Wage negotiations workbook
- Authors: Workers' Education Project
- Date: 19--?
- Subjects: Labour unions -- South Africa , Wages , Employee fringe benefits -- South Africa , Collective bargaining -- South Africa
- Language: English
- Type: text , pamphlet
- Identifier: http://hdl.handle.net/10962/111129 , vital:33388
- Description: A house that is built on a weak foundation cannot stand. The same is true of a union that is entering the negotiations. A union's foundations for effective and successful bargaining must be built a long time before the negotiations with the employer begins. Many unions fight hard to gain recognition with employers; and then fail miserably in negotiations because they did not make even the simplest basic preparations.
- Full Text:
- Date Issued: 19--?
- Authors: Workers' Education Project
- Date: 19--?
- Subjects: Labour unions -- South Africa , Wages , Employee fringe benefits -- South Africa , Collective bargaining -- South Africa
- Language: English
- Type: text , pamphlet
- Identifier: http://hdl.handle.net/10962/111129 , vital:33388
- Description: A house that is built on a weak foundation cannot stand. The same is true of a union that is entering the negotiations. A union's foundations for effective and successful bargaining must be built a long time before the negotiations with the employer begins. Many unions fight hard to gain recognition with employers; and then fail miserably in negotiations because they did not make even the simplest basic preparations.
- Full Text:
- Date Issued: 19--?
National count: number of votes cast: provisional Western Cape figures
- Authors: Western Cape Province
- Date: 19--?
- Subjects: South Africa -- Politics and government -- 1989- , Voting -- South Africa -- Western Cape
- Language: eng
- Type: text , book
- Identifier: http://hdl.handle.net/10962/77002 , vital:30654
- Full Text:
- Date Issued: 19--?
- Authors: Western Cape Province
- Date: 19--?
- Subjects: South Africa -- Politics and government -- 1989- , Voting -- South Africa -- Western Cape
- Language: eng
- Type: text , book
- Identifier: http://hdl.handle.net/10962/77002 , vital:30654
- Full Text:
- Date Issued: 19--?
The limits of capitalists reform in South Africa
- University of the Western Cape
- Authors: University of the Western Cape
- Date: 19--?
- Subjects: Capitalism -- Political aspects -- South Africa -- Congresses , Marx, Karl,1818-1883 , Marx, Karl,1818-1883 -- Influence , Democracy -- South Africa -- Congresses , Socialism -- South Africa -- Congresses , Communism -- South Africa -- Congresses
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/76027 , vital:30493
- Description: Until a few years ago, it was widely held that, ‘apartheid cannot be reformed, it can only be destroyed’. Today, all participants in the negotiation process are agreed that one fundamental characteristic of the social order must be preserved: the new South Africa is to be a capitalist society; the productive wealth of the country will be the private property of a small number of capitalists, and the vast majority will try to sell their labour for a wage to capitalists who will buy it only when that labour can contribute to their profits. There is still disagreement about how small or large the number of capitalists will be; about the colour of their skins; about who they will appoint to manage their mines, banks, factories and farms for them; about the rules that will govern disputes over wages; and above all about the use that the state will make of the taxes paid from their profits. There is also disagreement about the extent to which capitalism can afford to meet popular needs. But all of these disagreements take place within the framework of a common belief that the future is capitalist. The aim of this seminar series, held by the Marxist Theory Seminar at the University of the Western Cape in April/May 1993, was to pose the question: What are the limits of social reform in a capitalist South Africa? Can the fundamental needs and aspirations of the vast majority of South Africans be met within a capitalist framework? Very often these questions are brushed aside with the argument that, given the present balance of local and international forces, there is no alternative to capitalism in SA today. Even if this argument is correct, it still remains necessary to ask what can be achieved within the framework of the capitalist society to which there is no alternative. If that question is not posed in the most rigorous way, all kinds of illusions will be created about what the future holds in store for us. The question of the limits of capitalist reform in SA is posed as it concerns five different areas; democracy, education, economic growth and employment, land and the oppression of women. What will democracy mean in a new SA which depends on foreign investment and capitalist profitability? Can the education crisis be resolved while meeting the needs of capitalist growth? Will economic growth take place in a capitalist SA, and will this lead to the creation of jobs and a higher standard of living for the majority? Can land be restored to the dispossessed, the virtual slavery of millions of farm workers ended, and land used in a way that produces food for all? What are the prospects of ending the oppression of women in a capitalist South Africa? MTS does not believe that there are simple answers to these questions. Certainly, these questions cannot be answered by a general condemnation of the inequality and inhumanity of capitalism. In each case, it is necessary to give clear answers to such questions as: Has capitalism served historically to support the struggle for democracy or to oppose it? How has it affected education in SA? What are the present interests of the capitalists in solving the land question, or giving women control of their lives? To what extent can capitalism be forced to make concessions - to provide jobs, for example - by the struggles of the oppressed? In the past, capitalism has shown itself to be much more flexible than its critics have supposed. That does not mean that capitalism can do anything it likes, nor that the working class can force it to meet whatever demands it has. One of the indispensable insights of Marxism is that processes of social change are not determined by the intentions or integrity of political leaders, but rather by the fundamental relationships of society and the ability of the major classes to pursue their interests created by these relationships. We hope that the publication of this seminar series contributes to making this insight available to a wider audience. , Marxist theory seminar
- Full Text:
- Date Issued: 19--?
- Authors: University of the Western Cape
- Date: 19--?
- Subjects: Capitalism -- Political aspects -- South Africa -- Congresses , Marx, Karl,1818-1883 , Marx, Karl,1818-1883 -- Influence , Democracy -- South Africa -- Congresses , Socialism -- South Africa -- Congresses , Communism -- South Africa -- Congresses
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/76027 , vital:30493
- Description: Until a few years ago, it was widely held that, ‘apartheid cannot be reformed, it can only be destroyed’. Today, all participants in the negotiation process are agreed that one fundamental characteristic of the social order must be preserved: the new South Africa is to be a capitalist society; the productive wealth of the country will be the private property of a small number of capitalists, and the vast majority will try to sell their labour for a wage to capitalists who will buy it only when that labour can contribute to their profits. There is still disagreement about how small or large the number of capitalists will be; about the colour of their skins; about who they will appoint to manage their mines, banks, factories and farms for them; about the rules that will govern disputes over wages; and above all about the use that the state will make of the taxes paid from their profits. There is also disagreement about the extent to which capitalism can afford to meet popular needs. But all of these disagreements take place within the framework of a common belief that the future is capitalist. The aim of this seminar series, held by the Marxist Theory Seminar at the University of the Western Cape in April/May 1993, was to pose the question: What are the limits of social reform in a capitalist South Africa? Can the fundamental needs and aspirations of the vast majority of South Africans be met within a capitalist framework? Very often these questions are brushed aside with the argument that, given the present balance of local and international forces, there is no alternative to capitalism in SA today. Even if this argument is correct, it still remains necessary to ask what can be achieved within the framework of the capitalist society to which there is no alternative. If that question is not posed in the most rigorous way, all kinds of illusions will be created about what the future holds in store for us. The question of the limits of capitalist reform in SA is posed as it concerns five different areas; democracy, education, economic growth and employment, land and the oppression of women. What will democracy mean in a new SA which depends on foreign investment and capitalist profitability? Can the education crisis be resolved while meeting the needs of capitalist growth? Will economic growth take place in a capitalist SA, and will this lead to the creation of jobs and a higher standard of living for the majority? Can land be restored to the dispossessed, the virtual slavery of millions of farm workers ended, and land used in a way that produces food for all? What are the prospects of ending the oppression of women in a capitalist South Africa? MTS does not believe that there are simple answers to these questions. Certainly, these questions cannot be answered by a general condemnation of the inequality and inhumanity of capitalism. In each case, it is necessary to give clear answers to such questions as: Has capitalism served historically to support the struggle for democracy or to oppose it? How has it affected education in SA? What are the present interests of the capitalists in solving the land question, or giving women control of their lives? To what extent can capitalism be forced to make concessions - to provide jobs, for example - by the struggles of the oppressed? In the past, capitalism has shown itself to be much more flexible than its critics have supposed. That does not mean that capitalism can do anything it likes, nor that the working class can force it to meet whatever demands it has. One of the indispensable insights of Marxism is that processes of social change are not determined by the intentions or integrity of political leaders, but rather by the fundamental relationships of society and the ability of the major classes to pursue their interests created by these relationships. We hope that the publication of this seminar series contributes to making this insight available to a wider audience. , Marxist theory seminar
- Full Text:
- Date Issued: 19--?
Unidentified drummer
- Authors: Unidentified drummer
- Date: 19--?
- Subjects: UNCATALOGUED
- Type: Image
- Identifier: http://hdl.handle.net/10962/128191 , vital:36085 , RHPC- 031
- Description: Unidentified drummer playing at an event , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/) (NEVER CAHNGE THIS FIELD)
- Full Text: false
- Date Issued: 19--?
- Authors: Unidentified drummer
- Date: 19--?
- Subjects: UNCATALOGUED
- Type: Image
- Identifier: http://hdl.handle.net/10962/128191 , vital:36085 , RHPC- 031
- Description: Unidentified drummer playing at an event , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/) (NEVER CAHNGE THIS FIELD)
- Full Text: false
- Date Issued: 19--?
Coleman Stokwe
- Authors: Stokwe, Coleman
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126422 , vital:35886 , RHPC-045
- Description: Coleman Stokwe. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
- Authors: Stokwe, Coleman
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126422 , vital:35886 , RHPC-045
- Description: Coleman Stokwe. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
Mixed band playing at a gig
- Stokwe, Coleman, Gcina, Den, Hanabe, Thembile, Kapi, Sizwe, Phandle, Paya
- Authors: Stokwe, Coleman , Gcina, Den , Hanabe, Thembile , Kapi, Sizwe , Phandle, Paya
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126431 , vital:35887 , RHPC-046
- Description: Coleman Stokwe, trumpeter; Den Gcina, bass; Kotyeni, trombone; Thembile Hanabe, tenor sax; Sizwe Kapi, drums; Paya Phandle, alto sax and King Cole Basies band leader. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
- Authors: Stokwe, Coleman , Gcina, Den , Hanabe, Thembile , Kapi, Sizwe , Phandle, Paya
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126431 , vital:35887 , RHPC-046
- Description: Coleman Stokwe, trumpeter; Den Gcina, bass; Kotyeni, trombone; Thembile Hanabe, tenor sax; Sizwe Kapi, drums; Paya Phandle, alto sax and King Cole Basies band leader. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
Sneezewood
- Authors: Skead, C J (Cuthbert John)
- Date: 19--?
- Subjects: Ptaeroxylon obliquum -- South Africa -- Photographs , Trees -- South Africa -- Photographs
- Language: English
- Type: mixed material , photographs , landscape photographs
- Identifier: http://hdl.handle.net/10962/116470 , vital:34390
- Description: Caption "Group sneezewood trees at junction of Fort Grey, Buffalo Pass roads, East London. 19--?.”
- Full Text: false
- Date Issued: 19--?
- Authors: Skead, C J (Cuthbert John)
- Date: 19--?
- Subjects: Ptaeroxylon obliquum -- South Africa -- Photographs , Trees -- South Africa -- Photographs
- Language: English
- Type: mixed material , photographs , landscape photographs
- Identifier: http://hdl.handle.net/10962/116470 , vital:34390
- Description: Caption "Group sneezewood trees at junction of Fort Grey, Buffalo Pass roads, East London. 19--?.”
- Full Text: false
- Date Issued: 19--?
Taai Shomang
- Authors: Shomang, Taai
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126751 , vital:35920 , RHPC-085
- Description: Taai Shomang. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
- Authors: Shomang, Taai
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126751 , vital:35920 , RHPC-085
- Description: Taai Shomang. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
Swanee Segoe
- Authors: Segoe, Swanee
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126345 , vital:35878 , RHPC-039
- Description: Swanee Segoe, Swanee's Swing Aces band leader and pianist. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
- Authors: Segoe, Swanee
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126345 , vital:35878 , RHPC-039
- Description: Swanee Segoe, Swanee's Swing Aces band leader and pianist. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
Rhythm Crotchets
- Salie, ??, Yana, Ben, Hopa, Magoma, Whytie, Tshume, Sandile, Tini, Hubert, Moyakhe, Nick, Gcina, Dan, Ntshekisa, Welile, Unidentified
- Authors: Salie , ?? , Yana, Ben , Hopa , Magoma, Whytie , Tshume, Sandile , Tini, Hubert , Moyakhe, Nick , Gcina, Dan , Ntshekisa, Welile , Unidentified
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/214541 , vital:47962 , RHPC-063
- Description: Rhythm crotchets from left to right back row, Salie, trumpet; Unidentified trumpeter, Ben Yana, trumpet; Hopa, trumpet; sitting from left to right, Whytie Magoma, tenor sax; Sandile Tshume, alto sax; Hubert Tini, tenor sax; Nick Moyakhe, alto sax, Dan Gcina, bass; Welile Ntshekisa, piano; unidentified drummer. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
- Authors: Salie , ?? , Yana, Ben , Hopa , Magoma, Whytie , Tshume, Sandile , Tini, Hubert , Moyakhe, Nick , Gcina, Dan , Ntshekisa, Welile , Unidentified
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/214541 , vital:47962 , RHPC-063
- Description: Rhythm crotchets from left to right back row, Salie, trumpet; Unidentified trumpeter, Ben Yana, trumpet; Hopa, trumpet; sitting from left to right, Whytie Magoma, tenor sax; Sandile Tshume, alto sax; Hubert Tini, tenor sax; Nick Moyakhe, alto sax, Dan Gcina, bass; Welile Ntshekisa, piano; unidentified drummer. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
Band at an unidentified event
- Salavu, Willy, Mpambani, George, Mabengeza, Howard, Mbombela, Banks, Mabi, George
- Authors: Salavu, Willy , Mpambani, George , Mabengeza, Howard , Mbombela, Banks , Mabi, George
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126381 , vital:35881 , RHPC-041
- Description: Sitting from left, Willy Salavu, trombone; George Mpambani, alto sax; Howard Mabengeza, tenor sax; Banks Mbombela, drums; George Mabi, alto sax; Max Matunjwa, band leader (corresponding with Pic 077) , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
- Authors: Salavu, Willy , Mpambani, George , Mabengeza, Howard , Mbombela, Banks , Mabi, George
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126381 , vital:35881 , RHPC-041
- Description: Sitting from left, Willy Salavu, trombone; George Mpambani, alto sax; Howard Mabengeza, tenor sax; Banks Mbombela, drums; George Mabi, alto sax; Max Matunjwa, band leader (corresponding with Pic 077) , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
Musicians at a gathering
- Salavu, Willy, Mpambani, George, Mabengeza, Howard, Mbombela, Banks, Mabi, George
- Authors: Salavu, Willy , Mpambani, George , Mabengeza, Howard , Mbombela, Banks , Mabi, George
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126566 , vital:35902 , RHPC-041
- Description: Sitting from left, Willy Salavu, trombone; George Mpambani, alto sax; Howard Mabengeza, tenor sax; Banks Mbombela, drums; George Mabi, alto sax; Max Matunjwa, band leader. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
- Authors: Salavu, Willy , Mpambani, George , Mabengeza, Howard , Mbombela, Banks , Mabi, George
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126566 , vital:35902 , RHPC-041
- Description: Sitting from left, Willy Salavu, trombone; George Mpambani, alto sax; Howard Mabengeza, tenor sax; Banks Mbombela, drums; George Mabi, alto sax; Max Matunjwa, band leader. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
Dolly Rathebe performing in Port Elizabeth with the Basin Blues
- Rathebe, Dolly, Duru, Welcome, Bala, Sony, Oliver, Spita, Laxa, Lodge
- Authors: Rathebe, Dolly , Duru, Welcome , Bala, Sony , Oliver, Spita , Laxa, Lodge
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126709 , vital:35914 , RHPC-070
- Description: Dolly "Empress of the Blues" Rathebe belting it out with the Basin Blues of Port Elizabeth; fom left, Welcome Duru,leader; Sonny Bala; Spita Oliver; Lodge Laxa. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
- Authors: Rathebe, Dolly , Duru, Welcome , Bala, Sony , Oliver, Spita , Laxa, Lodge
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126709 , vital:35914 , RHPC-070
- Description: Dolly "Empress of the Blues" Rathebe belting it out with the Basin Blues of Port Elizabeth; fom left, Welcome Duru,leader; Sonny Bala; Spita Oliver; Lodge Laxa. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
Dolly Rathebe
- Authors: Rathebe, Dolly
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/214614 , vital:47969 , RHPC-089
- Description: Dolly Rathebe. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
- Authors: Rathebe, Dolly
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/214614 , vital:47969 , RHPC-089
- Description: Dolly Rathebe. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
Bishop James Limba's swing band
- Qilinga, Hami, July, Ngwendu, Qilinga, Unidentified, Boyana, Hatana, Welile
- Authors: Qilinga, Hami , July , Ngwendu , Qilinga , Unidentified , Boyana , Hatana, Welile
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/214531 , vital:47960 , RHPC-060
- Description: Bishop James Limba's Swing band seated from left to right Hami Qilinge, baritone sax, July, tenor sax; Ngwendu, alto sax; Qilinge, alto sax; unidentified alto saxophonist; Boyana, trombone; Welile Hatana , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
- Authors: Qilinga, Hami , July , Ngwendu , Qilinga , Unidentified , Boyana , Hatana, Welile
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/214531 , vital:47960 , RHPC-060
- Description: Bishop James Limba's Swing band seated from left to right Hami Qilinge, baritone sax, July, tenor sax; Ngwendu, alto sax; Qilinge, alto sax; unidentified alto saxophonist; Boyana, trombone; Welile Hatana , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
Bishop James Limba's swing band
- Qilinga, Hami, July, Ngwendu, Qilinga, Unidentified, Boyana, Hatana, Welile
- Authors: Qilinga, Hami , July , Ngwendu , Qilinga , Unidentified , Boyana , Hatana, Welile
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/214536 , vital:47961 , RHPC-060
- Description: Bishop James Limba's Swing band seated from left to right Hami Qilinge, baritone sax, July, tenor sax; Ngwendu, alto sax; Qilinge, alto sax; unidentified alto saxophone player; Boyana, trombone; Welile Hatana. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
- Authors: Qilinga, Hami , July , Ngwendu , Qilinga , Unidentified , Boyana , Hatana, Welile
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/214536 , vital:47961 , RHPC-060
- Description: Bishop James Limba's Swing band seated from left to right Hami Qilinge, baritone sax, July, tenor sax; Ngwendu, alto sax; Qilinge, alto sax; unidentified alto saxophone player; Boyana, trombone; Welile Hatana. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
Dudu Pukwana
- Authors: Pukwana, Dudu
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126514 , vital:35894 , RHPC-053
- Description: Dudu Pukwana. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
- Authors: Pukwana, Dudu
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126514 , vital:35894 , RHPC-053
- Description: Dudu Pukwana. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
PFP, Progressive Federal Party: the PFP stands for-
- Progressive Federal Party (South Africa)
- Authors: Progressive Federal Party (South Africa)
- Date: 19--?
- Subjects: Progressive Federal Party (South Africa) , South Africa -- Parliament , Apartheid -- South Africa , Political parties -- South Africa , South Africa -- Politics and government , South Africa -- Race relations
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/76277 , vital:30530
- Full Text:
- Date Issued: 19--?
- Authors: Progressive Federal Party (South Africa)
- Date: 19--?
- Subjects: Progressive Federal Party (South Africa) , South Africa -- Parliament , Apartheid -- South Africa , Political parties -- South Africa , South Africa -- Politics and government , South Africa -- Race relations
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/76277 , vital:30530
- Full Text:
- Date Issued: 19--?
Welcoming of Hugh Masekela at the City Hall
- Pasha, Patrick, Bojana, Vuyisile, Manana, Ella, Masekela, Hugh, Hatana, Richard, Duru, Welcome
- Authors: Pasha, Patrick , Bojana, Vuyisile , Manana, Ella , Masekela, Hugh , Hatana, Richard , Duru, Welcome
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/125932 , vital:35833 , RHPC-007
- Description: From left to right, Patrick Pasha, Vuyisile Bojana, Ella Manana, Hugh Masekela, Richard Hatana and Welcome Duru at a function at the City Hall welcoming Huh Masekela from Johannesburg. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
- Authors: Pasha, Patrick , Bojana, Vuyisile , Manana, Ella , Masekela, Hugh , Hatana, Richard , Duru, Welcome
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/125932 , vital:35833 , RHPC-007
- Description: From left to right, Patrick Pasha, Vuyisile Bojana, Ella Manana, Hugh Masekela, Richard Hatana and Welcome Duru at a function at the City Hall welcoming Huh Masekela from Johannesburg. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
Artists performing at KwaNgqungqumbane night club
- Ntlokwana, Ray, Gcina, Dan, Mnana, Dennis, Kapi, Dopla, Kuluman, Whytie, Peterson, Winston, Hatana, Richard, Qwela, Twins
- Authors: Ntlokwana, Ray , Gcina, Dan , Mnana, Dennis , Kapi, Dopla , Kuluman, Whytie , Peterson, Winston , Hatana, Richard , Qwela, Twins
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126869 , vital:35933 , RHPC-103
- Description: Musicians at KwaNgqungqumbane, top left picture, Ray Ntlokwana and Dan Gcina and MC at Kwa Ngqungqumbane night club; top right picture, Dennis Mnana; middle left image from left, Dopla Kapi, bass; Whytie Kuluman, alto sax; Winston Peterson, alto sax. Middle left picture, Richard Hatana, drums. Bottom picture, Twins Qwela. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
- Authors: Ntlokwana, Ray , Gcina, Dan , Mnana, Dennis , Kapi, Dopla , Kuluman, Whytie , Peterson, Winston , Hatana, Richard , Qwela, Twins
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126869 , vital:35933 , RHPC-103
- Description: Musicians at KwaNgqungqumbane, top left picture, Ray Ntlokwana and Dan Gcina and MC at Kwa Ngqungqumbane night club; top right picture, Dennis Mnana; middle left image from left, Dopla Kapi, bass; Whytie Kuluman, alto sax; Winston Peterson, alto sax. Middle left picture, Richard Hatana, drums. Bottom picture, Twins Qwela. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?