Enkoito drum rhythms I
- Authors: Five Haya men , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172501 , vital:42211
- Description: A set of Enkoito drums consists of the following:- 1. Mpero, the smallest, c. 8" membrane. 2. Ntimbo. the starter, the drum on which the basic rhythm is kept. c. 10" - 12" membrane. 5. Nyaminyeko, the bass drum upon which the syncopations are played. c. 12" - 18" membrane. Five conical laced drums, played with sticks.
- Full Text: false
- Authors: Five Haya men , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172501 , vital:42211
- Description: A set of Enkoito drums consists of the following:- 1. Mpero, the smallest, c. 8" membrane. 2. Ntimbo. the starter, the drum on which the basic rhythm is kept. c. 10" - 12" membrane. 5. Nyaminyeko, the bass drum upon which the syncopations are played. c. 12" - 18" membrane. Five conical laced drums, played with sticks.
- Full Text: false
Enkoito drum rhythms II
- Authors: Five Haya men , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172511 , vital:42212
- Description: A set of Enkoito drums consists of the following:- 1. Mpero, the smallest, c. 8" membrane. 2. Ntimbo. the starter, the drum on which the basic rhythm is kept. c. 10" - 12" membrane. 5. Nyaminyeko, the bass drum upon which the syncopations are played. c. 12" - 18" membrane. Five conical laced drums, played with sticks.
- Full Text: false
- Authors: Five Haya men , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172511 , vital:42212
- Description: A set of Enkoito drums consists of the following:- 1. Mpero, the smallest, c. 8" membrane. 2. Ntimbo. the starter, the drum on which the basic rhythm is kept. c. 10" - 12" membrane. 5. Nyaminyeko, the bass drum upon which the syncopations are played. c. 12" - 18" membrane. Five conical laced drums, played with sticks.
- Full Text: false
Kimbalaliki bwaki umwene gwanu nyoile
- Tigalyoma Tiwesobwa with Zinza women, Hugh Tracey
- Authors: Tigalyoma Tiwesobwa with Zinza women , Hugh Tracey
- Date: 1952
- Subjects: Haya (African people) , Nyoro (African people) , Zinza (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya , Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172529 , vital:42215
- Description: "I must tighten my belt because I am going to work on my own house now." A most interesting example of the use of counter subjects to the ground. The verses sung by the soloist are not of the same length, but fit into the general rhythmic pattern. Wedding song, with conical, laced, drum.
- Full Text: false
- Authors: Tigalyoma Tiwesobwa with Zinza women , Hugh Tracey
- Date: 1952
- Subjects: Haya (African people) , Nyoro (African people) , Zinza (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya , Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172529 , vital:42215
- Description: "I must tighten my belt because I am going to work on my own house now." A most interesting example of the use of counter subjects to the ground. The verses sung by the soloist are not of the same length, but fit into the general rhythmic pattern. Wedding song, with conical, laced, drum.
- Full Text: false
Nimpwere bana bange kirika mabondo tirekuramya Gavana
- Kanyogote Mdende with Zinza men and women, Hugh Tracey
- Authors: Kanyogote Mdende with Zinza men and women , Hugh Tracey
- Date: 1952
- Subjects: Haya (African people) , Nyoro (African people) , Zinza (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya , Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172520 , vital:42214
- Description: "Help me to greet the Governor, children." This song is usually sung to greet their own chiefs, but was adapted for the purpose by including special words in honour of the 'Gavana', the Governor of Tanganyika when he visited their district. The favourite 2 against 3 rhythm is used. Greeting song for Chiefs, with conical laced drum.
- Full Text: false
- Authors: Kanyogote Mdende with Zinza men and women , Hugh Tracey
- Date: 1952
- Subjects: Haya (African people) , Nyoro (African people) , Zinza (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya , Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172520 , vital:42214
- Description: "Help me to greet the Governor, children." This song is usually sung to greet their own chiefs, but was adapted for the purpose by including special words in honour of the 'Gavana', the Governor of Tanganyika when he visited their district. The favourite 2 against 3 rhythm is used. Greeting song for Chiefs, with conical laced drum.
- Full Text: false
Orumbugu
- Komile Kaijage with five Haya men, Unknown, Kaijage, Komile, Tracey, Hugh
- Authors: Komile Kaijage with five Haya men , Unknown , Kaijage, Komile , Tracey, Hugh
- Date: 1952
- Subjects: Indigenous folk music , Enkoito dance song for men , Enkoito drums
- Language: Nyoro , Haya
- Type: Sound , Music
- Identifier: vital:15151 , MOA01-07 , http://hdl.handle.net/10962/d1013480 , Master number: XYZ5249 , Research number: GB1383
- Description: Enkoito dance song for men by Komile Kaijage with five Haya men, with enkoito drums , This recording was digitised by the International Library of African Music
- Full Text: false
- Authors: Komile Kaijage with five Haya men , Unknown , Kaijage, Komile , Tracey, Hugh
- Date: 1952
- Subjects: Indigenous folk music , Enkoito dance song for men , Enkoito drums
- Language: Nyoro , Haya
- Type: Sound , Music
- Identifier: vital:15151 , MOA01-07 , http://hdl.handle.net/10962/d1013480 , Master number: XYZ5249 , Research number: GB1383
- Description: Enkoito dance song for men by Komile Kaijage with five Haya men, with enkoito drums , This recording was digitised by the International Library of African Music
- Full Text: false
Lukiza
- Bin Seliman, Habib, Tracey, Hugh
- Authors: Bin Seliman, Habib , Tracey, Hugh
- Date: 1950-08-05
- Subjects: Recitative legend , Nanga trough zither , Indigenous folk music
- Language: Nyoro , Haya
- Type: Sound , Music
- Identifier: vital:15148 , MOA01-04 , http://hdl.handle.net/10962/d1013477 , Tape number: 95 , Master number: 5235-291 , Research number: D4W2 , GALP1322-B5
- Description: English translation of title: 'The angry man' , Recitative legend by Habib bin Seliman, with nanga trough zither (x7) , This recording was digitised by the International Library of African Music
- Full Text: false
- Authors: Bin Seliman, Habib , Tracey, Hugh
- Date: 1950-08-05
- Subjects: Recitative legend , Nanga trough zither , Indigenous folk music
- Language: Nyoro , Haya
- Type: Sound , Music
- Identifier: vital:15148 , MOA01-04 , http://hdl.handle.net/10962/d1013477 , Tape number: 95 , Master number: 5235-291 , Research number: D4W2 , GALP1322-B5
- Description: English translation of title: 'The angry man' , Recitative legend by Habib bin Seliman, with nanga trough zither (x7) , This recording was digitised by the International Library of African Music
- Full Text: false
Nkete
- Makondere Band, led by Eliazali Kazinduki, Kazinduki, Eliazali, Tracey, Hugh
- Authors: Makondere Band, led by Eliazali Kazinduki , Kazinduki, Eliazali , Tracey, Hugh
- Date: 1950-08-05
- Subjects: Victory song after battle , Makondere side-blown horns , Conical laced drum , Cylindrical laced drum (footed, open and pegged) , Indigenous folk music
- Language: Nyoro , Haya
- Type: Sound , Music
- Identifier: vital:15149 , http://hdl.handle.net/10962/d1013478 , MOA01-05 , Tape number: 97 , Master number: 5256-285 , Research number: D4W16 , GALP1325-B4
- Description: Victory song (after battle) by Makondere Band, led by Eliazali Kazinduki, with makondere side-blown horns, accompanied by a single conical laced drum and a cylindrical laced drum (footed, open and pegged) , This recording was digitised by the International Library of African Music
- Full Text: false
- Authors: Makondere Band, led by Eliazali Kazinduki , Kazinduki, Eliazali , Tracey, Hugh
- Date: 1950-08-05
- Subjects: Victory song after battle , Makondere side-blown horns , Conical laced drum , Cylindrical laced drum (footed, open and pegged) , Indigenous folk music
- Language: Nyoro , Haya
- Type: Sound , Music
- Identifier: vital:15149 , http://hdl.handle.net/10962/d1013478 , MOA01-05 , Tape number: 97 , Master number: 5256-285 , Research number: D4W16 , GALP1325-B4
- Description: Victory song (after battle) by Makondere Band, led by Eliazali Kazinduki, with makondere side-blown horns, accompanied by a single conical laced drum and a cylindrical laced drum (footed, open and pegged) , This recording was digitised by the International Library of African Music
- Full Text: false
Enkoito drum rhythms
- Authors: Five Haya men , Tracey, Hugh
- Date: 1950-08-04
- Subjects: Drum rhythms , Single laced conical drums (played with sticks) , Indigenous folk music
- Language: Nyoro , Haya
- Type: Sound , Music
- Identifier: vital:15150 , MOA01-06 , http://hdl.handle.net/10962/d1013479 , Tape number: 93 , Master number: 5220-291 , Research number: D4V9 , GALP1324-A1
- Description: Drum rhythms by five Haya men, with single laced conical drums (played with sticks) , This recording was digitised by the International Library of African Music
- Full Text: false
- Authors: Five Haya men , Tracey, Hugh
- Date: 1950-08-04
- Subjects: Drum rhythms , Single laced conical drums (played with sticks) , Indigenous folk music
- Language: Nyoro , Haya
- Type: Sound , Music
- Identifier: vital:15150 , MOA01-06 , http://hdl.handle.net/10962/d1013479 , Tape number: 93 , Master number: 5220-291 , Research number: D4V9 , GALP1324-A1
- Description: Drum rhythms by five Haya men, with single laced conical drums (played with sticks) , This recording was digitised by the International Library of African Music
- Full Text: false
Aba Mukama
- Ernest Kibuka with Haya men, Hugh Tracey
- Authors: Ernest Kibuka with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172289 , vital:42184
- Description: The laced drum is called Ngoma, the general name of any drum. It only receives a special name when it is part of a set of drums such as the Enkoito set. David Rugomola is said by his men to be the best chief in the whole Bibanja area and the people like him very much. He is a tall man with finely drawn features common to many aristocratic Hima people who rule over several lesser tribes in this part of East Africa. Praise song, with conical laced drum, beaten with sticks, and clapping (-12.03-).
- Full Text: false
- Authors: Ernest Kibuka with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172289 , vital:42184
- Description: The laced drum is called Ngoma, the general name of any drum. It only receives a special name when it is part of a set of drums such as the Enkoito set. David Rugomola is said by his men to be the best chief in the whole Bibanja area and the people like him very much. He is a tall man with finely drawn features common to many aristocratic Hima people who rule over several lesser tribes in this part of East Africa. Praise song, with conical laced drum, beaten with sticks, and clapping (-12.03-).
- Full Text: false
Abamalaya
- Salima with Haya women, Hugh Tracey
- Authors: Salima with Haya women , Hugh Tracey
- Date: 1950
- Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172604 , vital:42227
- Description: The subject of this song refers to the burning question in Bukoba at the time (1950), that of the recent rebellion on the part of the women against virtual enslavement by the men. It has given rise to the most interesting social complications. The rattle is played with a circular movement of the wrist. Ngondo dance song for girls, with 1 laced conical drum and gourd rattle (-12.54-) and clapping (-12.03-).
- Full Text: false
- Authors: Salima with Haya women , Hugh Tracey
- Date: 1950
- Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172604 , vital:42227
- Description: The subject of this song refers to the burning question in Bukoba at the time (1950), that of the recent rebellion on the part of the women against virtual enslavement by the men. It has given rise to the most interesting social complications. The rattle is played with a circular movement of the wrist. Ngondo dance song for girls, with 1 laced conical drum and gourd rattle (-12.54-) and clapping (-12.03-).
- Full Text: false
Ali Majengo
- Kyomile Kabanyolekile with Haya men, Hugh Tracey
- Authors: Kyomile Kabanyolekile with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171926 , vital:42139
- Description: "My love is in Majengo." (the red light district of Bukoba). The great social problem of Bukoba (1950) is the general laxity of morals which followed up on the rise in thier standard of living through the planting of coffee. Men and women alike have lost their standards of recent years. Sung while paddling out to lay nets. The cries are the traditional cries are the traditional cries of the fishermen out on the lake. Paddling song with conical laced drum, beaten with sticks and clapping (-12.03-).
- Full Text: false
- Authors: Kyomile Kabanyolekile with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171926 , vital:42139
- Description: "My love is in Majengo." (the red light district of Bukoba). The great social problem of Bukoba (1950) is the general laxity of morals which followed up on the rise in thier standard of living through the planting of coffee. Men and women alike have lost their standards of recent years. Sung while paddling out to lay nets. The cries are the traditional cries are the traditional cries of the fishermen out on the lake. Paddling song with conical laced drum, beaten with sticks and clapping (-12.03-).
- Full Text: false
Batele bwankya
- Norobeti Michaili with Haya boys, Hugh Tracey
- Authors: Norobeti Michaili with Haya boys , Hugh Tracey
- Date: 1950
- Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172580 , vital:42223
- Description: A very simple song in which the chorus clap their hands turning them over, left over right, right over left, alternately. Katikomurweya Katisha dance songs for men and women, with metal cylindrical drum and clapping (-12.03).
- Full Text: false
- Authors: Norobeti Michaili with Haya boys , Hugh Tracey
- Date: 1950
- Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172580 , vital:42223
- Description: A very simple song in which the chorus clap their hands turning them over, left over right, right over left, alternately. Katikomurweya Katisha dance songs for men and women, with metal cylindrical drum and clapping (-12.03).
- Full Text: false
Bateme Makonge
- Kagaruki Nkokolo with Haya men, Hugh Tracey
- Authors: Kagaruki Nkokolo with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171972 , vital:42144
- Description: "Cut down the trees at Makonge farm." This farm was originally the property of a German farmer. The singer urges his friends to co-operate in this job of cutting the trees. It was also a gesture to retrieve the land from foreign occupation as they say that 'the one who plants trees owns the land'. Topical song with laced conical drum and clapping.
- Full Text: false
- Authors: Kagaruki Nkokolo with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171972 , vital:42144
- Description: "Cut down the trees at Makonge farm." This farm was originally the property of a German farmer. The singer urges his friends to co-operate in this job of cutting the trees. It was also a gesture to retrieve the land from foreign occupation as they say that 'the one who plants trees owns the land'. Topical song with laced conical drum and clapping.
- Full Text: false
Bireke kifwerya
- Ernest Kibuka with Haya men, Hugh Tracey
- Authors: Ernest Kibuka with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172051 , vital:42153
- Description: Many years ago the people of Bukoba tried to come to some agreement about making a paramount chief. The idea failed owing to the narrow loyality of the various peoples of their own minor chiefs. Those who had proposed the amalgamation sang, "Leave the fools alone," resolving to carry out their intentions at some future date. The accent of the clapping falls on pulses 2, 5 and 7 in the 8 pulse measure. Topical song with conical laced drum and clapping.
- Full Text: false
- Authors: Ernest Kibuka with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172051 , vital:42153
- Description: Many years ago the people of Bukoba tried to come to some agreement about making a paramount chief. The idea failed owing to the narrow loyality of the various peoples of their own minor chiefs. Those who had proposed the amalgamation sang, "Leave the fools alone," resolving to carry out their intentions at some future date. The accent of the clapping falls on pulses 2, 5 and 7 in the 8 pulse measure. Topical song with conical laced drum and clapping.
- Full Text: false
Bwonwa
- Angelina Isaka with Haya women / Chief Garikani, Kalema, Hugh Tracey
- Authors: Angelina Isaka with Haya women / Chief Garikani, Kalema , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171761 , vital:42122
- Description: A wedding song to which, in the manner of a West Indian calypso, lines of greeting to the visitors recording the song were made. Wedding song.
- Full Text: false
- Authors: Angelina Isaka with Haya women / Chief Garikani, Kalema , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171761 , vital:42122
- Description: A wedding song to which, in the manner of a West Indian calypso, lines of greeting to the visitors recording the song were made. Wedding song.
- Full Text: false
Damunda
- Laurenti Kamwabwa with Haya boys and girls, Hugh Tracey
- Authors: Laurenti Kamwabwa with Haya boys and girls , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171829 , vital:42130
- Description: Damunda was the pet name of his love, which means the 'Beauty'. Many girls in this district certainly merit the title of Damunda as they are gifted with an unusual share of charm. Love song, with conical laced drum played with sticks and rattles.
- Full Text: false
- Authors: Laurenti Kamwabwa with Haya boys and girls , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171829 , vital:42130
- Description: Damunda was the pet name of his love, which means the 'Beauty'. Many girls in this district certainly merit the title of Damunda as they are gifted with an unusual share of charm. Love song, with conical laced drum played with sticks and rattles.
- Full Text: false
Dikitari Tiyakuyia
- Felisiano Karungula with Haya boys, Hugh Tracey
- Authors: Felisiano Karungula with Haya boys , Hugh Tracey
- Date: 1950
- Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172622 , vital:42230
- Description: "The hospitals is a good place and should not be burnt down. Why, I myself was once treated there." A sentiment which could be echoed through many regions of Africa where rioters are notorious for burning down hospitals, clinics and schools. Ruyaigo dance song for boys and girls, with conical laced drum, 1 gourd rattle (-12.54-) and clapping (-12.03-).
- Full Text: false
- Authors: Felisiano Karungula with Haya boys , Hugh Tracey
- Date: 1950
- Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172622 , vital:42230
- Description: "The hospitals is a good place and should not be burnt down. Why, I myself was once treated there." A sentiment which could be echoed through many regions of Africa where rioters are notorious for burning down hospitals, clinics and schools. Ruyaigo dance song for boys and girls, with conical laced drum, 1 gourd rattle (-12.54-) and clapping (-12.03-).
- Full Text: false
Einembe
- Kyomile Kabanyolekile with Haya men, Hugh Tracey
- Authors: Kyomile Kabanyolekile with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171931 , vital:42140
- Description: "If anyone steals my mangoes I will kill him." This song sung as the fishermen paddle their way home having put out their nets is done at a much more leisurely speed than the outward voyage. When sung in their lake canoes there is no drum, the drum and clapping were used only to keep the singers in time as if they were paddling. Paddling song with conical laced drum, beaten with sticks and clapping (-12.03-).
- Full Text: false
- Authors: Kyomile Kabanyolekile with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171931 , vital:42140
- Description: "If anyone steals my mangoes I will kill him." This song sung as the fishermen paddle their way home having put out their nets is done at a much more leisurely speed than the outward voyage. When sung in their lake canoes there is no drum, the drum and clapping were used only to keep the singers in time as if they were paddling. Paddling song with conical laced drum, beaten with sticks and clapping (-12.03-).
- Full Text: false
Enaku zita amalembo
- Kabyoma Mashulamo, Hugh Tracey
- Authors: Kabyoma Mashulamo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172138 , vital:42165
- Description: "I am worried because I am poor and have no one to look after me." The zither is the ideal instrument with which to express your sorrow it appears. Tuning 152, 136, 126, 118,105, 101, 93 vs. Lament with Nanga trough zither, 7 notes.
- Full Text: false
- Authors: Kabyoma Mashulamo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172138 , vital:42165
- Description: "I am worried because I am poor and have no one to look after me." The zither is the ideal instrument with which to express your sorrow it appears. Tuning 152, 136, 126, 118,105, 101, 93 vs. Lament with Nanga trough zither, 7 notes.
- Full Text: false
Enjangu
- Eliasi Karuandila with Haya men, Hugh Tracey
- Authors: Eliasi Karuandila with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172074 , vital:42157
- Description: How the cat became a domestic animal. The chattering of villagers can be heard in the background. Story with song.
- Full Text: false
- Authors: Eliasi Karuandila with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172074 , vital:42157
- Description: How the cat became a domestic animal. The chattering of villagers can be heard in the background. Story with song.
- Full Text: false