Mama ndaswelindawo ngendaba (Mother, I am short of accommodation on account of news)
- Gcaleka boys and girls, Hugh Tracey
- Authors: Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151219 , vital:39040 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-09
- Description: The girl playing this mouth bow whistles out of the side of her mouth as well as resonating the notes in the usual manner. She used the open string and a stopped note, stopping it with her thumbnail and first finger. The use of this indigenious instrument and its style of music explains the ease with which Gcaleka people take to the small concertina. The harmonies produced in the mouth being on the true harmonic series makes the transition to the concertina a simple matter for simple tunes. Notes of the bow, 292 and 260. Mtshotsho dance for boys and girls with Ikinki mouth resonated musical bow.
- Full Text: false
- Date Issued: 1957
- Authors: Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151219 , vital:39040 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-09
- Description: The girl playing this mouth bow whistles out of the side of her mouth as well as resonating the notes in the usual manner. She used the open string and a stopped note, stopping it with her thumbnail and first finger. The use of this indigenious instrument and its style of music explains the ease with which Gcaleka people take to the small concertina. The harmonies produced in the mouth being on the true harmonic series makes the transition to the concertina a simple matter for simple tunes. Notes of the bow, 292 and 260. Mtshotsho dance for boys and girls with Ikinki mouth resonated musical bow.
- Full Text: false
- Date Issued: 1957
Mama wanyi bwala wanyi
- S. Kaseya and A Kabamba, Group of Kanyoka men, Composer not specified, Tracey, Hugh
- Authors: S. Kaseya and A Kabamba , Group of Kanyoka men , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo city not specified f-cg
- Language: Kanyoka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345704 , vital:63307 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3971-L3D4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: S. Kaseya and A Kabamba , Group of Kanyoka men , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo city not specified f-cg
- Language: Kanyoka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345704 , vital:63307 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3971-L3D4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Mamilambo
- Women of Kalana location, Hugh Tracey
- Authors: Women of Kalana location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa King Williams Town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150003 , vital:38929 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-16
- Description: A diviner arrived in person but declined to sing with the women who were all sitting around on the floor of the hut, about 80 of them. "Mamilambo" is said to be a spirit or charm in the shape of a snake, which the people buy from the diviners in order to obtain good luck and get rich-so it was explained. The married women were more soberly dressed than the young unmarried ones and wore their headclothes in the more usual Xhosa 'pile' of cloth on the head, producing a large loose turban-like effect. Diviner's song, with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Women of Kalana location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa King Williams Town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150003 , vital:38929 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-16
- Description: A diviner arrived in person but declined to sing with the women who were all sitting around on the floor of the hut, about 80 of them. "Mamilambo" is said to be a spirit or charm in the shape of a snake, which the people buy from the diviners in order to obtain good luck and get rich-so it was explained. The married women were more soberly dressed than the young unmarried ones and wore their headclothes in the more usual Xhosa 'pile' of cloth on the head, producing a large loose turban-like effect. Diviner's song, with clapping.
- Full Text: false
- Date Issued: 1957
Mampenenga drum rhythms
- 3 Nyakyusa drummers with Nyakyusa women, Hugh Tracey
- Authors: 3 Nyakyusa drummers with Nyakyusa women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Arts, Malawi , Field recordings , Nyakyusa (African people)--Music , Ngonde (African people)--music , Drum--Performance , Africa Malawi Tukuyu f-mw
- Language: Nyakyusa-Ngonde
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151819 , vital:39176 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-01
- Description: The Mampenenga is danced in silence to the accompaniment of the drums. The dancers, all men wore long Swahili "Kikoye" or skirts. The bass drummer uses one of his sticks as a pressure stick occassionally to raise the note on the membrane. The dance is a form of slow graceful prancing with much bending of the kness and swinging, raising and lowering of fly-whisks in the right hand. Mampenenga and Kalulu dance with 1 conical drum, laced, 2 cylindrical laced drums with wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 3 Nyakyusa drummers with Nyakyusa women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Arts, Malawi , Field recordings , Nyakyusa (African people)--Music , Ngonde (African people)--music , Drum--Performance , Africa Malawi Tukuyu f-mw
- Language: Nyakyusa-Ngonde
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151819 , vital:39176 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-01
- Description: The Mampenenga is danced in silence to the accompaniment of the drums. The dancers, all men wore long Swahili "Kikoye" or skirts. The bass drummer uses one of his sticks as a pressure stick occassionally to raise the note on the membrane. The dance is a form of slow graceful prancing with much bending of the kness and swinging, raising and lowering of fly-whisks in the right hand. Mampenenga and Kalulu dance with 1 conical drum, laced, 2 cylindrical laced drums with wooden beaters.
- Full Text: false
- Date Issued: 1957
Mamwana kufiki munda
- Ilunga Patrice, Misomba Victor and friends, Tracey, Hugh
- Authors: Ilunga Patrice , Misomba Victor and friends , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345673 , vital:63304 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3969-L3B7B
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Ilunga Patrice , Misomba Victor and friends , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345673 , vital:63304 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3969-L3B7B
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Mangai
- Chibanda, Kaseya with 7 Kanyoka men, Composer not specified, Tracey, Hugh
- Authors: Chibanda , Kaseya with 7 Kanyoka men , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo city not specified f-cg
- Language: Kanyoka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345686 , vital:63305 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3969-L3C18
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Chibanda , Kaseya with 7 Kanyoka men , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo city not specified f-cg
- Language: Kanyoka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345686 , vital:63305 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3969-L3C18
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Mangunden Thontweni (A name)
- Group of young Xhosa men and boys, Hugh Tracey
- Authors: Group of young Xhosa men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150417 , vital:38974 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR060-04
- Description: "There is that white thing" Most of the words have no meaning at all. Group fighting song with sticks.
- Full Text: false
- Date Issued: 1957
- Authors: Group of young Xhosa men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150417 , vital:38974 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR060-04
- Description: "There is that white thing" Most of the words have no meaning at all. Group fighting song with sticks.
- Full Text: false
- Date Issued: 1957
Mapewu wose wanalumuka mahando
- Group of 14 Luvale men and 1 woman, Hugh Tracey
- Authors: Group of 14 Luvale men and 1 woman , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Bulusako f-ao
- Language: Chokwe , Luvale
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183400 , vital:43985 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-09
- Description: Four or five different men took turns to take the lead in this song but as they gave no indication as to who would lead next it proved a little difficult to catch their first words. Topical song with 1 Chisanzhi bamboo tongued mbira, 2 struck sticks, bottle and small bell
- Full Text: false
- Date Issued: 1957
- Authors: Group of 14 Luvale men and 1 woman , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Bulusako f-ao
- Language: Chokwe , Luvale
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183400 , vital:43985 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-09
- Description: Four or five different men took turns to take the lead in this song but as they gave no indication as to who would lead next it proved a little difficult to catch their first words. Topical song with 1 Chisanzhi bamboo tongued mbira, 2 struck sticks, bottle and small bell
- Full Text: false
- Date Issued: 1957
Marching song
- Alfred Tshibalangwanda, Flanbert Tshikwati, composer not specified, Tracey, Hugh
- Authors: Alfred Tshibalangwanda , Flanbert Tshikwati , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/407145 , vital:70340 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV9-KV3F1A
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Alfred Tshibalangwanda , Flanbert Tshikwati , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/407145 , vital:70340 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV9-KV3F1A
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Marching song
- Flaubert Netshikwati, Alfred Tshibalangwanda, composer not specified, Tracey, Hugh
- Authors: Flaubert Netshikwati , Alfred Tshibalangwanda , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/406600 , vital:70289 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV10-KV3F2B
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Flaubert Netshikwati , Alfred Tshibalangwanda , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/406600 , vital:70289 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV10-KV3F2B
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Marching song
- Alfred Tshibalangwanda, Flanbert Tshikwati, composer not specified, Tracey, Hugh
- Authors: Alfred Tshibalangwanda , Flanbert Tshikwati , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/407164 , vital:70342 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV9-KV3F1C
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Alfred Tshibalangwanda , Flanbert Tshikwati , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/407164 , vital:70342 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV9-KV3F1C
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Marching song
- Alfred Tshibalangwanda, Flanbert Tshikwati, composer not specified, Tracey, Hugh
- Authors: Alfred Tshibalangwanda , Flanbert Tshikwati , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/407154 , vital:70341 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV9-KV3F1B
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Alfred Tshibalangwanda , Flanbert Tshikwati , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/407154 , vital:70341 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV9-KV3F1B
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Marching song with flutter tonguing
- Flaubert Netshikwati, Alfred Tshibalangwanda, composer not specified, Tracey, Hugh
- Authors: Flaubert Netshikwati , Alfred Tshibalangwanda , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/406609 , vital:70290 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV10-KV3F2C
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Flaubert Netshikwati , Alfred Tshibalangwanda , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/406609 , vital:70290 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV10-KV3F2C
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Marita ku Mampampa (Marita from Mamampa))
- Stephen Tsotsi Kasumali and 2 friends, Hugh Tracey
- Authors: Stephen Tsotsi Kasumali and 2 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139967 , vital:37818 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-09
- Description: "Marita is just like a diamond - You must understand what I am thinking about. Marita's eyes are white, and I wish she would marry me. I once visited her at her village Mampampa-and oh, I wish she would marry. It does not matter if I have to pay all of ten pounds on her because I love her." The whitness of Marita's eyes no doubt refers to her clear eyes free from the pink tinge which so frequently colours the eyes of those who either drink too much or smoke marijuana.Love song with guitar and bottle.
- Full Text: false
- Date Issued: 1957
- Authors: Stephen Tsotsi Kasumali and 2 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139967 , vital:37818 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-09
- Description: "Marita is just like a diamond - You must understand what I am thinking about. Marita's eyes are white, and I wish she would marry me. I once visited her at her village Mampampa-and oh, I wish she would marry. It does not matter if I have to pay all of ten pounds on her because I love her." The whitness of Marita's eyes no doubt refers to her clear eyes free from the pink tinge which so frequently colours the eyes of those who either drink too much or smoke marijuana.Love song with guitar and bottle.
- Full Text: false
- Date Issued: 1957
Masalela
- Group of young Xhosa men, Hugh Tracey
- Authors: Group of young Xhosa men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150394 , vital:38971 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR060-01
- Description: This group of "Amakwenkwe" (young unitiated men) all wrapped in red blankets, carrying sticks and wearing bead leggings, sang very well with gravity and intersity. They were all under 18 years of age. In the interval between the songs, they went off to fetch their sticks and struck them together during the song to mark the rhythm. Three group fighting song, with sticks and whistles.
- Full Text: false
- Date Issued: 1957
- Authors: Group of young Xhosa men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150394 , vital:38971 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR060-01
- Description: This group of "Amakwenkwe" (young unitiated men) all wrapped in red blankets, carrying sticks and wearing bead leggings, sang very well with gravity and intersity. They were all under 18 years of age. In the interval between the songs, they went off to fetch their sticks and struck them together during the song to mark the rhythm. Three group fighting song, with sticks and whistles.
- Full Text: false
- Date Issued: 1957
Masangwa wandipa wombo
- January Munenga Shumba, Performer not specified, Tracey, Hugh
- Authors: January Munenga Shumba , Performer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Zezuru
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/346924 , vital:63444 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3971-L3L8
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: January Munenga Shumba , Performer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Zezuru
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/346924 , vital:63444 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3971-L3L8
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Maselino yaya yoyayu (Maselino)
- Authors: The Four pals , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Nchanga mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151779 , vital:39170 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-13
- Description: "A girl got married and came with her husband to the copper mines. But when she got there, she only thought of going out with other men to show off her clothes! Her name was Maselino. Topical song with guitar.
- Full Text: false
- Date Issued: 1957
- Authors: The Four pals , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Nchanga mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151779 , vital:39170 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-13
- Description: "A girl got married and came with her husband to the copper mines. But when she got there, she only thought of going out with other men to show off her clothes! Her name was Maselino. Topical song with guitar.
- Full Text: false
- Date Issued: 1957
Masengo ma Bena Nomba
- Ngoi Nono, Kabongo Anastase and friends, Composer not specified, Tracey, Hugh
- Authors: Ngoi Nono , Kabongo Anastase and friends , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/346863 , vital:63437 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3964-L2Z19
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Ngoi Nono , Kabongo Anastase and friends , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/346863 , vital:63437 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3964-L2Z19
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Mashenganyana
- Alberto Tentowani Mwamosi, Gabriel Maopana Bila, Tracey, Hugh
- Authors: Alberto Tentowani Mwamosi , Gabriel Maopana Bila , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/356562 , vital:64640 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4347-L1A2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Alberto Tentowani Mwamosi , Gabriel Maopana Bila , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/356562 , vital:64640 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4347-L1A2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Mashine akwata ku mulwe-aye
- Three Chokwe men, Hugh Tracey
- Authors: Three Chokwe men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Mount Lowmani f-ao
- Language: Chokwe , Luvale
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183461 , vital:43993 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-13
- Description: "When he was working a machine caught him and he died." The singers refer to a friend of theirs who died in an accident. The heavy vibration of the three drums make a celeste with the voices. Towards the end of the recording the three drums are taken out separately which reveals the part each plays in the composite rhythm. Chianda dance, with 3 goblet drums, open, pinned and weighted, hand beaten
- Full Text: false
- Date Issued: 1957
- Authors: Three Chokwe men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Mount Lowmani f-ao
- Language: Chokwe , Luvale
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183461 , vital:43993 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-13
- Description: "When he was working a machine caught him and he died." The singers refer to a friend of theirs who died in an accident. The heavy vibration of the three drums make a celeste with the voices. Towards the end of the recording the three drums are taken out separately which reveals the part each plays in the composite rhythm. Chianda dance, with 3 goblet drums, open, pinned and weighted, hand beaten
- Full Text: false
- Date Issued: 1957