An analytical study of narrative techniques in Giono's Regain
- Authors: Abel, Hermione
- Date: 1986
- Subjects: French fiction , Novels , Criticism , Symbolism , Regain , Giono, Jean, 1895-1970 -- Criticism and interpretation
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:3561 , http://hdl.handle.net/10962/d1002008
- Description: The dominant theme in Regain is that of death leading to rebirth. This dissertation attempts to explore Giono's narrative techniques within this context. No single chapter will be devoted to a specific technique; instead, the various devices used by the author are discussed as they emerge from the structure of the chapters. Justifying the field of study as defined in the "Introduction", the following three chapters outline the passage of life from death to eventual rebirth. With acknowledgement to Frank Kermode, who writes: "A concord of past, present and future three dreams which, as Augustine said, cross in our minds, as in the present of things past, the present of things present, and the present of things future" ¹, the first three chapters bear his terminology for their headings. Chapter One, "The Present of Things Past", deals with Mameche's loss of her husband and son. Chapter Two, "The Present of Things Present", focuses upon Mameche' s realization of Gaubert's departure, and the decision that she must do something to save the dying village of Aubignane. Chapter Three, "The Present of Things Future", sees Mameche setting out in search of a wife for Panturle, and succeeding. This brings to an end Part One of the novel. Interwoven throughout the chapters are paradigms from Greek mythology, rich in universal symbolism, and the author's belief in man's ability to fuse himself with his surroundings. The conclusion summarizes the findings of this study, attempting to show how an analysis of Giono's narrative technique provides an insight into such a novel as Regain. ¹The Sense of an Ending (London: Oxford University Press, 1966), rpt., 1970, p. 50.
- Full Text:
- Date Issued: 1986
- Authors: Abel, Hermione
- Date: 1986
- Subjects: French fiction , Novels , Criticism , Symbolism , Regain , Giono, Jean, 1895-1970 -- Criticism and interpretation
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:3561 , http://hdl.handle.net/10962/d1002008
- Description: The dominant theme in Regain is that of death leading to rebirth. This dissertation attempts to explore Giono's narrative techniques within this context. No single chapter will be devoted to a specific technique; instead, the various devices used by the author are discussed as they emerge from the structure of the chapters. Justifying the field of study as defined in the "Introduction", the following three chapters outline the passage of life from death to eventual rebirth. With acknowledgement to Frank Kermode, who writes: "A concord of past, present and future three dreams which, as Augustine said, cross in our minds, as in the present of things past, the present of things present, and the present of things future" ¹, the first three chapters bear his terminology for their headings. Chapter One, "The Present of Things Past", deals with Mameche's loss of her husband and son. Chapter Two, "The Present of Things Present", focuses upon Mameche' s realization of Gaubert's departure, and the decision that she must do something to save the dying village of Aubignane. Chapter Three, "The Present of Things Future", sees Mameche setting out in search of a wife for Panturle, and succeeding. This brings to an end Part One of the novel. Interwoven throughout the chapters are paradigms from Greek mythology, rich in universal symbolism, and the author's belief in man's ability to fuse himself with his surroundings. The conclusion summarizes the findings of this study, attempting to show how an analysis of Giono's narrative technique provides an insight into such a novel as Regain. ¹The Sense of an Ending (London: Oxford University Press, 1966), rpt., 1970, p. 50.
- Full Text:
- Date Issued: 1986
Les aspects metephysiques du theatre de Ionesco
- Authors: Thomas, David Croft
- Date: 1986
- Subjects: Ionesco, Eugène -- Criticism and interpretation
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3610 , http://hdl.handle.net/10962/d1004534 , Ionesco, Eugène -- Criticism and interpretation
- Description: From Introduction: Au cours d'une interview accordée à deux critiques littéraires, le 9 novembre 1976 , Ionesco déclare : Un retour à la métaphysique me semble, à notré epoque, indispensable. Ce point de vue nous semble être d'une importance fondamentale, tant par la référence à un probleme spécifiquement moderne, que par la formulation d'une profonde préoccupation de l'auteur. Ionesco résume par là un débat qui informe continuellement son oeuvre théàtrale. Ce débat, et cette quête, sont les thèmes essentiels que nous voudrions mettre à jour dans cette oeuvre . Nous proposons donc d'étudier le désir et l'effort que manifeste et que tente l ' homme moderne, imbu d'une culture matérialiste, laïque et profane, pour retrouver la vie spirituelle de ses ancêtres son aspiration à la connaissance du sacré . Ce sujet, aussi vaste qu'il est élémentaire, exige l'examen de l'oeuvre complàte afin d'en dégager les constantes.
- Full Text:
- Date Issued: 1986
- Authors: Thomas, David Croft
- Date: 1986
- Subjects: Ionesco, Eugène -- Criticism and interpretation
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3610 , http://hdl.handle.net/10962/d1004534 , Ionesco, Eugène -- Criticism and interpretation
- Description: From Introduction: Au cours d'une interview accordée à deux critiques littéraires, le 9 novembre 1976 , Ionesco déclare : Un retour à la métaphysique me semble, à notré epoque, indispensable. Ce point de vue nous semble être d'une importance fondamentale, tant par la référence à un probleme spécifiquement moderne, que par la formulation d'une profonde préoccupation de l'auteur. Ionesco résume par là un débat qui informe continuellement son oeuvre théàtrale. Ce débat, et cette quête, sont les thèmes essentiels que nous voudrions mettre à jour dans cette oeuvre . Nous proposons donc d'étudier le désir et l'effort que manifeste et que tente l ' homme moderne, imbu d'une culture matérialiste, laïque et profane, pour retrouver la vie spirituelle de ses ancêtres son aspiration à la connaissance du sacré . Ce sujet, aussi vaste qu'il est élémentaire, exige l'examen de l'oeuvre complàte afin d'en dégager les constantes.
- Full Text:
- Date Issued: 1986
Xhosa narrative : an analysis of the production and linguistic properties of discourse with particular reference to "iintsomi" texts
- Authors: Gough, David Huw
- Date: 1986
- Subjects: Folk literature, Xhosa Xhosa language -- Spoken Xhosa
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3564 , http://hdl.handle.net/10962/d1002086
- Description: Although the areas I intend to investigate are rather diverse, what unites them is a concern for the ancient and fascinating question of the relationship between language and thought. Assumptions concerning the latter are surely latent as the basis for any inquiry into language. One of my general purposes is to give some overt orientation to this problem which is all too often simply glossed over. More particularly, I am also concerned with shaping a new approach to Bantu linguistic inquiry in terms of an emphasis on discourse analysis. In the context of the burgeoning of discourse analysis internationally, the field has been seriously neglected in Southern Africa. Studies of discourse are, we believe, vital to advancing our knowledge of inter-ethnic communication and understanding, an area that cannot be ignored in Southern Africa. In more general terms, I hope that this thesis represents a challenge to linguistic inquiry in ways that we have already outlined above. Most importantly, is that while it appears that most South African linguists are satisfied with adopting a rigid monotheoretical approach, I differ, advocating a multitheoretical perspective. This, I believe, allows a greater and more holistic view not only of the 'data' in question but also in terms of the general nature of inquiry, as well as the 'world' it attempts to describe. The body of this thesis is divided into two sections which reflect the two central concerns we have outlined above. Section A, divided into three chapters, is chiefly concerned with the conceptual basis of Xhosa narrative and its linguistic manifestation. In this section we shall find cause to query and to redefine traditional approaches to the linguistic categories manifest in Xhosa narrative. In section B, also divided into three chapters, we shall be concerned with the development of a theory of narrative production with specific reference to intsomi production. In this section we include an in depth criticism of previous approaches to this problem before developing and applying our own theory. There are two appendices attached to this thesis. The first presents certain tables and figures relevant to chapter 4. while the second includes the narrative texts from which we draw our examples. (Introduction, p. 21-22)
- Full Text:
- Date Issued: 1986
- Authors: Gough, David Huw
- Date: 1986
- Subjects: Folk literature, Xhosa Xhosa language -- Spoken Xhosa
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3564 , http://hdl.handle.net/10962/d1002086
- Description: Although the areas I intend to investigate are rather diverse, what unites them is a concern for the ancient and fascinating question of the relationship between language and thought. Assumptions concerning the latter are surely latent as the basis for any inquiry into language. One of my general purposes is to give some overt orientation to this problem which is all too often simply glossed over. More particularly, I am also concerned with shaping a new approach to Bantu linguistic inquiry in terms of an emphasis on discourse analysis. In the context of the burgeoning of discourse analysis internationally, the field has been seriously neglected in Southern Africa. Studies of discourse are, we believe, vital to advancing our knowledge of inter-ethnic communication and understanding, an area that cannot be ignored in Southern Africa. In more general terms, I hope that this thesis represents a challenge to linguistic inquiry in ways that we have already outlined above. Most importantly, is that while it appears that most South African linguists are satisfied with adopting a rigid monotheoretical approach, I differ, advocating a multitheoretical perspective. This, I believe, allows a greater and more holistic view not only of the 'data' in question but also in terms of the general nature of inquiry, as well as the 'world' it attempts to describe. The body of this thesis is divided into two sections which reflect the two central concerns we have outlined above. Section A, divided into three chapters, is chiefly concerned with the conceptual basis of Xhosa narrative and its linguistic manifestation. In this section we shall find cause to query and to redefine traditional approaches to the linguistic categories manifest in Xhosa narrative. In section B, also divided into three chapters, we shall be concerned with the development of a theory of narrative production with specific reference to intsomi production. In this section we include an in depth criticism of previous approaches to this problem before developing and applying our own theory. There are two appendices attached to this thesis. The first presents certain tables and figures relevant to chapter 4. while the second includes the narrative texts from which we draw our examples. (Introduction, p. 21-22)
- Full Text:
- Date Issued: 1986
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