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Africa Malawi Lilongwe f-mw

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A-a-ye nanga omwale (Aaye! what about Omwale)

- Women, Hugh Tracey

Authors: Women , Hugh Tracey
Date: 1958
Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
Language: Nyanja/Chewa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/158936 , vital:40242 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-12
Description: Dance tunes with the minimum of melodic inspiration to evoke the dance. The bass drum was beaten by two women, one on each side of the drum opposite each other. The song consists mostly of references to the names of local persons. Such as OMwale, Ojere, OPhiri etc., each with the tonorific prefix 'O'. The equivalent of the English "Mister". Dance tune with bass drum.
Full Text: false
Date Issued: 1958

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Ai lelo kwa Masula kotokoto (Today at Masula, sickness)

- Woman of Masula village, Hugh Tracey

Authors: Woman of Masula village , Hugh Tracey
Date: 1958
Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
Language: Nyanja/Chewa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/158535 , vital:40203 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-08
Description: Kotokoto means, literally, a sick person, suffering in all his limbs. Chintale dance song with bass drum.
Full Text: false
Date Issued: 1958

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Ana amuna (Young men ought to put on grey trousers)

- Three young girls of Masula, Hugh Tracey

Authors: Three young girls of Masula , Hugh Tracey
Date: 1958
Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
Language: Nyanja/Chewa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/158508 , vital:40199 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-05
Description: Song sung in the late evening after supper just before they go to sleep are a feature of the musical life of the Chewa it would appear. Young women are becoming more dress conscious and demand that their young men dress better. Evening song.
Full Text: false
Date Issued: 1958

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Anali kudambo Chingodola (Chingodola went to draw water at the marsh)

- Mavuto Mlanzi, Hugh Tracey

Authors: Mavuto Mlanzi , Hugh Tracey
Date: 1958
Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
Language: Nyanja/Chewa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/158490 , vital:40197 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-03
Description: Chingodola went to the marsh to fetch water, then to fetch firewood and after that to look for relish. Her husband was annoyed that she did not come back sooner and began to swear at her and said "Dammit, you are like a 'galo', a dog. Self delectative song with Kalimba.
Full Text: false
Date Issued: 1958

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Ine ndikumbira (I am envious)

- Women, Hugh Tracey

Authors: Women , Hugh Tracey
Date: 1958
Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
Language: Nyanja/Chewa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/158927 , vital:40241 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-11
Description: Two dance tunes with the minimum of melodic inspiration to evoke the dance. The bass drum was beaten by two women, one on each side of the drum opposite each other. "I am envious of my friends wearing evening dress."Andiloko from the Afrikaans word Aandrok. Dance tune with bass drum.
Full Text: false
Date Issued: 1958

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Lembani kalata kwa Masula (Write to Masula)

- Three young girls of Masula, Hugh Tracey

Authors: Three young girls of Masula , Hugh Tracey
Date: 1958
Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
Language: Nyanja/Chewa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/158517 , vital:40201 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-06
Description: A song sung as if far away from home. It was first sung at Citukula's district, about 3 miles away they say."Write a letter to Masula saying it is very far. No, I do not want to put money in the bus (pay for the bus fare)." Evening song.
Full Text: false
Date Issued: 1958

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Nimati ndikaone acete (I wanted to go and see Cete)

- Mavuto Mlanzi, Hugh Tracey

Authors: Mavuto Mlanzi , Hugh Tracey
Date: 1958
Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
Language: Nyanja/Chewa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/158499 , vital:40198 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-04
Description: During this song the singer interjected in Chewa, "I cannot sing properly as my voice is not nice." He uses the honorific 'A' before the name Chete. A Chete the equivalent of 'Mr. Chete' in English. Self delectative song with Kalimba.
Full Text: false
Date Issued: 1958

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Onani ndenge yokwela masula (Look at the aeroplane)

- Woman of Masula village, Hugh Tracey

Authors: Woman of Masula village , Hugh Tracey
Date: 1958
Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
Language: Nyanja/Chewa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/158526 , vital:40202 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-07
Description: The Chief Masula was taken to England with other Nyasaland chiefs for a few months visit in 1957. The song refers to the aeroplane in which he returned landing at the airport, Chileka near Blantyre. "Look at the aeroplane in which Masula came from England. He slept at Chileka on his way back from England. Chintale dance song with bass drum.
Full Text: false
Date Issued: 1958

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Panari mtsikana wina (The girl and the beads)

- Boys of Masula village, Hugh Tracey

Authors: Boys of Masula village , Hugh Tracey
Date: 1958
Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
Language: Nyanja/Chewa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/158544 , vital:40205 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-09
Description: An equivalent story to one in Southern Rhodesia. There were three girls who went to the river to get water. They had big strings of beads but one forgot her beads down by the river and when she got home she told her brothers and asked them to take her back to the river to look for them. They refused, so she went alone. She found a hyena who had taken her beads and put them inside a drum and then when she arrived he caught her and put her inside the drum also. He then went to the village to play the drum. The people of the village heard her singing inside the drum. They cooked food and gave it to the hyena who, as soon as he had eaten the food began to play the drum. He went to another village and did the same. The girl inside the drum got very hot but eventually her brothers saved her by cutting open the drum and the hyena diasppeared. A were-wolf story. Nthano story.
Full Text: false
Date Issued: 1958

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Tototo ine chambila (No, no, not for me)

- Women, Hugh Tracey

Authors: Women , Hugh Tracey
Date: 1958
Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
Language: Nyanja/Chewa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/158553 , vital:40206 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-10
Description: A woman is reporting to her husband that something is paining her in her husband that something she suspects that venereal disease is starting again. "No, no, I do not want that, no, no, not me. It starts again." Dance tune with bass drum.
Full Text: false
Date Issued: 1958

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Muzungu wanga ndilipile ndizipita (My master, pay me, I want to go home now)

- Bigton Gombeza, Hugh Tracey

Authors: Bigton Gombeza , Hugh Tracey
Date: 1957
Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
Language: Nyanja/Chewa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/160772 , vital:40536 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-02
Description: This was recorded at the Wankie Colliery in Southern Rhodesia where the player had gone to work. Self delectative song with Bango seven string board zither.
Full Text: false
Date Issued: 1957

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Ndi shuye ndi kalele mwana

- Bigton Gombeza, Hugh Tracey

Authors: Bigton Gombeza , Hugh Tracey
Date: 1957
Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
Language: Nyanja/Chewa
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/160781 , vital:40537 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-03
Description: This was recorded at the Wankie Colliery in Southern Rhodesia where the player had gone to work. Self delectative song with Bango seven string board zither.
Full Text: false
Date Issued: 1957

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Chinyau

- Chewa men and women, Composer not specified, Tracey, Hugh

Authors: Chewa men and women , Composer not specified , Tracey, Hugh
Date: 1950-05-20
Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
Language: Nyanja
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/211013 , vital:47567 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT167-D28.1 , Research no. DV12b
Description: Kacipapa dance song, Mask dance, danced for obsequies of a dead chief or headman with 2 goblet drums and 2 tall cylindrical drums accompaniment.
Full Text: false
Date Issued: 1950-05-20

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Chinyau

- Chewa men and women, Composer not specified, Tracey, Hugh

Authors: Chewa men and women , Composer not specified , Tracey, Hugh
Date: 1950-05-20
Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
Language: Nyanja
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/210980 , vital:47564 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT167-D28.1 , Research no. DV12a
Description: Kacipapa dance song, Mask dance, danced for obsequies of a dead chief or headman with 2 goblet drums and 2 tall cylindrical drums accompaniment.
Full Text: false
Date Issued: 1950-05-20

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Koko

- Chewa women, Composer not specified, Tracey, Hugh

Authors: Chewa women , Composer not specified , Tracey, Hugh
Date: 1950-05-20
Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
Language: Nyanja
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/210970 , vital:47562 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT166-D27.2 , Research no. DV10
Description: Unaccompanied Mfunde rain song.
Full Text: false
Date Issued: 1950-05-20

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A Kawoko ndi ndhondo

- Chewa girls, Composer not specified, Tracey, Hugh

Authors: Chewa girls , Composer not specified , Tracey, Hugh
Date: 1950
Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
Language: Nyanja
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/317672 , vital:59968 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2820-XYZ6340
Description: Indigenous music
Full Text: false
Date Issued: 1950

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A Yotamu amati andimange

- Ganizani Nyirenda, Composer not specified, Tracey, Hugh

Authors: Ganizani Nyirenda , Composer not specified , Tracey, Hugh
Date: 1950
Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
Language: Nyanja
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/317723 , vital:59974 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2822-XYZ6342b
Description: Indigenous music
Full Text: false
Date Issued: 1950

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Amani mwanena kululuka

- Chewa girls, Composer not specified, Tracey, Hugh

Authors: Chewa girls , Composer not specified , Tracey, Hugh
Date: 1950
Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
Language: Nyanja
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/317703 , vital:59972 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2821-XYZ6341c
Description: Indigenous music
Full Text: false
Date Issued: 1950

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Amati akatambe tilawe

- Chewa girls, Composer not specified, Tracey, Hugh

Authors: Chewa girls , Composer not specified , Tracey, Hugh
Date: 1950
Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
Language: Nyanja
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/317659 , vital:59967 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2819-XYZ6339
Description: Indigenous music
Full Text: false
Date Issued: 1950

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Bwezi langa

- Hodede Homwale, Hugh Tracey

Authors: Hodede Homwale , Hugh Tracey
Date: 1950
Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
Language: Tumbuka , Chewa, Chichewa, Nyanja
Type: sound recordings , field recordings , sound recording-musical
Identifier: http://hdl.handle.net/10962/186489 , vital:44504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-08
Description: "I had a friend but the high God has taken him away." The pauses in the music are caused by the necessity of having to apply spittle to the bow. The fingering of the single string is done by the inside of the 2nd segment of the fingers of the left hand and not by the tips of the fingers. The open string was tuned to 182 vs. The string was made of twisted Wazi bark, it had a small friction pad of Ilala palm leaf (koko) wound onto where the reed bow (uta) was applied to the string. A loop of bark string was used near the Mtowo peg for fine tuning straining the string downwards the Mpini neck. The goat skin membrane was pinned onto a carved wooden bowl with a sound hole cut into its side. Lament, with 1 stringed Karigo lute
Full Text: false
Date Issued: 1950

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