Matye rupanga (Fear of the knife)
- Manyika Highlanders (group of singers at St. Augustine's Mission, Penhalonga), Hugh Tracey
- Authors: Manyika Highlanders (group of singers at St. Augustine's Mission, Penhalonga) , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Mutasa f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180718 , vital:43606 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-14
- Description: The 'diatonic progression' (the two similar phrases sung one after the other) is typical of a great number of Shona songs. Installation of a Chief, with rattle and clapping (-12.03-).
- Full Text: false
- Date Issued: 1951
- Authors: Manyika Highlanders (group of singers at St. Augustine's Mission, Penhalonga) , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Mutasa f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180718 , vital:43606 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-14
- Description: The 'diatonic progression' (the two similar phrases sung one after the other) is typical of a great number of Shona songs. Installation of a Chief, with rattle and clapping (-12.03-).
- Full Text: false
- Date Issued: 1951
Munyepi
- Manyoni Zhou and Simoni Mashoko Shawa plus 2 women, Hugh Tracey
- Authors: Manyoni Zhou and Simoni Mashoko Shawa plus 2 women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chilimanzi f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181453 , vital:43735 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-05
- Description: A cheerful little melody for Shangara which is a popular step dance in the Southern part of Southern Rhodesia. "Follow after me, and if you can catch up with me you are a liar." The player refers to his skill as a muscian and challenges others to play as well as he. Song for the Shangara dance with two Njari Mbira, one with 33 notes, one with 31 notes.
- Full Text: false
- Date Issued: 1950
- Authors: Manyoni Zhou and Simoni Mashoko Shawa plus 2 women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chilimanzi f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181453 , vital:43735 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-05
- Description: A cheerful little melody for Shangara which is a popular step dance in the Southern part of Southern Rhodesia. "Follow after me, and if you can catch up with me you are a liar." The player refers to his skill as a muscian and challenges others to play as well as he. Song for the Shangara dance with two Njari Mbira, one with 33 notes, one with 31 notes.
- Full Text: false
- Date Issued: 1950
Ndinosara nani (With whom shall I stay)
- Muroiwa Musobenzo, Hugh Tracey
- Authors: Muroiwa Musobenzo , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180403 , vital:43360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-06
- Description: a) This tune in 5 time is very well known in the southern part of the country, and has been set to the Njari Mbira as well as the bow and was recorded by H. T. T. in 1933, sixteen years earlier. b) The player strained up his bow for the second tune. Both tunes were recorded with the microphone very near the performer's mouth in order to demonstrate the sound of the Chipedani as heard by the player himself. The mouthed harmonics can be clearly heard. Only those very nearby would in fact hear the bow clearly and the mouth harmonics. Self delectative songs, with Chipendani musical bow and Chimazambi friction bow.
- Full Text: false
- Date Issued: 1949
- Authors: Muroiwa Musobenzo , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180403 , vital:43360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-06
- Description: a) This tune in 5 time is very well known in the southern part of the country, and has been set to the Njari Mbira as well as the bow and was recorded by H. T. T. in 1933, sixteen years earlier. b) The player strained up his bow for the second tune. Both tunes were recorded with the microphone very near the performer's mouth in order to demonstrate the sound of the Chipedani as heard by the player himself. The mouthed harmonics can be clearly heard. Only those very nearby would in fact hear the bow clearly and the mouth harmonics. Self delectative songs, with Chipendani musical bow and Chimazambi friction bow.
- Full Text: false
- Date Issued: 1949
Sara, unonditewere
- Manyoni Zhou and Simoni Mashoko Shawa, Hugh Tracey
- Authors: Manyoni Zhou and Simoni Mashoko Shawa , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chilimanzi f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181482 , vital:43739 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-07
- Description: Sung during the war (1939-45) by soilders going to war in the Chitima chomudenga, the train in the sky, sky trains or aircraft. "Stay behind and follow after me." "The train of the sky 9aeroplane) has no tail." Nostalgic song, with two Njari Mbira, one 33 notes and one 31 notes.
- Full Text: false
- Date Issued: 1950
- Authors: Manyoni Zhou and Simoni Mashoko Shawa , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chilimanzi f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181482 , vital:43739 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-07
- Description: Sung during the war (1939-45) by soilders going to war in the Chitima chomudenga, the train in the sky, sky trains or aircraft. "Stay behind and follow after me." "The train of the sky 9aeroplane) has no tail." Nostalgic song, with two Njari Mbira, one 33 notes and one 31 notes.
- Full Text: false
- Date Issued: 1950
Shokora ndinozwa mumba muno (Pound the grain, I am listening inside here)
- Manyoni Wanyamande and his wife, Hugh Tracey
- Authors: Manyoni Wanyamande and his wife , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180231 , vital:43335 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-12
- Description: The Shangara dance has enjoyed many years of popularity amongst the younger generation. Its pronunciation is unusual being Shangara and not as one might have expected Shangara. It is swiftly moving step dance performed by each of the dancers in turn. The singer remarks among other things on the expense involved if you visit a town. Dance song for Shangara dance for me and women with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
- Authors: Manyoni Wanyamande and his wife , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180231 , vital:43335 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-12
- Description: The Shangara dance has enjoyed many years of popularity amongst the younger generation. Its pronunciation is unusual being Shangara and not as one might have expected Shangara. It is swiftly moving step dance performed by each of the dancers in turn. The singer remarks among other things on the expense involved if you visit a town. Dance song for Shangara dance for me and women with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
Tambara ndikutumbure munzwa iwe (Stretch out your leg so that I can take out the thorn in your foot)
- Saimoni Mashoka and three women, Hugh Tracey
- Authors: Saimoni Mashoka and three women , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Buhera f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180212 , vital:43333 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-10
- Description: "Chiremba abaie ngoma" "The diviner has done a good thing." (idiomatic expression). Dance song for Shangara dance for men and women with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
Tambara ndikutumbure munzwa iwe (Stretch out your leg so that I can take out the thorn in your foot)
- Authors: Saimoni Mashoka and three women , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Buhera f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180212 , vital:43333 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-10
- Description: "Chiremba abaie ngoma" "The diviner has done a good thing." (idiomatic expression). Dance song for Shangara dance for men and women with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
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