Constructions of nationhood in secession debates related to Mthwakazi Liberation Front in Bulawayo's Chronicle and Newsday newspapers in 2011
- Authors: Ndlovu, Mphathisi
- Date: 2013
- Subjects: Newspapers , Bulawayo , Matabeleland , Zimbabwe , Chronicle , Newsday , Secession , Devolution , Nationhood , Ndebele , Ethnic identity , Mthwakazi Liberation Front , Mthwakazi Liberation Front -- Zimbabwe , Mass media and nationalism -- Research -- Zimbabwe , Bulawayo (Zimbabwe) -- Newspapers , Matabeleland (Zimbabwe) -- History -- Autonomy and independence movements , Matabeleland (Zimbabwe) -- Social conditions , Zimbabwe -- Social conditions
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:3415 , http://hdl.handle.net/10962/d1001846
- Description: This study investigates the constructions of nationhood in two Bulawayo newspapers, the Chronicle and Newsday. Against the backdrop of the emergence of a secessionist movement, Mthwakazi Liberation Front (MLF), this research examines the discourses of nationhood in the secessionist debates raging in these two newspapers. This study is premised on a view that nationhood constructions cannot be understood outside the broader context in which these newspapers are embedded. Accordingly, it traces the roots and resurgence of Matabeleland separatist politics, exploring the political-historical forces that have shaped a distinctive Ndebele identity that poses a threat to the one, indivisible Zimbabwean national identity. Further, the study situates Matabeleland separatist politics within the broader African secessionist discourse challenging the post-colonial nation-building project on the continent. Informed by Hall’s (1992, 1996) constructivist approach to identity, it considers national identities as fragmented, multiple and constantly evolving. Thus, this study is framed within Hall’s (1997) constructivist approach to representation, as it examines the constructions of nationhood in and through language. The study uses qualitative research methods, as it examines the meanings of nationhood in key media texts. Informed by Foucault’s discourse theory, this research employs critical discourse analysis (CDA) to analyse 12 articles from the two newspapers. The findings confirm that the representations of nationhood in the two newspapers are influenced by their position within the socio-political context. The state-owned Chronicle legitimates the unitary state discourse advocated by ZANU PF. On the other hand, Newsday’s representations are informed by the discourses of the opposition political parties and civil society that challenge the dominant nation-building project. Thus, within this paper, secession and devolution emerge as alternative imaginaries that contest the authoritarian discourse of nationhood
- Full Text:
- Date Issued: 2013
- Authors: Ndlovu, Mphathisi
- Date: 2013
- Subjects: Newspapers , Bulawayo , Matabeleland , Zimbabwe , Chronicle , Newsday , Secession , Devolution , Nationhood , Ndebele , Ethnic identity , Mthwakazi Liberation Front , Mthwakazi Liberation Front -- Zimbabwe , Mass media and nationalism -- Research -- Zimbabwe , Bulawayo (Zimbabwe) -- Newspapers , Matabeleland (Zimbabwe) -- History -- Autonomy and independence movements , Matabeleland (Zimbabwe) -- Social conditions , Zimbabwe -- Social conditions
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:3415 , http://hdl.handle.net/10962/d1001846
- Description: This study investigates the constructions of nationhood in two Bulawayo newspapers, the Chronicle and Newsday. Against the backdrop of the emergence of a secessionist movement, Mthwakazi Liberation Front (MLF), this research examines the discourses of nationhood in the secessionist debates raging in these two newspapers. This study is premised on a view that nationhood constructions cannot be understood outside the broader context in which these newspapers are embedded. Accordingly, it traces the roots and resurgence of Matabeleland separatist politics, exploring the political-historical forces that have shaped a distinctive Ndebele identity that poses a threat to the one, indivisible Zimbabwean national identity. Further, the study situates Matabeleland separatist politics within the broader African secessionist discourse challenging the post-colonial nation-building project on the continent. Informed by Hall’s (1992, 1996) constructivist approach to identity, it considers national identities as fragmented, multiple and constantly evolving. Thus, this study is framed within Hall’s (1997) constructivist approach to representation, as it examines the constructions of nationhood in and through language. The study uses qualitative research methods, as it examines the meanings of nationhood in key media texts. Informed by Foucault’s discourse theory, this research employs critical discourse analysis (CDA) to analyse 12 articles from the two newspapers. The findings confirm that the representations of nationhood in the two newspapers are influenced by their position within the socio-political context. The state-owned Chronicle legitimates the unitary state discourse advocated by ZANU PF. On the other hand, Newsday’s representations are informed by the discourses of the opposition political parties and civil society that challenge the dominant nation-building project. Thus, within this paper, secession and devolution emerge as alternative imaginaries that contest the authoritarian discourse of nationhood
- Full Text:
- Date Issued: 2013
An examination of the constitutional congruity of the current media legislation in Zimbabwe to global trends
- Authors: Chabinjwa, Trevor
- Date: 2011-12
- Subjects: Mass Media , Zimbabwe , Freedom of speech
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10353/24161 , vital:62438
- Description: The focus of this dissertation was on the nature and operation of laws and regulations that were and are still being used to limit the freedom of the media in Zimbabwe. Through a legal and political analysis of the evolution and use of these laws and regulations by successive governments in Zimbabwe, the study provides an important perspective on the struggle for media freedom in Zimbabwe. The main focus of this study was to examine the impact of media laws in Zimbabwe on the freedom of expression of its citizens. Some of the key media laws under the spotlight include; Access to Information and Protection of Privacy Act (AIPPA), the Public Order and Security Act (POSA) and the Broadcasting Services Act (BSA). The underpinning theoretical framework was informed by the Authoritarian, Libertarian and the Social Responsibility schools of thought. Questionnaires and in-depth interviews with selected key informants were the chief methods for data collection. Secondary data such as court cases, newspapers and some documents from organisations such as the UN, African Charter and Southern Africa Development Community (SADC) Protocol on Culture, Information and Sport were also consulted. Qualitative data was analysed using thematic content analysis while tables, graphs and charts which were interpreted and linked with processed qualitative data to come up with emerging trends and resolutions. The research revealed that the government is aware of the shortcomings in the regulations and laws relating to the media, but is not willing to make genuine and comprehensive reforms. These laws impact negatively on freedom of expression on citizens especially journalists and their media houses. It is evident from the findings that media houses in Zimbabwe are vulnerable. These laws have forced some media houses such as Daily news, Tribune and Capital radio to close. Some of these institutions have since opened after the formation of the Government of National Unity (GNU). But little has changed even after the formation of the GNU. Some of the journalists left Zimbabwe for fear of prosecution. This goes on to confirm that the current media legislations in Zimbabwe are not congruent with global norms such as the SADC Protocol on Culture, Information and Sport, the Universal Declaration of Human Rights Article 19, the African Charter Article 9, and African Charter on Human and Peoples’ Rights (ACHPR) which advocates for freedom of the media and expression. The study concluded that there is no freedom of expression in media legislation as has been witnessed from the findings of the study. The study then recommended crafting of new laws which promote freedom of expression of the citizens of Zimbabwe. , Thesis (MA) -- Social Sciences and Humanities, 2011
- Full Text:
- Date Issued: 2011-12
- Authors: Chabinjwa, Trevor
- Date: 2011-12
- Subjects: Mass Media , Zimbabwe , Freedom of speech
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10353/24161 , vital:62438
- Description: The focus of this dissertation was on the nature and operation of laws and regulations that were and are still being used to limit the freedom of the media in Zimbabwe. Through a legal and political analysis of the evolution and use of these laws and regulations by successive governments in Zimbabwe, the study provides an important perspective on the struggle for media freedom in Zimbabwe. The main focus of this study was to examine the impact of media laws in Zimbabwe on the freedom of expression of its citizens. Some of the key media laws under the spotlight include; Access to Information and Protection of Privacy Act (AIPPA), the Public Order and Security Act (POSA) and the Broadcasting Services Act (BSA). The underpinning theoretical framework was informed by the Authoritarian, Libertarian and the Social Responsibility schools of thought. Questionnaires and in-depth interviews with selected key informants were the chief methods for data collection. Secondary data such as court cases, newspapers and some documents from organisations such as the UN, African Charter and Southern Africa Development Community (SADC) Protocol on Culture, Information and Sport were also consulted. Qualitative data was analysed using thematic content analysis while tables, graphs and charts which were interpreted and linked with processed qualitative data to come up with emerging trends and resolutions. The research revealed that the government is aware of the shortcomings in the regulations and laws relating to the media, but is not willing to make genuine and comprehensive reforms. These laws impact negatively on freedom of expression on citizens especially journalists and their media houses. It is evident from the findings that media houses in Zimbabwe are vulnerable. These laws have forced some media houses such as Daily news, Tribune and Capital radio to close. Some of these institutions have since opened after the formation of the Government of National Unity (GNU). But little has changed even after the formation of the GNU. Some of the journalists left Zimbabwe for fear of prosecution. This goes on to confirm that the current media legislations in Zimbabwe are not congruent with global norms such as the SADC Protocol on Culture, Information and Sport, the Universal Declaration of Human Rights Article 19, the African Charter Article 9, and African Charter on Human and Peoples’ Rights (ACHPR) which advocates for freedom of the media and expression. The study concluded that there is no freedom of expression in media legislation as has been witnessed from the findings of the study. The study then recommended crafting of new laws which promote freedom of expression of the citizens of Zimbabwe. , Thesis (MA) -- Social Sciences and Humanities, 2011
- Full Text:
- Date Issued: 2011-12
The impact of aid dependence on social development: the case of Zimbabwe
- Authors: Nyatoro, Tinashe
- Date: 2008
- Subjects: Economic assistance , Zimbabwe
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10353/26649 , vital:65735
- Description: The purpose of this study was to look at how a foreign aid dependent economy is vulnerable to external manipulations. This study came up with the conclusion that foreign capital dependence is detrimental to long-term social, economic, and sustainable development of developing countries. The study also noted how foreign aid is used as a foreign policy instrument by western countries to influence the behaviour of the developing countries. The study noted that Zimbabwe is an aid dependent country hence its vulnerability to external manipulation. This has been demonstrated by capital flight from Zimbabwe since 1997. Multilateral Financial Institutions, the European Union, United States of America and other bilateral donors withdrew their financial support to the country due to policy disagreements with the Zimbabwean government. This incidence of donors withdrawing their financial support to Zimbabwe raises fundamental questions as to whether the African state is autonomous or is it possible for the African state to delink itself from the current global international market and at what costs? What has come out very clearly from this study is that a dependent state has no autonomy to decide on its domestic and foreign policies without considering the interests of its donors, and hence its vulnerability to external manipulations. , Thesis (MSoc) -- Faculty of Management and Commerce, 2008
- Full Text:
- Date Issued: 2008
- Authors: Nyatoro, Tinashe
- Date: 2008
- Subjects: Economic assistance , Zimbabwe
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10353/26649 , vital:65735
- Description: The purpose of this study was to look at how a foreign aid dependent economy is vulnerable to external manipulations. This study came up with the conclusion that foreign capital dependence is detrimental to long-term social, economic, and sustainable development of developing countries. The study also noted how foreign aid is used as a foreign policy instrument by western countries to influence the behaviour of the developing countries. The study noted that Zimbabwe is an aid dependent country hence its vulnerability to external manipulation. This has been demonstrated by capital flight from Zimbabwe since 1997. Multilateral Financial Institutions, the European Union, United States of America and other bilateral donors withdrew their financial support to the country due to policy disagreements with the Zimbabwean government. This incidence of donors withdrawing their financial support to Zimbabwe raises fundamental questions as to whether the African state is autonomous or is it possible for the African state to delink itself from the current global international market and at what costs? What has come out very clearly from this study is that a dependent state has no autonomy to decide on its domestic and foreign policies without considering the interests of its donors, and hence its vulnerability to external manipulations. , Thesis (MSoc) -- Faculty of Management and Commerce, 2008
- Full Text:
- Date Issued: 2008
Africa‘s Heritage No. 3: Religion, music and art in America
- Authors: Tracey, Hugh
- Subjects: Religion , Beliefs , Christianity , Evangelists , Folk music , Pagan practice , Dogma , Hymns , European hymn , Catholic , Latin , North America , Slaves , Catholic music , East Africa , West Africa , Jesuits , Mission , Musical heritage , Musical tradition , Quality of taste , Mississippi , Harmonica , Jazz , Drum , Double bass , Ragtime , Slave trade , Jamestown , Sudanic , Bantu , Congo River , Niger River , Virginia , South Carolina , Georgia , Allan Lomax , Call-and-response , Calvinists , Baptists , Southern States , Mouth cow , Cane fife , Panpipes , The Prettiest Girl That Ever I Saw , Bear hunters , Zimbabwe , Zambezi , Ability , Work songs , Lifting , Digging , Hoeing , Brunswick , I‘ll Be So Glad When The Sun Goes Down , Kenya , New York , Love song , Action , White spirituals , Alabama , Daniel Reed , Chorus , Congregational singing , Solo gospel , Revivalist song , What Do You Think About Jesus? He‘s Alright , Piano , Clapping , Drumming
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15098 , http://hdl.handle.net/10962/d1008526 , Reel number: BC128
- Description: 3rd programme in the ‘Africa‘s Heritage‘ Series, about early black African music in America, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Religion , Beliefs , Christianity , Evangelists , Folk music , Pagan practice , Dogma , Hymns , European hymn , Catholic , Latin , North America , Slaves , Catholic music , East Africa , West Africa , Jesuits , Mission , Musical heritage , Musical tradition , Quality of taste , Mississippi , Harmonica , Jazz , Drum , Double bass , Ragtime , Slave trade , Jamestown , Sudanic , Bantu , Congo River , Niger River , Virginia , South Carolina , Georgia , Allan Lomax , Call-and-response , Calvinists , Baptists , Southern States , Mouth cow , Cane fife , Panpipes , The Prettiest Girl That Ever I Saw , Bear hunters , Zimbabwe , Zambezi , Ability , Work songs , Lifting , Digging , Hoeing , Brunswick , I‘ll Be So Glad When The Sun Goes Down , Kenya , New York , Love song , Action , White spirituals , Alabama , Daniel Reed , Chorus , Congregational singing , Solo gospel , Revivalist song , What Do You Think About Jesus? He‘s Alright , Piano , Clapping , Drumming
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15098 , http://hdl.handle.net/10962/d1008526 , Reel number: BC128
- Description: 3rd programme in the ‘Africa‘s Heritage‘ Series, about early black African music in America, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The African Heritage in music and art
- Authors: Tracey, Hugh
- Subjects: Churches , Nyasaland , Sikoshe , Datshi , The Church of Sinners , Sinners , Archive , Library , Identity , Group identity , Funds , Heritage , Tradition , Western material , Basutholand , Lesotho , Pentatonic , Hexatonic , Heptatonic , Sotho , Zulu , Carol , Distortion , Stress , Tone , Poetry , Trochaic , Iambic , Ciskei , Country , Wedding song , Preacher , Ntsikana , Ntsikana‘s Bell , Ntsikana‘s Prayer , Ntsikana‘s Song , Arab grunt , Dar es Salaam , Dr Bokwe , Zwelitsha , Southern Congo , Kamina , Country dance , Latin mass , Missa Luba , Gloria , Rattles , Drums , Xylophone , Bell , Drum , Hand piano , Clicking , Mouth smacking , The Talkative Woman , Folk music , Self-reflectation , Morality songs , Lilongwe , Snatching season , Tobacco , Courts , Mouth of the Limpopo , Subjects , Complex tune , Mbira , Likembe , Sansi , Kalimba , Nyongonyongo , Zimbabwe , Karinungu , Attitude (Psychology) , Kwela music , Tsostis , Penny whistle , Four-note harmonies , Thumbs , Congo River , Wagenya , Alexander Corder , Canoe song , Hollywood , Negro music , Sound of the South , Roots of the Blues , Negro Church Music , What do you think about Jesus? He‘s alright
- Language: English
- Type: Sound , Music
- Identifier: vital:15108 , http://hdl.handle.net/10962/d1008536 , Reel number: BC171
- Description: Second half of the lecture "The African heritage in music and art" , A lecture presented by Hugh Tracey at the General Education Conference Technical College Pretoria South Africa , For further details refer to the ILAM document collection: Hugh Tracey Broadcast Collection
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Churches , Nyasaland , Sikoshe , Datshi , The Church of Sinners , Sinners , Archive , Library , Identity , Group identity , Funds , Heritage , Tradition , Western material , Basutholand , Lesotho , Pentatonic , Hexatonic , Heptatonic , Sotho , Zulu , Carol , Distortion , Stress , Tone , Poetry , Trochaic , Iambic , Ciskei , Country , Wedding song , Preacher , Ntsikana , Ntsikana‘s Bell , Ntsikana‘s Prayer , Ntsikana‘s Song , Arab grunt , Dar es Salaam , Dr Bokwe , Zwelitsha , Southern Congo , Kamina , Country dance , Latin mass , Missa Luba , Gloria , Rattles , Drums , Xylophone , Bell , Drum , Hand piano , Clicking , Mouth smacking , The Talkative Woman , Folk music , Self-reflectation , Morality songs , Lilongwe , Snatching season , Tobacco , Courts , Mouth of the Limpopo , Subjects , Complex tune , Mbira , Likembe , Sansi , Kalimba , Nyongonyongo , Zimbabwe , Karinungu , Attitude (Psychology) , Kwela music , Tsostis , Penny whistle , Four-note harmonies , Thumbs , Congo River , Wagenya , Alexander Corder , Canoe song , Hollywood , Negro music , Sound of the South , Roots of the Blues , Negro Church Music , What do you think about Jesus? He‘s alright
- Language: English
- Type: Sound , Music
- Identifier: vital:15108 , http://hdl.handle.net/10962/d1008536 , Reel number: BC171
- Description: Second half of the lecture "The African heritage in music and art" , A lecture presented by Hugh Tracey at the General Education Conference Technical College Pretoria South Africa , For further details refer to the ILAM document collection: Hugh Tracey Broadcast Collection
- Full Text: false
The evolution of African music and its function in the present day
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The Many Sides of African Music No. 11
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Soga , Budonga mbira , Mbira , Lake Victoria , Goa , Women , Love , Flirting , Revenge , Devotion , Affection , Frustration , Shangaan , Menindiana , My Little Indian Girl , Digging song , Swahili , Zanzibar , My Little Onion , Ndebe dance , Pastoral life , Farming , Six stringed lyre , Hello My Darling , Wedding song , Tanganyika , The Lovelorn Man , The Buffalo , Clappimg , Ululating , Tikuyu , Kipsigis , Lament , Bows , Zululand , Mahlabatini , Rwanda Urundi , Rowing song , Lama , Unrequited love , Northern Congo , Zande , Poetry , Mugoyi Asole , Rattle , Chief Buthelezi , Ugubu bow , Umuhle ndiyamthanda , Southern Rhodesia , Zimbabwe , Karanga , Jinja , Portugese east , Feliciano , Indodi dance , Sherazi , Kitumgule changum , Nilo-Himatic , Chepkong , Pastoral , Hehe , Nyakusa , Makhweyane , Watutsi , Abbe Eustace , Constance Magogo
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15077 , http://hdl.handle.net/10962/d1008505 , Reel number: BC059
- Description: The Many Sides of African Music No.11 of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Soga , Budonga mbira , Mbira , Lake Victoria , Goa , Women , Love , Flirting , Revenge , Devotion , Affection , Frustration , Shangaan , Menindiana , My Little Indian Girl , Digging song , Swahili , Zanzibar , My Little Onion , Ndebe dance , Pastoral life , Farming , Six stringed lyre , Hello My Darling , Wedding song , Tanganyika , The Lovelorn Man , The Buffalo , Clappimg , Ululating , Tikuyu , Kipsigis , Lament , Bows , Zululand , Mahlabatini , Rwanda Urundi , Rowing song , Lama , Unrequited love , Northern Congo , Zande , Poetry , Mugoyi Asole , Rattle , Chief Buthelezi , Ugubu bow , Umuhle ndiyamthanda , Southern Rhodesia , Zimbabwe , Karanga , Jinja , Portugese east , Feliciano , Indodi dance , Sherazi , Kitumgule changum , Nilo-Himatic , Chepkong , Pastoral , Hehe , Nyakusa , Makhweyane , Watutsi , Abbe Eustace , Constance Magogo
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15077 , http://hdl.handle.net/10962/d1008505 , Reel number: BC059
- Description: The Many Sides of African Music No.11 of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The Many Sides of African Music No. 7
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Percussion , Congo , Thundering , Hutu , Kipushi Copper Mine , Urubunda , Uruhamisiza , Uruchantege , Trees , South Africa , Limpopo , Congo Basin , Whistled messages , Herd boys , Southern Rhodesia , Zimbabwe , Tone , Baptist , Antelope horn , Gong , Drum name , Slit drum , Talking drums , Upper Congo , Whistles , Rattles , Singing , Rhythm , Middle Congo , Nigeria , Praise , Gold coast , Poetry on the drums , Izibongo , Lagos street drummer , Nigerian Broadcasting Commission in Lagos , Hourglass shaped drum , Lunda chief , Zambezi river , Central Congo , Tanganyika , Mr. John Carrington , Mr. Ford , Natelope horn , Fort Victoria , Umtali , Bungungu
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15073 , http://hdl.handle.net/10962/d1008501 , Reel number: BC055
- Description: The Many Sides of African Music No.7 of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Percussion , Congo , Thundering , Hutu , Kipushi Copper Mine , Urubunda , Uruhamisiza , Uruchantege , Trees , South Africa , Limpopo , Congo Basin , Whistled messages , Herd boys , Southern Rhodesia , Zimbabwe , Tone , Baptist , Antelope horn , Gong , Drum name , Slit drum , Talking drums , Upper Congo , Whistles , Rattles , Singing , Rhythm , Middle Congo , Nigeria , Praise , Gold coast , Poetry on the drums , Izibongo , Lagos street drummer , Nigerian Broadcasting Commission in Lagos , Hourglass shaped drum , Lunda chief , Zambezi river , Central Congo , Tanganyika , Mr. John Carrington , Mr. Ford , Natelope horn , Fort Victoria , Umtali , Bungungu
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15073 , http://hdl.handle.net/10962/d1008501 , Reel number: BC055
- Description: The Many Sides of African Music No.7 of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The Many Sides of African Music No. 9
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Prodigy , Chopi , Young , Youth , Children , Village music , Clay child , Lullaby , Bastholand , Lesotho , Threshing song , Hush hush child of my mother , Story , Rabbit , Babysitter , Rhodesia , Whistling conversation , Cattle , Insults , Northern Rhodesia , Zambia , Cowboy , Yodel , Kenya , Guitar , Jimmy Rogers , School songs , Swahili , Marching song , Mombasa , Arab , Nairobi , Castanets , Moral song , Patter song , Southern Rhodesia , Zimbabwe , Chitirano dance , Stamping , Clapping , Mbira , Hand piano , Pygmy , Zezuru , Salisbury , Nyasa , Tsetse fly district , Capcatets , Chepkong , Lyre , Kipsigis , Malinde , Cross rhythm , Pangolin , Karanga , Portuguese east
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15075 , http://hdl.handle.net/10962/d1008503 , Reel number: BC057
- Description: The Many Sides of African Music No. 9 of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Prodigy , Chopi , Young , Youth , Children , Village music , Clay child , Lullaby , Bastholand , Lesotho , Threshing song , Hush hush child of my mother , Story , Rabbit , Babysitter , Rhodesia , Whistling conversation , Cattle , Insults , Northern Rhodesia , Zambia , Cowboy , Yodel , Kenya , Guitar , Jimmy Rogers , School songs , Swahili , Marching song , Mombasa , Arab , Nairobi , Castanets , Moral song , Patter song , Southern Rhodesia , Zimbabwe , Chitirano dance , Stamping , Clapping , Mbira , Hand piano , Pygmy , Zezuru , Salisbury , Nyasa , Tsetse fly district , Capcatets , Chepkong , Lyre , Kipsigis , Malinde , Cross rhythm , Pangolin , Karanga , Portuguese east
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15075 , http://hdl.handle.net/10962/d1008503 , Reel number: BC057
- Description: The Many Sides of African Music No. 9 of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The Sound of Africa: A documentary broadcast for the Canadian Broadcast Corporation
- Authors: Tracey, Hugh
- Subjects: Drum , Silence , Birds , Frogs , Lioness , Lion , Wild animals , Languages , Bemba , Zambia , Karanga , Zimbabwe , Northern Rhodesia , Southern Rhodesia , Mpondo , Eastern Cape , South Africa , Tonga , Zambezi , Quill , Cattle calling , Malimba , Hand piano , Tanganyika , Chief , Banana , Lake Victoria , Pipes , Flutes , Lakes , Choral singing , Forests , Drums , Xylophones , Guitars , Jazz , Penny whistles , Town , Hymn , Carol , Royal flautist , Soga , Mountains of the Moon , Grass plains , Choruses , Men , Ululation , Mafikeng , Tswana , Bush , Trees , Bows , Plucking , Twanging , Mouth-bow , Stick-bow , Zulu , Love song , Board Zither , Bangwe , Nyasaland , Harp , Uganda , Kenya , Kipsigi , Guitar , Luba , Congo River , Message drum , Portuguese , Seagulls , Chopi , Chepkong , Jimmy Rodgers
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15092 , http://hdl.handle.net/10962/d1008520 , Reel number: BC106, BC107, BC108, BC109
- Description: Documentary Broadcast for the Canadian Broadcasting Corporation in ‘The Sound of Africa‘ Series of illustrated talks by Hugh Tracey on his travels in search of African music , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Drum , Silence , Birds , Frogs , Lioness , Lion , Wild animals , Languages , Bemba , Zambia , Karanga , Zimbabwe , Northern Rhodesia , Southern Rhodesia , Mpondo , Eastern Cape , South Africa , Tonga , Zambezi , Quill , Cattle calling , Malimba , Hand piano , Tanganyika , Chief , Banana , Lake Victoria , Pipes , Flutes , Lakes , Choral singing , Forests , Drums , Xylophones , Guitars , Jazz , Penny whistles , Town , Hymn , Carol , Royal flautist , Soga , Mountains of the Moon , Grass plains , Choruses , Men , Ululation , Mafikeng , Tswana , Bush , Trees , Bows , Plucking , Twanging , Mouth-bow , Stick-bow , Zulu , Love song , Board Zither , Bangwe , Nyasaland , Harp , Uganda , Kenya , Kipsigi , Guitar , Luba , Congo River , Message drum , Portuguese , Seagulls , Chopi , Chepkong , Jimmy Rodgers
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15092 , http://hdl.handle.net/10962/d1008520 , Reel number: BC106, BC107, BC108, BC109
- Description: Documentary Broadcast for the Canadian Broadcasting Corporation in ‘The Sound of Africa‘ Series of illustrated talks by Hugh Tracey on his travels in search of African music , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The Sound of Africa: Music of Jadotville and Elizabethville
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Indigenous music , Dance song , Claves , Singing , Congo drumming , Kawidi dance song , Lunda folk , Crystal minerals , Kabinda , Kasai , Zimbabwe , Jadotville , Elizabethville , Kolwezi , Shinkolobwe Mine , Uranium Mine , Copper mines , Luanda , Luba , Angola , Northern Rhodesia , Muvale , Tshokwe , Chokwe , Tabwa , Recording , Mambala dance song , Tshilenge , Double bell , Weighted drums , Basket rattles , Drum playing , Drummers recording , Buzzing sound , Luba drum session , Luanda song , Chapati dance , Hand clapping , Kandinda , Jomkota , Luba musicians , Mbira , Songe tribe , Spider net membrane , Kabango, Prospere , Panda Mine , Luba/Lulua , Katanga Mine restaurant , Kushemashi dance , Kapinga yamba , Xylophones , Madimba abakadzi , Madimba avalume , Kalombo dance song , Chisanzhi , Chinene , Bamboo mbira , Panpipes , Greeting song , Ceremonial songs , Mutombo , Luba Kasai women , Songs for sad occasion , Luvale men , Chief Nyakutolo , Percussive song , Nyakutolo, Tuna Twanisa , Tinkling beer bottle , Maka , Traditional music , Blowing whistle , Sandoa District , Ululations , Diviner , Sticks , Gourd , Northern Congo , Sultana
- Language: English
- Type: Sound , Radio Broadcast , Music
- Identifier: vital:15120 , http://hdl.handle.net/10962/d1011630 , Reel numbers: BC100, BC101
- Description: 10th programme in 'The Sound of Africa' Series III of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM document collection: Hugh Tracey Broadcast Collection
- Full Text: false
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Indigenous music , Dance song , Claves , Singing , Congo drumming , Kawidi dance song , Lunda folk , Crystal minerals , Kabinda , Kasai , Zimbabwe , Jadotville , Elizabethville , Kolwezi , Shinkolobwe Mine , Uranium Mine , Copper mines , Luanda , Luba , Angola , Northern Rhodesia , Muvale , Tshokwe , Chokwe , Tabwa , Recording , Mambala dance song , Tshilenge , Double bell , Weighted drums , Basket rattles , Drum playing , Drummers recording , Buzzing sound , Luba drum session , Luanda song , Chapati dance , Hand clapping , Kandinda , Jomkota , Luba musicians , Mbira , Songe tribe , Spider net membrane , Kabango, Prospere , Panda Mine , Luba/Lulua , Katanga Mine restaurant , Kushemashi dance , Kapinga yamba , Xylophones , Madimba abakadzi , Madimba avalume , Kalombo dance song , Chisanzhi , Chinene , Bamboo mbira , Panpipes , Greeting song , Ceremonial songs , Mutombo , Luba Kasai women , Songs for sad occasion , Luvale men , Chief Nyakutolo , Percussive song , Nyakutolo, Tuna Twanisa , Tinkling beer bottle , Maka , Traditional music , Blowing whistle , Sandoa District , Ululations , Diviner , Sticks , Gourd , Northern Congo , Sultana
- Language: English
- Type: Sound , Radio Broadcast , Music
- Identifier: vital:15120 , http://hdl.handle.net/10962/d1011630 , Reel numbers: BC100, BC101
- Description: 10th programme in 'The Sound of Africa' Series III of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM document collection: Hugh Tracey Broadcast Collection
- Full Text: false
The Sound of Africa: Music of three Northern Rhodesian mines
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Marimba , Malimba , Victoria Falls , Bulawayo , Zimbabwe , Southern Rhodesia , Trees , Mopani , Wankie , Elephants , Coal mine , Lozi , Dance song , Siyomboka , Xylophone , Drums , Mbira , Hand piano , Courting song , Marriage , Mosquito net , Lament , Fairytale , Tonga , Bango , Board zither , Women , Northern Rhodesia , Petauke , Zambia , The Watch Tower , Christian , Sect , Broken Hill Mine , Mining , Lusaka , Serenje , Lala , David Livingstone , Chitambo Village , Drumming , Sai dance , Kazembe , Mother of Jesus , Death , Mufilirwa , Copper mines , Tumbuka-Henga , Pounding song , Mari is going to marry a Henga , Girl‘s initiation song , Threshing song , The Chief‘s Train , Jumbo‘s Train , Bemba , Kasama , Kalela , Kalela dance , Strutting , Calypso , Barotseland , Milupa drum , Kalanga , Chief Wangi , Kangombio , Kalimba , Plateau Tonga , Valley Tonga , Zambezi , Reef Gold Mines , Nyakyusa , Southern Tanganyika , Nsenga , Native Religious Sect , Watchtower , Wankie Coal Mine , Petauke District , Northern Rhodesian Mining Settlement , Chitambo‘s village , Kankowele , Leg rattles , The Great Hill , Lala Drum rhythms , Edward Kalunga , Chila dance , Mama Jesu , Copper Belt , Mufulira , Tumbuka Henga , Rumpi , Nyasaland , Belgian Congo , Canna seeds , Chigwinini chikuko , Elmas Nachilwe , Shitima wa Jumbo , The Chief‘s train , Jumbo‘s train , Chief Jumbo , Ruben Tancadi Mbuluwundi , Paramount Chief , Praying mantis , Eagle , Witch , Nkhendanga uteka , Comedy Harmonists
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15089 , http://hdl.handle.net/10962/d1008517 , Reel number: BC093
- Description: 7th programme in ‘The Sound of Africa‘ Series III of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Marimba , Malimba , Victoria Falls , Bulawayo , Zimbabwe , Southern Rhodesia , Trees , Mopani , Wankie , Elephants , Coal mine , Lozi , Dance song , Siyomboka , Xylophone , Drums , Mbira , Hand piano , Courting song , Marriage , Mosquito net , Lament , Fairytale , Tonga , Bango , Board zither , Women , Northern Rhodesia , Petauke , Zambia , The Watch Tower , Christian , Sect , Broken Hill Mine , Mining , Lusaka , Serenje , Lala , David Livingstone , Chitambo Village , Drumming , Sai dance , Kazembe , Mother of Jesus , Death , Mufilirwa , Copper mines , Tumbuka-Henga , Pounding song , Mari is going to marry a Henga , Girl‘s initiation song , Threshing song , The Chief‘s Train , Jumbo‘s Train , Bemba , Kasama , Kalela , Kalela dance , Strutting , Calypso , Barotseland , Milupa drum , Kalanga , Chief Wangi , Kangombio , Kalimba , Plateau Tonga , Valley Tonga , Zambezi , Reef Gold Mines , Nyakyusa , Southern Tanganyika , Nsenga , Native Religious Sect , Watchtower , Wankie Coal Mine , Petauke District , Northern Rhodesian Mining Settlement , Chitambo‘s village , Kankowele , Leg rattles , The Great Hill , Lala Drum rhythms , Edward Kalunga , Chila dance , Mama Jesu , Copper Belt , Mufulira , Tumbuka Henga , Rumpi , Nyasaland , Belgian Congo , Canna seeds , Chigwinini chikuko , Elmas Nachilwe , Shitima wa Jumbo , The Chief‘s train , Jumbo‘s train , Chief Jumbo , Ruben Tancadi Mbuluwundi , Paramount Chief , Praying mantis , Eagle , Witch , Nkhendanga uteka , Comedy Harmonists
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15089 , http://hdl.handle.net/10962/d1008517 , Reel number: BC093
- Description: 7th programme in ‘The Sound of Africa‘ Series III of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The Sound of Africa: Northern Rhodesia and Nyasaland
- Authors: Tracey, Hugh
- Subjects: Cibinda aluba , Bush music , Mapanza Mission , Beating of sticks , Balombwana Atweende , Young girls , Pestle , Ndatwa , Copper belt , Kawambwa , Talking drum , Luunda , Cazembe , Luapula River , Ant hills , Drum praises , Lakw mweru , Gramophone , Jimmy Rodgers , Broken Hill , Joni Na Joni , Mine workers , Chokwe , Luvale , Chitenge , Bemba , Fipa , Tabwe , Chitimukulu , Blinded musicians , Tata shibwalya , Lament , Women , Fighting , Nkhondo Ku Libya , Petauke , Lobegula‘s gold and ivory , Mbira , Bearded snake , Sun , Moon , Zuwa na mwezi , Pounding songs , Wives , Kontololija , Bangwe , Zither , Tonga , Dale wangu , Hymn , Church of Scotland , Chilongozgi , Tumbuka Henga , Humorous songs , Paradise widow bird , Kayuni , Ngoni , Migration of Zulu people , Chakunaka , Gurkha , Ngoma , Army life , Regiment , Dance song , Malipenga dance , Tinthumula , Lomwe , Nikongwe , Zimbabwe , Miner‘s Yell , Miner‘s Rant
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15059 , http://hdl.handle.net/10962/d1008487 , Reel numbers: BC009, BC010, BC011, BC012
- Description: 4th programme in ‘The Sound of Africa‘ Series A of illustrated talks by Hugh Tracey on his travels in search of African music, broadcast by the South African Broadcasting Corporation , Note that two possible dates were given for this broadcast and it is not clear which date is correct , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Cibinda aluba , Bush music , Mapanza Mission , Beating of sticks , Balombwana Atweende , Young girls , Pestle , Ndatwa , Copper belt , Kawambwa , Talking drum , Luunda , Cazembe , Luapula River , Ant hills , Drum praises , Lakw mweru , Gramophone , Jimmy Rodgers , Broken Hill , Joni Na Joni , Mine workers , Chokwe , Luvale , Chitenge , Bemba , Fipa , Tabwe , Chitimukulu , Blinded musicians , Tata shibwalya , Lament , Women , Fighting , Nkhondo Ku Libya , Petauke , Lobegula‘s gold and ivory , Mbira , Bearded snake , Sun , Moon , Zuwa na mwezi , Pounding songs , Wives , Kontololija , Bangwe , Zither , Tonga , Dale wangu , Hymn , Church of Scotland , Chilongozgi , Tumbuka Henga , Humorous songs , Paradise widow bird , Kayuni , Ngoni , Migration of Zulu people , Chakunaka , Gurkha , Ngoma , Army life , Regiment , Dance song , Malipenga dance , Tinthumula , Lomwe , Nikongwe , Zimbabwe , Miner‘s Yell , Miner‘s Rant
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15059 , http://hdl.handle.net/10962/d1008487 , Reel numbers: BC009, BC010, BC011, BC012
- Description: 4th programme in ‘The Sound of Africa‘ Series A of illustrated talks by Hugh Tracey on his travels in search of African music, broadcast by the South African Broadcasting Corporation , Note that two possible dates were given for this broadcast and it is not clear which date is correct , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The Sound of Africa: Southern Rhodesia
- Authors: Tracey, Hugh
- Subjects: Rural area , Karanga , Sentiment , Story telling , Doves , Dove call , Ndau people , Emerald dove , Granite hills , Nyangara , Chimbo Chawurombo , Mapandagare , High God , Saints , Mbira , Mbiriwiri , Shona , Mashawi , Multiple souls , Kushopera , Divining dice , Ziriya , Maps , Shumba , Zimbabwe Ruins , Haho-hahonde , Mazisi Aitukana , Chipendani bow , Ndinosara nani , Mapandangare , Chpaunga , Wakandikanganisa nachikunguwo , Shumba na wasikana , Lament , Whistling , Chuzi mama , Skokiaan , Vanoyera , Sea water , Fortified drink , Southern Rhodesia , Zimbabwe , Shumba no wasikana , Bird calls , Hakata , Owl , Beggar‘s Opera , Chapunga , Inkosi sikelele Africa , Ishe Komberera Africa
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15058 , http://hdl.handle.net/10962/d1008486 , Reel numbers: BC005, BC006, BC007, BC008
- Description: 3rd programme in ‘The Sound of Africa‘ Series A of illustrated talks by Hugh Tracey on his travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Rural area , Karanga , Sentiment , Story telling , Doves , Dove call , Ndau people , Emerald dove , Granite hills , Nyangara , Chimbo Chawurombo , Mapandagare , High God , Saints , Mbira , Mbiriwiri , Shona , Mashawi , Multiple souls , Kushopera , Divining dice , Ziriya , Maps , Shumba , Zimbabwe Ruins , Haho-hahonde , Mazisi Aitukana , Chipendani bow , Ndinosara nani , Mapandangare , Chpaunga , Wakandikanganisa nachikunguwo , Shumba na wasikana , Lament , Whistling , Chuzi mama , Skokiaan , Vanoyera , Sea water , Fortified drink , Southern Rhodesia , Zimbabwe , Shumba no wasikana , Bird calls , Hakata , Owl , Beggar‘s Opera , Chapunga , Inkosi sikelele Africa , Ishe Komberera Africa
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15058 , http://hdl.handle.net/10962/d1008486 , Reel numbers: BC005, BC006, BC007, BC008
- Description: 3rd programme in ‘The Sound of Africa‘ Series A of illustrated talks by Hugh Tracey on his travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The Sound of Africa: The Nyoro group
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Xylophone , Uganda , Bunyuro , Praise songs , Drums , Clapping , 8-stringed harp , Fishing , Dancing , Leg-rattles , Goats , Daughter , Herd , Wedding songs , Folk song , Toro , Pastural , Cattle , Herd-boys , Zululand , Southern Rhodesia , Zimbabwe , Whistling , Haya , Coffee , Huts , Woven grass , Chief , Marriage , Aria , Wedding procession , Horns , Gourds , Nile , Mukama , Bagungu , Ekidongo , Likembe , Spear
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15081 , http://hdl.handle.net/10962/d1008509 , Reel number: BC066, BC067, BC068, BC069
- Description: 2nd programme in ‘The Sound of Africa‘ Series B of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Xylophone , Uganda , Bunyuro , Praise songs , Drums , Clapping , 8-stringed harp , Fishing , Dancing , Leg-rattles , Goats , Daughter , Herd , Wedding songs , Folk song , Toro , Pastural , Cattle , Herd-boys , Zululand , Southern Rhodesia , Zimbabwe , Whistling , Haya , Coffee , Huts , Woven grass , Chief , Marriage , Aria , Wedding procession , Horns , Gourds , Nile , Mukama , Bagungu , Ekidongo , Likembe , Spear
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15081 , http://hdl.handle.net/10962/d1008509 , Reel number: BC066, BC067, BC068, BC069
- Description: 2nd programme in ‘The Sound of Africa‘ Series B of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
Tina‘s lullaby
- Authors: Tracey, Hugh
- Subjects: Tina‘s African Lullaby , Slave , United States of America , South Carolina , Isebella Spencer , Augusta , Georgia , Lyrics , Lullaby , Pronounciation , Chimanyika , Southern Rhodesia , Zimbabwe , Mozambique , Carolina Coast , Zambezi Valley , Slave trade , Zanzibar Slave Market , Captain Blood , Briar Rabbit‘s Tales , Animal stories
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15107 , http://hdl.handle.net/10962/d1008535 , Reel number: BC170
- Description: Broadcast broadcasted by the South African Broadcasting Corporation regarding Tina‘s Lullaby - an African lullaby that had been handed down by succeeding generations of an American family originally learnt from their nanny Tina who was bought as a slave. The family approached Hugh Tracey to identify where in Africa it had originated. , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Tina‘s African Lullaby , Slave , United States of America , South Carolina , Isebella Spencer , Augusta , Georgia , Lyrics , Lullaby , Pronounciation , Chimanyika , Southern Rhodesia , Zimbabwe , Mozambique , Carolina Coast , Zambezi Valley , Slave trade , Zanzibar Slave Market , Captain Blood , Briar Rabbit‘s Tales , Animal stories
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15107 , http://hdl.handle.net/10962/d1008535 , Reel number: BC170
- Description: Broadcast broadcasted by the South African Broadcasting Corporation regarding Tina‘s Lullaby - an African lullaby that had been handed down by succeeding generations of an American family originally learnt from their nanny Tina who was bought as a slave. The family approached Hugh Tracey to identify where in Africa it had originated. , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
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