Zore III
- Five GiTonga men and 13 women, Tracey, Hugh
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189589 , vital:44861 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-03
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189589 , vital:44861 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-03
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
Zore II
- Five GiTonga men and 13 women, Tracey, Hugh
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189568 , vital:44859 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-02
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189568 , vital:44859 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-02
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
Zore I
- Five GiTonga men and 13 women, Tracey, Hugh
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189563 , vital:44858 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-01
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip
- Full Text: false
- Date Issued: 1963
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189563 , vital:44858 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-01
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip
- Full Text: false
- Date Issued: 1963
Wata sala
- Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1956-10-20
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Not specified f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227139 , vital:49415 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT378-K3 , Research no. MS10
- Description: Indigenous folk song with singing and spoken verse, accompanied by a guitar.
- Full Text: false
- Date Issued: 1956-10-20
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1956-10-20
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Not specified f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227139 , vital:49415 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT378-K3 , Research no. MS10
- Description: Indigenous folk song with singing and spoken verse, accompanied by a guitar.
- Full Text: false
- Date Issued: 1956-10-20
Wangu mwama wome
- Timoses, Comecado des Amigos, Tracey, Hugh
- Authors: Timoses, Comecado des Amigos , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189670 , vital:44919 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-11
- Description: The pace of the dance quickens until the pelvic girations of the dancers become a rapid quiveringing. Makarito dance, with 5 singing horns, 1 bass small drum, 2 small drums. 1 small bell.
- Full Text: false
- Date Issued: 1963
- Authors: Timoses, Comecado des Amigos , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189670 , vital:44919 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-11
- Description: The pace of the dance quickens until the pelvic girations of the dancers become a rapid quiveringing. Makarito dance, with 5 singing horns, 1 bass small drum, 2 small drums. 1 small bell.
- Full Text: false
- Date Issued: 1963
Wa menina da senola
- Orelio, Tonganyana, Composer not specified, Tracey, Hugh
- Authors: Orelio, Tonganyana , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226558 , vital:49347 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT369-J20 , Research no. H1R3
- Description: Indigenous humourous folk song with singing accompanied by a guitar and a kazoo.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Orelio, Tonganyana , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226558 , vital:49347 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT369-J20 , Research no. H1R3
- Description: Indigenous humourous folk song with singing accompanied by a guitar and a kazoo.
- Full Text: false
- Date Issued: 1955-10-11
Wa Mambo
- Kawano, Tonganyana Orelio, Tracey, Hugh
- Authors: Kawano, Tonganyana Orelio , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227015 , vital:49402 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT375-J26 , Research no. H1R25
- Description: Indigenous historical folk song with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Kawano, Tonganyana Orelio , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227015 , vital:49402 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT375-J26 , Research no. H1R25
- Description: Indigenous historical folk song with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1955-10-11
Uyandzi byeli akuxonga
- Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1956-10-20
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Not specified f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227066 , vital:49406 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT376-K1 , Research no. MS2
- Description: Indigenous topical folk song with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1956-10-20
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1956-10-20
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Not specified f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227066 , vital:49406 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT376-K1 , Research no. MS2
- Description: Indigenous topical folk song with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1956-10-20
Uta umgula wamamane lekaya
- Kawano, Tonganyana Orelio, Tracey, Hugh
- Authors: Kawano, Tonganyana Orelio , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226796 , vital:49376 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT373-J24 , Research no. H1R17
- Description: Indigenous humourous folk song with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Kawano, Tonganyana Orelio , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226796 , vital:49376 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT373-J24 , Research no. H1R17
- Description: Indigenous humourous folk song with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1955-10-11
Uchipisa timpondo tamuna
- Kawano, Tonganyana Orelio, Tracey, Hugh
- Authors: Kawano, Tonganyana Orelio , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227046 , vital:49404 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT375-J26 , Research no. H1R26
- Description: Indigenous topical folk song with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Kawano, Tonganyana Orelio , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227046 , vital:49404 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT375-J26 , Research no. H1R26
- Description: Indigenous topical folk song with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1955-10-11
Title not specified
- Mbiza, Shimiti, Composer not specified, Tracey, Hugh
- Authors: Mbiza, Shimiti , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226746 , vital:49369 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT372-J23 , Research no. H1R14c
- Description: Indigenous self delectative folk song with singing accompanied by a mbira.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Mbiza, Shimiti , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226746 , vital:49369 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT372-J23 , Research no. H1R14c
- Description: Indigenous self delectative folk song with singing accompanied by a mbira.
- Full Text: false
- Date Issued: 1955-10-11
Title not specified
- Kawano, Tonganyana Orelio, Tracey, Hugh
- Authors: Kawano, Tonganyana Orelio , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227000 , vital:49399 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT374-J25 , Research no. H1R23
- Description: Indigenous topical folk song with singing accompanied by a guitar, a mandoline and a kazoo.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Kawano, Tonganyana Orelio , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227000 , vital:49399 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT374-J25 , Research no. H1R23
- Description: Indigenous topical folk song with singing accompanied by a guitar, a mandoline and a kazoo.
- Full Text: false
- Date Issued: 1955-10-11
Title not specified
- Orelio, Tonganyana, Composer not specified, Tracey, Hugh
- Authors: Orelio, Tonganyana , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226568 , vital:49349 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT369-J20 , Research no. H1R4
- Description: Indigenous humourous folk song with singing accompanied by a guitar and a kazoo.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Orelio, Tonganyana , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226568 , vital:49349 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT369-J20 , Research no. H1R4
- Description: Indigenous humourous folk song with singing accompanied by a guitar and a kazoo.
- Full Text: false
- Date Issued: 1955-10-11
Title not specified
- Perfomer not specified, Composer not specified, Tracey, Hugh
- Authors: Perfomer not specified , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Not specified f-mz
- Language: Chopi , Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227271 , vital:49429 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT380-L1b , Research no. L1A3
- Description: Indigenous folk song with singing accompanied by a mbira.
- Full Text: false
- Date Issued: 1957
- Authors: Perfomer not specified , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Not specified f-mz
- Language: Chopi , Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227271 , vital:49429 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT380-L1b , Research no. L1A3
- Description: Indigenous folk song with singing accompanied by a mbira.
- Full Text: false
- Date Issued: 1957
Title not specified
- Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1956-10-20
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Not specified f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227129 , vital:49413 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT377-K2 , Research no. MS6
- Description: Indigenous topical folk song with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1956-10-20
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1956-10-20
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Not specified f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227129 , vital:49413 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT377-K2 , Research no. MS6
- Description: Indigenous topical folk song with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1956-10-20
Tingana mukon' wana
- Feliciano, Gomez Muntano, Tracey, Hugh
- Authors: Feliciano, Gomez Muntano , Tracey, Hugh
- Date: 1955-10-08
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Sul do Save f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226360 , vital:49325 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT367-J16 , Research no. H1P7
- Description: Indigenous folk song of lament with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1955-10-08
- Authors: Feliciano, Gomez Muntano , Tracey, Hugh
- Date: 1955-10-08
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Sul do Save f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226360 , vital:49325 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT367-J16 , Research no. H1P7
- Description: Indigenous folk song of lament with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1955-10-08
Tachula bebe
- Yerungwe, Fernando, Nyembane Dancers, Composer not specified, Tracey, Hugh
- Authors: Yerungwe, Fernando , Nyembane Dancers , Composer not specified , Tracey, Hugh
- Date: 1955-03-06
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Gauteng f-sa
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/225054 , vital:49180 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT350-H17 , Research no. H1H12
- Description: Not specified.
- Full Text: false
- Date Issued: 1955-03-06
- Authors: Yerungwe, Fernando , Nyembane Dancers , Composer not specified , Tracey, Hugh
- Date: 1955-03-06
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Gauteng f-sa
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/225054 , vital:49180 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT350-H17 , Research no. H1H12
- Description: Not specified.
- Full Text: false
- Date Issued: 1955-03-06
Siliva Bandi
- Group of 14 Tonga men, Composer not specified, Tracey, Hugh
- Authors: Group of 14 Tonga men , Composer not specified , Tracey, Hugh
- Date: 1957-08-16
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Messina f-sa
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/246561 , vital:51489 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT543-L164 , Research no. L3M6
- Description: Unaccompanied 1st movement of the Malipenga dance song.
- Full Text: false
- Date Issued: 1957-08-16
- Authors: Group of 14 Tonga men , Composer not specified , Tracey, Hugh
- Date: 1957-08-16
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Messina f-sa
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/246561 , vital:51489 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT543-L164 , Research no. L3M6
- Description: Unaccompanied 1st movement of the Malipenga dance song.
- Full Text: false
- Date Issued: 1957-08-16
Shingombela
- Kossa, Americo, Jefe, Orelio, Tracey, Hugh
- Authors: Kossa, Americo , Jefe, Orelio , Tracey, Hugh
- Date: 1955-10-08
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Sul do Save f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226265 , vital:49314 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT366-J15 , Research no. H1P1
- Description: Indigenous topical folk song with singing accompanied by 2 guitars.
- Full Text: false
- Date Issued: 1955-10-08
- Authors: Kossa, Americo , Jefe, Orelio , Tracey, Hugh
- Date: 1955-10-08
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Sul do Save f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226265 , vital:49314 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT366-J15 , Research no. H1P1
- Description: Indigenous topical folk song with singing accompanied by 2 guitars.
- Full Text: false
- Date Issued: 1955-10-08
Shandula ngombe
- Sitende, Moses, Composer not specified, Tracey, Hugh
- Authors: Sitende, Moses , Composer not specified , Tracey, Hugh
- Date: 1957-06-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Wankie Colliery f-rh
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/231621 , vital:49908 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT446-L67 , Research no. L2B9
- Description: Indigenous self-delectative folk song with singing, accompanied by a kalimba with a Spider's nest mirliton tin resonator.
- Full Text: false
- Date Issued: 1957-06-18
- Authors: Sitende, Moses , Composer not specified , Tracey, Hugh
- Date: 1957-06-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Wankie Colliery f-rh
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/231621 , vital:49908 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT446-L67 , Research no. L2B9
- Description: Indigenous self-delectative folk song with singing, accompanied by a kalimba with a Spider's nest mirliton tin resonator.
- Full Text: false
- Date Issued: 1957-06-18