The evolution of African music and its function in the present day
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The Sound of Africa: Music of the Transkei
- Authors: Tracey, Hugh
- Subjects: Transkei , Garden Route , Mthatha , Butterworth , Sunsets , Thorn trees , Rondavels , Huts , Ponies , Pigs , Lambs , Animals , Pipe , Beer , Fighting song , Johannesburg , Mines , Drinking song , Clapping , Witwatersrand , Shaking dance , Amakwenkwe , Mbayizelo , Young Man‘s Dance , Leg bells , Uhadi bow , Bow , Magic , Humming , Nkanga , Hut dancing , Stories , Story-telling , Ikinki mouth bow , Whistle , Idutywa , Trading station , Young people , Gossip , Dance , Meeting , Pathos , Humour , Lullaby , Mhahlo , Gcaleka , Willowvale , Braves , Jomjom , Gold mines , Ceremonial song used to introduce a party or function , Amakwenkwe Mbayizelo , Mtshotsho dance , Ijoyini , The Native Recruiting Corporation , Young men call me a beauty , Tula mtwana , Hush child , Engcobo , Roaring , Concertina , Mouth organ , Cizele
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15087 , http://hdl.handle.net/10962/d1008515 , Reel number: BC079, BC080, BC081
- Description: 2nd programme in ‘The Sound of Africa‘ Series III of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Transkei , Garden Route , Mthatha , Butterworth , Sunsets , Thorn trees , Rondavels , Huts , Ponies , Pigs , Lambs , Animals , Pipe , Beer , Fighting song , Johannesburg , Mines , Drinking song , Clapping , Witwatersrand , Shaking dance , Amakwenkwe , Mbayizelo , Young Man‘s Dance , Leg bells , Uhadi bow , Bow , Magic , Humming , Nkanga , Hut dancing , Stories , Story-telling , Ikinki mouth bow , Whistle , Idutywa , Trading station , Young people , Gossip , Dance , Meeting , Pathos , Humour , Lullaby , Mhahlo , Gcaleka , Willowvale , Braves , Jomjom , Gold mines , Ceremonial song used to introduce a party or function , Amakwenkwe Mbayizelo , Mtshotsho dance , Ijoyini , The Native Recruiting Corporation , Young men call me a beauty , Tula mtwana , Hush child , Engcobo , Roaring , Concertina , Mouth organ , Cizele
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15087 , http://hdl.handle.net/10962/d1008515 , Reel number: BC079, BC080, BC081
- Description: 2nd programme in ‘The Sound of Africa‘ Series III of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
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