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Bayeza kusasa (They are coming tomorrow)

- Group of Mpondo and Sotho men led by Siganeko Nonkonyana, Hugh Tracey

  • Authors: Group of Mpondo and Sotho men led by Siganeko Nonkonyana , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136487 , vital:37383 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR031-06
  • Description: "The sick people are coming tomorrow-They are bringing money." The day's recording at the Great Place of the Paramount Chief of the Mpondo ended with 3 songs by this group of Mpondo and Sotho men. Diviner's (Herbalist's) song with clapping and drums.
  • Full Text: false
  • Date Issued: 1957

Buzaufazi zipina inkomo (Ask the woman where the cattle are)

- Group of Mpondo men and 3 girls, Hugh Tracey

  • Authors: Group of Mpondo men and 3 girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136784 , vital:37421 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-14
  • Description: The singers all lay flat on their stomachs, singing into their cupped hands, which were slightly vibrated. The leader was singing in a forced voice, which appears to be a local fashion in this kind of the song. Dance song for evening dance for young women.
  • Full Text: false
  • Date Issued: 1957

Hla unakwahamba (Who gave you that food?)

- Group of young Mpondo boys, Hugh Tracey

  • Authors: Group of young Mpondo boys , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136569 , vital:37392 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-05
  • Description: The performers were all about 18 or thereabouts. This group wore red blankets with rows of white braid on the girls' skirts. The girls wore very attractive circlets of beads on the head, passing over the forehead and bead chin straps, also a head band passing over the top of the head and round the base of the skull. The sexes were divided dancing at right angles to each other and the girls kept up a shrill high descant. The men danced in a circle as tightly packed sardines. The main feature of the boys' costume were the immense number of strands of beads wound about the hips to a depth of 18 or more. The edges of the blankets were also beaded. The girls also wore three swathings of beads around the hips. 3 Gubura dances for young men.
  • Full Text: false
  • Date Issued: 1957

Icamagilivumile (Thank you for what you have done)

- Group of Mpondo and Sotho men led by Siganeko Nonkonyana, Hugh Tracey

  • Authors: Group of Mpondo and Sotho men led by Siganeko Nonkonyana , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136493 , vital:37384 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR031-07
  • Description: "The sick people are coming tomorrow-They are bringing money." The day's recording at the Great Place of the Paramount Chief of the Mpondo ended with 3 songs by this group of Mpondo and Sotho men. Diviner's (Herbalist's) song with clapping and drums.
  • Full Text: false
  • Date Issued: 1957

Ihobe liyataka (Dove, don't run away, don't hop about)

- Group of young Mpondo married women, Hugh Tracey

  • Authors: Group of young Mpondo married women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136660 , vital:37402 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-01
  • Description: The clapping was done by striking the open palm of the right hand on the fist of the left, or cupped fingers of the left hand. This is called Umngcutsho. Part song with clapping.
  • Full Text: false
  • Date Issued: 1957

Ikomo siyaibulaa (Let the cattle be killed)

- Group of Mpondo men and 3 girls, Hugh Tracey

Ingoboyama boke (Two children must sleep under 1 goat skin)

- Composer not specified, Hugh Tracey

  • Authors: Composer not specified , Hugh Tracey
  • Date: 1957
  • Subjects: Folk songs, Xhosa , Herbalists , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134965 , vital:37222 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0022-06
  • Description: These recordings were made at the "Great Place", of Chief Botha, Paramount Chief of the Mpondo. This large group of Izangoma followers both men and women, was composed of a mixture of Sotho and Mpondo, led by Khotso Sethuntsa. Chief Botha Marzolwandle Sigcau Paku is his full name. "The Great Place" is the name given throughout the Xhosa territories to the chief's headquarters. Khotso-Sethuntsa, name of the chief Sangoma, a man who comes from Kokstad and is a Sotho himself. He is a notable character, reputed to be extremely wealthy, and has much influence in the neighbourhood. Divination song sung at night, with clapping and 5 drums
  • Full Text: false
  • Date Issued: 1957

Injeke, injeke, he (Like this, like this)

- Group of young Mpondo boys, Hugh Tracey

Jamani (Go to Germany)

- Group of young Mpondo boys, Hugh Tracey

  • Authors: Group of young Mpondo boys , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136551 , vital:37390 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-03
  • Description: The group of young men performing this song, sang each into his capped hand, vibrating it slightly as he did so. They danced in a very closely packed circle. 3 Gubura dances for young men.
  • Full Text: false
  • Date Issued: 1957

Kamiyo (The story of Kamiyo)

- Mildred Ntshangase, Hugh Tracey

  • Authors: Mildred Ntshangase , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136651 , vital:37401 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-15
  • Description: This story was beautifully told. There was once a rich old man who had no wife. So he thought and thought, and then went down to the river, cut down a tree, took a piece of soft wood and made it into a woman. He gave it arms and legs, and a head. And it was a woman. Then he gave her dresses and said to her: "When you are spoken to, you must say you are the daughter of Mfulwe the stream." And she was a very beautiful woman. Now when the young men saw her, they said: "How can such an old man have such a beautiful young wife. We will take her away from him." So they took her away from him and took her her to their kraal. Now the old man had great many cattle and pigeons. And he told 2 of the pigeons to fly to the kraal and say what he told them to say. So they flew and they flew and went to the kraal and said to her: "Kamiyo, Kamiyo, give us your apron." So the people at the kraal said: "Oh, give them your apron, let them have it." So the pigeons flew back with it. Then the old man sent them back again, and they came to the kraal and sang: "Kamiyo, Kamiyo, give us your clothes." So the people at the kraal said: "Let them have your clothes and leave us in peace." So the pigeons took the clothes. But the old man sent them again, this time to take away her headdress. Then the people said: "Let them have your beads and your headcloth, it's the woman we want." The old man sent the pigeons back yet again, and this time they flew into the kraal and sang: Kamiyo, Kamiyo, give us your life. And so singing, they sat on her lap, picked out her brains and took her life. So the lovely Kamiyo crumbled away: first her arms and then her legs and then her head. And her body rolled down to the stream where she turned back into the tree again. Story.
  • Full Text: false
  • Date Issued: 1957

Lahiwe indoda (In the morning I'll say one thing)

- Group of young Mpondo men and women, Hugh Tracey

Lahiwe indoda (When your husband is throwing you out of his house)

- Group of young Mpondo men and women, Hugh Tracey

Lamnandi ugolohlang (That has fetched this person)

- Citaumvano, Hugh Tracey

  • Authors: Citaumvano , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136596 , vital:37395 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-08
  • Description: Citaumvano, the singer, praises Mis Gertie Carter's store. Miss Carter is a well-known and much respected figure in the district, her father having established the store about 1870, about 25 years before the annexation of Pondoland. Praise song with guitar.
  • Full Text: false
  • Date Issued: 1957

Mama (Mother)

- Group of Mpondo men and 3 girls, Hugh Tracey

  • Authors: Group of Mpondo men and 3 girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136533 , vital:37388 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-01
  • Description: The singers were dancing in a circle in closely packed formation and each singing into a cupped hand which was slightly vibrated to and fro, to produce a vibrato effect. Gubura dance for young men.
  • Full Text: false
  • Date Issued: 1957

Miss Mababo

- Group of Mpondo men and girls, Hugh Tracey

  • Authors: Group of Mpondo men and girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136764 , vital:37416 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-12
  • Description: One of the young girls added the deep guttural rhythmic sounds peculiar to Xhosa singing. The singers were each of them singing into a slightly vibrating cupped hand. They were all lying on their stomachs on the grass wrapped in their blankets and looking like basking seals. Dance song for young people.
  • Full Text: false
  • Date Issued: 1957

Nai puma kuma kuba ngii ndoda

- Nqwane Mbontyi, Hugh Tracey

  • Authors: Nqwane Mbontyi , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136633 , vital:37398 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-13
  • Description: The performer was quite a humorist in his way, and had a most infectious gaiety, much appreciated by the crown. His name Nqwane Mbonity means "Just like a bean".- He wore a characteristically Mpondo hairdo, the hair cropped close except for the forelock which was allowed to grow long, then plaited into several strings, which were all beeswaxed together into one lock, plastered to the forehead, or reaching down like a small horn to the level of the eyebrows. Tune on the harmonica.
  • Full Text: false
  • Date Issued: 1957

Nai puma kuma kuba ngii ndoda

- Nqwane Mbontyi, Hugh Tracey

  • Authors: Nqwane Mbontyi , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136624 , vital:37399 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-13
  • Description: The performer was quite a humorist in his way, and had a most infectious gaiety, much appreciated by the crown. His name Nqwane Mbonity means "Just like a bean".- He wore a characteristically Mpondo hairdo, the hair cropped close except for the forelock which was allowed to grow long, then plaited into several strings, which were all beeswaxed together into one lock, plastered to the forehead, or reaching down like a small horn to the level of the eyebrows. Tune on the harmonica.
  • Full Text: false
  • Date Issued: 1957

Nokala (The crab)

- Khotso and Mpondo men and women, Hugh Tracey

  • Authors: Khotso and Mpondo men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136515 , vital:37386 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR031-09
  • Description: The women in this group all wore green cotton dresses and green head cloths. They had strands of beads round their necks worked in stripes of green, yellow, white and blue. Khotso said he had taken this colour scheme from the Vierkleur. The men, in addition to this, wore a lavish number of strings of "lucky beans" or seeds, of a pearl-grey colour. These are exclusively worn by the Izangoma. Divination song with clapping and 5 drums.
  • Full Text: false
  • Date Issued: 1957

O, ama Jalimani (Oh, the Germans)

- Group of young Mpondo men and women, Hugh Tracey

  • Authors: Group of young Mpondo men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136731 , vital:37412 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-09
  • Description: Most of the women were married, wearing the beaded, tubular headring of the Mpondo married women. One young girl wore a mass of bead choker necklaces in the favourite Mpondo colours, sky-blue and white. The married women wore their hair in a mass of long fine twists or plaits, and wore a number of bead necklaces. Party song for young people with clapping.
  • Full Text: false
  • Date Issued: 1957

Pelile Makoti (My love for you, Makoti, is finished)

- Citaumvano, Hugh Tracey

  • Authors: Citaumvano , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136614 , vital:37397 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-11
  • Description: Makoti was his wife. From what he said, the singer was devoted to her and their song was not to be taken too literally. His capotasto was placed on the fifth fret of the guitar. Love song with guitar.
  • Full Text: false
  • Date Issued: 1957
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