Mwayishe mbungeya mwema
- Authors: Mushipi Mukuma , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luvale (African people) , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Angola Luhakano f-ao
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137170 , vital:37495 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-08
- Description: Simple song in typical Luvale style of a kind which must have been sung for centuries throughhout Africa. The mbira or Likembe accompaniment of the second is interesting for its cross rhythm. The scale of the instrument is hexatonic in the lower part of the scale but may well be heptatonic if one extra note in the upper octave is taken in to account. Scale of instrument as follows:- 672, 592, 544, 488, 416, 376, 336, 312, 268, 244. Self-delectative song with Muchapata Likembe Mbira box and mirliton
- Full Text: false
- Date Issued: 1957
- Authors: Mushipi Mukuma , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luvale (African people) , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Angola Luhakano f-ao
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137170 , vital:37495 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-08
- Description: Simple song in typical Luvale style of a kind which must have been sung for centuries throughhout Africa. The mbira or Likembe accompaniment of the second is interesting for its cross rhythm. The scale of the instrument is hexatonic in the lower part of the scale but may well be heptatonic if one extra note in the upper octave is taken in to account. Scale of instrument as follows:- 672, 592, 544, 488, 416, 376, 336, 312, 268, 244. Self-delectative song with Muchapata Likembe Mbira box and mirliton
- Full Text: false
- Date Issued: 1957
Mwayowoya ciyowoyeyowoye mwayo woya (You don't know what your are talking about)
- Ruben Tankadi Mbuluwundi and group of 5 Tumbuka men, Hugh Tracey
- Authors: Ruben Tankadi Mbuluwundi and group of 5 Tumbuka men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Tumbuka (African people)--Music , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Rumpi f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140171 , vital:37843 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR054-01
- Description: The song is addressed to a "gate crasher" who is trying to force himself into a drinking party. The others say: "Why should you drink our beer, after all we paid for it." "Go away, you don't know what you are talking about." Ten men had pooled their resources to buy the beer and then they found an eleventh among them who had not paid. Humorous song.
- Full Text: false
- Date Issued: 1957
- Authors: Ruben Tankadi Mbuluwundi and group of 5 Tumbuka men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Tumbuka (African people)--Music , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Rumpi f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140171 , vital:37843 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR054-01
- Description: The song is addressed to a "gate crasher" who is trying to force himself into a drinking party. The others say: "Why should you drink our beer, after all we paid for it." "Go away, you don't know what you are talking about." Ten men had pooled their resources to buy the beer and then they found an eleventh among them who had not paid. Humorous song.
- Full Text: false
- Date Issued: 1957
Mwe baiyashi cenjeleni (My parents take care)
- B. Kabushi and D. Mwenya, Hugh Tracey
- Authors: B. Kabushi and D. Mwenya , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Mufulira Copper Mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151707 , vital:39162 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-04
- Description: This is a warning to bring up their children carefully or they will go to the bad. "I have 2 children, the boy is a 'tsotsi' (vagabond) and the girl is a Kapenta (a painted one) so I have given birth to 2 useless children." Mortality sing with guitar.
- Full Text: false
- Date Issued: 1957
- Authors: B. Kabushi and D. Mwenya , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Mufulira Copper Mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151707 , vital:39162 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-04
- Description: This is a warning to bring up their children carefully or they will go to the bad. "I have 2 children, the boy is a 'tsotsi' (vagabond) and the girl is a Kapenta (a painted one) so I have given birth to 2 useless children." Mortality sing with guitar.
- Full Text: false
- Date Issued: 1957
Mweba kashi ndiswileni ingalikwa kuchimbolo
- Performer not specified, Shef Mataba (Composer), Hugh Tracey
- Authors: Performer not specified , Shef Mataba (Composer) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lala (African people) , Africa South Africa Serenje f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133714 , vital:37007 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR014-06
- Description: Self-delectative song with Kankowele mbira fan-shaped, with external resonator and mirliton with 2 manuals
- Full Text: false
- Date Issued: 1957
- Authors: Performer not specified , Shef Mataba (Composer) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lala (African people) , Africa South Africa Serenje f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133714 , vital:37007 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR014-06
- Description: Self-delectative song with Kankowele mbira fan-shaped, with external resonator and mirliton with 2 manuals
- Full Text: false
- Date Issued: 1957
Mwehanensu ifitala (Our friends are jealous)
- Group of 5 Aushi boys, Hugh Tracey
- Authors: Group of 5 Aushi boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Topical songs , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134418 , vital:37147 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0019-16
- Description: The singers say they went to compete with others and acquitted themselves very well. Unfortunately their best singer Joni, was not there. Topical song.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 5 Aushi boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Topical songs , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134418 , vital:37147 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0019-16
- Description: The singers say they went to compete with others and acquitted themselves very well. Unfortunately their best singer Joni, was not there. Topical song.
- Full Text: false
- Date Issued: 1957
Mwehanensu ifitala (Our friends are jealous)
- Group of 5 Aushi boys, Hugh Tracey
- Authors: Group of 5 Aushi boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Topical songs , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134431 , vital:37148 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0019-16
- Description: The song is concerned with the rivalries and jealousies of two competing groups of singers.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 5 Aushi boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Topical songs , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134431 , vital:37148 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0019-16
- Description: The song is concerned with the rivalries and jealousies of two competing groups of singers.
- Full Text: false
- Date Issued: 1957
Mwemfwiti
- Gruop of lala men and 1 woman, Hugh Tracey
- Authors: Gruop of lala men and 1 woman , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Africa Zambia Serenje f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134358 , vital:37132 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0019-09
- Description: "We know you, never mind, you wizards." The song, they say, is sung one week after burial. The stick is tapped onto the barrel of the drum. Obsequies after burial, with 1 conical drum, I stick and clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Gruop of lala men and 1 woman , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Africa Zambia Serenje f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134358 , vital:37132 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0019-09
- Description: "We know you, never mind, you wizards." The song, they say, is sung one week after burial. The stick is tapped onto the barrel of the drum. Obsequies after burial, with 1 conical drum, I stick and clapping.
- Full Text: false
- Date Issued: 1957
Mwilu mwatuluka womama yami-e!
- Large group of Chokwe men and 8 women, Hugh Tracey
- Authors: Large group of Chokwe men and 8 women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luvale (African people) , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Angola Vila Luzo f-ao
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137099 , vital:37488 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-05
- Description: During this song the women sing praises of their husbands. In order to produce a lower tone on the third drum, Iyashina, its membrane is liberally weighted with beeswax. Chiyanda dance song with 3 conical drums (1) Yasongo, 2) Mukundu, 3) Iyashina.
- Full Text: false
- Date Issued: 1957
- Authors: Large group of Chokwe men and 8 women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luvale (African people) , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Angola Vila Luzo f-ao
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137099 , vital:37488 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-05
- Description: During this song the women sing praises of their husbands. In order to produce a lower tone on the third drum, Iyashina, its membrane is liberally weighted with beeswax. Chiyanda dance song with 3 conical drums (1) Yasongo, 2) Mukundu, 3) Iyashina.
- Full Text: false
- Date Issued: 1957
Myeyezelo
- Group of Xhosa men and women, Hugh Tracey
- Authors: Group of Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/149166 , vital:38811 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-03
- Description: Sung by initiates before circumcision.Circumcision song,with clapping
- Full Text: false
- Date Issued: 1957
- Authors: Group of Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/149166 , vital:38811 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-03
- Description: Sung by initiates before circumcision.Circumcision song,with clapping
- Full Text: false
- Date Issued: 1957
Nabo aba Ngoni (Here are the Ngoni)
- Group of 14 Ngoni men and chorus of women, Hugh Tracey
- Authors: Group of 14 Ngoni men and chorus of women , Hugh Tracey
- Date: 1957
- Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa Zambia Fort Jameson f-za
- Language: Nyanja , Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137629 , vital:37544 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-14
- Description: This tune is clearly not Ngoni but Nsenga in orign and is sung in the style of their mothers' tribe and not their father's of Ngoni orign (Natal).
- Full Text: false
- Date Issued: 1957
- Authors: Group of 14 Ngoni men and chorus of women , Hugh Tracey
- Date: 1957
- Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa Zambia Fort Jameson f-za
- Language: Nyanja , Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137629 , vital:37544 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-14
- Description: This tune is clearly not Ngoni but Nsenga in orign and is sung in the style of their mothers' tribe and not their father's of Ngoni orign (Natal).
- Full Text: false
- Date Issued: 1957
Nadusanga chikolya mukapela meenda bewa
- Performer not specified, Shef Mataba (Composer), Hugh Tracey
- Authors: Performer not specified , Shef Mataba (Composer) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lala (African people) , Africa South Africa Serenje f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133719 , vital:37008 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR014-07
- Description: Self-delectative song with Kankowele mbira fan-shaped, with external resonator and mirliton with 2 manuals
- Full Text: false
- Date Issued: 1957
- Authors: Performer not specified , Shef Mataba (Composer) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lala (African people) , Africa South Africa Serenje f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133719 , vital:37008 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR014-07
- Description: Self-delectative song with Kankowele mbira fan-shaped, with external resonator and mirliton with 2 manuals
- Full Text: false
- Date Issued: 1957
Nafika mwa Tilika mucipango
- Lala men and women (Performers), Composer not specified, Hugh Tracey
- Authors: Lala men and women (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lala (African people) , Africa South Africa Serenje f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133749 , vital:37012 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR014-10
- Description: Fwanda-fwanda dance song with 3 conical drums. 1) Akanono, 2)Cimbulunge, 3) Fwanda fwanda
- Full Text: false
- Date Issued: 1957
- Authors: Lala men and women (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lala (African people) , Africa South Africa Serenje f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133749 , vital:37012 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR014-10
- Description: Fwanda-fwanda dance song with 3 conical drums. 1) Akanono, 2)Cimbulunge, 3) Fwanda fwanda
- Full Text: false
- Date Issued: 1957
Nafwaya fauya cibamu candi (Looking for my girl))
- Dyson Simwinga and Bemba men, Hugh Tracey
- Authors: Dyson Simwinga and Bemba men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Mufulira Copper Mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151689 , vital:39160 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-02
- Description: "I went to look for my girl, but they told me she had gone to the beer-hall. So I put on my best suit and took my bicycle called "Hummer sports" and went to the beer-hall to look for her. But I found her drinking with her friends and when they saw me, they put on dark glasses. "She came up to me and said "give me a kiss", but I refused saying: "You have accepted beer from these other men." Love song with guitar.
- Full Text: false
- Date Issued: 1957
- Authors: Dyson Simwinga and Bemba men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Mufulira Copper Mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151689 , vital:39160 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-02
- Description: "I went to look for my girl, but they told me she had gone to the beer-hall. So I put on my best suit and took my bicycle called "Hummer sports" and went to the beer-hall to look for her. But I found her drinking with her friends and when they saw me, they put on dark glasses. "She came up to me and said "give me a kiss", but I refused saying: "You have accepted beer from these other men." Love song with guitar.
- Full Text: false
- Date Issued: 1957
Nai puma kuma kuba ngii ndoda
- Authors: Nqwane Mbontyi , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136633 , vital:37398 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-13
- Description: The performer was quite a humorist in his way, and had a most infectious gaiety, much appreciated by the crown. His name Nqwane Mbonity means "Just like a bean".- He wore a characteristically Mpondo hairdo, the hair cropped close except for the forelock which was allowed to grow long, then plaited into several strings, which were all beeswaxed together into one lock, plastered to the forehead, or reaching down like a small horn to the level of the eyebrows. Tune on the harmonica.
- Full Text: false
- Date Issued: 1957
- Authors: Nqwane Mbontyi , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136633 , vital:37398 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-13
- Description: The performer was quite a humorist in his way, and had a most infectious gaiety, much appreciated by the crown. His name Nqwane Mbonity means "Just like a bean".- He wore a characteristically Mpondo hairdo, the hair cropped close except for the forelock which was allowed to grow long, then plaited into several strings, which were all beeswaxed together into one lock, plastered to the forehead, or reaching down like a small horn to the level of the eyebrows. Tune on the harmonica.
- Full Text: false
- Date Issued: 1957
Nai puma kuma kuba ngii ndoda
- Authors: Nqwane Mbontyi , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136624 , vital:37399 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-13
- Description: The performer was quite a humorist in his way, and had a most infectious gaiety, much appreciated by the crown. His name Nqwane Mbonity means "Just like a bean".- He wore a characteristically Mpondo hairdo, the hair cropped close except for the forelock which was allowed to grow long, then plaited into several strings, which were all beeswaxed together into one lock, plastered to the forehead, or reaching down like a small horn to the level of the eyebrows. Tune on the harmonica.
- Full Text: false
- Date Issued: 1957
- Authors: Nqwane Mbontyi , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136624 , vital:37399 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-13
- Description: The performer was quite a humorist in his way, and had a most infectious gaiety, much appreciated by the crown. His name Nqwane Mbonity means "Just like a bean".- He wore a characteristically Mpondo hairdo, the hair cropped close except for the forelock which was allowed to grow long, then plaited into several strings, which were all beeswaxed together into one lock, plastered to the forehead, or reaching down like a small horn to the level of the eyebrows. Tune on the harmonica.
- Full Text: false
- Date Issued: 1957
Naliba kaboma (I cry for my mother)
- Group of 6 Lozi men, Hugh Tracey
- Authors: Group of 6 Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-za
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139851 , vital:37792 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-14
- Description: A certain man was travelling by train. When he thought of the girl to whom he was engaged to be married he began to weep and call upon his mother. Topical song with Silimba xylophone with 9 notes
- Full Text: false
- Date Issued: 1957
- Authors: Group of 6 Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-za
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139851 , vital:37792 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-14
- Description: A certain man was travelling by train. When he thought of the girl to whom he was engaged to be married he began to weep and call upon his mother. Topical song with Silimba xylophone with 9 notes
- Full Text: false
- Date Issued: 1957
Nalina mayo (I had a mother)
- Stephen Tsotsi Kasumali and 2 friends, Hugh Tracey
- Authors: Stephen Tsotsi Kasumali and 2 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140003 , vital:37823 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-13
- Description: 'I had a mother and she died. She was killed by people who envied me. Women are no good. They leave their own husbands to go and flirt with the loafers in the street. When I have no cash on me everyone laughs at me. One day I went out into the bush hunting and I fired at some guinea fowls but I missed. So people laughed at me because I had nothing to eat at home." "This song comes from the Chief of the Aushi who sent me to come and sing it to you, and I am Steve Tsotsi singing. Topical song with guitar and bottle.
- Full Text: false
- Date Issued: 1957
- Authors: Stephen Tsotsi Kasumali and 2 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140003 , vital:37823 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-13
- Description: 'I had a mother and she died. She was killed by people who envied me. Women are no good. They leave their own husbands to go and flirt with the loafers in the street. When I have no cash on me everyone laughs at me. One day I went out into the bush hunting and I fired at some guinea fowls but I missed. So people laughed at me because I had nothing to eat at home." "This song comes from the Chief of the Aushi who sent me to come and sing it to you, and I am Steve Tsotsi singing. Topical song with guitar and bottle.
- Full Text: false
- Date Issued: 1957
Nalinamayo nshale chula (When I had a mother, I did not starve)
- Stephen Tsotsi Kasumali and 2 friends, Hugh Tracey
- Authors: Stephen Tsotsi Kasumali and 2 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139994 , vital:37821 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-12
- Description: The main theme is about his mother, and he continues:- "My mouth should not get excited and curse people because some of them are gentlemen, and better than myslef. Even in the presence of all you people, I should still be myself. I am very pleased to see this "Bwana", as he makes it possible for me to have my songs recorded." Topical song with guitar and bottle.
- Full Text: false
- Date Issued: 1957
- Authors: Stephen Tsotsi Kasumali and 2 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139994 , vital:37821 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-12
- Description: The main theme is about his mother, and he continues:- "My mouth should not get excited and curse people because some of them are gentlemen, and better than myslef. Even in the presence of all you people, I should still be myself. I am very pleased to see this "Bwana", as he makes it possible for me to have my songs recorded." Topical song with guitar and bottle.
- Full Text: false
- Date Issued: 1957
Nalongana maani (What will I do today)
- Authors: Kaseba Anatole , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137932 , vital:37575 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR040-10
- Description: A poor boys: "I have no father, no mother, I am very poor, I have nothing to eat, what shall I do today." Personal lament with guitar.
- Full Text: false
- Date Issued: 1957
- Authors: Kaseba Anatole , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137932 , vital:37575 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR040-10
- Description: A poor boys: "I have no father, no mother, I am very poor, I have nothing to eat, what shall I do today." Personal lament with guitar.
- Full Text: false
- Date Issued: 1957
Namakawu-wo misali kunyala Liwali (Namakwawu was married to 2 husbands)
- Group of 12 Lozi men and women, Hugh Tracey
- Authors: Group of 12 Lozi men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-za
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139747 , vital:37777 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-04
- Description: The woman Namakawu was a polyandrist and carried on a successful liaison with 2 men until she was at last found out. Siamboka dance with 2 Milupa conical drums, pegged, open, hand beaten.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 12 Lozi men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-za
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139747 , vital:37777 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-04
- Description: The woman Namakawu was a polyandrist and carried on a successful liaison with 2 men until she was at last found out. Siamboka dance with 2 Milupa conical drums, pegged, open, hand beaten.
- Full Text: false
- Date Issued: 1957