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Mwe baiyashi cenjeleni (My parents take care)

- B. Kabushi and D. Mwenya, Hugh Tracey

Amano yabula noko wemwana niwe nyatumbe? (Your mother is not very wise, how do you expect to be any wiser?)

- Stephen Tsotsi Kasumali and friends, Hugh Tracey

Atshakongwe wamwe muno kuwala kwawo (The women of this country all wear the same kind of dress)

- Five Nyasa men, Hugh Tracey

  • Authors: Five Nyasa men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Likoma f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160804 , vital:40547 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-06
  • Description: The drum was played with a stick in the left hand tapping on the side of the drum alternately with the head. The right hand kept up the rythm in the usual way. During this lively performnace the bottle player shattered his bottle into fragments, continuing to beat the neck of the beat which remained in his hand until that too disintegrated under the blows of the six inch nail. At the end of the first item the player dashed off to a nearby hut and produced the next best substitute, a new hoe blade. This recording was made by Nyasa workers at a Citrus Estate near Nelspruit, Eastern Transvaal. Party dance with double headed drum, concertina and bottle.
  • Full Text: false
  • Date Issued: 1957

Kalele kiwetu yamba mwana ambaya

- Large group of Kasai women, Hugh Tracey

Ngqika (A Xhosa Chief)

- Jury Mpelho, Hugh Tracey

  • Authors: Jury Mpelho , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Grahamstown f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/135900 , vital:37310 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR027-03
  • Description: The song is about the cattle of Ngqika, a famous Xhosa chief, and how beautiful they were. "We, the Africans of Ngqika, we pay our lobola in cattle. Our cattle are beautiful with well-shaped spreading horns, and we drive them like this, like this. (senjenje, senjenje) to the kraal of the girl's father." Town dance with small band including a piano, saxaphone, trumpet, guitar and drum.
  • Full Text: false
  • Date Issued: 1957

Bankulu ne yumba

- Group of 7 Luba men and 1 woman, Hugh Tracey

Intombi zipelile (The girls are finished)

- Group of young Mpondo men and girls, Hugh Tracey

  • Authors: Group of young Mpondo men and girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Tabankulu f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136362 , vital:37368 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR030-02
  • Description: The young men were mostly wearing pale blue blankets and carrying sticks; the girls were beautifully beaded. They wore their hair in many fine plaits hanging on either side of the face. Over this was worn the tubular bead headring or headband, (if the girl was unmarried) mostly in pale blue and white beads, many strands of sky blue and white beads wound about their necks to form choker collars. Song for Indlam' dance, with clapping of sticks.
  • Full Text: false
  • Date Issued: 1957

Tunings of Zwipoṱoliyo

- Alfred Tshibalangwanda, Flanbert Tshikwati, composer not specified, Tracey, Hugh

Heehee ndithe gebelele

- Group of Qwathi women, Hugh Tracey

  • Authors: Group of Qwathi women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Xhosa , Herbalists , Africa South Africa Engcobo f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134841 , vital:37211 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0022-02
  • Description: In the course of this divination song, they broke off for a woman to call out after the fashion of the diviners, to which everyone clapped their hands replying "siya vuma", "we agree". Song for diviner's ceremony with clapping.
  • Full Text: false
  • Date Issued: 1957

Antoinette wa Kolwezi

- Ilunga Patrice, Misomba Victor and friends, Tracey, Hugh

Intlanganiso ya magqika ye Izangoma (Herbalist's meeting)

- Composer not specified, Hugh Tracey

  • Authors: Composer not specified , Hugh Tracey
  • Date: 1957
  • Subjects: Folk songs, Xhosa , Herbalists , Africa South Africa Umtata f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134945 , vital:37220 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0022-05
  • Description: Led by Dangazela and by Nowinjile Sincabo his wife. Dangazela is the son of Chief Bota the paramount chief of Lusikisiki. This recording demonstrates the procedure adopted by herbalists and diviners at their meetings and healing ceremonies.- the music and speeches helping to create an atmosphere of serious contemplation and thereby assisting in the cure of the patient. Proceedings for herbalists, with songs and speech, with clapping, stamping and 1 bass drum.
  • Full Text: false
  • Date Issued: 1957

Ndinochema amasebe

- Sitole, Simon Mafiru, Composer not specified, Tracey, Hugh

  • Authors: Sitole, Simon Mafiru , Composer not specified , Tracey, Hugh
  • Date: 1957
  • Subjects: Folk music--Africa , Topical song , Mbira , Africa Zimbabwe Mt. Selinda f-rh
  • Language: Ndau
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/132046 , vital:36790 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-10 , Field card no. L1B-6
  • Description: "See, I am crying, mother-in-law. Poverty, elder brother, alack. See, Sophiatown is bad, patisoni. In my distress I think of home. Happiness to you all at Marange." The singer sings about the conditions in which he finds himself at Sofiatown, near Johannesburg, where he works as a carpenter's assistant. His home, Marange is in the Chipinga District of Southern Rhodesia, about 400 miles north east of Johannesburg. Three topical songs with mbira dza WaNdau and deze resonator.
  • Full Text: false
  • Date Issued: 1957

Musafu sumu (Bible hymn)

- Group of 16 Tonga men and boys, Hugh Tracey

  • Authors: Group of 16 Tonga men and boys , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
  • Language: Luvale/Chokwe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137402 , vital:37520 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-11
  • Description: The leader is Joni Phiri. "Haye Mwazadi mwanozga." "You have done well to come." The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill where it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the mirliton buzzers so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the bases. 4 Movements of the Malipenga dance, the first 2 with Chandi and Muganda drums, with 12 singing horns (calabash), 1 bass drum.
  • Full Text: false
  • Date Issued: 1957

Musambo

- Large group of Luba men and women, Performer not specified, Composer not specified, Tracey, Hugh

Wena Gawazane utotekwa himwinyi Kakowane (You, Gawazane, you will be married to Kakowane)

- Sechene Kowani, Hugh Tracey

  • Authors: Sechene Kowani , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Music--Mozambique , Africa Mozambique Mabote f-mz
  • Language: Tswa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136234 , vital:37352 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR029-06
  • Description: Kakowane, he said, was a mulatto living in his district (Self-delectative song with friction bow (Chisambi).
  • Full Text: false
  • Date Issued: 1957

Api amatole makw edini (Hullo, you boys, where are the calves?)

- John Lila, Hugh Tracey

  • Authors: John Lila , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Tabankulu f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136638 , vital:37400 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-14
  • Description: The verse is about some herdboys and what they did. Old verse.
  • Full Text: false
  • Date Issued: 1957

Mama Josefuia

- Ilunga Patrice, Misomba Victor, Tracey, Hugh

Subiya

- Muimui Nasirere, Hugh Tracey

  • Authors: Muimui Nasirere , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Field recordings , Lozi (African people) , Africa Zambia Mongu district f-za
  • Language: Lozi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/152080 , vital:39211 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR067-12
  • Description: The player has worked in a store in Livingstone for 5 years. He comes from Lyatolo village near Mongu in Barotseland. The mirliton would not stick onto the hole in the board, so he plugged it up with paper. The tuning of the instrument:- 276, 256, 224, 210, (188), 174, (154), 138. Self-delectative song with Kangombio mbira.
  • Full Text: false
  • Date Issued: 1957

Vho mme vho ya nga'fhi

- Tshenwane and Selina, performer not specified, composer not specified, Tracey, Hugh

Samanyenga Kupembera (A feather dances around)

- Andirea Sitole and Petros Simango, Hugh Tracey

  • Authors: Andirea Sitole and Petros Simango , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Music--Mozambique , Africa Mozambique Nova Luzitania f-mz
  • Language: Ndau
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136279 , vital:37357 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR029-11
  • Description: 'Samandenga' or 'Samanyemba' frequently occurs in S.Rhodesian songs. In this case Samandenga is a fine dancer, but in many other songs, his name indicates that there has been some deceit or falsehood spread abroad and may be associated with a lament. Who the original Samandenga may have been is not known. The singer relates his experiences, not necessarily related to each other. He mentions the women pounding grain accompanied by his Mbira. "Petros Mukumba has gone because he was despised. They agreed with me, but I did not reply." And so on. Self-delectative song with Mbira dza waNdau with 3 manuals and bell.
  • Full Text: false
  • Date Issued: 1957
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