Change in music among Africans in the Unions
- Authors: Tracey, Hugh
- Subjects: Change , African , Music , Southern Africa , Suburban values , Compose , Composers , Songs , Vanish , Written down , Semi professional , African musician , American dance , Local , Film , Hymn , Choirs , European , Town music , Country music , Modern , Ancient , Folk music , Wedding song , Meaning , White teachers , African words , Foreign tune , Music standard , Foreign style , Eminent linguist , Serial repugnance , Social contaminated , Indigenous music , Distortion , Sotho , Heathen music , Nationalist , Politics , Prejudice , Sense , Nosense , Natural , Recordings , Penny whistle , Guitar , Kwela , Johannesburg , Initiation song , Mafikeng , Tswana
- Language: English
- Type: Sound , Broadcast , Music
- Identifier: vital:15135 , http://hdl.handle.net/10962/d1012455 , Reel number: BC162
- Description: Broadcast entitled 'Change in music among Africans in the Union', broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Change , African , Music , Southern Africa , Suburban values , Compose , Composers , Songs , Vanish , Written down , Semi professional , African musician , American dance , Local , Film , Hymn , Choirs , European , Town music , Country music , Modern , Ancient , Folk music , Wedding song , Meaning , White teachers , African words , Foreign tune , Music standard , Foreign style , Eminent linguist , Serial repugnance , Social contaminated , Indigenous music , Distortion , Sotho , Heathen music , Nationalist , Politics , Prejudice , Sense , Nosense , Natural , Recordings , Penny whistle , Guitar , Kwela , Johannesburg , Initiation song , Mafikeng , Tswana
- Language: English
- Type: Sound , Broadcast , Music
- Identifier: vital:15135 , http://hdl.handle.net/10962/d1012455 , Reel number: BC162
- Description: Broadcast entitled 'Change in music among Africans in the Union', broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
Key drivers of change and their implications for Construction Management in the next decade: an eclectic approach
- Authors: Shakantu, Winston
- Subjects: Change , Construction industry , f-sa
- Language: English
- Type: text , Lectures
- Identifier: http://hdl.handle.net/10948/20912 , vital:29416
- Description: I chose to look at ‘key drivers of change’ as change is the only constant in our lives; its winds keep blowing in perpetuity. Drivers of change are factors that induce or compel organisations to modify their actions in response to change. The drivers of change originate mainly in the macro-environment and in most cases in the micro-environment. As for why ‘implications for construction management research’ it is because of the four areas of responsibility for an academic, that is, Teaching, Research, Engagement and Administration, research informs all the four. Therefore, it seems to be the logical departure point for a professorial exposition.
- Full Text:
- Authors: Shakantu, Winston
- Subjects: Change , Construction industry , f-sa
- Language: English
- Type: text , Lectures
- Identifier: http://hdl.handle.net/10948/20912 , vital:29416
- Description: I chose to look at ‘key drivers of change’ as change is the only constant in our lives; its winds keep blowing in perpetuity. Drivers of change are factors that induce or compel organisations to modify their actions in response to change. The drivers of change originate mainly in the macro-environment and in most cases in the micro-environment. As for why ‘implications for construction management research’ it is because of the four areas of responsibility for an academic, that is, Teaching, Research, Engagement and Administration, research informs all the four. Therefore, it seems to be the logical departure point for a professorial exposition.
- Full Text:
The evolution of African music and its function in the present day
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
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