The performance of a 22 GHz radio telescope
- Authors: Gaylard, Michael John
- Date: 1977
- Subjects: Radio telescopes , Paraboloid
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:5520 , http://hdl.handle.net/10962/d1011946 , Radio telescopes , Paraboloid
- Description: The performance of the Rhodes 22 GHz radio telescope and its improvement are discussed in this thesis. The reflector surfaces of the Cassegrain antenna were surveyed and the surface errors minimised, while the magnitude of thermal and gravitational defomations was calculated. The design and operation of the microwave front end has been improved, and the mixer performance characterised. The continuum and spectral line receivers and their sensitivity are described. The aperture efficiency, which has been raised from 0,47 to 0,57, was deduced from solar and lunar observations and atmospheric attenuation measurements. The antenna beam pattern was also obtained from the observations, with the aid of a computer program, and is compared to that predicted for the telescope.
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- Date Issued: 1977
The polysaccharides of Opuntia ficus-indica (L.) Mill. and Opuntia aurantiaca Lindl.
- Authors: McGarvie, Donald
- Date: 1977
- Subjects: Polysaccharides
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:4438 , http://hdl.handle.net/10962/d1007597
- Description: The partially acetylated acidic mucilage isolated from the cactus Opuntia ficus-indica consists of a highly branched molecule containing D-galactose, L-arabinose, D-xylose, D-galacturonic acid and L-rhamnose in the ratio 2.9:6.6:3.8:1.3 : 1.0. A partial hydrolysis study led to the isolation of fourteen oligosaccharides and a degraded polysaccharide. Periodate oxidation of the degraded polysaccharide and methylation analysis of the degraded and reduced degraded polysaccharides led to the proposal of a structure for the degraded polysaccharide consisting of a chain of alternating α-l,4-D-galactopyranosyluronic acid and β-1,2-Lrhamnopyranosyl units with branches consisting of short chains of β-1,6-D-galactopyranosyl units Iinked to C-3 of the rhamnose residues. An insight into the nature of the peripheral side-chains was obtained by methylation studies of the oligosaccharides and the native polysaccharide. The majority of the side-chains are terminated by D-xylopyranosyl and L-arabinofuranosyl units while there is a small proportion of D-galactopyranosyl end-groups. The remaining units of the peripheral chains consists of mainly 1,3- and 1,5-1 inked L-arabinofuranosyl units. The acidic polysaccharide isolated from the jointed cactus Opuntia aurantiaca contains D-galactose, L-arabinose, D-xylose, D-galacturonic acid and L-rhamnose in the ratio 5.9:5 .5:3.4: 1. 2:1.0 . A partial hydrolysis study revealed a similar series of galactose containing oligosaccharides as was identified from the mucilage of Opuntia ficus-indica. The degraded polysaccharide isolated from the partial hydrolysate was methylated and a possible structure proposed for the repeating unit. Methylation studies of the native polysaccharide indicated a polysaccharide with a more complex structure than that for the mucilage of Opuntia ficus-indica.
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- Date Issued: 1977
The tightrope walker
- Authors: Dale, Jessie Patricial Dill
- Date: 1977
- Subjects: Art and religion , Art criticism
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2498 , http://hdl.handle.net/10962/d1013336
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- Date Issued: 1977
The working method of the modern painter
- Authors: Grant, David
- Date: 1977
- Subjects: Painting, Modern -- 20th century , Painting -- Technique
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2503 , http://hdl.handle.net/10962/d1014984
- Description: [From Introduction]. Prior to 1800 advances made in painting could often be accredited to the advances made in paint technology. Since the beginning of the last century however, paint technology has stabilised, moved into the background and allowed the artist to create with the medium rather than be dictated to by it. This stabilising of art technology has also generated a lack of interest in technique, leading in turn to a number of painting techniques being lost. In some ways we know less today of the oil medium and its correct use than was known to Jan and Hubert Van Eyck and their followers. However, if this lack of concern with technique has produced a large number of valid artistic statements which are unlikely to survive physically, it also means that the hoardes of painters who painted technically perfect paintings with no valid art statement have dwindled as well.
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- Date Issued: 1977