess Mwali and group of Bemba men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Mufulira mine f-za
  • Language: Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/151770 , vital:39169 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-12
  • Description: The burden of the song is that there is trouble between the singer and his wife caused by the wife's mother; although it was explained the married couple did in fact love each other very much. "The mist does not rise without cause", they sing, presumably the mist which has obsecured their martial peace. Song on marital trouble.
  • Full Text: false
  • Date Issued: 1957

Ulushimi lwa mukashana ne nsupa ya mfumu (The story of the girl and the chief's calabash)

- Agnes Bwenpe and group of small girls, Hugh Tracey

  • Authors: Agnes Bwenpe and group of small girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Bancroft Mine f-za
  • Language: Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/151806 , vital:39173 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-16
  • Description: There was once a Chief who had a favourite wife to whom he gave a calabash. Now this Chief disappeared. One day she with the calabash, she found herself sailing down the river in it, and as she sang: "Ulushimi lwa mukashana ne nsupa ya mfunu." She sailed amongst the fish, some of which wanted to eat her. But she sang to them and they let her go. Afterwards she fell amongst crocodiles. But they too let her go when she sang to them and eventually she found herself in a village and gave it to the chief and put her in a hut where she was badly bitten by insects. However she did not kill any of them, as she was a kind and gentle woman. Then the chief sent word that she must come and undergo a test. Which was to pick out her own calabash from amongst many others. As she went one of the insects said to her: "Choose that calabash you see a fly settle on." So, when she swa all the calabashes spread out before her, she waited for a fly to settle on one. It settled on the smallest and she picked it up and said: "This is mine." Whereon the chief came out of his hut and to her amazement it was her own husband who said: "Now I know this is my own wife, because she recogonizes the calabash I once gave her." Isimi story with song.
  • Full Text: false
  • Date Issued: 1957

Abasungu balisa-we tata

- Philemon Kalela, Group of Bemba men, Hugh Tracey

  • Authors: Philemon Kalela , Group of Bemba men , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
  • Language: Lozi , Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183808 , vital:44071 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-17
  • Description: "The White people have come, father, they are flying in the sky. They have made the smelter. They have made the shaft. They brought money. They have come here for good, they will never turn back from our country. They have settled in our (Lamba) country, these settlers of the Copper Belt." This refers to great industrial intrusion into this part of Africa where large deposits of copper are now being mined in what used to be a remote and densely wooded part of the country. Topical song
  • Full Text: false
  • Date Issued: 1952

Kalima maundu-wo

- Sons of Barotseland Patriotic Society Choir, Davison Sililo, Hugh Tracey

Mupukumo

- Sirifino Mutare, Two Bemba men, Hugh Tracey

  • Authors: Sirifino Mutare , Two Bemba men , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Kasama f-za
  • Language: Lozi , Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183789 , vital:44069 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-15
  • Description: The scale of this instrumet was:- 592, 544, 504, 456, 424, 376, 340, 308, 280, 252, 228 vs. With the exception of the new top intervals of the scale all the remainder are approximately 1 3/4 semitone each. The intervals measured in cents are:- 126, 208, 174, 172, 165, 182, 173 cents. This tune follows closely upon a well established and unmistakeably Bemba style of melody. When singing in parallel thirds the size of the consecutive thirds, taken from the measured scale would be:- 334, 382, 346, 337, 355 cents. Parallel fourths would be:- 508, 554, 511, 519, 520 cents. Drinking song with Mbira, Chilimba ya waBemba
  • Full Text: false
  • Date Issued: 1952

Muzamaelo wa mahule

- Sons of Barotseland Patriotic Society Choir, Hugh Tracey

Ngombe ya manengenenge

- Sons of Barotseland Patriotic Society Choir, Hugh Tracey

  • Authors: Sons of Barotseland Patriotic Society Choir , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Barotseland f-za
  • Language: Lozi , Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183725 , vital:44056 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-08
  • Description: The song is about a man who very much wanted to marry a certain girl; but had not enough cows to pay the bride price for her. So he made up his mind to go and work in order to earn enough money to buy the cows. He did so, bought the cows and married the girl. "Alleluya" is simply a cheerful refrain copied from the Christians. This song gives the impression of having been influenced by the Nguni of the eastern districts of Northern Rhodesia (Zambia) rather than a song of true Lozi origin. Topical song
  • Full Text: false
  • Date Issued: 1952

Ni sa ikela ku mwanalushi

- Sons of Barotseland Patriotic Society Choir, Hugh Tracey

  • Authors: Sons of Barotseland Patriotic Society Choir , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Barotseland f-za
  • Language: Lozi , Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183716 , vital:44055 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-07
  • Description: The song is about a man who went home to his villag and fell ill. He wanted to go to hospital but his people tried to dissuade him. He replied, "I want to go to hospital and lie on a proper hospital bed" (mbeda). In the villages they lie on the ground. This song recounts the actual experience of the composer who was a boy working on the Northern Rhodesia Railways. Before these people were conquered by the Kololo they are said to have spoken the Siluyiana language. Topical song
  • Full Text: false
  • Date Issued: 1952

Owachitawala

- Philemon Kalela, Group of Bemba men, Hugh Tracey

  • Authors: Philemon Kalela , Group of Bemba men , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
  • Language: Lozi , Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183798 , vital:44070 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-16
  • Description: A song making fun of the Watchtower sect which holds its meetings every Monday and Wednesday in different private houses. The singers were alleged to be Catholics but that did not stop their singing the songs of the rival church. The word Chitawala is made up of the syllables of the English word heard by African Wachi-ta-wa-la. The local Bemba being unable to say an'R', preferring the 'L'. Topical song
  • Full Text: false
  • Date Issued: 1952

Sicembe

- Sirifino Mutare, Hugh Tracey

  • Authors: Sirifino Mutare , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Kasama f-za
  • Language: Lozi , Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183780 , vital:44068 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-14
  • Description: This type of Mbira has a single manual clearly divided into left and right sections, the left having five notes, and the right six. The scale is carried by both sides in a customary though not regular alternation, thus from high to low the eleven notes are found:- L. R. L. R. R. L. R. R. L. R. L. Topical song, with Mbira, Chilimba ya waBemba
  • Full Text: false
  • Date Issued: 1952

Siya ni sike

- Sons of Barotseland Patriotic Society Choir, Davison Sililo, Hugh Tracey

  • Authors: Sons of Barotseland Patriotic Society Choir , Davison Sililo , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Barotseland f-za
  • Language: Lozi , Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183706 , vital:44053 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-06
  • Description: This is the song from a story about a woman and her child who ere lost in the forest. Suddenly the child saw a coconut palm and asked its mother what the tree was. She answered: "Don't be afraid, my child, that is a sign we shall find our way home. It is significant that David Livingstone in one of his journals describes the impression that the palm tree was for him "A hieroglyph that spells 'far from home'." A possible explanation of this remark by the mother is that the palm trees grow mostly along the rivers, and once at the river she would be able to regain her sense of direction. This was recorded with heavy rain pouring down outside the Musaliili Hall, hence the background noise. Story song
  • Full Text: false
  • Date Issued: 1952

Teya-teya

- Sons of Barotseland Patriotic Society Choir, Davison Sililo, Hugh Tracey

  • Authors: Sons of Barotseland Patriotic Society Choir , Davison Sililo , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Barotseland f-za
  • Language: Lozi , Bemba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183695 , vital:44051 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-05
  • Description: This is the song taken from the story about a father who went out hunting, could find no buck and killed his child instead in the forest. But a bird that had seen what he did, sang that it was going to tell the people. So he killed the bird too, but hardly had he gone a few steps when there it was again. Again he killed it and again there it was, and so in the end the bird told the people. It is the parable of a guilty conscience. The reason why he killed his child, they said, was because he had gone out hunting and was unsuccessful and was so ashamed that he killed his child in the place of a buck. A very gruesome story! Story song
  • Full Text: false
  • Date Issued: 1952

Visimu vyangu vyotola

- Kitwe School Bemba Choir, Hugh Tracey

Icalo bafora Chitapankure

- Katilungu, Lawrence, Bemba Men and Women, Composer not specified, Tracey, Hugh

Lyalimba isuba lyalemba

- Katilungu, Lawrence, Bemba Men and Women, Composer not specified, Tracey, Hugh

Tata Shibwalya

- Katilungu, Lawrence, Bemba Men and Women, Composer not specified, Tracey, Hugh

Tatwaibombe incito yafilwa masoca

- Mulenga, David, Composer not specified, Tracey, Hugh

  • Disclaimer
  • Privacy
  • Copyright
  • Contact