Showing items 1861 - 1880 of 2120

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Wdoyika u-Ntusangili

Wemka unlungu nelizwe

Wemka unlungu nelizwe

Wena Bawondi Wela

  • Authors: Villagers from Dabi's location near Peddie , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Peddie f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/149199 , vital:38814 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-06
  • Description: The words of this song make no sense. The woman leading this song was pleased at the long final note of the song being recorded and said "This thing (i.e. the loud speaker) kept up with me the whole way. The people of this district are actually Fingo or Mfengu but speak Ngqika. Their ancestors were refugees from Shaka and came here from Swaziland over 120 years ago. The song is sung before initiation, when the young man is old enough to undergo his ordeal. Circumcision song with clapping.
  • Full Text: false
  • Date Issued: 1957

Woho naizhi

Woho naizhi

  • Authors: Group of old Hlubi men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Tembu (African people) , Field recordings , Folk songs, Xhosa , Africa, Sub-Saharan , Africa South Africa Matatiele f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139678 , vital:37767 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR050-04
  • Description: Some very spirited solo performances were put up by individuals who dashed out of a line to take up a new song, each replacing the last man. The first song indicated that the hero of the song had a case to bring. The second, that he should be caught. The third one that he should be held, and so on. Each of the many singers and dancers liked to come out into the ring, shout his individual cries and introduce his own song. The occassional interpolation of a horn was made by blowing through an pld rubber bulb type motor-cycle horn. Mgibo pre-initiation dance with sticks.
  • Full Text: false
  • Date Issued: 1957

Wolala (Wolala, why! Wolala, I am leaving)

  • Authors: Young Xhosa men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Kentani f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/150770 , vital:39004 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-04
  • Description: Wolala is a man's name. There are few if any words in the lyric. This was sung by a group of young people, the girls and boys rather younger than the first group and not so gaily dressed. The girls clap their hands and stamp one foot alternately swinging rhythmically forward and backward. Mtshotsho dance for young men and women with clapping.
  • Full Text: false
  • Date Issued: 1957

Yavela i motokari (Here comes the motor car)

  • Authors: Group of Xhosa women and Notembile and Nopenrose , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136100 , vital:37338 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-05
  • Description: The women listened very intently to the playback of their song and laughed when the baby's voice was heard in the recording. Self-delectative song with Hadi musical bow, unbraced, open and resonated.
  • Full Text: false
  • Date Issued: 1957

Yazula inkabi endxla

Yazula inkabi endxla

Ye magwaza (To stab)

Yeapinalekosi (Where does this Chief belong)

  • Authors: Khotso and Mpondo men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136506 , vital:37385 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR031-08
  • Description: "Yeapinalekosi? Yeye Lizilamapono." "Where does this Chief belong? He is of the country of the Mpondos." Khotso was in charge of this group of men and women and he is regarded as the most important of the local Izangoma, or herbalists in the Transkei. He bought them all down from Kokstad for the purpose. Divination song with clapping and 5 drums.
  • Full Text: false
  • Date Issued: 1957

Yizane Mbiza (Bring the pot)

  • Authors: Young boys , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Peddie f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/150660 , vital:38994 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR060-12
  • Description: This Mbayizelo or Impezu dance is not performed for any special occasion but just for fun. One young boy plays the repeated melody or the mouth organ, while the others do a kind of prancing dance while making a rhythmic roaring noise in their throats. Mbayizelo dance song, with mouth organ (harmonica).
  • Full Text: false
  • Date Issued: 1957

Yombela (Clap hands)

  • Authors: Jury Mpelho , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Grahamstown f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/135916 , vital:37311 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR027-04
  • Description: "Over on the other side of the Kei River, the people are losing all their cattle on account of this "yombela" business.- We must try and stop it. The explanation behind these words is that the people who consult a diviner are always asked to slaughter one of their cattle. They consult diviners frequently and thus become gradually improverished.- The word "yombela" or hand clapping alludes to the custom of clapping at the command of the diviner when he tells a man's fortune. Diviner = Igqiya. (Sangoma in Zulu). Town dance with small band including a piano, saxaphone, trumpet, guitar and drum.
  • Full Text: false
  • Date Issued: 1957

Wo yo yo

Salukazana

Umteyo

Bayi Lam

Blues (Swallows RFC Song

Emva paya

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