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Folk music

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Aun Nom De L'Amite

- Didier Sourou Awadi aka DJ Awadi (performer), Amadou Barry aka Doug E Tee or Duggy-Tee (performer), Positive Black Soul (band name aka PBS), MALI K7 S.A. Ali Furka Toure Associe, Bamako

Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
Date: 2000
Subjects: Rap (Music) , Folk music
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/129808 , vital:36334
Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
Full Text: false

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Baladjigui Moussa

- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall

Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
Date: 2000
Subjects: Folk music , Popular music--Africa, West
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/128870 , vital:36176
Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
Full Text: false

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Black man Redemption

- Didier Sourou Awadi aka DJ Awadi (performer), Amadou Barry aka Doug E Tee or Duggy-Tee (performer), Positive Black Soul (band name aka PBS), MALI K7 S.A. Ali Furka Toure Associe, Bamako

Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
Date: 2000
Subjects: Rap (Music) , Folk music
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/129813 , vital:36335
Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
Full Text: false

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Cheikhul Khadim

- Pap Jibi Ba (lead vocal), Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals), Cheikh Tidiane Tall (guitar), Pape Ndiaye (sabar, talmba tamb), Dame Mbaye (xalam), Studio 2000

Authors: Pap Jibi Ba (lead vocal) , Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals) , Cheikh Tidiane Tall (guitar) , Pape Ndiaye (sabar, talmba tamb) , Dame Mbaye (xalam) , Studio 2000
Date: 2000
Subjects: Folk music , Popular music--Africa, West
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/130279 , vital:36398
Description: Modern Senegalese song accompanied by traditional instruments including the sabar, xalam and talmba tamb, that create a combination of mbalax, yaba, ndaga, wolof and yela peul rhythms, fused with Afro-Cuban and soul music
Full Text: false

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Dekendo

- Pap Jibi Ba (lead vocal), Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals), Cheikh Tidiane Tall (guitar), Pape Ndiaye (sabar, talmba tamb), Dame Mbaye (xalam), Studio 2000

Authors: Pap Jibi Ba (lead vocal) , Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals) , Cheikh Tidiane Tall (guitar) , Pape Ndiaye (sabar, talmba tamb) , Dame Mbaye (xalam) , Studio 2000
Date: 2000
Subjects: Folk music , Popular music--Africa, West
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/130269 , vital:36394
Description: Modern Senegalese song accompanied by traditional instruments including the sabar, xalam and talmba tamb, that create a combination of mbalax, yaba, ndaga, wolof and yela peul rhythms, fused with Afro-Cuban and soul music
Full Text: false

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Droit de l'Enfant (Akhi Dawni)

- Pap Jibi Ba (lead vocal), Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals), Cheikh Tidiane Tall (guitar), Pape Ndiaye (sabar, talmba tamb), Dame Mbaye (xalam), Studio 2000

Authors: Pap Jibi Ba (lead vocal) , Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals) , Cheikh Tidiane Tall (guitar) , Pape Ndiaye (sabar, talmba tamb) , Dame Mbaye (xalam) , Studio 2000
Date: 2000
Subjects: Folk music , Popular music--Africa, West
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/130274 , vital:36395
Description: Modern Senegalese song accompanied by traditional instruments including the sabar, xalam and talmba tamb, that create a combination of mbalax, yaba, ndaga, wolof and yela peul rhythms, fused with Afro-Cuban and soul music
Full Text: false

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Ecoute Fils

- Didier Sourou Awadi aka DJ Awadi (performer), Amadou Barry aka Doug E Tee or Duggy-Tee (performer), Positive Black Soul (band name aka PBS), MALI K7 S.A. Ali Furka Toure Associe, Bamako

Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
Date: 2000
Subjects: Rap (Music) , Folk music
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/129818 , vital:36336
Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
Full Text: false

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Faux Depart

- Didier Sourou Awadi aka DJ Awadi (performer), Amadou Barry aka Doug E Tee or Duggy-Tee (performer), Positive Black Soul (band name aka PBS), MALI K7 S.A. Ali Furka Toure Associe, Bamako

Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
Date: 2000
Subjects: Rap (Music) , Folk music
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/129776 , vital:36330
Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
Full Text: false

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Gis Na Xalebi

- Mbaye Ndiaye (lead vocal, riiti), Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus), Alioune Gueye (guitar), Elou Fall (keyboard, programming, drums), Pape Ndiaye (percussion), Jololi

Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
Date: 2000
Subjects: Folk music , Popular music--Africa, West
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/130440 , vital:36419
Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
Full Text: false

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Integration Africaine

- Pap Jibi Ba (lead vocal), Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals), Cheikh Tidiane Tall (guitar), Pape Ndiaye (sabar, talmba tamb), Dame Mbaye (xalam), Studio 2000

Authors: Pap Jibi Ba (lead vocal) , Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals) , Cheikh Tidiane Tall (guitar) , Pape Ndiaye (sabar, talmba tamb) , Dame Mbaye (xalam) , Studio 2000
Date: 2000
Subjects: Folk music , Popular music--Africa, West
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/130245 , vital:36391
Description: Modern Senegalese song accompanied by traditional instruments including the sabar, xalam and talmba tamb, that create a combination of mbalax, yaba, ndaga, wolof and yela peul rhythms, fused with Afro-Cuban and soul music
Full Text: false

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Ligueyante

- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall

Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
Date: 2000
Subjects: Folk music , Popular music--Africa, West
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/128846 , vital:36173
Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
Full Text: false

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Madame Siby

- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall

Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
Date: 2000
Subjects: Folk music , Popular music--Africa, West
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/128832 , vital:36171
Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
Full Text: false

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Manore

- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall

Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
Date: 2000
Subjects: Folk music , Popular music--Africa, West
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/128789 , vital:36158
Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
Full Text: false

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Njambaar

- Mbaye Ndiaye (lead vocal, riiti), Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus), Alioune Gueye (guitar), Elou Fall (keyboard, programming, drums), Pape Ndiaye (percussion), Jololi

Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
Date: 2000
Subjects: Folk music , Popular music--Africa, West
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/130449 , vital:36421
Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
Full Text: false

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Onow Nee Jik Weel

- Mbaye Ndiaye (lead vocal, riiti), Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus), Alioune Gueye (guitar), Elou Fall (keyboard, programming, drums), Pape Ndiaye (percussion), Jololi

Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
Date: 2000
Subjects: Folk music , Popular music--Africa, West
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/130482 , vital:36428
Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
Full Text: false

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Revolution

- Didier Sourou Awadi aka DJ Awadi (performer), Amadou Barry aka Doug E Tee or Duggy-Tee (performer), Positive Black Soul (band name aka PBS), MALI K7 S.A. Ali Furka Toure Associe, Bamako

Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
Date: 2000
Subjects: Rap (Music) , Folk music
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/129803 , vital:36333
Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
Full Text: false

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Sare Bamba

- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall

Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
Date: 2000
Subjects: Folk music , Popular music--Africa, West
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/128841 , vital:36172
Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
Full Text: false

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Taara

- Didier Sourou Awadi aka DJ Awadi (performer), Amadou Barry aka Doug E Tee or Duggy-Tee (performer), Positive Black Soul (band name aka PBS), MALI K7 S.A. Ali Furka Toure Associe, Bamako

Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
Date: 2000
Subjects: Rap (Music) , Folk music
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/129785 , vital:36331
Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
Full Text: false

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Touba

- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall

Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
Date: 2000
Subjects: Folk music , Popular music--Africa, West
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/128860 , vital:36174
Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
Full Text: false

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VIP

- Didier Sourou Awadi aka DJ Awadi (performer), Amadou Barry aka Doug E Tee or Duggy-Tee (performer), Positive Black Soul (band name aka PBS), MALI K7 S.A. Ali Furka Toure Associe, Bamako

Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
Date: 2000
Subjects: Rap (Music) , Folk music
Language: Wolof
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/129794 , vital:36332
Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
Full Text: false

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