The protection and promotion of the rights of journalists in Tanzania.
- Authors: Nnko, Ruth Anaeli
- Date: 2022-12
- Subjects: freedom of speech , Journalism , Human rights
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/60100 , vital:63095
- Description: The ability to freely acquire, search for, disseminate, and express opinions and ideas is foundational in a democratic society. When a state effectively safeguards the right to freedom of expression of all citizens, this has a rollover effect on other fundamental human rights. Freedom of expression often operates in tandem with the right to information, equality and human dignity. To this effect, freedom of expression has been recognized as a fundamental human right in various international, regional and sub-regional instruments. The scope and limitations of the right to freedom of expression has, over the years, been developed through regional and sub-regional cases. These cases have noted that, on the one hand, freedom of expression goes beyond a mere aspiration of states. State Parties to human rights’ instruments are bound by an obligation to give effect to this right. On the other hand, however, freedom of expression is not absolute and can be limited where such limitation is necessary, lawful, and proportional. Within the United Republic of Tanzania, techniques have been adopted to limit the right to freedom of expression of journalists. These range from the use of national laws to fines, suspensions, and imprisoning of journalists, to extrajudicial acts such as enforced disappearances in more extreme cases. Although, these techniques are not unique to the United Republic of Tanzania as the same ill treatment of journalists’ practices can be found in other countries. This study evaluates whether the legal framework, as well as the actions of the United Republic of Tanzania, in effect, protect and promote the right to freedom of expression specifically the rights of journalists. This study is divided in five chapters which aim to provide an in-depth coverage of the human rights systems in operation that are apply to journalists in Tanzania. The study also considers limitations in the regional, subregional and national legal frameworks and concludes with recommendations that could be adopted to ensure compliance with sub-regional, regional and international standards. , Thesis (LLM) -- Faculty Law, Criminal and Procedural Law, 2022
- Full Text:
- Date Issued: 2022-12
- Authors: Nnko, Ruth Anaeli
- Date: 2022-12
- Subjects: freedom of speech , Journalism , Human rights
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/60100 , vital:63095
- Description: The ability to freely acquire, search for, disseminate, and express opinions and ideas is foundational in a democratic society. When a state effectively safeguards the right to freedom of expression of all citizens, this has a rollover effect on other fundamental human rights. Freedom of expression often operates in tandem with the right to information, equality and human dignity. To this effect, freedom of expression has been recognized as a fundamental human right in various international, regional and sub-regional instruments. The scope and limitations of the right to freedom of expression has, over the years, been developed through regional and sub-regional cases. These cases have noted that, on the one hand, freedom of expression goes beyond a mere aspiration of states. State Parties to human rights’ instruments are bound by an obligation to give effect to this right. On the other hand, however, freedom of expression is not absolute and can be limited where such limitation is necessary, lawful, and proportional. Within the United Republic of Tanzania, techniques have been adopted to limit the right to freedom of expression of journalists. These range from the use of national laws to fines, suspensions, and imprisoning of journalists, to extrajudicial acts such as enforced disappearances in more extreme cases. Although, these techniques are not unique to the United Republic of Tanzania as the same ill treatment of journalists’ practices can be found in other countries. This study evaluates whether the legal framework, as well as the actions of the United Republic of Tanzania, in effect, protect and promote the right to freedom of expression specifically the rights of journalists. This study is divided in five chapters which aim to provide an in-depth coverage of the human rights systems in operation that are apply to journalists in Tanzania. The study also considers limitations in the regional, subregional and national legal frameworks and concludes with recommendations that could be adopted to ensure compliance with sub-regional, regional and international standards. , Thesis (LLM) -- Faculty Law, Criminal and Procedural Law, 2022
- Full Text:
- Date Issued: 2022-12
The columnist as trickster: satire and subversion in literary journalism
- Authors: Douglas, Greig
- Date: 2012
- Subjects: Satire , Race relations , Journalism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:8387 , http://hdl.handle.net/10948/d1008397 , Satire , Race relations , Journalism
- Description: This project examines facets of racial identity as they emerge in a contemporary South African context, and considers how instances of local satire both subtly resist and support white normativity. It consists of two separate sections: firstly, a self-reflective essay that, employing current theories from the academic field of whiteness studies, assesses South African satire’s relation to and negotiation of race and identity politics; and secondly, The Weekly Crab, my own creative response to the genre of satire. Using contemporary theories of racial construction, the first section will delineate whiteness as a dominant but invisible identification, and as a social construction underpinned by an inherited and continually reproduced privilege. Satire, in turn, will be described as a mode of rhetorical and conceptual attack that is capable of cultivating an understanding of how whiteness functions as a cultural construct, as well as foster a sensitivity to how its cultural dynamics shape and inform racial politics in the South African context. The first section will identify the website Hayibo.com as a source of local satire whose satirising of current events is often complicit in the perpetuation of white normativity. I will point to moments in its work where white expectations, fears and social mores are left unexamined, and, indeed, become an unspoken part of their critiquing lens rather than the focus of it. An accompanying critical breakdown of my own satire in The Weekly Crab will show my work to be a countertext to Hayibo. As I will make clear, I am not saying that I successfully fill a gap in the landscape of South African satire. Instead, in comparing my work to the satire that Hayibo produces, and by providing, in the second section, a creative response to that particular approach to satire, I am trying to circumscribe a blind spot in South African literary journalism : that is, the paucity of satire that aggressively subverts the normativity of whiteness.
- Full Text:
- Date Issued: 2012
- Authors: Douglas, Greig
- Date: 2012
- Subjects: Satire , Race relations , Journalism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:8387 , http://hdl.handle.net/10948/d1008397 , Satire , Race relations , Journalism
- Description: This project examines facets of racial identity as they emerge in a contemporary South African context, and considers how instances of local satire both subtly resist and support white normativity. It consists of two separate sections: firstly, a self-reflective essay that, employing current theories from the academic field of whiteness studies, assesses South African satire’s relation to and negotiation of race and identity politics; and secondly, The Weekly Crab, my own creative response to the genre of satire. Using contemporary theories of racial construction, the first section will delineate whiteness as a dominant but invisible identification, and as a social construction underpinned by an inherited and continually reproduced privilege. Satire, in turn, will be described as a mode of rhetorical and conceptual attack that is capable of cultivating an understanding of how whiteness functions as a cultural construct, as well as foster a sensitivity to how its cultural dynamics shape and inform racial politics in the South African context. The first section will identify the website Hayibo.com as a source of local satire whose satirising of current events is often complicit in the perpetuation of white normativity. I will point to moments in its work where white expectations, fears and social mores are left unexamined, and, indeed, become an unspoken part of their critiquing lens rather than the focus of it. An accompanying critical breakdown of my own satire in The Weekly Crab will show my work to be a countertext to Hayibo. As I will make clear, I am not saying that I successfully fill a gap in the landscape of South African satire. Instead, in comparing my work to the satire that Hayibo produces, and by providing, in the second section, a creative response to that particular approach to satire, I am trying to circumscribe a blind spot in South African literary journalism : that is, the paucity of satire that aggressively subverts the normativity of whiteness.
- Full Text:
- Date Issued: 2012
Media convergence : an analysis of consumer engagement
- Authors: Muwanga-Zake, Semeyi
- Date: 2010
- Subjects: Mass media , Journalism
- Language: English
- Type: Thesis , Masters , MBA
- Identifier: vital:8612 , http://hdl.handle.net/10948/1557 , Mass media , Journalism
- Description: Media convergence has meant that the traditional separations between the various media industries, such as the internet, broadcasting and telephone networks are slowly collapsing due to the growing use and influence of digital electronics - in effect, morphing or transforming the media landscape. A fundamental change in today's media landscape has been the shift in control over media content, consumer consumption patterns as well as the manner and level at which consumers interact. Thus, the extent to which success is achieved now depends on a customer centric engagement strategy that can be implemented across converged platforms. This study considers the challenges posed by media convergence. It also investigates how organisations adjusted strategies to mitigate these challenges.
- Full Text:
- Date Issued: 2010
- Authors: Muwanga-Zake, Semeyi
- Date: 2010
- Subjects: Mass media , Journalism
- Language: English
- Type: Thesis , Masters , MBA
- Identifier: vital:8612 , http://hdl.handle.net/10948/1557 , Mass media , Journalism
- Description: Media convergence has meant that the traditional separations between the various media industries, such as the internet, broadcasting and telephone networks are slowly collapsing due to the growing use and influence of digital electronics - in effect, morphing or transforming the media landscape. A fundamental change in today's media landscape has been the shift in control over media content, consumer consumption patterns as well as the manner and level at which consumers interact. Thus, the extent to which success is achieved now depends on a customer centric engagement strategy that can be implemented across converged platforms. This study considers the challenges posed by media convergence. It also investigates how organisations adjusted strategies to mitigate these challenges.
- Full Text:
- Date Issued: 2010
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