Storytelling and social commentary in a comparison of Zakes Mda's Ways of Dying (1995) and Black Diamond (2009)
- Authors: Thackwray, Sarah
- Date: 2017
- Subjects: South African literature (English) -- Black authors -- History and criticism , Politics in literature , Storytelling -- South Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/7149 , vital:21265
- Description: In a comparison of two novels, Ways of Dying (1995) and Black Diamond (2009), this dissertation examines Zakes Mda's ongoing use of fiction in presenting incisive social commentary in the post-apartheid literary context. Mda's debut novel is a complex magic realist tale of Toloki, the professional mourner, who journeys from the village to the urban township. It is markedly different from his post-millennial satire, which invokes the social realist form, constructing a rapidly unfolding plot of urban gangsters, crime and sex, in which the characters are more representational than well-developed. While Ways of Dying has been praised as Mda's thought-provoking novel of the transition, Black Diamond has sometimes been criticised as being less able to comment significantly on the state of post-millennial South Africa. Subsequently, this dissertation evaluates the potential of Mda's most recent fictional portrayal of post-apartheid society to provide a meaningful interpretation of and commentary on post-apartheid South Africa, alongside his earlier novel.
- Full Text:
- Date Issued: 2017
- Authors: Thackwray, Sarah
- Date: 2017
- Subjects: South African literature (English) -- Black authors -- History and criticism , Politics in literature , Storytelling -- South Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/7149 , vital:21265
- Description: In a comparison of two novels, Ways of Dying (1995) and Black Diamond (2009), this dissertation examines Zakes Mda's ongoing use of fiction in presenting incisive social commentary in the post-apartheid literary context. Mda's debut novel is a complex magic realist tale of Toloki, the professional mourner, who journeys from the village to the urban township. It is markedly different from his post-millennial satire, which invokes the social realist form, constructing a rapidly unfolding plot of urban gangsters, crime and sex, in which the characters are more representational than well-developed. While Ways of Dying has been praised as Mda's thought-provoking novel of the transition, Black Diamond has sometimes been criticised as being less able to comment significantly on the state of post-millennial South Africa. Subsequently, this dissertation evaluates the potential of Mda's most recent fictional portrayal of post-apartheid society to provide a meaningful interpretation of and commentary on post-apartheid South Africa, alongside his earlier novel.
- Full Text:
- Date Issued: 2017
Protest in fiction : an approach to Alex la Guma
- Cornwell, David Gareth Napier
- Authors: Cornwell, David Gareth Napier
- Date: 1979
- Subjects: La Guma, Alex , South African literature (English) -- Black authors -- History and criticism , Protest literature, South African (English) -- History and criticism
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2169 , http://hdl.handle.net/10962/d1001820
- Description: From Introduction: Thus for the black South African, the act of creative writing is inescapably a form of political action, and unless he turns his back on the reality which confronts him and retreats into a private imaginary world, it is also a form of social action, Yet Ezekiel Mphahlele has rightly cautioned that "creating an imaginary world" can never be an effective substitute for social act ion . Composing fictions about social and political problems is an indubitably oblique way of seeking a solution to them, and even the tendentious recreation of reality is only a metaphor for its actual transformation. Protest writing in South Africa is paradoxically a form of social action which is also only a parasitical imitation of social action, and therefore its avoidance . The freedom of literary creation described above is ambiguously not only a freedom to express reality, but also a freedom from the constraints of reality. And this suggests why the outlaw was such an important symbol to an earlier generation of rather more self-conscious writers.
- Full Text:
- Date Issued: 1979
- Authors: Cornwell, David Gareth Napier
- Date: 1979
- Subjects: La Guma, Alex , South African literature (English) -- Black authors -- History and criticism , Protest literature, South African (English) -- History and criticism
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2169 , http://hdl.handle.net/10962/d1001820
- Description: From Introduction: Thus for the black South African, the act of creative writing is inescapably a form of political action, and unless he turns his back on the reality which confronts him and retreats into a private imaginary world, it is also a form of social action, Yet Ezekiel Mphahlele has rightly cautioned that "creating an imaginary world" can never be an effective substitute for social act ion . Composing fictions about social and political problems is an indubitably oblique way of seeking a solution to them, and even the tendentious recreation of reality is only a metaphor for its actual transformation. Protest writing in South Africa is paradoxically a form of social action which is also only a parasitical imitation of social action, and therefore its avoidance . The freedom of literary creation described above is ambiguously not only a freedom to express reality, but also a freedom from the constraints of reality. And this suggests why the outlaw was such an important symbol to an earlier generation of rather more self-conscious writers.
- Full Text:
- Date Issued: 1979
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