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An investigation into the structure and process of forgiveness following gross human rights violations

- Adonis, Cyril Kenneth

  • Authors: Adonis, Cyril Kenneth
  • Date: 1999
  • Subjects: Human rights , Forgiveness -- South Africa , South Africa. Truth and Reconciliation Commission , Amnesty -- South Africa , Reconciliation
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:2921 , http://hdl.handle.net/10962/d1002430 , Human rights , Forgiveness -- South Africa , South Africa. Truth and Reconciliation Commission , Amnesty -- South Africa , Reconciliation
  • Description: This study focuses on the structure and process of forgiveness as experienced by individuals, from the East London and surrounding areas, who either suffered gross human rights violations or who are related to someone who suffered gross human rights violations during the Apartheid era. Those who participated in the study testified at the Truth and Reconciliation Commission and expressed forgiveness towards the perpetrators of the violations. The aims of the study were to reveal: the participants' structure cif forgiveness, i.e. how they define forgiveness; the process of forgiveness, i.e. the changes that took place from the time of the violation up until the participants forgave the perpetrators: and, the relation. if any. between the participants' structure and process of forgiveness. It is argued that mainstream Psychology has neglected to study forgiveness because the subject matter is incompatible with the natural scientific method. For this reason, the study was approached from a hermeneutical paradigm. This was motivated by its ability to explicate the meaning and content of phenomena. Unstructured qualitative interviews were conducted with the participants. Data was analyzed using a multi-layered process of progressively deeper interpretation, employing a reading guide technique. Results indicated that authentic forgiveness is an unconditional commitment on the part of victims and survivors to relate positively towards the perpetrators. The relationship should include non-bitterness, non-vengeance, unconditional love and respect for their human rights. Another significant dimension of the structure of forgiveness is the fact that the desire for the truth is not abandoned although forgiveness has taken place. Forgiveness also does not take away the effects of the violation. This means that one does not forget although forgiveness has been granted. Results further indicate that the forgiveness process is highly complex, individualized and not instantaneous. The individuals have to deal with various intrapersonal conflicts and anxieties as a result of the violation, before forgiveness is explored as an option, and before they can finally forgive. Significant interrelations between the structure and process of forgiveness were also identified.
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  • Date Issued: 1999

Sodia

- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adame Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck

Matayi

- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck

Tibilila

- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck

Tamayi

- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adame Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck

Fidi

- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Drame (guitar solo), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck

Afo Pardon

- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adame Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck

Oui ou non

- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante, Patrick Mareck, Briscard (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck

Gnewagne

- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck

Ousmane

- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck

Amoussoussa

- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adame Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante, Patrick Mareck (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck

Toma Sero

- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Drame (guitar solo), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck

Transformational leadership and organisational effectiveness in the administration of cricket in South Africa

- Amos, Trevor L

  • Authors: Amos, Trevor L
  • Date: 1999
  • Subjects: To be catalogued
  • Language: English
  • Type: text , article
  • Identifier: http://hdl.handle.net/10962/270958 , vital:54495 , xlink:href="https://hdl.handle.net/10520/EJC-682622887"
  • Description: After years of isolation from the international sporting arena, South African sports teams have recently achieved much success. This article is concerned specifically with managing for organisational effectiveness in South African cricket According to the theory of transformational leadership, there should be a positive relationship between this style of leadership and organisational effectiveness. The Multifactor Leadership Questionnaire was used to collect information about leadership while data for organisational effectiveness, the dependent variable, was collected using the Effectiveness Survey for Cricket Administration. Most of the results regarding the relationship of the transformational leadership factors and organisational effectiveness were significant. On the other hand, most of the results regarding the relationship of the transactional leadership factors and organisational effectiveness were not significant. The overall results provide general support of Bass' (1990) argument of the universal application of the transformational leadership theory.
  • Full Text:
  • Date Issued: 1999

Integrating the development of academic literacy into mainstream teaching and learning

- Amos, Trevor L

  • Authors: Amos, Trevor L
  • Date: 1999
  • Subjects: To be catalogued
  • Language: English
  • Type: text , article
  • Identifier: http://hdl.handle.net/10962/270891 , vital:54489 , xlink:href="https://hdl.handle.net/10520/AJA10113487_947"
  • Description: Higher education is challenged to develop effective and independent learners of students who experience learning difficulties. These students are however, (potentially) able to engage in and do not necessarily lack the the inherent bstract cognitive capability necessary for academic success. The aim of this article is to be done in practice to integrate the development of academic literacy into mainstream teaching and learning.
  • Full Text:
  • Date Issued: 1999

Kya

- Amy Koita (lead vocal, author, composer, arranger), Moussa, Sidi Mady Gilbert (bass guitar), Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar), Sekouba, Aboubacar (percussion), Balake Cissoko (kora), Maimouna Barry, Olisa (chorus), Thomas, Didier Deuirus, Manou Yodan (brass), Samir Naman

Siraba

- Amy Koita (lead vocal, author, composer, arranger), Moussa, Sidi Mady Gilbert (bass guitar), Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar), Sekouba, Aboubacar (percussion), Balake Cissoko (kora), Maimouna Barry, Olisa (chorus), Thomas, Didier Deuirus, Manou Yodan (brass), Makan Tounkara (n'goni), Samir Naman

Bebe

- Amy Koita (lead vocal, author, composer, arranger), Moussa, Sidi Mady Gilbert (bass guitar), Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar), Sekouba, Aboubacar (percussion), Balake Cissoko (kora), Maimouna Barry, Olisa (chorus), Thomas, Didier Deuirus, Manou Yodan (brass), Makan Tounkara (n'goni), Samir Naman

Kalo 9

- Amy Koita (lead vocal, author, composer, arranger), Allhassane Soumano (author, composer, arranger), Moussa, Sidi Mady Gilbert (bass guitar), Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar), Sekouba, Aboubacar (percussion), Balake Cissoko (kora), Maimouna Barry, Olisa (chorus), Thomas, Didier Deuirus, Manou Yodan (brass), Makan Tounkara (n'goni), Samir Naman

Kady

- Amy Koita (lead vocal, author, composer, arranger), Moussa, Sidi Mady Gilbert (bass guitar), Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar), Sekouba, Aboubacar (percussion), Balake Cissoko (kora), Maimouna Barry, Olisa (chorus), Thomas, Didier Deuirus, Manou Yodan (brass), Makan Tounkara (n'goni), Samir Naman

Sarama

- Amy Koita (lead vocal, author, composer, arranger), Moussa, Sidi Mady Gilbert (bass guitar), Zakaria, Djekoria Mory, Cissoko (solo and accompanying guitar), Sekouba, Aboubacar (percussion), Balake Cissoko (kora), Maimouna Barry, Olisa (chorus), Thomas, Didier Deuirus, Manou Yodan (brass), Makan Tounkara (n'goni), Samir Naman

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