He wena mani
- Muwane, Armando Saule, Tracey, Hugh
- Authors: Muwane, Armando Saule , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189697 , vital:44922 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-14
- Description: Both instruments were played by the performer who also had two littlehome made marionettes dangling on the end of a string from the neck of his guitar which danced opposite each other with the shaking of the guitar, and made their miniature foot prints on the loose sand. He is addressing his remarks to the two little wooden figures and the music itself is of secondary importance. Topical song, with guitar and rattle.
- Full Text: false
- Date Issued: 1963
- Authors: Muwane, Armando Saule , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189697 , vital:44922 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-14
- Description: Both instruments were played by the performer who also had two littlehome made marionettes dangling on the end of a string from the neck of his guitar which danced opposite each other with the shaking of the guitar, and made their miniature foot prints on the loose sand. He is addressing his remarks to the two little wooden figures and the music itself is of secondary importance. Topical song, with guitar and rattle.
- Full Text: false
- Date Issued: 1963
Maria e madala
- Muwane, Armando Saule, Tracey, Hugh
- Authors: Muwane, Armando Saule , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189688 , vital:44921 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-13
- Description: The perfomer was his own rattle player holding the rattle in his right hand. He is typical of the casual entertainer who use two or three chords repeated endlessly on their topical allusions which nowadays pass for serious song making. They frequently advertise themsleves, constantly mentioning their own names during the course of the song or as an introduction, as in this case. Topical song with guitar and rattle.
- Full Text: false
- Date Issued: 1963
- Authors: Muwane, Armando Saule , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189688 , vital:44921 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-13
- Description: The perfomer was his own rattle player holding the rattle in his right hand. He is typical of the casual entertainer who use two or three chords repeated endlessly on their topical allusions which nowadays pass for serious song making. They frequently advertise themsleves, constantly mentioning their own names during the course of the song or as an introduction, as in this case. Topical song with guitar and rattle.
- Full Text: false
- Date Issued: 1963
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