Mdlankomo (Name)
- Group of Gcaleka women, Hugh Tracey
- Authors: Group of Gcaleka women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150921 , vital:39017 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-01
- Description: This particular group was very simple. The reaction to hearing the loudspeaker was immediately to join in, and it appeared to take them some little time to realize that they were in fact hearing themselves, and not just listening to some other Gcaleka singing. Circumcision song for the Abakweta dance with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Gcaleka women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150921 , vital:39017 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-01
- Description: This particular group was very simple. The reaction to hearing the loudspeaker was immediately to join in, and it appeared to take them some little time to realize that they were in fact hearing themselves, and not just listening to some other Gcaleka singing. Circumcision song for the Abakweta dance with clapping.
- Full Text: false
- Date Issued: 1957
Mjinana
- Women of Kalana Location, Hugh Tracey
- Authors: Women of Kalana Location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa King Williams Town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150799 , vital:39008 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-07
- Description: An elderly woman leads the singing while several others about their enthusiastic cries which help to keep the dance alive. Like so many other Xhosa dance songs the melody is very slight but enough for its simple purpose. Dance song for old people with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Women of Kalana Location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa King Williams Town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150799 , vital:39008 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-07
- Description: An elderly woman leads the singing while several others about their enthusiastic cries which help to keep the dance alive. Like so many other Xhosa dance songs the melody is very slight but enough for its simple purpose. Dance song for old people with clapping.
- Full Text: false
- Date Issued: 1957
Mjinana
- Women of Kalana Location, Hugh Tracey
- Authors: Women of Kalana Location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa King Williams Town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150810 , vital:39007 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-07
- Description: An elderly woman leads the singing while several others about their enthusiastic cries which help to keep the dance alive. Like so many other Xhosa dance songs the melody is very slight but enough for its simple purpose. Dance song for old people with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Women of Kalana Location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa King Williams Town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150810 , vital:39007 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-07
- Description: An elderly woman leads the singing while several others about their enthusiastic cries which help to keep the dance alive. Like so many other Xhosa dance songs the melody is very slight but enough for its simple purpose. Dance song for old people with clapping.
- Full Text: false
- Date Issued: 1957
Mutshwa kusaeuhamhish Musoka wa (The Judge, Musoka, is going)
- Group of 9 Lunda men, Hugh Tracey
- Authors: Group of 9 Lunda men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Katanga f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139376 , vital:37732 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-02
- Description: The memember of the group who sets the rhythm is called "Mbayo." The two basket rattles Litswakaie are made of a basket work woven onto a piece of gourd for a base. Ceremonial farewell song with 1 box drum, hand beaten, 2 Litswakaie basket rattles and 1 bottle.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 9 Lunda men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Katanga f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139376 , vital:37732 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-02
- Description: The memember of the group who sets the rhythm is called "Mbayo." The two basket rattles Litswakaie are made of a basket work woven onto a piece of gourd for a base. Ceremonial farewell song with 1 box drum, hand beaten, 2 Litswakaie basket rattles and 1 bottle.
- Full Text: false
- Date Issued: 1957
Mwayishe mbungeya mwema
- Authors: Mushipi Mukuma , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luvale (African people) , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Angola Luhakano f-ao
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137170 , vital:37495 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-08
- Description: Simple song in typical Luvale style of a kind which must have been sung for centuries throughhout Africa. The mbira or Likembe accompaniment of the second is interesting for its cross rhythm. The scale of the instrument is hexatonic in the lower part of the scale but may well be heptatonic if one extra note in the upper octave is taken in to account. Scale of instrument as follows:- 672, 592, 544, 488, 416, 376, 336, 312, 268, 244. Self-delectative song with Muchapata Likembe Mbira box and mirliton
- Full Text: false
- Date Issued: 1957
- Authors: Mushipi Mukuma , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luvale (African people) , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Angola Luhakano f-ao
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137170 , vital:37495 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-08
- Description: Simple song in typical Luvale style of a kind which must have been sung for centuries throughhout Africa. The mbira or Likembe accompaniment of the second is interesting for its cross rhythm. The scale of the instrument is hexatonic in the lower part of the scale but may well be heptatonic if one extra note in the upper octave is taken in to account. Scale of instrument as follows:- 672, 592, 544, 488, 416, 376, 336, 312, 268, 244. Self-delectative song with Muchapata Likembe Mbira box and mirliton
- Full Text: false
- Date Issued: 1957
Mwilu mwatuluka womama yami-e!
- Large group of Chokwe men and 8 women, Hugh Tracey
- Authors: Large group of Chokwe men and 8 women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luvale (African people) , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Angola Vila Luzo f-ao
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137099 , vital:37488 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-05
- Description: During this song the women sing praises of their husbands. In order to produce a lower tone on the third drum, Iyashina, its membrane is liberally weighted with beeswax. Chiyanda dance song with 3 conical drums (1) Yasongo, 2) Mukundu, 3) Iyashina.
- Full Text: false
- Date Issued: 1957
- Authors: Large group of Chokwe men and 8 women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luvale (African people) , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Angola Vila Luzo f-ao
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137099 , vital:37488 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-05
- Description: During this song the women sing praises of their husbands. In order to produce a lower tone on the third drum, Iyashina, its membrane is liberally weighted with beeswax. Chiyanda dance song with 3 conical drums (1) Yasongo, 2) Mukundu, 3) Iyashina.
- Full Text: false
- Date Issued: 1957
Ndibolekeni ibayi ndembathe madoda (Please, lend me a blanket to cover myself)
- Gcaleka women and girls, Hugh Tracey
- Authors: Gcaleka women and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150970 , vital:39024 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-07
- Description: Drinking songs are sung with great abandon, the women holding their hands above their heads to clap them. Drinking song with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Gcaleka women and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150970 , vital:39024 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR062-07
- Description: Drinking songs are sung with great abandon, the women holding their hands above their heads to clap them. Drinking song with clapping.
- Full Text: false
- Date Issued: 1957
Ndinga Ngonyoko (I am old as your mother and I know everything)
- Young Gcaleka men and girls, Hugh Tracey
- Authors: Young Gcaleka men and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151085 , vital:39028 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-03
- Description: Three young Amakwenkwe boys in most handsomely decorated and beaded clothes wound around them from the waist down-beads in profusion over the head, neck and shoulders, danced sedately around as the girls sang behind them. Mtshotsho song, with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Young Gcaleka men and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151085 , vital:39028 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-03
- Description: Three young Amakwenkwe boys in most handsomely decorated and beaded clothes wound around them from the waist down-beads in profusion over the head, neck and shoulders, danced sedately around as the girls sang behind them. Mtshotsho song, with clapping.
- Full Text: false
- Date Issued: 1957
Ngamibonge Amakentani (Please praise the Kentani people)
- Thombi Fegetwai and Gcaleka boys and girls, Hugh Tracey
- Authors: Thombi Fegetwai and Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151126 , vital:39032 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-06
- Description: The girl who leads this song is a born singer of Gcaleka type songs for her contemporaries. The people of Idutywa are, in fact, the Gcaleka tribe whose centre is in the Kentani District above 50 miles away. Mtsotsho dance, with clapping and roaring.
- Full Text: false
- Date Issued: 1957
- Authors: Thombi Fegetwai and Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151126 , vital:39032 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-06
- Description: The girl who leads this song is a born singer of Gcaleka type songs for her contemporaries. The people of Idutywa are, in fact, the Gcaleka tribe whose centre is in the Kentani District above 50 miles away. Mtsotsho dance, with clapping and roaring.
- Full Text: false
- Date Issued: 1957
Ngej kaku mumeneka, weya ya mama (Greetings to the stranger)
- Large group of Chokwe men and women, Hugh Tracey
- Authors: Large group of Chokwe men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Democratic Republic of Congo Sandoa f-cg
- Language: Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137025 , vital:37480 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-01
- Description: The 2 drums set up a quick ripplig rhythm which is quickly followed by the typically antiphonal, call and reply singing of the leader and his group, with their constant repetition of the word "Mama". At the end of the recording the sound of the stick, and each drum is brought up and each part can be clearly heard. Chiyanda dance song with 2 conical drums, pegged, open, hand beaten and 2 pieces of wood struck together.
- Full Text: false
- Date Issued: 1957
- Authors: Large group of Chokwe men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Democratic Republic of Congo Sandoa f-cg
- Language: Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137025 , vital:37480 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-01
- Description: The 2 drums set up a quick ripplig rhythm which is quickly followed by the typically antiphonal, call and reply singing of the leader and his group, with their constant repetition of the word "Mama". At the end of the recording the sound of the stick, and each drum is brought up and each part can be clearly heard. Chiyanda dance song with 2 conical drums, pegged, open, hand beaten and 2 pieces of wood struck together.
- Full Text: false
- Date Issued: 1957
Nkonkonko
- Young Gcaleka boys and girls, Hugh Tracey
- Authors: Young Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151255 , vital:39044 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-13
- Description: The words of the dance are apparently meanigless except for the title. When the young herd boys returned with their cattle, sheep and goats to the village they joined in the party and sang these two songs which are typical of the present day type of dance songs used in the district. Young people's dance song and Umtshongolo dance with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Young Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151255 , vital:39044 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-13
- Description: The words of the dance are apparently meanigless except for the title. When the young herd boys returned with their cattle, sheep and goats to the village they joined in the party and sang these two songs which are typical of the present day type of dance songs used in the district. Young people's dance song and Umtshongolo dance with clapping.
- Full Text: false
- Date Issued: 1957
Nombindlela (A roadmaker)
- Group of Gcaleka women, Hugh Tracey
- Authors: Group of Gcaleka women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Willowvale f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151246 , vital:39043 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-12
- Description: The "raodmaker" refers to a man labouring on the local roads. During this song the 16 months old child on the back of one of the singers was clapping its small hands in time to the rhythms of the song which shows how soon small Africans begin to pick up their African music. Women's dance, with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Gcaleka women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Willowvale f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151246 , vital:39043 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-12
- Description: The "raodmaker" refers to a man labouring on the local roads. During this song the 16 months old child on the back of one of the singers was clapping its small hands in time to the rhythms of the song which shows how soon small Africans begin to pick up their African music. Women's dance, with clapping.
- Full Text: false
- Date Issued: 1957
Nongangela (All the young men from Timgqimqi's location are alike)
- Authors: Sam Tyutwana , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150779 , vital:39005 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-05
- Description: The old men Tyutwana asked specially to sing his own dance song with his friends. The song he said, was for a dance called Nongangela which they dance when they are all very happy. Dance song for Nongangela dance.
- Full Text: false
- Date Issued: 1957
- Authors: Sam Tyutwana , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150779 , vital:39005 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-05
- Description: The old men Tyutwana asked specially to sing his own dance song with his friends. The song he said, was for a dance called Nongangela which they dance when they are all very happy. Dance song for Nongangela dance.
- Full Text: false
- Date Issued: 1957
Ntende
- Large group of Lunda women and Kalemba, Hugh Tracey
- Authors: Large group of Lunda women and Kalemba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139481 , vital:37742 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-08
- Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
- Full Text: false
- Date Issued: 1957
- Authors: Large group of Lunda women and Kalemba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139481 , vital:37742 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-08
- Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
- Full Text: false
- Date Issued: 1957
Nyakumtyela egageni (You will eat it out of doors)
- Young Gcaleka boys and girls, Hugh Tracey
- Authors: Young Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151278 , vital:39047 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-15
- Description: This item was recorded inside a hut. Although the music of the 'hadi' is regarded as a speciality of the women, there were men in this hut as well who began to dance to the music and were joined by one or two women. Mhala dance for young men with Hadi musical bow.
- Full Text: false
- Date Issued: 1957
- Authors: Young Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151278 , vital:39047 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-15
- Description: This item was recorded inside a hut. Although the music of the 'hadi' is regarded as a speciality of the women, there were men in this hut as well who began to dance to the music and were joined by one or two women. Mhala dance for young men with Hadi musical bow.
- Full Text: false
- Date Issued: 1957
Nyakumtyela egageni (You will eat it out of doors)
- Young Gcaleka boys and girls, Hugh Tracey
- Authors: Young Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151273 , vital:39046 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-15
- Description: This item was recorded inside a hut. Although the music of the 'hadi' is regarded as a speciality of the women, there were men in this hut as well who began to dance to the music and were joined by one or two women. Mhala dance for young men with Hadi musical bow.
- Full Text: false
- Date Issued: 1957
- Authors: Young Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151273 , vital:39046 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-15
- Description: This item was recorded inside a hut. Although the music of the 'hadi' is regarded as a speciality of the women, there were men in this hut as well who began to dance to the music and were joined by one or two women. Mhala dance for young men with Hadi musical bow.
- Full Text: false
- Date Issued: 1957
Nyambilichina twali akwawu ku Muwewu (Nyambilichi is taking other girls to Muwewu) (
- Group of 14 Lunda men and 4 women, Hugh Tracey
- Authors: Group of 14 Lunda men and 4 women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Mwinilungu f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139348 , vital:37729 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-13
- Description: The Lunda or Luunda people came into the territory which is now N. Rhodesia from the Congo. They now form a group of about 50,000 east of the Luapula river. Kahaku ceremonial dance song with rattle and struck bottle.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 14 Lunda men and 4 women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Mwinilungu f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139348 , vital:37729 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-13
- Description: The Lunda or Luunda people came into the territory which is now N. Rhodesia from the Congo. They now form a group of about 50,000 east of the Luapula river. Kahaku ceremonial dance song with rattle and struck bottle.
- Full Text: false
- Date Issued: 1957
O Mama Lina, kuvimba mwaro (Mama Lina, let's sing)
- Group of 12 Chokwe men and 8 women, Hugh Tracey
- Authors: Group of 12 Chokwe men and 8 women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luvale (African people) , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Angola Vila Luzo f-ao
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137148 , vital:37492 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-07
- Description: The 3 drums enter one after the other with the voices following. As usual it is the deepest toned drum Iyashina which plays most of the syncopation. The dance tunes of the Luvale people are severely stylized and this item is typical of its class. Chiyanda dance song with 3 conical drums. (Yasango, Mukundu and Iyashina).
- Full Text: false
- Date Issued: 1957
- Authors: Group of 12 Chokwe men and 8 women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luvale (African people) , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Angola Vila Luzo f-ao
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137148 , vital:37492 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-07
- Description: The 3 drums enter one after the other with the voices following. As usual it is the deepest toned drum Iyashina which plays most of the syncopation. The dance tunes of the Luvale people are severely stylized and this item is typical of its class. Chiyanda dance song with 3 conical drums. (Yasango, Mukundu and Iyashina).
- Full Text: false
- Date Issued: 1957
Sabwabwa
- Group of 5 Kete men, Hugh Tracey
- Authors: Group of 5 Kete men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Katanga f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139402 , vital:37735 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-03
- Description: The slit drum is called mutumba (the canoe) and the cylindrical drum is Nguma. This group is situated between the Lunda and the Luba. A notably fierce and savage people. They come from the extreme south of the Kasai-near the Angola border. This dance was (in the old days) danced with a slave in the midst. At the final "Ho" (characteristic of the dance) the slave's head was severed at a single blow. The 3 xylophones were propped up at sn angle of about 45 degrees by small forked sticks. The resonators were either gourds or lengths of bamboo with open mirliton. The bamboo resonators were palstered with mud, presumably to stop their cracking. Each note was attached to the frame with a simple cord, but prevented from slipping by a second string attached near the node and made fast onto the frame. The insulating material on the frame was a bundle of long grass in each case. The three xylophones were called:- Dujimba devase. " dwapakadie. " dwa mukuma. Maza dance for men and women with 1 slit drum (canoe), 1 weighted cylindrical drum (Nguma), open hand beaten and 3 xylophones.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 5 Kete men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Katanga f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139402 , vital:37735 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-03
- Description: The slit drum is called mutumba (the canoe) and the cylindrical drum is Nguma. This group is situated between the Lunda and the Luba. A notably fierce and savage people. They come from the extreme south of the Kasai-near the Angola border. This dance was (in the old days) danced with a slave in the midst. At the final "Ho" (characteristic of the dance) the slave's head was severed at a single blow. The 3 xylophones were propped up at sn angle of about 45 degrees by small forked sticks. The resonators were either gourds or lengths of bamboo with open mirliton. The bamboo resonators were palstered with mud, presumably to stop their cracking. Each note was attached to the frame with a simple cord, but prevented from slipping by a second string attached near the node and made fast onto the frame. The insulating material on the frame was a bundle of long grass in each case. The three xylophones were called:- Dujimba devase. " dwapakadie. " dwa mukuma. Maza dance for men and women with 1 slit drum (canoe), 1 weighted cylindrical drum (Nguma), open hand beaten and 3 xylophones.
- Full Text: false
- Date Issued: 1957
Samukonga lunga lyambala lya Meli (Samukonga is the husband of Mary)
- Group of 7 Luvale women and 12 men, Hugh Tracey
- Authors: Group of 7 Luvale women and 12 men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luvale (African people) , Folk music , Folk music--Zimbabwe , Africa Zimbabwe Chavuma f-rh
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137239 , vital:37503 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-11
- Description: This song with long opening recitative by the leader and the repeated use of the word "Mama", make it an unmistakable example of Luvale singing. The percussive accompaniment is interesting for its complexity and the fact that it seems to bear small direct relationship to the melody produced by the voices but appears to act as a rhythmic and complex background for the singers. Gachacha dance song with struck bottle, 2 pieces of metal and 1 small bell. (bicycle).
- Full Text: false
- Date Issued: 1957
- Authors: Group of 7 Luvale women and 12 men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luvale (African people) , Folk music , Folk music--Zimbabwe , Africa Zimbabwe Chavuma f-rh
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137239 , vital:37503 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-11
- Description: This song with long opening recitative by the leader and the repeated use of the word "Mama", make it an unmistakable example of Luvale singing. The percussive accompaniment is interesting for its complexity and the fact that it seems to bear small direct relationship to the melody produced by the voices but appears to act as a rhythmic and complex background for the singers. Gachacha dance song with struck bottle, 2 pieces of metal and 1 small bell. (bicycle).
- Full Text: false
- Date Issued: 1957