Die liturgiese gebruik van die orrel in 'n post-mordene era: persepsies van kerkmusici en leraars van die Nederduitse Gereformeerde gemeentes in Port Elizabeth
- Authors: Heunis, Sulani
- Date: 2008
- Subjects: Organ music -- South Africa -- Port Elizabeth , Chorale preludes
- Language: Afrikaans
- Type: Thesis , Masters , MMus
- Identifier: vital:8511 , http://hdl.handle.net/10948/787 , Organ music -- South Africa -- Port Elizabeth , Chorale preludes
- Description: In this study the liturgical usage of the organ is investigated within a post-modern society. It focuses specifically on the church services of the Dutch Reformed Congregations of Port Elizabeth with regards to the functionality of the organ during morning and evening services. The objectives of the study are to demonstrate the current situation of musical worship in the Dutch Reformed Congregations of Port Elizabeth. Furthermore it serves as a way to indicate any deficiency in the field, which would need to be addressed. In order to achieve these objectives, both a qualitative and quantitative study is undertaken. The qualitative study investigates existing literature regarding the church service and its music. The quantitative study comprises an analysis of self-administered questionnaires that was handed over for completion by the Dutch Reformed Congregations of Port Elizabeth. The results obtained were electronically processed to percentages and graphic illustrations. In this mini-treatise it is argued that the usage of other music instruments (in the form of music worship groups) during church services could possibly lead to a change in the liturgical function of the organ. It was found that the usage of the organ in the Dutch Reformed Congregations of Port Elizabeth was mainly retained during morning services. During evening services however, the usage of other music instruments was in the majority, which resulted in a decrease of organ usage. It was further discovered that a large group of organists are not involved with music worship groups. Training of organists in a contemporary style of music worship will therefore serve as a significant purpose to fulfil this deficiency.
- Full Text:
- Date Issued: 2008
The tuba in solo and ensemble repertory : a critical perspective
- Authors: Bower, Danel
- Date: 2008
- Subjects: Tuba -- Performance , Tuba -- History and criticism
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:8515 , http://hdl.handle.net/10948/759 , http://hdl.handle.net/10948/d1012064 , Tuba -- Performance , Tuba -- History and criticism
- Description: The topic of this research is to explore various aspects pertaining to the tuba and its role in music. The role of the tuba in modern performance practice is greatly dependent on the history of the tuba and the different roles that were fulfilled in the various eras. The study begins with an investigation into the most important predecessors of the tuba – the most prominent thereof being the ophicleide. The next field of study includes the role of the tuba in orchestras in different countries as well as the role that the tuba fulfills in various ensembles. There is a wide variety of brass instruments that were manufactured in the past and are still being produced today. Various improvements and adaptations of the tuba are listed and studied. Next the tuba is considered in its capacity as a solo instrument and the fact that the tuba can exist as a solo instrument is motivated. Even though it might not be evident that there are a large number of composers for this instrument, some of the most respected and influential composers of tuba music of all time are sighted in this study. Several famous and celebrated tuba players are mentioned and their accomplishments listed. Finally the three practical music examination institutions in South Africa are studied. Lists are compiled to assess the quality of the different examination options between these institutions and provide a suggestion of a preferred option.
- Full Text:
- Date Issued: 2008