Chansi cha nzige
- Selemani, Pembe, Zaramo young men, composer not specified, Tracey, Hugh
- Authors: Selemani, Pembe , Zaramo young men , composer not specified , Tracey, Hugh
- Date: 1950-06-24
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/231287 , vital:49873 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR2551 , XYZ6021T
- Description: Pipe dance song accompanied by the Viyanzi verticle flute, 2 friction sticks and tin rattles
- Full Text: false
- Date Issued: 1950-06-24
- Authors: Selemani, Pembe , Zaramo young men , composer not specified , Tracey, Hugh
- Date: 1950-06-24
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/231287 , vital:49873 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR2551 , XYZ6021T
- Description: Pipe dance song accompanied by the Viyanzi verticle flute, 2 friction sticks and tin rattles
- Full Text: false
- Date Issued: 1950-06-24
Chansi cha nzige
- Pembe Selemani and Zaramo young men, Hugh Tracey
- Authors: Pembe Selemani and Zaramo young men , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175399 , vital:42572 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-14
- Description: "Locusts come in groups like the seven stars (the Pleiades). If you want to taste sugar cane you should eat it." Each player playes one flute only, except the treble who holds 3 loose pipes. The embouchure of the flutes is cut a double angle, the shorter side being pressed to the lower lip. The players stand in a circle and follow each others pipes after the fashion of bell ringers. The tuning was as follows:- 584, 520, 440, 392, 336, 292. Giving a pentatonic scale. The total range was just over two octaves. Pipe dance, with Viyanzi verticle flute, 2 fiction sticks (-12.61-) and tin rattles (-12.54-).
- Full Text: false
- Date Issued: 1950
- Authors: Pembe Selemani and Zaramo young men , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175399 , vital:42572 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-14
- Description: "Locusts come in groups like the seven stars (the Pleiades). If you want to taste sugar cane you should eat it." Each player playes one flute only, except the treble who holds 3 loose pipes. The embouchure of the flutes is cut a double angle, the shorter side being pressed to the lower lip. The players stand in a circle and follow each others pipes after the fashion of bell ringers. The tuning was as follows:- 584, 520, 440, 392, 336, 292. Giving a pentatonic scale. The total range was just over two octaves. Pipe dance, with Viyanzi verticle flute, 2 fiction sticks (-12.61-) and tin rattles (-12.54-).
- Full Text: false
- Date Issued: 1950
Chansi Cha Nzige
- Pembe, Selemani, Zaramo boys, Composer not specified, Tracey, Hugh
- Authors: Pembe, Selemani , Zaramo boys , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/285890 , vital:56216 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1570-XYZ4980
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Pembe, Selemani , Zaramo boys , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/285890 , vital:56216 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1570-XYZ4980
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Masikini nyota
- Three Brothers Orchestra, Isah, Hilali, Tracey, Hugh
- Authors: Three Brothers Orchestra , Isah, Hilali , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/312142 , vital:59344 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2556-XYZ6051
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Three Brothers Orchestra , Isah, Hilali , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/312142 , vital:59344 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2556-XYZ6051
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Masikini nyota
- Ali Othmani, Three Brothers Orchestra, Hilali Isah, Tracey, Hugh
- Authors: Ali Othmani , Three Brothers Orchestra , Hilali Isah , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/371124 , vital:66414 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0325-D3O1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Ali Othmani , Three Brothers Orchestra , Hilali Isah , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/371124 , vital:66414 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0325-D3O1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Salumu Sambusa
- Saidi, Omari, Swahili men, Folk, Tracey, Hugh
- Authors: Saidi, Omari , Swahili men , Folk , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/287150 , vital:56356 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1648-XYZ5077
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Saidi, Omari , Swahili men , Folk , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/287150 , vital:56356 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1648-XYZ5077
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Wangereza safi
- Tatu Binti Ali, Nyamwezi men and women, Composer not specified, Tracey, Hugh
- Authors: Tatu Binti Ali , Nyamwezi men and women , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/311281 , vital:59247 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2515-XYZ6046
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Tatu Binti Ali , Nyamwezi men and women , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/311281 , vital:59247 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2515-XYZ6046
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Wangereza safi
- Nyamugumi Mihabo Nyamwezi men and women, Hugh Tracey
- Authors: Nyamugumi Mihabo Nyamwezi men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173282 , vital:42353 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-05
- Description: 'The English are a straight forward, good and polite people. They are as good as drinking water and are not hasty, this is a good dance for boys, come and join us." The singers are all Nyamwezi who have come down to the East coast from the interior near Tabora and have now settled permanently at the coast in or around Dar-es-Salaam. These Nyamwezi singers of Dar-es-Salaam have an attractive way of singing their songs repeating each stanza after the soloist. This style may well have been copied from the Arabs or Swahili. Tatu Binti Ali is the young wife of Idi Selemani the organiser of the group. Hiyari ya moyo dance song for men and women..
- Full Text: false
- Date Issued: 1950
- Authors: Nyamugumi Mihabo Nyamwezi men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173282 , vital:42353 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-05
- Description: 'The English are a straight forward, good and polite people. They are as good as drinking water and are not hasty, this is a good dance for boys, come and join us." The singers are all Nyamwezi who have come down to the East coast from the interior near Tabora and have now settled permanently at the coast in or around Dar-es-Salaam. These Nyamwezi singers of Dar-es-Salaam have an attractive way of singing their songs repeating each stanza after the soloist. This style may well have been copied from the Arabs or Swahili. Tatu Binti Ali is the young wife of Idi Selemani the organiser of the group. Hiyari ya moyo dance song for men and women..
- Full Text: false
- Date Issued: 1950
Wangereza Safi
- Nyamugumi, Mihabo, Nyamwezi men and women, Composer not specified, Tracey, Hugh
- Authors: Nyamugumi, Mihabo , Nyamwezi men and women , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/285585 , vital:56185 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1556-XYZ4996
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Nyamugumi, Mihabo , Nyamwezi men and women , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/285585 , vital:56185 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1556-XYZ4996
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
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