Nadina (Bring them back)
- Zande elephant drivers, Hugh Tracey
- Authors: Zande elephant drivers , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Alur (African people) , Swahili-speaking peoples , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Dungu f-cg
- Language: Zande/Vongara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168011 , vital:41531 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0124-03
- Description: The song was learnt from the original Indian trainers who came across to Africa from India with Indian elephants when the experimental training of African elephants was begun in North Eastern Congo in 1910. The songs taught to the local Zande mahouts or trainers (locally called Cornacs) have survived though local words have partly replaced the original words of the Indians. The original Indian mahouts impressed upon the Zande the need for singing to their elephants, an instruction they have never neglected. Work song for riding and driving tamed elphants.
- Full Text: false
- Date Issued: 1952
- Authors: Zande elephant drivers , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Alur (African people) , Swahili-speaking peoples , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Dungu f-cg
- Language: Zande/Vongara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168011 , vital:41531 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0124-03
- Description: The song was learnt from the original Indian trainers who came across to Africa from India with Indian elephants when the experimental training of African elephants was begun in North Eastern Congo in 1910. The songs taught to the local Zande mahouts or trainers (locally called Cornacs) have survived though local words have partly replaced the original words of the Indians. The original Indian mahouts impressed upon the Zande the need for singing to their elephants, an instruction they have never neglected. Work song for riding and driving tamed elphants.
- Full Text: false
- Date Issued: 1952
Nadu
- Authors: Medje men , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166752 , vital:41400 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0120-01
- Description: The Nadu dance is performed in a straight line. The Medje names of the instruments were:- Conical drum - Nabita, large bell drum - Nedundu, Slit drum - Nekbokbo, Pod drum - Emandru, Double metal bell - Nenbongbo, Basket rattle - Nezeza. The Medje have earned for themselves a reputation for singing and dancing. The steps of their dances are simple but most effective en masse. Marriage dance with 4 conical laced drums, 1 large bell slit drum, 2 pod slit drums, 2 small slit drums, 1 double metal bell, 1 metal hand bell and 6 basket rattles.
- Full Text: false
- Date Issued: 1952
- Authors: Medje men , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166752 , vital:41400 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0120-01
- Description: The Nadu dance is performed in a straight line. The Medje names of the instruments were:- Conical drum - Nabita, large bell drum - Nedundu, Slit drum - Nekbokbo, Pod drum - Emandru, Double metal bell - Nenbongbo, Basket rattle - Nezeza. The Medje have earned for themselves a reputation for singing and dancing. The steps of their dances are simple but most effective en masse. Marriage dance with 4 conical laced drums, 1 large bell slit drum, 2 pod slit drums, 2 small slit drums, 1 double metal bell, 1 metal hand bell and 6 basket rattles.
- Full Text: false
- Date Issued: 1952
Nakatiye
- Authors: Oboto Sukuma , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166890 , vital:41415 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0121-01
- Description: Only one of the two strings of this lute is stopped, the other being used as a kind of drone. A very simple five note accompaniment is possible by this means, from the open string with three stopped notes together with the drone. A bent piece of midrib from a fowl's father is fixed at the far end of the string to act as a buzzer when the string in vibration strikes against it. This stopped lute is found occasionally all the way from this district southwards to the Zambezi, though very rare in the north. What its distribution my be further north and west unknown at present. Both words and instrumental accompaniment are clearly heard in this recording. Topical song with Nenjenje lute, two strings.
- Full Text: false
- Date Issued: 1952
- Authors: Oboto Sukuma , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166890 , vital:41415 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0121-01
- Description: Only one of the two strings of this lute is stopped, the other being used as a kind of drone. A very simple five note accompaniment is possible by this means, from the open string with three stopped notes together with the drone. A bent piece of midrib from a fowl's father is fixed at the far end of the string to act as a buzzer when the string in vibration strikes against it. This stopped lute is found occasionally all the way from this district southwards to the Zambezi, though very rare in the north. What its distribution my be further north and west unknown at present. Both words and instrumental accompaniment are clearly heard in this recording. Topical song with Nenjenje lute, two strings.
- Full Text: false
- Date Issued: 1952
Naniyamwenda
- Nekemiya Nanywamu and Kasani Byansi, Hugh Tracey
- Authors: Nekemiya Nanywamu and Kasani Byansi , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171217 , vital:42032 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-07
- Description: A song about the dreadful results of not obeying your parents. A badly brought up disobedient girl is bound to be unhappily married and when her husband beats her for not putting salt in the vegetables, for example, she would get no sympathy from her parents. Morality song, with Ntongoli 8 string lyre and Ndingidi 1 string lute (-10-54-).
- Full Text: false
- Date Issued: 1952
- Authors: Nekemiya Nanywamu and Kasani Byansi , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171217 , vital:42032 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-07
- Description: A song about the dreadful results of not obeying your parents. A badly brought up disobedient girl is bound to be unhappily married and when her husband beats her for not putting salt in the vegetables, for example, she would get no sympathy from her parents. Morality song, with Ntongoli 8 string lyre and Ndingidi 1 string lute (-10-54-).
- Full Text: false
- Date Issued: 1952
Nanyini kayu bwali da
- Ludovico Mugerwa and Ganda women, Hugh Tracey
- Authors: Ludovico Mugerwa and Ganda women , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171094 , vital:42018 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0139-11
- Description: "When the owner of the house comes, where will you run?" Meaning when you come to be married how will you account for yourself. Kasumba, when he finds the young woman of his own village standing about the street corners of Kampala, is about to arresr them and send them back home. Kasumba himself was present at the recording. He was a representative of the Ssaza Chief Kago. It is not unusual for a singer to sing about those present, and he enjoys within reason a Jester's licence of the speech. Topical song, with 1 tall, cylindrical, open and pinned drum, 1 large conical laced drum (-14.22301-) and hand clapping (-12.03-).
- Full Text: false
- Date Issued: 1952
- Authors: Ludovico Mugerwa and Ganda women , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171094 , vital:42018 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0139-11
- Description: "When the owner of the house comes, where will you run?" Meaning when you come to be married how will you account for yourself. Kasumba, when he finds the young woman of his own village standing about the street corners of Kampala, is about to arresr them and send them back home. Kasumba himself was present at the recording. He was a representative of the Ssaza Chief Kago. It is not unusual for a singer to sing about those present, and he enjoys within reason a Jester's licence of the speech. Topical song, with 1 tall, cylindrical, open and pinned drum, 1 large conical laced drum (-14.22301-) and hand clapping (-12.03-).
- Full Text: false
- Date Issued: 1952
Narone
- Zande elephant drivers, Hugh Tracey
- Authors: Zande elephant drivers , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Alur (African people) , Swahili-speaking peoples , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Dungu f-cg
- Language: Zande/Vongara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167995 , vital:41529 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0124-01
- Description: The Zande men were found by the Beligians to be the only ones brave enough to handle and tame the wild African elephants, young elephants are caught in the forest or open plains and trained in much the same way as Burmese elephants. The Zande cornacs are a gay lot and much of their recreation time in the forest is spent in dancing. The Narone is a circle or ring dance with the drums playing in the center. This recording was made at Nepoko, the rest camp for sick elephants near Andudu in the northern edge of the Ituri forest, where they are cured under the supervision of M. de Medins, the renowned hunter and game warden. Narone dance, with 1 wooden cylindrical slit drum and 1 small bass drum, laced.
- Full Text: false
- Date Issued: 1952
- Authors: Zande elephant drivers , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Alur (African people) , Swahili-speaking peoples , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Dungu f-cg
- Language: Zande/Vongara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167995 , vital:41529 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0124-01
- Description: The Zande men were found by the Beligians to be the only ones brave enough to handle and tame the wild African elephants, young elephants are caught in the forest or open plains and trained in much the same way as Burmese elephants. The Zande cornacs are a gay lot and much of their recreation time in the forest is spent in dancing. The Narone is a circle or ring dance with the drums playing in the center. This recording was made at Nepoko, the rest camp for sick elephants near Andudu in the northern edge of the Ituri forest, where they are cured under the supervision of M. de Medins, the renowned hunter and game warden. Narone dance, with 1 wooden cylindrical slit drum and 1 small bass drum, laced.
- Full Text: false
- Date Issued: 1952
Nautu
- Authors: Medje men , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166761 , vital:41401 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0120-02
- Description: The song is performed during the initiation ceremony at the moment when the initiates are ready for the officiant. The Medje tribe is one of the group of peoples associated with the Mangbetu. This group became the overlords of the area and their culture dominated the countryside. The style of singing resembles slightly that of the Luvale of the Southern Congo, although there is no connection between them. Circumcision song and dance with 4 conical drums, 1 large bell drum, 2 pod drums, 2 small slit drums, 1 double metal bell, 6 basket rattles, and 1 metal hand bell.
- Full Text: false
- Date Issued: 1952
- Authors: Medje men , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166761 , vital:41401 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0120-02
- Description: The song is performed during the initiation ceremony at the moment when the initiates are ready for the officiant. The Medje tribe is one of the group of peoples associated with the Mangbetu. This group became the overlords of the area and their culture dominated the countryside. The style of singing resembles slightly that of the Luvale of the Southern Congo, although there is no connection between them. Circumcision song and dance with 4 conical drums, 1 large bell drum, 2 pod drums, 2 small slit drums, 1 double metal bell, 6 basket rattles, and 1 metal hand bell.
- Full Text: false
- Date Issued: 1952
Nawai, mwana zeda
- Engbaka Philippe and friend, Hugh Tracey
- Authors: Engbaka Philippe and friend , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Aketi f-cg
- Language: Kusu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168905 , vital:41659 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-07
- Description: The players friend sat beside him with another Ekembe on which he played one note by way of a rhythmic accompaniment as the second instrument was not peoperly in tune, and so they could not be played together. This policeman, it appears, would insist upon any man he arrested dancing before him to the tune of his Ekembe on their way to the police station. No one thought this to be an imposition and in fact both policeman and offender enjoyed the performances. While the third song was being played a man in the crowd was actually arrested by another member of the African Police and marched off. Muzeze song with Ekembe 10 note Likembe.
- Full Text: false
- Date Issued: 1952
- Authors: Engbaka Philippe and friend , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Aketi f-cg
- Language: Kusu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168905 , vital:41659 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-07
- Description: The players friend sat beside him with another Ekembe on which he played one note by way of a rhythmic accompaniment as the second instrument was not peoperly in tune, and so they could not be played together. This policeman, it appears, would insist upon any man he arrested dancing before him to the tune of his Ekembe on their way to the police station. No one thought this to be an imposition and in fact both policeman and offender enjoyed the performances. While the third song was being played a man in the crowd was actually arrested by another member of the African Police and marched off. Muzeze song with Ekembe 10 note Likembe.
- Full Text: false
- Date Issued: 1952
Ndeke
- soilders of the Force Publique, at Camp Militaire, Gombari, Hugh Tracey
- Authors: soilders of the Force Publique, at Camp Militaire, Gombari , Hugh Tracey
- Date: 1952
- Subjects: Ngala (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Mbangala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169159 , vital:41691 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0129-11
- Description: These marching songs are well known and sung by all Congo askari, the African soilders of the Force Publique. Ngala is the official lingua franca for all the native soilders of the Congo, a country where there are over 400 Bantu and nearly 100 non Bantu, languages and dialects. (Copied from disc). Soilders marching song with 3 bass drums.
- Full Text: false
- Date Issued: 1952
- Authors: soilders of the Force Publique, at Camp Militaire, Gombari , Hugh Tracey
- Date: 1952
- Subjects: Ngala (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Mbangala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169159 , vital:41691 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0129-11
- Description: These marching songs are well known and sung by all Congo askari, the African soilders of the Force Publique. Ngala is the official lingua franca for all the native soilders of the Congo, a country where there are over 400 Bantu and nearly 100 non Bantu, languages and dialects. (Copied from disc). Soilders marching song with 3 bass drums.
- Full Text: false
- Date Issued: 1952
Ndiri (1st recording)
- Albert Lokwa na Jarimo, Hugh Tracey
- Authors: Albert Lokwa na Jarimo , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Alur (African people) , Swahili-speaking peoples , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mahagi f-cg
- Language: Zande/Vongara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168046 , vital:41534 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0124-06
- Description: The instruments played by the Alur are typical of the Congo family of Likembe, or box Mbira. The Alur are one of the great Luo groups of tribes and are found both in Uganda and North East Congo. These two Likembe are an octave apart and sound very well played together, though the singing in the first song is crude in comparison with the delicacy of the accompaniment. The song 'Ndiri' with its brilliant accompaniment was so striking that I recorded it a second time to see what variations the players would employ. Both editions are reproduced on this disc for close comparision. The treble Likembe is called Natine and the bass Minu an octave lower. Topical song with Likembe and a struck stick.
- Full Text: false
- Date Issued: 1952
- Authors: Albert Lokwa na Jarimo , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Alur (African people) , Swahili-speaking peoples , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mahagi f-cg
- Language: Zande/Vongara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168046 , vital:41534 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0124-06
- Description: The instruments played by the Alur are typical of the Congo family of Likembe, or box Mbira. The Alur are one of the great Luo groups of tribes and are found both in Uganda and North East Congo. These two Likembe are an octave apart and sound very well played together, though the singing in the first song is crude in comparison with the delicacy of the accompaniment. The song 'Ndiri' with its brilliant accompaniment was so striking that I recorded it a second time to see what variations the players would employ. Both editions are reproduced on this disc for close comparision. The treble Likembe is called Natine and the bass Minu an octave lower. Topical song with Likembe and a struck stick.
- Full Text: false
- Date Issued: 1952
Ndiri (2nd recording)
- Albert Lokwa na Jarimo, Hugh Tracey
- Authors: Albert Lokwa na Jarimo , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Alur (African people) , Swahili-speaking peoples , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mahagi f-cg
- Language: Zande/Vongara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168051 , vital:41536 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0124-07
- Description: The instruments played by the Alur are typical of the Congo family of Likembe, or box Mbira. The Alur are one of the great Luo groups of tribes and are found both in Uganda and North East Congo. These two Likembe are an octave apart and sound very well played together, though the singing in the first song is crude in comparison with the delicacy of the accompaniment. The song 'Ndiri' with its brilliant accompaniment was so striking that I recorded it a second time to see what variations the players would employ. Both editions are reproduced on this disc for close comparision. The treble Likembe is called Natine and the bass Minu an octave lower. Topical song with Likembe and a struck stick.
- Full Text: false
- Date Issued: 1952
- Authors: Albert Lokwa na Jarimo , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Alur (African people) , Swahili-speaking peoples , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mahagi f-cg
- Language: Zande/Vongara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168051 , vital:41536 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0124-07
- Description: The instruments played by the Alur are typical of the Congo family of Likembe, or box Mbira. The Alur are one of the great Luo groups of tribes and are found both in Uganda and North East Congo. These two Likembe are an octave apart and sound very well played together, though the singing in the first song is crude in comparison with the delicacy of the accompaniment. The song 'Ndiri' with its brilliant accompaniment was so striking that I recorded it a second time to see what variations the players would employ. Both editions are reproduced on this disc for close comparision. The treble Likembe is called Natine and the bass Minu an octave lower. Topical song with Likembe and a struck stick.
- Full Text: false
- Date Issued: 1952
Nebandima
- Mongika and Mangbele men and women, Hugh Tracey
- Authors: Mongika and Mangbele men and women , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168973 , vital:41666 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-12
- Description: Mongika is the present Chief of the Mangbele. He and his two wives wore headdresses made of the scarlet tail feathers of the Congo parrot, a mark of distinction in this area. In this region on the northern edge of the great tropical forest large trees enable the people to make slit drums of many different shapes and sizes. Membranes for the ordinary kind of African drums are rare as antelopes are not easily found in the forest. The slit drums are therefore the more popular instruments for accompanying dances. Topical song with two wooden pod shaped slit drums, two cylindrical wooden slit drums, two basket rattles, two metal bells.
- Full Text: false
- Date Issued: 1952
- Authors: Mongika and Mangbele men and women , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168973 , vital:41666 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-12
- Description: Mongika is the present Chief of the Mangbele. He and his two wives wore headdresses made of the scarlet tail feathers of the Congo parrot, a mark of distinction in this area. In this region on the northern edge of the great tropical forest large trees enable the people to make slit drums of many different shapes and sizes. Membranes for the ordinary kind of African drums are rare as antelopes are not easily found in the forest. The slit drums are therefore the more popular instruments for accompanying dances. Topical song with two wooden pod shaped slit drums, two cylindrical wooden slit drums, two basket rattles, two metal bells.
- Full Text: false
- Date Issued: 1952
Negbada
- Authors: Mangbele men , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168982 , vital:41667 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-13
- Description: In the hilly country of North Eastern Congo and in the great tropical forest basin of the Ituri, the Tipoyi or Sedan chair is still the only means of passenger transport away from the main roads. Not only officials but most native chiefs and notables are carried in this manner by four or more bearers, who after the fashion of all Africans use special occupational songs for this kind of work. Tipoyi carriers song, with two wooden pod shaped slit drums and two cylindrical slit drums.
- Full Text: false
- Date Issued: 1952
- Authors: Mangbele men , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168982 , vital:41667 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-13
- Description: In the hilly country of North Eastern Congo and in the great tropical forest basin of the Ituri, the Tipoyi or Sedan chair is still the only means of passenger transport away from the main roads. Not only officials but most native chiefs and notables are carried in this manner by four or more bearers, who after the fashion of all Africans use special occupational songs for this kind of work. Tipoyi carriers song, with two wooden pod shaped slit drums and two cylindrical slit drums.
- Full Text: false
- Date Issued: 1952
Nekenye
- Authors: Mangbele men , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168949 , vital:41664 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-10
- Description: The Mangbele are a sub-group of the Mangbetu, mixed with the Mamvy. Most tribes in this north eastern corner of the Congo have been absorbed in whole or in part by their neighbours. This Bantu tribe came under the cultural sway of the stronger Sudanic Mangbetu and have adopted the habits of their mentors. The name of the chief whose praises are sung in this song is Mokoto. Praise song for a Chief, with two wooden pod drums, and two cylindrical wooden slit drums and two bells and basket rattles.
- Full Text: false
- Date Issued: 1952
- Authors: Mangbele men , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168949 , vital:41664 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-10
- Description: The Mangbele are a sub-group of the Mangbetu, mixed with the Mamvy. Most tribes in this north eastern corner of the Congo have been absorbed in whole or in part by their neighbours. This Bantu tribe came under the cultural sway of the stronger Sudanic Mangbetu and have adopted the habits of their mentors. The name of the chief whose praises are sung in this song is Mokoto. Praise song for a Chief, with two wooden pod drums, and two cylindrical wooden slit drums and two bells and basket rattles.
- Full Text: false
- Date Issued: 1952
Nemangolia
- Ebogoma Gabriel, Hugh Tracey
- Authors: Ebogoma Gabriel , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166822 , vital:41408 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0120-09
- Description: The singer learnt to play the Neikembe in 1945 at Medje. Both tunes have attractive simple little accompaniments, ideal for this kind of song. The tuning of the Neilembe from left to right. First tuning:- 640, 528, 432, 320, 264, 216, 396, 480, 592, 720. 360. Second tuning:- 800, 608, 488, 324, 276, 244, 400, 544, 656, 712, 364. Topical song with Neikembe, box resonated Likembe.
- Full Text: false
- Date Issued: 1952
- Authors: Ebogoma Gabriel , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166822 , vital:41408 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0120-09
- Description: The singer learnt to play the Neikembe in 1945 at Medje. Both tunes have attractive simple little accompaniments, ideal for this kind of song. The tuning of the Neilembe from left to right. First tuning:- 640, 528, 432, 320, 264, 216, 396, 480, 592, 720. 360. Second tuning:- 800, 608, 488, 324, 276, 244, 400, 544, 656, 712, 364. Topical song with Neikembe, box resonated Likembe.
- Full Text: false
- Date Issued: 1952
Nemegye
- Authors: Oboto Sukuma , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166906 , vital:41417 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0121-03
- Description: The singer who appears to be over the age of 60 is a renowned performer in this district. The audience thoroughly enjoyed his wit, though without an interpreter available its substance was not disclosed. The singer appears to use a few Swhaili words in the earlier verses of 'Nemegye'. Topical song with Nenjenje lute, two strings.
- Full Text: false
- Date Issued: 1952
- Authors: Oboto Sukuma , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166906 , vital:41417 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0121-03
- Description: The singer who appears to be over the age of 60 is a renowned performer in this district. The audience thoroughly enjoyed his wit, though without an interpreter available its substance was not disclosed. The singer appears to use a few Swhaili words in the earlier verses of 'Nemegye'. Topical song with Nenjenje lute, two strings.
- Full Text: false
- Date Issued: 1952
Nemejolia
- Authors: Oboto Sukuma , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166917 , vital:41418 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0121-04
- Description: The singer who appears to be over the age of 60 is a renowned performer in this district. The audience thoroughly enjoyed his wit, though without an interpreter available its substance was not disclosed. The singer appears to use a few Swhaili words in the earlier verses of 'Nemegye'. Topical song with Nenjenje lute, two strings.
- Full Text: false
- Date Issued: 1952
- Authors: Oboto Sukuma , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166917 , vital:41418 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0121-04
- Description: The singer who appears to be over the age of 60 is a renowned performer in this district. The audience thoroughly enjoyed his wit, though without an interpreter available its substance was not disclosed. The singer appears to use a few Swhaili words in the earlier verses of 'Nemegye'. Topical song with Nenjenje lute, two strings.
- Full Text: false
- Date Issued: 1952
Nenemegyeti
- Authors: Oboto Sukuma , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166898 , vital:41416 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0121-02
- Description: Only one of the two strings of this lute is stopped, the other being used as a kind of drone. A very simple five note accompaniment is possible by this means, from the open string with three stopped notes together with the drone. A bent piece of midrib from a fowl's father is fixed at the far end of the string to act as a buzzer when the string in vibration strikes against it. This stopped lute is found occasionally all the way from this district southwards to the Zambezi, though very rare in the north. What its distribution my be further north and west unknown at present. Both words and instrumental accompaniment are clearly heard in this recording. Topical song with Nenjenje lute, two strings.
- Full Text: false
- Date Issued: 1952
- Authors: Oboto Sukuma , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166898 , vital:41416 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0121-02
- Description: Only one of the two strings of this lute is stopped, the other being used as a kind of drone. A very simple five note accompaniment is possible by this means, from the open string with three stopped notes together with the drone. A bent piece of midrib from a fowl's father is fixed at the far end of the string to act as a buzzer when the string in vibration strikes against it. This stopped lute is found occasionally all the way from this district southwards to the Zambezi, though very rare in the north. What its distribution my be further north and west unknown at present. Both words and instrumental accompaniment are clearly heard in this recording. Topical song with Nenjenje lute, two strings.
- Full Text: false
- Date Issued: 1952
Nenjenje
- Authors: Ndolomu Mopamu , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166922 , vital:41419 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0121-05
- Description: "My wife I am feeling happy today so I want to sing and make very nice music." Topical song with Nenjenje lute, two strings.
- Full Text: false
- Date Issued: 1952
- Authors: Ndolomu Mopamu , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166922 , vital:41419 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0121-05
- Description: "My wife I am feeling happy today so I want to sing and make very nice music." Topical song with Nenjenje lute, two strings.
- Full Text: false
- Date Issued: 1952
Nenye angupu
- Authors: Medje men , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166770 , vital:41402 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0120-02
- Description: "We honour our Chief, we are ready for him to inspect our work." The song is performed when Chief arrives in a village on a visit. The Medje tribe in a fertile palm forest region south of the small town of Paulis. The music is strangely reminiscent of that of the Bemba from the South Eastern borders of the Congo and Northern Rhodesia a thousand miles away. Praise song for a Chief with 4 conical drums, 1 large bell drum, 2 pod drums, 1 small cylindrical drum, 2 small slit drums, 1 double metal bell, basket rattles and metal hand bell.
- Full Text: false
- Date Issued: 1952
- Authors: Medje men , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166770 , vital:41402 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0120-02
- Description: "We honour our Chief, we are ready for him to inspect our work." The song is performed when Chief arrives in a village on a visit. The Medje tribe in a fertile palm forest region south of the small town of Paulis. The music is strangely reminiscent of that of the Bemba from the South Eastern borders of the Congo and Northern Rhodesia a thousand miles away. Praise song for a Chief with 4 conical drums, 1 large bell drum, 2 pod drums, 1 small cylindrical drum, 2 small slit drums, 1 double metal bell, basket rattles and metal hand bell.
- Full Text: false
- Date Issued: 1952