'Amanuensis' and 'Steatopygia': the complexity of 'Telling the Tale 'in Zoë Wicomb's David's Story
- Authors: Dass, Minesh
- Date: 2011
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/142599 , vital:38094 , http://dx.doi.org/10.4314/eia.v38i2.3
- Description: Two words, 'amanuensis' and 'steatopygia,' each burdened with its own history, appear in Zoë Wicomb's David's Story with a frequency that commands further consideration. This study shows that these two words are in fact narratives which reveal the tension, inherent in all historical narratives, between that which is denotative or factual and that which is connotative or fictional. Similarly, the words also form the shifting horizon from which we may see history as a narrative of the past that is always also a narrative of the present. The link between these words will ultimately show the complex, compromised role of the narrator and, perhaps, of all historians.
- Full Text:
- Date Issued: 2011
- Authors: Dass, Minesh
- Date: 2011
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/142599 , vital:38094 , http://dx.doi.org/10.4314/eia.v38i2.3
- Description: Two words, 'amanuensis' and 'steatopygia,' each burdened with its own history, appear in Zoë Wicomb's David's Story with a frequency that commands further consideration. This study shows that these two words are in fact narratives which reveal the tension, inherent in all historical narratives, between that which is denotative or factual and that which is connotative or fictional. Similarly, the words also form the shifting horizon from which we may see history as a narrative of the past that is always also a narrative of the present. The link between these words will ultimately show the complex, compromised role of the narrator and, perhaps, of all historians.
- Full Text:
- Date Issued: 2011
A “place in which to cry”: the place for race and a home for shame in Zoë Wicomb's Playing in the Light
- Authors: Dass, Minesh
- Date: 2011
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/142588 , vital:38093 , DOI: 10.1080/1013929X.2011.602910
- Description: In Zoë Wicomb's Playing in the Light, the main character's troubled sense of identity (brought about by her parents' shameful decision to ‘play white’) is viscerally symbolised by her discomfort in her own and others' homes. In her Cape Town apartment she has nightmares about other houses. Her visits to her family home, where her elderly father lives alone, are similarly burdened by presences and memories she finds unwelcoming. And, her extended vacation to the UK, once she has discovered her family's secret, is a choice of “a place in which to cry” (Wicomb 2006: 191).
- Full Text:
- Date Issued: 2011
- Authors: Dass, Minesh
- Date: 2011
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/142588 , vital:38093 , DOI: 10.1080/1013929X.2011.602910
- Description: In Zoë Wicomb's Playing in the Light, the main character's troubled sense of identity (brought about by her parents' shameful decision to ‘play white’) is viscerally symbolised by her discomfort in her own and others' homes. In her Cape Town apartment she has nightmares about other houses. Her visits to her family home, where her elderly father lives alone, are similarly burdened by presences and memories she finds unwelcoming. And, her extended vacation to the UK, once she has discovered her family's secret, is a choice of “a place in which to cry” (Wicomb 2006: 191).
- Full Text:
- Date Issued: 2011
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