Ihobe liyataka (Dove, don't run away, don't hop about)
- Group of young Mpondo married women, Hugh Tracey
- Authors: Group of young Mpondo married women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136660 , vital:37402 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-01
- Description: The clapping was done by striking the open palm of the right hand on the fist of the left, or cupped fingers of the left hand. This is called Umngcutsho. Part song with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of young Mpondo married women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136660 , vital:37402 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-01
- Description: The clapping was done by striking the open palm of the right hand on the fist of the left, or cupped fingers of the left hand. This is called Umngcutsho. Part song with clapping.
- Full Text: false
- Date Issued: 1957
Ikolongo
- Performer not specified, Composer not specified, Hugh Tracey
- Authors: Performer not specified , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lala (African people) , Africa South Africa Serenje f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133777 , vital:37016 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR014-13
- Description: Fwandoula dance song with 3 conical drums, handbeaten, 1 stick (tapped on side of drum) and rattles
- Full Text: false
- Date Issued: 1957
- Authors: Performer not specified , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lala (African people) , Africa South Africa Serenje f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133777 , vital:37016 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR014-13
- Description: Fwandoula dance song with 3 conical drums, handbeaten, 1 stick (tapped on side of drum) and rattles
- Full Text: false
- Date Issued: 1957
Ikomo siyaibulaa (Let the cattle be killed)
- Group of Mpondo men and 3 girls, Hugh Tracey
- Authors: Group of Mpondo men and 3 girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136789 , vital:37422 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-15
- Description: The girls sang in the background. Dance song for evening dance for young women.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Mpondo men and 3 girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136789 , vital:37422 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-15
- Description: The girls sang in the background. Dance song for evening dance for young women.
- Full Text: false
- Date Issued: 1957
Ikona into ezakwenzeka
- Group of 7 young men (Performers), Composer not specified, Hugh Tracey
- Authors: Group of 7 young men (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Kingwilliamstown f-za
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133560 , vital:36990 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR013-03
- Description: Group fighting song with clapping
- Full Text: false
- Date Issued: 1957
- Authors: Group of 7 young men (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Kingwilliamstown f-za
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133560 , vital:36990 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR013-03
- Description: Group fighting song with clapping
- Full Text: false
- Date Issued: 1957
Ikositina (The Concertina)
- Group of young Xhosa girls, Hugh Tracey
- Authors: Group of young Xhosa girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150466 , vital:38979 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR060-09
- Description: The girls who sang this song belonged to a group in the community half way between the sophisticated christians who have been to school and broken away from their background, and the so-called "Red blanket people", those who retain their African religion and customs including the red ochre coloured blankets, cosmetics and beads. They have been to school for a short while, wear European style clothes as far as possible and while falling short of the standards of the better educated consider themselves above and apart from the 'reds' who although 'un-schooled' are elegant in their traditional dress and beadwork. Party song with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of young Xhosa girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150466 , vital:38979 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR060-09
- Description: The girls who sang this song belonged to a group in the community half way between the sophisticated christians who have been to school and broken away from their background, and the so-called "Red blanket people", those who retain their African religion and customs including the red ochre coloured blankets, cosmetics and beads. They have been to school for a short while, wear European style clothes as far as possible and while falling short of the standards of the better educated consider themselves above and apart from the 'reds' who although 'un-schooled' are elegant in their traditional dress and beadwork. Party song with clapping.
- Full Text: false
- Date Issued: 1957
Ilanga langishiya
- A.T. Mwamosi (Composer), Hugh Tracey
- Authors: A.T. Mwamosi (Composer) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Mozambique , Guitar , Instrumental music , Africa Mozambique Gaza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132786 , vital:36886 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR008-10
- Description: Two topical songs with 2 guitars
- Full Text: false
- Date Issued: 1957
- Authors: A.T. Mwamosi (Composer) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Mozambique , Guitar , Instrumental music , Africa Mozambique Gaza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132786 , vital:36886 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR008-10
- Description: Two topical songs with 2 guitars
- Full Text: false
- Date Issued: 1957
Imbai tudi benaLulua
- Group of Lulua men and women, Hugh Tracey
- Authors: Group of Lulua men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183942 , vital:44086 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-07
- Description: The low roaring sound towards the end is produced by the lips and cheeks of the women and is not produced in the throat, (as the Xhosa do). The women usually used a gourd when making this sound, holding their mouths into the orifice of the gourd. They appear to blow through their pursed lips first on one side and then on the other, alternately. No gourds were used on this occasion. This item which was recorded at the Wankie Colliery several hundred miles from the district of origin of the performers, appears to have been influenced by foreign mission techniques, especially in the correct iambic stress at the end of lines. Installation of a Chief with clapping
- Full Text: false
- Date Issued: 1957
- Authors: Group of Lulua men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183942 , vital:44086 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-07
- Description: The low roaring sound towards the end is produced by the lips and cheeks of the women and is not produced in the throat, (as the Xhosa do). The women usually used a gourd when making this sound, holding their mouths into the orifice of the gourd. They appear to blow through their pursed lips first on one side and then on the other, alternately. No gourds were used on this occasion. This item which was recorded at the Wankie Colliery several hundred miles from the district of origin of the performers, appears to have been influenced by foreign mission techniques, especially in the correct iambic stress at the end of lines. Installation of a Chief with clapping
- Full Text: false
- Date Issued: 1957
Imfakadolo (Little bird)
- Iqela Labavumi bakwa Zwelitsha (Zwelitsha Choral Society), Hugh Tracey
- Authors: Iqela Labavumi bakwa Zwelitsha (Zwelitsha Choral Society) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Wedding music , Africa South Africa King Williams Town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135772 , vital:37297 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR026-04
- Description: "Little bird what have you got in your beak?" "Food for my little ones.-" "Young men get your gun and shoot the bird." Dubula, dubula, means shoot, shoot. Wedding song.
- Full Text: false
- Date Issued: 1957
- Authors: Iqela Labavumi bakwa Zwelitsha (Zwelitsha Choral Society) , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Wedding music , Africa South Africa King Williams Town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135772 , vital:37297 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR026-04
- Description: "Little bird what have you got in your beak?" "Food for my little ones.-" "Young men get your gun and shoot the bird." Dubula, dubula, means shoot, shoot. Wedding song.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: Drummers (Musicians) , Folk music--Africa , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136801 , vital:37425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-01
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. The 11 tattos are;- 1. Ibiteyo, 2. Umosuko, 3. Zigezikaragwe, 4. Agasiga, 5. Agasiga k'i gaseke, 6. Akanimba, 7. Urukina, 8. Urukantege, 9. Umuganura, 10. Umusambi, 11. Imilindi. Ekeven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: Drummers (Musicians) , Folk music--Africa , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136801 , vital:37425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-01
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. The 11 tattos are;- 1. Ibiteyo, 2. Umosuko, 3. Zigezikaragwe, 4. Agasiga, 5. Agasiga k'i gaseke, 6. Akanimba, 7. Urukina, 8. Urukantege, 9. Umuganura, 10. Umusambi, 11. Imilindi. Ekeven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Agasiga (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136829 , vital:37431 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-04
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136829 , vital:37431 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-04
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Agasiga k'i gaseke (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136834 , vital:37432 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-05
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136834 , vital:37432 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-05
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Akanimba (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136847 , vital:37433 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-06
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136847 , vital:37433 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-06
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Imilindi (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136893 , vital:37438 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-11
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136893 , vital:37438 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-11
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Umosuko (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136811 , vital:37429 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-02
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. The 11 tattos are;- 1. Ibiteyo, 2. Umosuko, 3. Zigezikaragwe, 4. Agasiga, 5. Agasiga k'i gaseke, 6. Akanimba, 7. Urukina, 8. Urukantege, 9. Umuganura, 10. Umusambi, 11. Imilindi. Ekeven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136811 , vital:37429 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-02
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. The 11 tattos are;- 1. Ibiteyo, 2. Umosuko, 3. Zigezikaragwe, 4. Agasiga, 5. Agasiga k'i gaseke, 6. Akanimba, 7. Urukina, 8. Urukantege, 9. Umuganura, 10. Umusambi, 11. Imilindi. Ekeven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Umuganura (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136865 , vital:37436 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-09
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136865 , vital:37436 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-09
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Umusambi (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136870 , vital:37437 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-10
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136870 , vital:37437 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-10
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Urukantege (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136860 , vital:37435 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-08
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136860 , vital:37435 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-08
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Urukina (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136855 , vital:37434 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-07
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136855 , vital:37434 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-07
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Zigezikaragwe (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136816 , vital:37430 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-03
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136816 , vital:37430 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-03
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imirindi
- Group of Hutu drummers, Hugh Tracey
- Authors: Group of Hutu drummers , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Rwanda , Tutsi (African people) , Hutu (African people) , Batwa (African people) , Field recordings , Africa, Sub-Saharan , Africa Rwanda Kishuyi f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183634 , vital:44017 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR181-08
- Description: The drums are not the normal drums used in Ruanda (Rwanda) but substitutes. The timekeeper was playing on the same head as the leader which is not correct, in the villages each man having his own drum. The click of sticks can consequently be heard as they strike each other. The players were a small informal group of Hutu miners over 600 miles from home working at the Kolwezi Copper Mine. Yet home style drumming was their particular joy and constant recreation. At approximately 3 minutes, they appear to change to the Urukina tatoo. This tatoo underlines again the fundamental difference of apprach to drumming between the Hima and the Bantu. Although the Hutu speak a Bantu language and are originally of Bantu descent there is widespread intermarriage between them and the Hima overlords, the Tutsi, and the Hima attitude to music and drumming appears to have persisted. Three drum rhythms, three laced conical drums
- Full Text: false
- Date Issued: 1957
- Authors: Group of Hutu drummers , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Rwanda , Tutsi (African people) , Hutu (African people) , Batwa (African people) , Field recordings , Africa, Sub-Saharan , Africa Rwanda Kishuyi f-rw
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183634 , vital:44017 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR181-08
- Description: The drums are not the normal drums used in Ruanda (Rwanda) but substitutes. The timekeeper was playing on the same head as the leader which is not correct, in the villages each man having his own drum. The click of sticks can consequently be heard as they strike each other. The players were a small informal group of Hutu miners over 600 miles from home working at the Kolwezi Copper Mine. Yet home style drumming was their particular joy and constant recreation. At approximately 3 minutes, they appear to change to the Urukina tatoo. This tatoo underlines again the fundamental difference of apprach to drumming between the Hima and the Bantu. Although the Hutu speak a Bantu language and are originally of Bantu descent there is widespread intermarriage between them and the Hima overlords, the Tutsi, and the Hima attitude to music and drumming appears to have persisted. Three drum rhythms, three laced conical drums
- Full Text: false
- Date Issued: 1957