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Ndwano siya mani zuminina ngoma ye

- Group of 8 Tonga men and boys, Hugh Tracey

  • Authors: Group of 8 Tonga men and boys , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139126 , vital:37707 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-17
  • Description: This story was enacted as well as told with much vigour. It appears to be based on the theme of the child imprisoned in a drum by a wicked old musician - a story which is well known on the south of the Zambezi throughout S. Rhodesia as the story of "Mikunda wa serewa" and in other versions. Story with song.
  • Full Text: false
  • Date Issued: 1957

Ndwano uswi yatata (Father's fish)

- Group of young Tonga girls and children, Hugh Tracey

  • Authors: Group of young Tonga girls and children , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138499 , vital:37643 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR044-01
  • Description: The story was told to a group of about 30 children of all ages by a young girl of about 16 years. The story was clearly a well known favourite as the audience participated in the song without hesitation or teaching. Perhaps it was father's favourite fishing story. Story with songs.
  • Full Text: false
  • Date Issued: 1957

Ndwimo lwa mutetere(Flute tune)

- Mwami Sinefwala Mukuli, Hugh Tracey

Neiwe unonyanya

- Sithole, Simon Mafiru, Composer not specified, Hugh Tracey

  • Authors: Sithole, Simon Mafiru , Composer not specified , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Topical song , Mbira , Africa Zimbabwe Mt. Selinda f-rh
  • Language: Ndau
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/132091 , vital:36797 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-15 , Field card no. H1B-8
  • Description: "You, you are wrong. Who destroyed our friendship? You, you annoy. You, you cause harm. Who destroyed our friendship?" Chigande, drinking song with mbira dza WaNdau and deze resonator.
  • Full Text: false
  • Date Issued: 1957

Neiwe Unonyanya

- Simon Mafiru Sitole, Performer not specified, Composer not specified, Tracey, Hugh

Nensonde nyama nyawonga

- Jespar Lungu and is wife, Hugh Tracey

Ng'eng'e kumatengele

- R. T. Mbuluwundi (Composer), Ruben Tankadi Mbuluwundi and group of 5 Tumbuka men (Performers), Hugh Tracey

Ngagashupeke ngi mabunu (We are being trouble by Boers)

- Group of 14 Ngoni men and chorus of women, Hugh Tracey

  • Authors: Group of 14 Ngoni men and chorus of women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa Zambia Fort Jameson f-za
  • Language: Nyanja , Nsenga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137611 , vital:37542 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-12
  • Description: This was probably composed long ago when the people of Mzilikazi were being driven out of the Transvaal by the Boers in the middle of the nineteenth century. The singers agreed that this was a Ndebele song not of the Ngoni songs - but they said their languages were so similar that they had adopted it. Ngoma dance song with stamping and 1 pair of leg rattles.
  • Full Text: false
  • Date Issued: 1957

Ngamibonge Amakentani (Please praise the Kentani people)

- Thombi Fegetwai and Gcaleka boys and girls, Hugh Tracey

Ngano zwano twokuruma (The story of the people who were digging)

- Jobi Chaliwepa, Hugh Tracey

  • Authors: Jobi Chaliwepa , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138526 , vital:37646 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR044-04
  • Description: The response is "Kalanga-ti". The burden of this story is that a certain man with only one testicle could not walk like other men, but walked with a limp on account of his physical peculiarity. Story with song.
  • Full Text: false
  • Date Issued: 1957

Ngej kaku mumeneka, weya ya mama (Greetings to the stranger)

- Large group of Chokwe men and women, Hugh Tracey

  • Authors: Large group of Chokwe men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Democratic Republic of Congo Sandoa f-cg
  • Language: Chokwe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137025 , vital:37480 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-01
  • Description: The 2 drums set up a quick ripplig rhythm which is quickly followed by the typically antiphonal, call and reply singing of the leader and his group, with their constant repetition of the word "Mama". At the end of the recording the sound of the stick, and each drum is brought up and each part can be clearly heard. Chiyanda dance song with 2 conical drums, pegged, open, hand beaten and 2 pieces of wood struck together.
  • Full Text: false
  • Date Issued: 1957

Ngo, Ngo (Knock, knock, it is 7 o'clock)

- Young girls and boys of Durban location, Hugh Tracey

Ngoma

- Group of Tonga men and women, Hugh Tracey

  • Authors: Group of Tonga men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138810 , vital:37674 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-05
  • Description: The tuning of the horns seems to be entirely hapharzard and is controlled by the fortuitous length and shape of the horns employed. The smaller boys played the shorter horns and the larger boys the longer horns. The bass horns needing more breath to blow them. This is a very wild kind of dance, with everyone dancing madly in a mob. The step is a short staccato, jigging step to and fro, very simple. Noise seems to be the main object and the dust thrown up by their feet in the alluvial soil of the river valley almost obscured the tight knot of dancers. The celeste caused by the treble pipes in deafening to an observer, but too high pitched to record. The names of the 7 drums from smal to large were:- 1) Gogogo, 2) Kingaridi, 3) Chamutanda, 4) Muntunda, 5) Mujinji, 6) Pininga, 7) Pati. The first four are played with sticks and the three others with hands. They are all the same basic shape being an almost square cut rectangular cylinder for a body and a hollow pipe of wood without foot for a base. They are all sung across the shoulder or held between the thighs for playing. Ngoma dance with Nyele end-blown antelope horn and set of Ngoma drum.
  • Full Text: false
  • Date Issued: 1957

Ngoma

- Group of Tonga men and women, Hugh Tracey

  • Authors: Group of Tonga men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138044 , vital:37587 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR041-08
  • Description: The names of the drums from small to large are: Gogogo, Chamutanda, Muntundu, Pininga and Pati. The drums set the pace of the rhythm, then the horns begin. Each man or boy blows one horn and interpolates his note as he pleases while he dances a jig to and fro among the close knot of hornblowers. The result is a loud and cheerful noise devoid of any melody with everyone, men, women and children shouting, singing and whistling as they shuffle to the impulse of the drumming. The hornblowers at first held ther free hand to an ear, presumably to help them establish their own contribution to the mass sound. Funeral dance song with ensemble of Nyele end-blown antelope horns and Ngoma drums.
  • Full Text: false
  • Date Issued: 1957

Ngoma (2)

- Group of Tonga men and women, Hugh Tracey

  • Authors: Group of Tonga men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138819 , vital:37675 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-06
  • Description: The tuning of the horns seems to be entirely hapharzard and is controlled by the fortuitous length and shape of the horns employed. The smaller boys played the shorter horns and the larger boys the longer horns. The bass horns needing more breath to blow them. This is a very wild kind of dance, with everyone dancing madly in a mob. The step is a short staccato, jigging step to and fro, very simple. Noise seems to be the main object and the dust thrown up by their feet in the alluvial soil of the river valley almost obscured the tight knot of dancers. The celeste caused by the treble pipes in deafening to an observer, but too high pitched to record. The names of the 7 drums from smal to large were:- 1) Gogogo, 2) Kingaridi, 3) Chamutanda, 4) Muntunda, 5) Mujinji, 6) Pininga, 7) Pati. The first four are played with sticks and the three others with hands. They are all the same basic shape being an almost square cut rectangular cylinder for a body and a hollow pipe of wood without foot for a base. They are all sung across the shoulder or held between the thighs for playing. Ngoma dance with Nyele end-blown antelope horn and set of Ngoma drum.
  • Full Text: false
  • Date Issued: 1957

Ngoma (3)

- Group of Tonga men and women, Hugh Tracey

  • Authors: Group of Tonga men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138824 , vital:37676 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-07
  • Description: The tuning of the horns seems to be entirely hapharzard and is controlled by the fortuitous length and shape of the horns employed. The smaller boys played the shorter horns and the larger boys the longer horns. The bass horns needing more breath to blow them. This is a very wild kind of dance, with everyone dancing madly in a mob. The step is a short staccato, jigging step to and fro, very simple. Noise seems to be the main object and the dust thrown up by their feet in the alluvial soil of the river valley almost obscured the tight knot of dancers. The celeste caused by the treble pipes in deafening to an observer, but too high pitched to record. The names of the 7 drums from smal to large were:- 1) Gogogo, 2) Kingaridi, 3) Chamutanda, 4) Muntunda, 5) Mujinji, 6) Pininga, 7) Pati. The first four are played with sticks and the three others with hands. They are all the same basic shape being an almost square cut rectangular cylinder for a body and a hollow pipe of wood without foot for a base. They are all sung across the shoulder or held between the thighs for playing. Ngoma dance with Nyele end-blown antelope horn and set of Ngoma drum.
  • Full Text: false
  • Date Issued: 1957

Ngoma dza Matsogodo

- Venda ngoma dancers and singers of Vho Tshisikawe's, performer not specified, composer not specified, Tracey, Hugh

Ngoma dza Midzimu

- Venda ngoma dancers and singers of Vho Tshisikawe's, performer not specified, composer not specified, Tracey, Hugh

Ngoma ya bantwana (Song for the children)

- Women of Kalana location, Hugh Tracey

Ngoma yalila mphela (The drum keeps on beating)

- Group of 12 Ngoni women, Hugh Tracey

  • Authors: Group of 12 Ngoni women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk songs , Songs, Nyanja , Nsenga (African people) , Ngoni (African people) , Africa Zambia Fort Jameson f-za
  • Language: Nyanja , Nsenga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137465 , vital:37527 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR038-03
  • Description: "My husband likes to roam, so I shall break his bicycle." These women were Ngoni, but singing in Nsenga the language of their forebears. The singing of the Ngoni is especially interesting for the fact that they sing in 2 distinct styles, that of the Zulu (Ngoni), their father's tribe and that of their mother's tribes who were conquered by the Ngoni. Both strains are still clearly defined after nearly a century of integration. Women's party dance song with clapping.
  • Full Text: false
  • Date Issued: 1957
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