Dreamscape and death : an analysis of three contemporary novels and a film
- Authors: Truter, Victoria Zea
- Date: 2014
- Subjects: Malouf, David, 1934- -- Criticism and interpretation , Warner, Alan -- Criticism and interpretation , McCarthy, Cormac, 1933- -- Criticism and interpretation , Linklater, Richard, 1960- -- Criticism and interpretation , Australian fiction -- History and criticism , American fiction -- History and criticism , English fiction -- History and criticism , Motion pictures, American -- History and criticism , Malouf, David, 1934- An imaginary life , Warner, Alan -- These demented lands , McCarthy, Cormac, 1933- -- Road , Linklater, Richard, 1960- -- Waking Life , Death in literature
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2308 , http://hdl.handle.net/10962/d1012976
- Description: With its focus on the relationship between dreamscape and death, this study examines the possibility of indirectly experiencing – through writing and dreaming – that which cannot be directly experienced, namely death. In considering this possibility, the thesis engages at length with Maurice Blanchot's argument that death, being irrevocably absent and therefore unknowable, is not open to presentation or representation. After explicating certain of this thinker's theories on the ambiguous nature of literary and oneiric representation, and on the forfeiture of subjective agency that occurs in the moments of writing and dreaming, the study turns to an examination of the manner in which such issues are dealt with in selected dreamscapes. With reference to David Malouf's An Imaginary Life, Alan Warner's These Demented Lands, Cormac McCarthy's The Road, and Richard Linklater's Waking Life, the thesis explores the literary and cinematic representation of human attempts to define, resist, or control death through dreaming and writing about it. Ultimately, the study concludes that such attempts are necessarily inconclusive, and that it is only ever possible to represent death as a (mis)representation.
- Full Text:
- Date Issued: 2014
- Authors: Truter, Victoria Zea
- Date: 2014
- Subjects: Malouf, David, 1934- -- Criticism and interpretation , Warner, Alan -- Criticism and interpretation , McCarthy, Cormac, 1933- -- Criticism and interpretation , Linklater, Richard, 1960- -- Criticism and interpretation , Australian fiction -- History and criticism , American fiction -- History and criticism , English fiction -- History and criticism , Motion pictures, American -- History and criticism , Malouf, David, 1934- An imaginary life , Warner, Alan -- These demented lands , McCarthy, Cormac, 1933- -- Road , Linklater, Richard, 1960- -- Waking Life , Death in literature
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2308 , http://hdl.handle.net/10962/d1012976
- Description: With its focus on the relationship between dreamscape and death, this study examines the possibility of indirectly experiencing – through writing and dreaming – that which cannot be directly experienced, namely death. In considering this possibility, the thesis engages at length with Maurice Blanchot's argument that death, being irrevocably absent and therefore unknowable, is not open to presentation or representation. After explicating certain of this thinker's theories on the ambiguous nature of literary and oneiric representation, and on the forfeiture of subjective agency that occurs in the moments of writing and dreaming, the study turns to an examination of the manner in which such issues are dealt with in selected dreamscapes. With reference to David Malouf's An Imaginary Life, Alan Warner's These Demented Lands, Cormac McCarthy's The Road, and Richard Linklater's Waking Life, the thesis explores the literary and cinematic representation of human attempts to define, resist, or control death through dreaming and writing about it. Ultimately, the study concludes that such attempts are necessarily inconclusive, and that it is only ever possible to represent death as a (mis)representation.
- Full Text:
- Date Issued: 2014
Death situations in the short story : a study in structure
- Authors: Ruthrof, Horst
- Date: 1968
- Subjects: Short story , Death in literature
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2313 , http://hdl.handle.net/10962/d1013108
- Description: In an article on Ernst Cassirer, Konstantin Reichardt says, Since form is the only rational factor of every art, and the form of each art manifests a specific order, 'the order and form of the arts are to be investigated, if we want to examine the artist's imagination at work and the architecture of the world of art. It is the aim of this thesis to cast some light on a small, yet beautiful building within the complex architecture of this world of art, the genre of the short story. To isolate its structural and generic characteristics in general, however, would entail an analytical investigation into a huge number of short stcries, a task too great to be tackled in a thesis. Intro., p. 8.
- Full Text:
- Date Issued: 1968
- Authors: Ruthrof, Horst
- Date: 1968
- Subjects: Short story , Death in literature
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2313 , http://hdl.handle.net/10962/d1013108
- Description: In an article on Ernst Cassirer, Konstantin Reichardt says, Since form is the only rational factor of every art, and the form of each art manifests a specific order, 'the order and form of the arts are to be investigated, if we want to examine the artist's imagination at work and the architecture of the world of art. It is the aim of this thesis to cast some light on a small, yet beautiful building within the complex architecture of this world of art, the genre of the short story. To isolate its structural and generic characteristics in general, however, would entail an analytical investigation into a huge number of short stcries, a task too great to be tackled in a thesis. Intro., p. 8.
- Full Text:
- Date Issued: 1968
- «
- ‹
- 1
- ›
- »