Hijazi
- Authors: Amberon, Bom , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/313024 , vital:59443 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2588-XYZ6090
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Amberon, Bom , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/313024 , vital:59443 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2588-XYZ6090
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Hijazi
- Authors: Amberon, Bom , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/313010 , vital:59441 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2587-XYZ6090
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Amberon, Bom , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/313010 , vital:59441 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2587-XYZ6090
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Irimba variations
- Hasani Bin Mariye, Hugh Tracey
- Authors: Hasani Bin Mariye , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Zanzibar f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179974 , vital:43285 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-11
- Description: A pretty little instrument of Makua origin from the northern end of Mozambique, one of many brought into Zanzibar by migrant labourers. The instrument is unlike most Mbira in that the metal notes are bent at right angles and pierced into the body of the reasoning box at one end, thus doing away with the neccessity for straining bar and bridge. The notes must therefore be tuned by filing and not as with other Mbira by lengthening or shortening. Irimba solo with Irimba x 7 notes
- Full Text: false
- Date Issued: 1950
- Authors: Hasani Bin Mariye , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Zanzibar f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179974 , vital:43285 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-11
- Description: A pretty little instrument of Makua origin from the northern end of Mozambique, one of many brought into Zanzibar by migrant labourers. The instrument is unlike most Mbira in that the metal notes are bent at right angles and pierced into the body of the reasoning box at one end, thus doing away with the neccessity for straining bar and bridge. The notes must therefore be tuned by filing and not as with other Mbira by lengthening or shortening. Irimba solo with Irimba x 7 notes
- Full Text: false
- Date Issued: 1950
Manyanga
- Wachesaji wa Manyanga, Manyanga men, Composer not specified, Tracey, Hugh
- Authors: Wachesaji wa Manyanga , Manyanga men , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/289183 , vital:56605 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1746-XYZ5176
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Wachesaji wa Manyanga , Manyanga men , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/289183 , vital:56605 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1746-XYZ5176
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
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