The evolution of African music and its function in the present day
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The Sound of Africa: Music of the Copperbelt, Northern Rhodesia
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Luunda , Chengola , Copper mine , Zambia , Chianda dance song , Wood carving , Chokwe , Drums , Sticks , Ululation , Women , Men , Tonga , Guitar , Aushi , Fishermen , Fort Rosebury , Party song , Festivities , Mocking song , Kitwe , Mumamba , Mbira , Hand piano , Kasama , Court songs , Chitimkhulu , Old Bemba , Obsolete language , Lozi , Manyanga dance song , Friction sticks , Nyasa , Bangwe , Board zither , Luchazi , Chisansi Mbira , Nyakasanga dance song , Kachacha dance song , Luvale , Long notes , Glass bottles , Niyakusa , Tanganyika , Roan Antelope Mine , Fort Jameson , Nsenga , Zulu , Nguni , Flying ants , Mbanda dance , Leg rattles , Ngoma dance , Ndebel , Boers , Voortrekkers , Miner‘s song , Safwa , Wenela , WNLA , Bemba , Blind musician , Court musician , Court language
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15090 , http://hdl.handle.net/10962/d1008518 , Reel number: BC095, BC096 , BC096 is a continuation of BC095
- Description: 8th programme in ‘The Sound of Africa‘ Series III of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Luunda , Chengola , Copper mine , Zambia , Chianda dance song , Wood carving , Chokwe , Drums , Sticks , Ululation , Women , Men , Tonga , Guitar , Aushi , Fishermen , Fort Rosebury , Party song , Festivities , Mocking song , Kitwe , Mumamba , Mbira , Hand piano , Kasama , Court songs , Chitimkhulu , Old Bemba , Obsolete language , Lozi , Manyanga dance song , Friction sticks , Nyasa , Bangwe , Board zither , Luchazi , Chisansi Mbira , Nyakasanga dance song , Kachacha dance song , Luvale , Long notes , Glass bottles , Niyakusa , Tanganyika , Roan Antelope Mine , Fort Jameson , Nsenga , Zulu , Nguni , Flying ants , Mbanda dance , Leg rattles , Ngoma dance , Ndebel , Boers , Voortrekkers , Miner‘s song , Safwa , Wenela , WNLA , Bemba , Blind musician , Court musician , Court language
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15090 , http://hdl.handle.net/10962/d1008518 , Reel number: BC095, BC096 , BC096 is a continuation of BC095
- Description: 8th programme in ‘The Sound of Africa‘ Series III of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- «
- ‹
- 1
- ›
- »