Mbiriwiri ya Mondoro
- Manyoni Wanyamande, Hugh Tracey
- Authors: Manyoni Wanyamande , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180222 , vital:43334 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-11
- Description: The name of this tune 'Mbiriwiri' has been associated with the playing of Mbira type instruments from time immemorial. In this case it is also connected with the spirit concept of the Mondoro or Lion spirit. The singer uses several quotations from older songs such as "Regai ndi baiwa ne banga chena, kufa kwandida." This is to be the prophet Chaminuka's last words when he was surrounded by Ndebele soilders who had come to kill him. They could not harm him and he died by being pierced in the armpit with a sharp knife held by a small boy. "Let me be stabbed by a bright knife, the death of my desiring." Song for Mashawi souls with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
- Authors: Manyoni Wanyamande , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180222 , vital:43334 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-11
- Description: The name of this tune 'Mbiriwiri' has been associated with the playing of Mbira type instruments from time immemorial. In this case it is also connected with the spirit concept of the Mondoro or Lion spirit. The singer uses several quotations from older songs such as "Regai ndi baiwa ne banga chena, kufa kwandida." This is to be the prophet Chaminuka's last words when he was surrounded by Ndebele soilders who had come to kill him. They could not harm him and he died by being pierced in the armpit with a sharp knife held by a small boy. "Let me be stabbed by a bright knife, the death of my desiring." Song for Mashawi souls with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
Miningwa, Miningwa chaenda mudondo
- Boys at Domboshawa School, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Boys at Domboshawa School , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/395255 , vital:69064 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO898-C6F5c
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Boys at Domboshawa School , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/395255 , vital:69064 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO898-C6F5c
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Musengu
- Chabarwa Musunda Sinyoro, Hugh Tracey
- Authors: Chabarwa Musunda Sinyoro , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180141 , vital:43324 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-03
- Description: The spirit complex which goes by the name Mondoro or Lion spirit is a central belief in the ethics of the Karanga people. This song is here played by a gifted young musician who plays his instruments in the traditional style. Do not argue child, it is forbidden. And you will be sorry for it. Ha, my son-in-law, it makes you feel good (?) The way you dance makes the earth turn over. Song for the Mondoro Spirits with Njari.
- Full Text: false
- Date Issued: 1949
- Authors: Chabarwa Musunda Sinyoro , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180141 , vital:43324 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-03
- Description: The spirit complex which goes by the name Mondoro or Lion spirit is a central belief in the ethics of the Karanga people. This song is here played by a gifted young musician who plays his instruments in the traditional style. Do not argue child, it is forbidden. And you will be sorry for it. Ha, my son-in-law, it makes you feel good (?) The way you dance makes the earth turn over. Song for the Mondoro Spirits with Njari.
- Full Text: false
- Date Issued: 1949
Musengu
- Chabarwa Musunda Sinyoro, performer not specified, Composer not specified, Tracey, Hugh
- Authors: Chabarwa Musunda Sinyoro , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/393964 , vital:68924 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0857-C6E6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Chabarwa Musunda Sinyoro , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/393964 , vital:68924 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0857-C6E6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Mutambiro wehuku
- Hodzi Katsukunya, performer not specified, Tracey, Hugh
- Authors: Hodzi Katsukunya , performer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394141 , vital:68942 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0862-C5U14
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Hodzi Katsukunya , performer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394141 , vital:68942 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0862-C5U14
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Muzazaranda
- Chabarwa Musunda Sinyoro, Hugh Tracey
- Authors: Chabarwa Musunda Sinyoro , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180152 , vital:43327 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-04
- Description: Many of the best pieces of music in South Rhodesia are dedicated to the traditional belief in Mashawi souls. Muzazaranda is one of several songs which accompany this interesting ritual. Mashawi 'Souls' are not to be confused with the various spirits. The former are said to live in the chest of the individual, the latter's usual habitation is external. Girls you have looked at me. Do you know me? You boys, my name is "The cutter of gourds". Do you east grandmother's food, you boys. Under the plate there is something suspicious. Chikanga do not leave me when you go hunting. I want to see it hen you catch a 'duiker' (buck). My mother, ... my mother, has turned over. Has turned over the sun the moon! My mother's magic, it pleases me, it follows me wherever I go. That thing of my mother pleases. It came with four hyaenas. The fifth one ran off with the mouse. You, young person! Look, look you young person! Look, look at the girls! To you, you, you young person! To you, Chijaka, you Chijaka, you young person! Song for Mashawi souls with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
- Authors: Chabarwa Musunda Sinyoro , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180152 , vital:43327 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-04
- Description: Many of the best pieces of music in South Rhodesia are dedicated to the traditional belief in Mashawi souls. Muzazaranda is one of several songs which accompany this interesting ritual. Mashawi 'Souls' are not to be confused with the various spirits. The former are said to live in the chest of the individual, the latter's usual habitation is external. Girls you have looked at me. Do you know me? You boys, my name is "The cutter of gourds". Do you east grandmother's food, you boys. Under the plate there is something suspicious. Chikanga do not leave me when you go hunting. I want to see it hen you catch a 'duiker' (buck). My mother, ... my mother, has turned over. Has turned over the sun the moon! My mother's magic, it pleases me, it follows me wherever I go. That thing of my mother pleases. It came with four hyaenas. The fifth one ran off with the mouse. You, young person! Look, look you young person! Look, look at the girls! To you, you, you young person! To you, Chijaka, you Chijaka, you young person! Song for Mashawi souls with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
Muzazaranda
- Gwawa Shumba and 9 njari players, performer not specified, Composer not specified, Tracey, Hugh
- Authors: Gwawa Shumba and 9 njari players , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394719 , vital:69004 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0886-C6Q4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Gwawa Shumba and 9 njari players , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394719 , vital:69004 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0886-C6Q4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Nandi gawana
- Biza Ngara with Duma men, Hugh Tracey
- Authors: Biza Ngara with Duma men , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Bikita f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181414 , vital:43731 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-01
- Description: The chief wants meat and although the chief has many sheep and goats, he does not want any of them killed, so the Wahosi, the chief's wife, must have meat with feathers on it instead of fur. Three story for a story
- Full Text: false
- Date Issued: 1949
- Authors: Biza Ngara with Duma men , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Bikita f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181414 , vital:43731 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-01
- Description: The chief wants meat and although the chief has many sheep and goats, he does not want any of them killed, so the Wahosi, the chief's wife, must have meat with feathers on it instead of fur. Three story for a story
- Full Text: false
- Date Issued: 1949
Ndera wandera
- Duma women and men, Hugh Tracey
- Authors: Duma women and men , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180583 , vital:43405 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-17
- Description: The response by the audience is "Sarangano, sarangano. A certain woman who was very found of meat went to fetch water at the stream and saw a crocodile which put its head out of the water and sneezed. "Ah" she said "Bless you! What do you want?" The crocodile said he would like some beer. So they made an arrangement between them ... six fish for siz pots of beer. Story song
- Full Text: false
- Date Issued: 1949
- Authors: Duma women and men , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180583 , vital:43405 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-17
- Description: The response by the audience is "Sarangano, sarangano. A certain woman who was very found of meat went to fetch water at the stream and saw a crocodile which put its head out of the water and sneezed. "Ah" she said "Bless you! What do you want?" The crocodile said he would like some beer. So they made an arrangement between them ... six fish for siz pots of beer. Story song
- Full Text: false
- Date Issued: 1949
Ndera wandera
- Manyurure Moyo, Duma men, Composer not specified, Tracey, Hugh
- Authors: Manyurure Moyo , Duma men , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394820 , vital:69015 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO888-C6P11
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Manyurure Moyo , Duma men , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394820 , vital:69015 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO888-C6P11
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Ndinoda kuyenda mbuyawe
- Authors: Mashanje Shawa , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180492 , vital:43394 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-07
- Description: These three short tunes also demonstrate the sound of the friction bow as heard by the player. One end of the palm leaf strip is held across the open mouth and the whole is set in vibration by the rattle stick rubbing across serations in the bow. The mouth harmonies can be heard through the piercing noise of the rattle and the rubbing. Self delectative songs, with Chipendani musical bow and Chimazambi friction bow.
- Full Text: false
- Date Issued: 1949
- Authors: Mashanje Shawa , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180492 , vital:43394 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-07
- Description: These three short tunes also demonstrate the sound of the friction bow as heard by the player. One end of the palm leaf strip is held across the open mouth and the whole is set in vibration by the rattle stick rubbing across serations in the bow. The mouth harmonies can be heard through the piercing noise of the rattle and the rubbing. Self delectative songs, with Chipendani musical bow and Chimazambi friction bow.
- Full Text: false
- Date Issued: 1949
Ndinosara nani (With whom shall I stay)
- Muroiwa Musobenzo, Hugh Tracey
- Authors: Muroiwa Musobenzo , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180403 , vital:43360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-06
- Description: a) This tune in 5 time is very well known in the southern part of the country, and has been set to the Njari Mbira as well as the bow and was recorded by H. T. T. in 1933, sixteen years earlier. b) The player strained up his bow for the second tune. Both tunes were recorded with the microphone very near the performer's mouth in order to demonstrate the sound of the Chipedani as heard by the player himself. The mouthed harmonics can be clearly heard. Only those very nearby would in fact hear the bow clearly and the mouth harmonics. Self delectative songs, with Chipendani musical bow and Chimazambi friction bow.
- Full Text: false
- Date Issued: 1949
- Authors: Muroiwa Musobenzo , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180403 , vital:43360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-06
- Description: a) This tune in 5 time is very well known in the southern part of the country, and has been set to the Njari Mbira as well as the bow and was recorded by H. T. T. in 1933, sixteen years earlier. b) The player strained up his bow for the second tune. Both tunes were recorded with the microphone very near the performer's mouth in order to demonstrate the sound of the Chipedani as heard by the player himself. The mouthed harmonics can be clearly heard. Only those very nearby would in fact hear the bow clearly and the mouth harmonics. Self delectative songs, with Chipendani musical bow and Chimazambi friction bow.
- Full Text: false
- Date Issued: 1949
Ngorombe
- Several boys with Nyere flutes, Hugh Tracey
- Authors: Several boys with Nyere flutes , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180316 , vital:43352 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-03
- Description: The Zezuru play ensembles of flutes, each player having two or three loose end blown flutes which blows in his turn interpolating his notes at the right moments in the melody after the fashion of bell ringers. The players perform a number of variations interpreting voiced notes into the sequence of pipe notes. Ngorombe flute dance.
- Full Text: false
- Date Issued: 1949
- Authors: Several boys with Nyere flutes , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180316 , vital:43352 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-03
- Description: The Zezuru play ensembles of flutes, each player having two or three loose end blown flutes which blows in his turn interpolating his notes at the right moments in the melody after the fashion of bell ringers. The players perform a number of variations interpreting voiced notes into the sequence of pipe notes. Ngorombe flute dance.
- Full Text: false
- Date Issued: 1949
Nhandi gava
- Manyurure Moyo, Duma men, Composer not specified, Tracey, Hugh
- Authors: Manyurure Moyo , Duma men , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394829 , vital:69018 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO888-C6P12
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Manyurure Moyo , Duma men , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394829 , vital:69018 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO888-C6P12
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Nyancelele celelele
- Tavara women at Shangara, Tete, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Tavara women at Shangara, Tete , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394424 , vital:68973 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0868-C5S2b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Tavara women at Shangara, Tete , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394424 , vital:68973 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0868-C5S2b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Nyere yedhongi inorira
- Boys at Domboshawa School, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Boys at Domboshawa School , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/395242 , vital:69063 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO898-C6F5b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Boys at Domboshawa School , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/395242 , vital:69063 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO898-C6F5b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Pondo gumi
- Kenneth Mataka, Bantu Actors, Composer not specified, Tracey, Hugh
- Authors: Kenneth Mataka , Bantu Actors , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/395117 , vital:69049 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0894-C6G6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Kenneth Mataka , Bantu Actors , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/395117 , vital:69049 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0894-C6G6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Ranga rachona
- Chabarwa Musunda Sinyoro, performer not specified, Composer not specified, Tracey, Hugh
- Authors: Chabarwa Musunda Sinyoro , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394004 , vital:68928 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0858-C6E4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Chabarwa Musunda Sinyoro , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394004 , vital:68928 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0858-C6E4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Rungano rwamapere negudo
- Karanga men and women at Salisbury, performer not specified, Folk, Tracey, Hugh
- Authors: Karanga men and women at Salisbury , performer not specified , Folk , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/381105 , vital:67526 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0562-C6C3b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Karanga men and women at Salisbury , performer not specified , Folk , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/381105 , vital:67526 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0562-C6C3b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Samanyemba ne Nzou
- Teachers Training College, Penhalonga, Hugh Tracey
- Authors: Teachers Training College, Penhalonga , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Mangwende f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180601 , vital:43589 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-02
- Description: The story of an elephant who was given a child to liik after. "I have brought up so many children, that is easy, leave it to me" said the elephant. So he took the child away into the thick bush. When evening came she called the elephant to bring the child back. But there was no reply. So she went home to tell her husband and to collect the men to come and help her find the elephant. They came straight away, found the footprints of the elephant and followed them into the bush singing to the elephant as they went. At this point the recording ends without the denouement, so we shall never know if she got her child back or not. Whenever the word or refrain 'Samanyemba' is used in a Karanga song it is usually associated with decit. It appears that Samanyemba was the father of all liars - men were deceivers ever. Story song.
- Full Text: false
- Date Issued: 1949
- Authors: Teachers Training College, Penhalonga , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Mangwende f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180601 , vital:43589 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-02
- Description: The story of an elephant who was given a child to liik after. "I have brought up so many children, that is easy, leave it to me" said the elephant. So he took the child away into the thick bush. When evening came she called the elephant to bring the child back. But there was no reply. So she went home to tell her husband and to collect the men to come and help her find the elephant. They came straight away, found the footprints of the elephant and followed them into the bush singing to the elephant as they went. At this point the recording ends without the denouement, so we shall never know if she got her child back or not. Whenever the word or refrain 'Samanyemba' is used in a Karanga song it is usually associated with decit. It appears that Samanyemba was the father of all liars - men were deceivers ever. Story song.
- Full Text: false
- Date Issued: 1949