Mose dzakono panga-pa (Mose come back)
- Authors: M. S. Ngomwa and five Mang'anja boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Port Herald f-mw
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158123 , vital:40150 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-09
- Description: A song commonly used by the canoe on the lower Shire river, a large tributary of the Zambezi. It would seem to reflect the common anxiety of fisher folk everywhere, the fear that the boat and its crew may never come back. "Mose, you come back, come back, you return and my spirit will be at rest. If you go again, then you can go because I have seen your face. The sun is already high and you paddle slowly like a duck." Canoe song.
- Full Text: false
- Date Issued: 1958
Mpaka (The Cat)
- Authors: Eddington Kwanjana and boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mzengera, Lilongwe, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153962 , vital:39548 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-01
- Description: The response after each phrase of the story is "Tirirose". S. "Mai tsegulire, mai tsegulire, CH. Kayendayenda eyaye kayenda. S. Ndatsala ndeka, ndiribe mai, CH Kayendayenda eyaye kayenda." A cat whose mother was named Damati lived in a forest where there were hyenas who wanted to eat the cats, and the cats did their best to protect themselves. The hyena (fai) started a dance and planned to eat whoever came to see ot. The cat had rattles on his legs and his mother taught him a song to sing whenever he got into trouble. The cat went to the hyena's dance and escaped into the mortar when the hyena wanted to eat him. Cat got at hyena's eyes, scratched them out and escaped. Story and song (Nthanu).
- Full Text: false
- Date Issued: 1958
Mtempile
- Authors: Nyanja Policemen , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Zomba f-rh
- Language: Nyanja/Chewa/Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179114 , vital:39884 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR086-01
- Description: "The Nyanja, Ngoni, Lomwe, Chewa came and built a temple." It would appear that the singers belong to one of the many separatist African churches. "Mtempile Anyanja, Angoni, Alomwe, Acawa ndza namanga." The four tribes mentioned are all to be found in Nyasaland. African christians are fond of using the word 'temple' in various pronunciations. Wedding song.
- Full Text: false
- Date Issued: 1958
Muboriki wa manomano (Faulty translation)
- Authors: Stephen R. Gumbo and J. G. Zimivara , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154114 , vital:39610 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-01
- Description: The man who speaks only Karanga is not expected to understand English and when the teacher speaks to him in English, he only hears equivalent Shona sounds. Humorous sketch.
- Full Text: false
- Date Issued: 1958
Mufupi hainyari (The short man does not tire)
- Authors: Chiga Shoko and Esteri Shumba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Takawarasha, Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154622 , vital:39755 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-15
- Description: Many of the lines set against the typical yodelling of the women, are taken at random from other songs and have little or no continuity of theme. They do however serve the purpose of keeping the song going. "The short man does not tire. With whom shall I play. Ndendua, I shall die. Close the door, you, Ndendua. In the house e re re. With whom shall I stay. I will die, being just like a dog. Matupa maneke. Where we come from. Harari (Salisbury) is far away. To come out feeling guilty. Like buck from the meadow lands." etc. Song for the Gawo dance with 1 drum.
- Full Text: false
- Date Issued: 1958
Mukadzi unoerei-ko? (What is your surname)
- Authors: Tichainda Mudyanadzo and Lunita Zimbwa , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Albert Mission, Gutu Reserve, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154667 , vital:39762 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-20
- Description: Sorry, sorry, sorry. What is the woman's surname? My surname is this child. The legs are burnt with the porcupine. What kind of 'mungu' is that, another? I have lost, I have burnt my child. Call his aunt. His aunt where is she? She digs in the chief's garden. Lift the deep voice, we pass. We will come out at Chanembe. Chanembe where there are girls. Who stab each other with knives. The spears are buried under ground . Please give us those spears. We will stab the big tree trunk. The big tree trunk, where is it? It is at the pool of Buuro. What did you give to Buuro? We gave him that little drum there. How does it sound? 'Ti-ndi-ngu!' Hippo in the pool. Where is the owner of the pool? He has gone to pick fruit. We will eat it at our home. Etc., etc.
- Full Text: false
- Date Issued: 1958
Mukadzi wanga (My wife)
- Authors: Young girls and 4 drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chipwembwe, Fort Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155820 , vital:39920 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-02
- Description: The drums are carved out of Mutondo wood (one of Sokosa wood) cut locally on the plain. The maker Bauleni made No. 5 as long ago as 1930. The others are more recent. The membranes are of ox hide. The dance is well performed by the young girls who stand in a row or semicircle near the drums and each comes out in turn to do a solo dance, a clever rhythmic routine ending with a sharp pelvic jerk. As one girl finishes another immediately takes her place. The drums are all played with curved wooden beaters except the 2 bass drums numbers 8 and 9 which are played with hands. Some of the girls held clappers and one a tin rattle. Likhuba dance with 9 drums.
- Full Text: false
- Date Issued: 1958
Mulandeza mulanganga (A bag my brother)
- Authors: Six elderly women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Tengani, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155748 , vital:39912 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-09
- Description: This is an old dance, now only performed by the old people. Two of the performers grasped the long gourd rattles with alternate hands while others beat it with the palm of one hand. The gourds have maize seeds inside as the rattling medium. As they wear away they are replaced with new dry seeds. Chitsukulumwe dance with gourd rattles and clapping.
- Full Text: false
- Date Issued: 1958
Mulongo wangaya (The brother of mine)
- Authors: Daliya Kafaniza and several women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Port Herald f-mw
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158150 , vital:40155 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-12
- Description: "That brother of mine. I was with him yesterday. Now he has been taken (died). Do not be afraid of the darkness. I have no one to talk to. I am tired and hold my leg." The Chitsukuhumwe rattles are the long gourds with maize seeds inside. Song at feast after burial. With rattles and clapping.
- Full Text: false
- Date Issued: 1958
Munaona (You will see)
- Authors: Agnes Maknwalo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Malindi, Fort Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155856 , vital:39924 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-06
- Description: Likhuba dance song for young women with 2 tin rattles and clappers.
- Full Text: false
- Date Issued: 1958
Mungabvale
- Authors: Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159610 , vital:40317 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-07
- Description: "Even though you put on long trousers, small at the ankles and white, I still would not like you. I prefer a man who wears shorts." Chewa women it seems have a definite taste in the clothes their men would wear. Chintali dance for women with brass drum.
- Full Text: false
- Date Issued: 1958
Munthu anamanga nyumba yaikuru (A man built a large house)
- Authors: Flori Kalindang'oma and Chewa girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kalindang'oma, Dowa, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154075 , vital:39560 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-13
- Description: A man built a big house, cut the necessary grass and poles and left them in the bush. A bird came and sang a song to make the grass grow again anf the trees sprout again. This happened twice. But the third time the man hid nearby, discovered the bird, killed it, took it home and cooked it. The off and when it was cut up in pieces to be eaten. 1. "Who cut the grass here? In rows, in rows. Grow, grass grow! Sprout trees, sprout!" 2. Pluck me carefully" sings the bird. "Lilili, myself the bird. Cut me up carefully" sings the bird. "Lilili, myself the bird." Story song (Nthanu)
- Full Text: false
- Date Issued: 1958
Munthu ukakala wekha (If you are alone)
- Authors: Lusiya Nabanda and Chewa women with girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159619 , vital:40318 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-08
- Description: "When you are alone do not quarrel with anyone. Because these very friends of yours may have something good about them." "They may go and catch a fowl and give it to you." Verse with clapping.
- Full Text: false
- Date Issued: 1958
Muntu olapo (You there, you men, what are you saying?)
- Authors: Mushumbo Dlamini and the Star Brothers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock Mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152635 , vital:39325 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-04
- Description: The song continues, "My kness are shaking because my girl has left me." The 'MBUBE' type of singing is sometimes known as 'bombing' a word coined by Zulu and Swati men who originated such songs in Johannesburg. Mbuhe topical song.
- Full Text: false
- Date Issued: 1958
Musengu
- Authors: Murira, Madzikununga, Muzengedza and Madero , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155127 , vital:39857 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-01
- Description: The leader starts the tune the second part coming in at 15 seconds, and the third at 27 seconds. Yodelling of this nature is typical of many South Rhodesian folk tunes. The drum comes in at 1m. 27s. and the drummer hits the body of the drum as well as the membrane. Mondoro song for ancestral rites with 3 Matebe dza Mondoro (Mbira) and a drum.
- Full Text: false
- Date Issued: 1958
Musengu
- Authors: Saini Murira, Chingaipa Madzikuminga and Zhogi Muzengedza , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Songs, Tonga (Nyasa) , Tonga (Zambezi people) , Sena (African people) , Folk music , Africa Zimbabwe Mkota, Mtoko District f-rh
- Language: Sena , Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156559 , vital:40020 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-15
- Description: A lovely and typical melody of the district in this north eastern section of Southern Rhodesia. The Matebe were played without their deme resonators. The range of these instruments is over 3 octaves. When he heard himself on the recording the leader Sani said, "I can die now, it does not matter, because I am inside that (record) now." "Why are you not consistent? You say one thing today and another tomorrow." Range of the instrument:- 79 to 688 vs. 3 octaves - 148. Mondoro song for ancestral rites with 3 Matebe dza Mondoro.
- Full Text: false
- Date Issued: 1958
Musikana ne Jaya (Girl and Boy)
- Authors: Stephen R. Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Fort Victoria, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154150 , vital:39614 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR080-05
- Description: A lad is proposing to a girl, bhut she says, "You are to late, I am going to marry someone else." But he goes on pressing his suit. She says, "You must pay lobola if you want me, you must give six cows." At the end she says, "You must swear then, if you want me." Humorous song with Mbira.
- Full Text: false
- Date Issued: 1958
Muzazaranda
- Authors: Mutuwenga Shawa , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154603 , vital:39753 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-13
- Description: Muzazaranda is the traditional title for this kind of tune. There is no evidence as to whether the tune itself has evolved or remained much the same over the years. Party song with Njari (Mbira) and a drum and leg rattles.
- Full Text: false
- Date Issued: 1958
Muzazaranda 1
- Authors: Tawagaza Sibanda , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154522 , vital:39742 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-04
- Description: When asked which was his favourite tune Tawagaza replied that this one, i.e. Muzazaranda was the one that pleased his heart best. The first version (a) is instrumental only. The second with the voice Muzazaranda is an old traditional title for items of this nature. Seld delectative song with Njari Mbira.
- Full Text: false
- Date Issued: 1958
Muzazaranda 2
- Authors: Tawagaza Sibanda , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154527 , vital:39743 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-05
- Description: When asked which was his favourite tune Tawagaza replied that this one, i.e. Muzazaranda was the one that pleased his heart best. The first version (a) is instrumental only. The second with the voice Muzazaranda is an old traditional title for items of this nature. Seld delectative song with Njari Mbira.
- Full Text: false
- Date Issued: 1958