“Telling freedom” or “telling the spades back home how to behave”? re-examining Peter Abrahams’s writing in London
- Authors: Thorpe, Andrea
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/68412 , vital:29253 , https://dx.doi.org/10.4314/eia.v45i1.3
- Description: Publisher version , This article considers the notable dearth of recent scholarship on Peter Abrahams’s writing in the context of his exile and his complex, shifting ideological self-positioning throughout his career. To attempt to address this lacuna in South African literary criticism, and to partially explain why Abrahams has been under-researched, I look at key moments during his early career, including the publication of Dark Testament (1942), Song of the City (1945) and Return to Goli (1953). By focusing on texts by Abrahams that were published during his time in London, I also wish to address the significance of the city in the history of South African literature, and in African anti-colonial and anti-racist thinking more broadly.
- Full Text: false
- Date Issued: 2018
- Authors: Thorpe, Andrea
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/68412 , vital:29253 , https://dx.doi.org/10.4314/eia.v45i1.3
- Description: Publisher version , This article considers the notable dearth of recent scholarship on Peter Abrahams’s writing in the context of his exile and his complex, shifting ideological self-positioning throughout his career. To attempt to address this lacuna in South African literary criticism, and to partially explain why Abrahams has been under-researched, I look at key moments during his early career, including the publication of Dark Testament (1942), Song of the City (1945) and Return to Goli (1953). By focusing on texts by Abrahams that were published during his time in London, I also wish to address the significance of the city in the history of South African literature, and in African anti-colonial and anti-racist thinking more broadly.
- Full Text: false
- Date Issued: 2018
“I slipped into the pages of a book”: intertextuality and literary solidarities in South African writing about London
- Authors: Thorpe, Andrea
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/68402 , vital:29252 , https://doi.org/10.1080/17533171.2018.1482882
- Description: Publisher version , In this article, I argue that London plays a dual role in South African writing, as a “real” city at a particular moment in history, and as a textual, imaginative space. For many South African writers, London comes to stand metonymically for English culture and literature even if their attitude toward Englishness and Empire may be one of ambivalent critique. The intertexts invoked in South African representations of London forge literary solidarities, and foreground belated postcolonial engagements with modernity that are significantly displaced from the “margin” to the “center” of modernism (and Empire) itself.
- Full Text: false
- Date Issued: 2018
- Authors: Thorpe, Andrea
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/68402 , vital:29252 , https://doi.org/10.1080/17533171.2018.1482882
- Description: Publisher version , In this article, I argue that London plays a dual role in South African writing, as a “real” city at a particular moment in history, and as a textual, imaginative space. For many South African writers, London comes to stand metonymically for English culture and literature even if their attitude toward Englishness and Empire may be one of ambivalent critique. The intertexts invoked in South African representations of London forge literary solidarities, and foreground belated postcolonial engagements with modernity that are significantly displaced from the “margin” to the “center” of modernism (and Empire) itself.
- Full Text: false
- Date Issued: 2018
‘In defence of chick-lit’: refashioning feminine subjectivities in Ugandan and South African contemporary women’s writing
- Authors: Spencer, Lynda G
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/138736 , vital:37669 , DOI: 10.1177/1464700119831544
- Description: Ugandan and South African contemporary women’s narratives reflect on the rapid pace of change in the social lives of women in two countries that are contending with the aftermath of conflict and violence. This article will interrogate how contemporary women writers such as Goretti Kyomuhendo (Whispers from Vera), Zukiswa Wanner (The Madams and Behind Every Successful Man) and Cynthia Jele (Happiness is a Four-Letter Word) are embracing chick-lit as a form of writing, while simultaneously short-circuiting this genre to create an experimental form that allows them to reflect on the realities of women and engage with the contradictions, complexities and ambiguities of contemporary feminine subjectivities.
- Full Text: false
- Date Issued: 2019
- Authors: Spencer, Lynda G
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/138736 , vital:37669 , DOI: 10.1177/1464700119831544
- Description: Ugandan and South African contemporary women’s narratives reflect on the rapid pace of change in the social lives of women in two countries that are contending with the aftermath of conflict and violence. This article will interrogate how contemporary women writers such as Goretti Kyomuhendo (Whispers from Vera), Zukiswa Wanner (The Madams and Behind Every Successful Man) and Cynthia Jele (Happiness is a Four-Letter Word) are embracing chick-lit as a form of writing, while simultaneously short-circuiting this genre to create an experimental form that allows them to reflect on the realities of women and engage with the contradictions, complexities and ambiguities of contemporary feminine subjectivities.
- Full Text: false
- Date Issued: 2019
‘I don’t belong nowhere really’: the figure of the London migrant in Dan Jacobson’s ‘A Long Way from London’ and Jean Rhys’s ‘Let Them Call It Jazz’
- Naidu, Samantha, Thorpe, Andrea
- Authors: Naidu, Samantha , Thorpe, Andrea
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/68422 , vital:29254 , https://doi.org/10.1080/10131752.2018.1461477
- Description: Publisher version , In this article we compare and contrast the figure of the migrant, central to Dan Jacobson’s short story ‘A Long Way from London’ ([1953] 1958. A Long Way from London and other stories. London: Weidenfeld & Nicholson), and to Jean Rhys’s short story ‘Let Them Call It Jazz’ ([1962] 1987. The Collected Stories. New York: Norton), both of which are set in London in the early to mid-twentieth century. The main argument is that these figures, as migrants in London from South Africa and the Caribbean respectively, similarly occupy a liminal space despite stark differences in class, race and gender. In both stories this liminal space is described through evocations of London as a hostile diasporic space, lacking in hospitality, and experienced by the migrant figure as a place of confinement and incarceration. Also, both stories utilize the technique of silence or lacunae when it comes to issues of specific discrimination and abuse, such as racism or sexual exploitation. For the purposes of comparison, the character Manwera from ‘A Long Way from London’ and, Selina, the protagonist of ‘Let Them Call It Jazz’, are selected for analysis. Particularly, their respective responses (Manwera’s pride and dignity, and Selina’s recovery after a breakdown, and her musical talent) to the exigencies of migration are suggestive of ‘adaptive strength’ (Steve Vertovec and Robin Cohen [1999] 2001. Migration, Diasporas and Transnationalism. Cheltenham and Northampton MA: Elgar Reference Collection, xviii), a common feature in transnational literature which attempts to celebrate liminality and multiplicity as key characteristics of a transnational subjectivity. In addition, the protagonist of ‘A Long Way from London’, Arthur, offers a contrast to Manwera and Selina, not only because of race and class, but because he is depicted as having adapted to and assimilated into British culture, while being strangely detached from and ambivalent about both homeland and diasporic home. Varying forms of adaptive strength are portrayed in both stories, but they close with intimations of bleak futures for the migrant figures. The essay thus concludes with the observation that in these two stories, the figure of the London migrant is rendered as facing further grave challenges, and that all three figures ‘belong nowhere’ (Rhys [1962] 1987 Rhys, Jean. [1962] 1987. The Collected Stories. New York: Norton. [Google Scholar] , 175).
- Full Text: false
- Date Issued: 2018
- Authors: Naidu, Samantha , Thorpe, Andrea
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/68422 , vital:29254 , https://doi.org/10.1080/10131752.2018.1461477
- Description: Publisher version , In this article we compare and contrast the figure of the migrant, central to Dan Jacobson’s short story ‘A Long Way from London’ ([1953] 1958. A Long Way from London and other stories. London: Weidenfeld & Nicholson), and to Jean Rhys’s short story ‘Let Them Call It Jazz’ ([1962] 1987. The Collected Stories. New York: Norton), both of which are set in London in the early to mid-twentieth century. The main argument is that these figures, as migrants in London from South Africa and the Caribbean respectively, similarly occupy a liminal space despite stark differences in class, race and gender. In both stories this liminal space is described through evocations of London as a hostile diasporic space, lacking in hospitality, and experienced by the migrant figure as a place of confinement and incarceration. Also, both stories utilize the technique of silence or lacunae when it comes to issues of specific discrimination and abuse, such as racism or sexual exploitation. For the purposes of comparison, the character Manwera from ‘A Long Way from London’ and, Selina, the protagonist of ‘Let Them Call It Jazz’, are selected for analysis. Particularly, their respective responses (Manwera’s pride and dignity, and Selina’s recovery after a breakdown, and her musical talent) to the exigencies of migration are suggestive of ‘adaptive strength’ (Steve Vertovec and Robin Cohen [1999] 2001. Migration, Diasporas and Transnationalism. Cheltenham and Northampton MA: Elgar Reference Collection, xviii), a common feature in transnational literature which attempts to celebrate liminality and multiplicity as key characteristics of a transnational subjectivity. In addition, the protagonist of ‘A Long Way from London’, Arthur, offers a contrast to Manwera and Selina, not only because of race and class, but because he is depicted as having adapted to and assimilated into British culture, while being strangely detached from and ambivalent about both homeland and diasporic home. Varying forms of adaptive strength are portrayed in both stories, but they close with intimations of bleak futures for the migrant figures. The essay thus concludes with the observation that in these two stories, the figure of the London migrant is rendered as facing further grave challenges, and that all three figures ‘belong nowhere’ (Rhys [1962] 1987 Rhys, Jean. [1962] 1987. The Collected Stories. New York: Norton. [Google Scholar] , 175).
- Full Text: false
- Date Issued: 2018
‘Growing’ social protection in developing countries: lessons from Brazil and South Africa
- Barrientos, Armando, Moller, Valerie, Saboia, Joao, Lloyd-Sherlock, Peter, Mase, Julia
- Authors: Barrientos, Armando , Moller, Valerie , Saboia, Joao , Lloyd-Sherlock, Peter , Mase, Julia
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/67195 , vital:29058 , https://doi.org/10.1080/0376835X.2013.756098
- Description: publisher version , The rapid expansion of social protection in the South provides a rich diversity of experiences and lessons on how best to reduce poverty and ultimately eradicate it. Knowledge on how best to ‘grow’ social assistance, understood as long-term institutions responsible for reducing and preventing poverty, is at a premium. This article examines the expansion of social assistance in Brazil and South Africa, two of the middle income countries widely perceived to have advanced furthest in ‘growing’ social protection. It examines three aspects: the primacy of politics in explaining the expansion of social protection and assistance, the tensions between path-dependence and innovation in terms of institutions and practices, and the poverty and inequality outcomes of social assistance expansion. The article concludes by drawing the main lessons for other developing countries.
- Full Text: false
- Date Issued: 2013
- Authors: Barrientos, Armando , Moller, Valerie , Saboia, Joao , Lloyd-Sherlock, Peter , Mase, Julia
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/67195 , vital:29058 , https://doi.org/10.1080/0376835X.2013.756098
- Description: publisher version , The rapid expansion of social protection in the South provides a rich diversity of experiences and lessons on how best to reduce poverty and ultimately eradicate it. Knowledge on how best to ‘grow’ social assistance, understood as long-term institutions responsible for reducing and preventing poverty, is at a premium. This article examines the expansion of social assistance in Brazil and South Africa, two of the middle income countries widely perceived to have advanced furthest in ‘growing’ social protection. It examines three aspects: the primacy of politics in explaining the expansion of social protection and assistance, the tensions between path-dependence and innovation in terms of institutions and practices, and the poverty and inequality outcomes of social assistance expansion. The article concludes by drawing the main lessons for other developing countries.
- Full Text: false
- Date Issued: 2013
Zwelitsha on outskirts of King William's Town, Ciskei
- Authors: Skead, C J (Cuthbert John)
- Date: 195u
- Subjects: Red Bishops -- South Africa -- Eastern Cape , Birds -- South Africa -- Eastern Cape
- Type: still image
- Identifier: vital:12367 , http://hdl.handle.net/10962/d1013774
- Description: "Two photos of Red Bishop nesting area in swamps. Nesting site was in the dark mass at right; small clumps of Typha & Phragmites held a few nests."
- Full Text: false
- Date Issued: 195u
- Authors: Skead, C J (Cuthbert John)
- Date: 195u
- Subjects: Red Bishops -- South Africa -- Eastern Cape , Birds -- South Africa -- Eastern Cape
- Type: still image
- Identifier: vital:12367 , http://hdl.handle.net/10962/d1013774
- Description: "Two photos of Red Bishop nesting area in swamps. Nesting site was in the dark mass at right; small clumps of Typha & Phragmites held a few nests."
- Full Text: false
- Date Issued: 195u
Zwelitsha on outskirts of King William's Town, Ciskei
- Authors: Skead, C J (Cuthbert John)
- Date: 195u
- Subjects: Red Bishops -- South Africa -- Eastern Cape , Birds -- South Africa -- Eastern Cape
- Type: still image
- Identifier: vital:12368 , http://hdl.handle.net/10962/d1013775
- Description: "Two photos of Red Bishop nesting area in swamps. Nesting site was in the dark mass at right; small clumps of Typha & Phragmites held a few nests."
- Full Text: false
- Date Issued: 195u
- Authors: Skead, C J (Cuthbert John)
- Date: 195u
- Subjects: Red Bishops -- South Africa -- Eastern Cape , Birds -- South Africa -- Eastern Cape
- Type: still image
- Identifier: vital:12368 , http://hdl.handle.net/10962/d1013775
- Description: "Two photos of Red Bishop nesting area in swamps. Nesting site was in the dark mass at right; small clumps of Typha & Phragmites held a few nests."
- Full Text: false
- Date Issued: 195u
Zuurberg
- Subjects: Addo (South Africa) -- History -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/19067 , vital:22421 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/M 2719_97
- Description: Album of "Photographs of South Africa", compiler and photographer not stated. Photos covering Easter and Western Cape, Natal, Free State, Rivers, Transport, Ostriches and Black people. [1880-1883] , Gold Fields of South Africa Ltd. (donor)
- Full Text: false
- Subjects: Addo (South Africa) -- History -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/19067 , vital:22421 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/M 2719_97
- Description: Album of "Photographs of South Africa", compiler and photographer not stated. Photos covering Easter and Western Cape, Natal, Free State, Rivers, Transport, Ostriches and Black people. [1880-1883] , Gold Fields of South Africa Ltd. (donor)
- Full Text: false
Zungah, upper Swartkops River, Uitenhage
- Authors: Skead, C J (Cuthbert John)
- Date: 2001-04-30
- Subjects: Collins, P -- Photographs , Massyn, W -- Photographs , Coetzee, P W -- Photographs , Vanderplank, Helen J -- Photographs
- Type: still image
- Identifier: vital:13292 , http://hdl.handle.net/10962/d1016969
- Description: CJ. Skeads birthday outing. Peggy Collins eating; William Massyn scratching; PW Coetzee wondering; Helen Vanderplank watching.
- Full Text: false
- Date Issued: 2001-04-30
- Authors: Skead, C J (Cuthbert John)
- Date: 2001-04-30
- Subjects: Collins, P -- Photographs , Massyn, W -- Photographs , Coetzee, P W -- Photographs , Vanderplank, Helen J -- Photographs
- Type: still image
- Identifier: vital:13292 , http://hdl.handle.net/10962/d1016969
- Description: CJ. Skeads birthday outing. Peggy Collins eating; William Massyn scratching; PW Coetzee wondering; Helen Vanderplank watching.
- Full Text: false
- Date Issued: 2001-04-30
Zuney, 18 km west of Alexandria town
- Authors: Skead, C J (Cuthbert John)
- Date: 1995-08-27
- Subjects: Sinapsis arvensis -- South Africa -- Eastern Cape , Plants -- South Africa -- Eastern Cape
- Type: still image
- Identifier: vital:12301 , http://hdl.handle.net/10962/d1013692
- Description: Alien Wild Mustard (Charlock), Sinapsis arvensis making fine display in fallow lands.
- Full Text: false
- Date Issued: 1995-08-27
- Authors: Skead, C J (Cuthbert John)
- Date: 1995-08-27
- Subjects: Sinapsis arvensis -- South Africa -- Eastern Cape , Plants -- South Africa -- Eastern Cape
- Type: still image
- Identifier: vital:12301 , http://hdl.handle.net/10962/d1013692
- Description: Alien Wild Mustard (Charlock), Sinapsis arvensis making fine display in fallow lands.
- Full Text: false
- Date Issued: 1995-08-27
Zulus
- Subjects: Kwa-Zulu Natal (South Africa) -- History -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/21331 , vital:22926 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/A 2719_78
- Description: Album of "Photographs of South Africa", compiler and photographer not stated. Photos covering Easter and Western Cape, Natal, Free State, Rivers, Transport, Ostriches and Black people. [1880-1883] , Gold Fields of South Africa Ltd. (donor)
- Full Text: false
- Subjects: Kwa-Zulu Natal (South Africa) -- History -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/21331 , vital:22926 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/A 2719_78
- Description: Album of "Photographs of South Africa", compiler and photographer not stated. Photos covering Easter and Western Cape, Natal, Free State, Rivers, Transport, Ostriches and Black people. [1880-1883] , Gold Fields of South Africa Ltd. (donor)
- Full Text: false
Zulu women winnowing
- Subjects: Durban (South Africa) -- History -- Photographs
- Type: still image
- Identifier: http://hdl.handle.net/10962/42262 , vital:25179 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/M 6936
- Full Text: false
- Subjects: Durban (South Africa) -- History -- Photographs
- Type: still image
- Identifier: http://hdl.handle.net/10962/42262 , vital:25179 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/M 6936
- Full Text: false
Zulu woman and baby, Umlazi mission hospital 1934
- Subjects: Zululand -- History -- Photographs Zulu (African people) -- Social life and customs Natal (South Africa) -- History -- Photographs Kwamagwaza (South Africa) -- History -- Photographs Etalaneni (South Africa) -- History -- Photographs Nottingham Mission (South Africa) -- History -- Photographs Mooirivier (South Africa) -- History -- Photographs Ladysmith (South Africa) -- History -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/32409 , vital:24041 , PIC/A 4340 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Description: Album relating to the Zulu people of Zululand in the Natal Province during the years 1930-31 and 1934, taken at various places, including Chads College, Ladysmith; Springfield, Mooirivier; the Leytown Pohams House ("Hemrock"), Nottingham Road; Umlazi Mission; Etalaneni; Kwamagwaza; on the way to Biyela : mainly photographs, some original, some photocopies, with descriptive text in some cases / photographer unknown. 50 Hhotographs in one album : b+w (some sepia), 22 cm x 10 cm or less.
- Full Text: false
- Subjects: Zululand -- History -- Photographs Zulu (African people) -- Social life and customs Natal (South Africa) -- History -- Photographs Kwamagwaza (South Africa) -- History -- Photographs Etalaneni (South Africa) -- History -- Photographs Nottingham Mission (South Africa) -- History -- Photographs Mooirivier (South Africa) -- History -- Photographs Ladysmith (South Africa) -- History -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/32409 , vital:24041 , PIC/A 4340 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Description: Album relating to the Zulu people of Zululand in the Natal Province during the years 1930-31 and 1934, taken at various places, including Chads College, Ladysmith; Springfield, Mooirivier; the Leytown Pohams House ("Hemrock"), Nottingham Road; Umlazi Mission; Etalaneni; Kwamagwaza; on the way to Biyela : mainly photographs, some original, some photocopies, with descriptive text in some cases / photographer unknown. 50 Hhotographs in one album : b+w (some sepia), 22 cm x 10 cm or less.
- Full Text: false
Zulu woman
- Subjects: Zulu (African people) -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/21480 , vital:22940 , PIC/A 2722_9 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Full Text: false
- Subjects: Zulu (African people) -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/21480 , vital:22940 , PIC/A 2722_9 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Full Text: false
Zulu woman
- Subjects: Zulu (African people) -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/21451 , vital:22937 , PIC/A 2722_8 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Full Text: false
- Subjects: Zulu (African people) -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/21451 , vital:22937 , PIC/A 2722_8 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Full Text: false
Zulu woman
- Subjects: Zulu (African people) -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/21506 , vital:22942 , PIC/A 2722_10 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Full Text: false
- Subjects: Zulu (African people) -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/21506 , vital:22942 , PIC/A 2722_10 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Full Text: false
Zulu woman
- Date: 1934
- Subjects: Zulu (African people) -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/18984 , vital:22411 , PIC/M 6371 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Description: Photo of Zulu woman with hair done up high with clays and red ochre, 1934.
- Full Text: false
- Date Issued: 1934
- Date: 1934
- Subjects: Zulu (African people) -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/18984 , vital:22411 , PIC/M 6371 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Description: Photo of Zulu woman with hair done up high with clays and red ochre, 1934.
- Full Text: false
- Date Issued: 1934
Zulu school girls
- Subjects: Durban (South Africa) -- History -- Photographs
- Type: still image
- Identifier: http://hdl.handle.net/10962/42243 , vital:25178 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/M 6935
- Full Text: false
- Subjects: Durban (South Africa) -- History -- Photographs
- Type: still image
- Identifier: http://hdl.handle.net/10962/42243 , vital:25178 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/M 6935
- Full Text: false
Zulu people infront of grass huts
- Subjects: Zululand -- History -- Photographs Zulu (African people) -- Social life and customs Natal (South Africa) -- History -- Photographs Kwamagwaza (South Africa) -- History -- Photographs Etalaneni (South Africa) -- History -- Photographs Nottingham Mission (South Africa) -- History -- Photographs Mooirivier (South Africa) -- History -- Photographs Ladysmith (South Africa) -- History -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/32399 , vital:24040 , PIC/A 4339 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Description: Album relating to the Zulu people of Zululand in the Natal Province during the years 1930-31 and 1934, taken at various places, including Chads College, Ladysmith; Springfield, Mooirivier; the Leytown Pohams House ("Hemrock"), Nottingham Road; Umlazi Mission; Etalaneni; Kwamagwaza; on the way to Biyela : mainly photographs, some original, some photocopies, with descriptive text in some cases / photographer unknown. 50 Hhotographs in one album : b+w (some sepia), 22 cm x 10 cm or less.
- Full Text: false
- Subjects: Zululand -- History -- Photographs Zulu (African people) -- Social life and customs Natal (South Africa) -- History -- Photographs Kwamagwaza (South Africa) -- History -- Photographs Etalaneni (South Africa) -- History -- Photographs Nottingham Mission (South Africa) -- History -- Photographs Mooirivier (South Africa) -- History -- Photographs Ladysmith (South Africa) -- History -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/32399 , vital:24040 , PIC/A 4339 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Description: Album relating to the Zulu people of Zululand in the Natal Province during the years 1930-31 and 1934, taken at various places, including Chads College, Ladysmith; Springfield, Mooirivier; the Leytown Pohams House ("Hemrock"), Nottingham Road; Umlazi Mission; Etalaneni; Kwamagwaza; on the way to Biyela : mainly photographs, some original, some photocopies, with descriptive text in some cases / photographer unknown. 50 Hhotographs in one album : b+w (some sepia), 22 cm x 10 cm or less.
- Full Text: false
Zulu men washing clothes near Durban
- Subjects: Durban (South Africa) -- History -- Photographs
- Type: still image
- Identifier: http://hdl.handle.net/10962/42224 , vital:25176 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/M 6934
- Full Text: false
- Subjects: Durban (South Africa) -- History -- Photographs
- Type: still image
- Identifier: http://hdl.handle.net/10962/42224 , vital:25176 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/M 6934
- Full Text: false