Maikele pafuamu (I once settled on a farm)
- Authors: Edmond Cileshe , Hugh Tracey
- Date: 1957
- Subjects: Folk songs, Ambo (Zambia) , Folk songs, Bemba , Drinking songs , Africa Zambia Kasama f-za
- Language: bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135281 , vital:37254 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0024-04
- Description: He sings he once wanted to settle on a new farm, but there were so many people who came to advise him, that in the end he was confused and did not do the right thing and his efforts to farm were a failure. Every morning a wagtial sat on the roof of his house and asked him when would he have a child? He considers this most unfortunate because not only had his farm failed, but a bird spoke to him in his own language. The singer became blind just when he began to walk as a child. Tuning of he instrument as follows:- 368, 340, 308, 280, 252, 232, 210, 190, 170, 154, 140 vps. Mupukumo drinking song with Mumamba mbira bell.
- Full Text: false
- Date Issued: 1957
- Authors: Edmond Cileshe , Hugh Tracey
- Date: 1957
- Subjects: Folk songs, Ambo (Zambia) , Folk songs, Bemba , Drinking songs , Africa Zambia Kasama f-za
- Language: bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135281 , vital:37254 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0024-04
- Description: He sings he once wanted to settle on a new farm, but there were so many people who came to advise him, that in the end he was confused and did not do the right thing and his efforts to farm were a failure. Every morning a wagtial sat on the roof of his house and asked him when would he have a child? He considers this most unfortunate because not only had his farm failed, but a bird spoke to him in his own language. The singer became blind just when he began to walk as a child. Tuning of he instrument as follows:- 368, 340, 308, 280, 252, 232, 210, 190, 170, 154, 140 vps. Mupukumo drinking song with Mumamba mbira bell.
- Full Text: false
- Date Issued: 1957
Noh'a Metsi (Water snake)
- Agnes Nchanyana. 4 assistants and group of women, Hugh Tracey
- Authors: Agnes Nchanyana. 4 assistants and group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161222 , vital:40604 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0102-08
- Description: The leader does a shaking dance on her knees as she sings "Water snake! it comes out the east and it is very angry." The singer, in addition to her diviner's beads, shells, bells and small antelope horns, wore a large Catholic rosary with a worn medal of the Sacred heart, knotted into her girdle. Her scarlet skirt was thickly embroidered with designs in white beads. The adoption of Catholic symbols by pagans for their divination rites is common in nominally Catholic countries, especially by Black Africans (originally referred to as Negroes at the time) who use them in their Voodoo ceremonies. Diviners' song with cylindrical drum (-14.03-) and frame drum (-14.92-).
- Full Text: false
- Date Issued: 1959
- Authors: Agnes Nchanyana. 4 assistants and group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161222 , vital:40604 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0102-08
- Description: The leader does a shaking dance on her knees as she sings "Water snake! it comes out the east and it is very angry." The singer, in addition to her diviner's beads, shells, bells and small antelope horns, wore a large Catholic rosary with a worn medal of the Sacred heart, knotted into her girdle. Her scarlet skirt was thickly embroidered with designs in white beads. The adoption of Catholic symbols by pagans for their divination rites is common in nominally Catholic countries, especially by Black Africans (originally referred to as Negroes at the time) who use them in their Voodoo ceremonies. Diviners' song with cylindrical drum (-14.03-) and frame drum (-14.92-).
- Full Text: false
- Date Issued: 1959
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