Zore III
- Five GiTonga men and 13 women, Tracey, Hugh
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189589 , vital:44861 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-03
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189589 , vital:44861 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-03
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
Zore II
- Five GiTonga men and 13 women, Tracey, Hugh
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189568 , vital:44859 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-02
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189568 , vital:44859 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-02
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
Zore I
- Five GiTonga men and 13 women, Tracey, Hugh
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189563 , vital:44858 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-01
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip
- Full Text: false
- Date Issued: 1963
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189563 , vital:44858 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-01
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip
- Full Text: false
- Date Issued: 1963
Woyahahai zhembulane
- Maria Taime, Chopi women, Tracey, Hugh
- Authors: Maria Taime , Chopi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193226 , vital:45311 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-07
- Description: The song is addressed to a girl of easy virture. The singer adds at the end of the song that she is the daughter of Taime (Time) Regulo Zavala. Morality song with clapping.
- Full Text: false
- Date Issued: 1963
- Authors: Maria Taime , Chopi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193226 , vital:45311 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-07
- Description: The song is addressed to a girl of easy virture. The singer adds at the end of the song that she is the daughter of Taime (Time) Regulo Zavala. Morality song with clapping.
- Full Text: false
- Date Issued: 1963
Wi-wi-wi-wi mirongo
- Miliya Bukulane, Rude Wache, Amelia Faduko, Tracey, Hugh
- Authors: Miliya Bukulane , Rude Wache , Amelia Faduko , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193281 , vital:45318 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-12
- Description: Note the change of rhythm as third girl joins in with her pestle. The names of the three women who sang were:- Miliya Bukulane, Rude Wache, Amelia Faduko. Other women were singing in the background. Three women's pounding song, with pestles and mortar.
- Full Text: false
- Date Issued: 1963
- Authors: Miliya Bukulane , Rude Wache , Amelia Faduko , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193281 , vital:45318 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-12
- Description: Note the change of rhythm as third girl joins in with her pestle. The names of the three women who sang were:- Miliya Bukulane, Rude Wache, Amelia Faduko. Other women were singing in the background. Three women's pounding song, with pestles and mortar.
- Full Text: false
- Date Issued: 1963
Wangu mwama wome
- Timoses, Comecado des Amigos, Tracey, Hugh
- Authors: Timoses, Comecado des Amigos , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189670 , vital:44919 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-11
- Description: The pace of the dance quickens until the pelvic girations of the dancers become a rapid quiveringing. Makarito dance, with 5 singing horns, 1 bass small drum, 2 small drums. 1 small bell.
- Full Text: false
- Date Issued: 1963
- Authors: Timoses, Comecado des Amigos , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189670 , vital:44919 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-11
- Description: The pace of the dance quickens until the pelvic girations of the dancers become a rapid quiveringing. Makarito dance, with 5 singing horns, 1 bass small drum, 2 small drums. 1 small bell.
- Full Text: false
- Date Issued: 1963
Tune II on Chibvelani Friction Bow
- Authors: Unknown , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194183 , vital:45426 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-02
- Description: Tune on Chibvelani friction bow.
- Full Text: false
- Date Issued: 1963
- Authors: Unknown , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194183 , vital:45426 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-02
- Description: Tune on Chibvelani friction bow.
- Full Text: false
- Date Issued: 1963
Tune I on Chibvelani Friction Bow
- Authors: Unknown , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194167 , vital:45425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-01
- Description: Tune on Chibvelani friction bow.
- Full Text: false
- Date Issued: 1963
- Authors: Unknown , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194167 , vital:45425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-01
- Description: Tune on Chibvelani friction bow.
- Full Text: false
- Date Issued: 1963
The Ngodo of Regulo Zandamela. Ngeniso (4th Movement)
- Fomeni Faduko (Leader), Tracey, Hugh
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194459 , vital:45451 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-04
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194459 , vital:45451 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-04
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
The Ngodo of Regulo Zandamela. Mzeno (7th Movement)
- Fomeni Faduko (Leader), Tracey, Hugh
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194489 , vital:45454 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-07
- Description: The orchestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194489 , vital:45454 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-07
- Description: The orchestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
The Ngodo of Regulo Zandamela. Msitso woRaru (3rd Movement)
- Fomeni Faduko (Leader), Tracey, Hugh
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194446 , vital:45450 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-03
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. This is a nine bar ground. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194446 , vital:45450 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-03
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. This is a nine bar ground. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
The Ngodo of Regulo Zandamela. Msitso woMbidi (2nd Movement)
- Fomeni Faduko (Leader), Tracey, Hugh
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194441 , vital:45449 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-02
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. This recording is not of high fidelity quality but merits inclusion in this series as comparative evidence of Chopi musicianship at the time (1949). Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194441 , vital:45449 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-02
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. This recording is not of high fidelity quality but merits inclusion in this series as comparative evidence of Chopi musicianship at the time (1949). Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
The Ngodo of Regulo Zandamela. Msitso woKata (1st Movement)
- Fomeni Faduko (Leader), Tracey, Hugh
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194432 , vital:45448 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-01
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194432 , vital:45448 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-01
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
The Ngodo of Regulo Zandamela. Mdano (5th Movement)
- Fomeni Faduko (Leader), Tracey, Hugh
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194468 , vital:45452 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-05
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. The verses were sung once and not repeated as is usually done. This was for recording purposes only. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194468 , vital:45452 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-05
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. The verses were sung once and not repeated as is usually done. This was for recording purposes only. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
The Ngodo of Regulo Zandamela. Chiriri (6th Movement)
- Fomeni Faduko (Leader), Tracey, Hugh
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194477 , vital:45453 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-06
- Description: The orchestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. This movement is number 6 because there was no Mchuyo movement that year. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194477 , vital:45453 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-06
- Description: The orchestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. This movement is number 6 because there was no Mchuyo movement that year. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
The Ngodo of Regulo Zandamela (Mzeno)
- Kapani waChikwita, Tracey, Hugh
- Authors: Kapani waChikwita , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194524 , vital:45458 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-11
- Description: "Come around, you people of Zandamela." The shouting of the leader between verses is the 'lining' of the next verse for the dancers to sing. Orchestral dance with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Kapani waChikwita , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194524 , vital:45458 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-11
- Description: "Come around, you people of Zandamela." The shouting of the leader between verses is the 'lining' of the next verse for the dancers to sing. Orchestral dance with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
The Ngodo of Regulo Mavila
- Authors: Shambini , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mavila f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194239 , vital:45433 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-08
- Description: This item was omitted from TR-199 (B) for lack of space, but is here reproduced in order to complete the whole of Regulo Mavila's Ngodo, composed and played by Shambibi. Orchestral dance with 6 Timbila xylophones, 4 Sanzhe (Alto), 1 Debiinda (Bass), 1 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Shambini , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mavila f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194239 , vital:45433 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-08
- Description: This item was omitted from TR-199 (B) for lack of space, but is here reproduced in order to complete the whole of Regulo Mavila's Ngodo, composed and played by Shambibi. Orchestral dance with 6 Timbila xylophones, 4 Sanzhe (Alto), 1 Debiinda (Bass), 1 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Tata wawu osi wana
- Emmelina Zavala, Chopi women, Tracey, Hugh
- Authors: Emmelina Zavala , Chopi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193217 , vital:45310 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-06
- Description: "Can you see how I suffer?" This was said to be a married women's lament. Lament with clapping.
- Full Text: false
- Date Issued: 1963
- Authors: Emmelina Zavala , Chopi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193217 , vital:45310 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-06
- Description: "Can you see how I suffer?" This was said to be a married women's lament. Lament with clapping.
- Full Text: false
- Date Issued: 1963
Tabarireve woende
- Tabarirevu Muyambo, Tracey, Hugh
- Authors: Tabarirevu Muyambo , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Folk songs, Ndau , Chopi (African people) , Ndau (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mwanditura f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194405 , vital:45445 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-13
- Description: "Tabarireve is going. Mother dear, I am going. My day had known this, mother, My day had already gone. I swear by my elder brother, my brother, Sarima, and my mother, Majuta! In my poverty, I am going. If only I had known this, known this, Mother I will try, will try, will try, Mother." Lament (personal) with Mbira dze chiNdau.
- Full Text: false
- Date Issued: 1963
- Authors: Tabarirevu Muyambo , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Folk songs, Ndau , Chopi (African people) , Ndau (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mwanditura f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194405 , vital:45445 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-13
- Description: "Tabarireve is going. Mother dear, I am going. My day had known this, mother, My day had already gone. I swear by my elder brother, my brother, Sarima, and my mother, Majuta! In my poverty, I am going. If only I had known this, known this, Mother I will try, will try, will try, Mother." Lament (personal) with Mbira dze chiNdau.
- Full Text: false
- Date Issued: 1963
Shibudu. 9th Movement
- Ngodo of Regulo Mavila, Shambini, Tracey, Hugh
- Authors: Ngodo of Regulo Mavila , Shambini , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mavila f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191258 , vital:45076 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR199-01
- Description: "All you people of Gaza, listen to this wonderful Mzeno of Timbilas." The sound of the dancers smacking their shields onto the ground can be heard in the background as they dance in line. Orchestral dances with 6 Timbila xylophones, 4 Sanzhe (Alto), 1 Debiinda (Bass), 1 Gulu (Double Bass) and 1 Njele rattle.
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Mavila , Shambini , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mavila f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191258 , vital:45076 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR199-01
- Description: "All you people of Gaza, listen to this wonderful Mzeno of Timbilas." The sound of the dancers smacking their shields onto the ground can be heard in the background as they dance in line. Orchestral dances with 6 Timbila xylophones, 4 Sanzhe (Alto), 1 Debiinda (Bass), 1 Gulu (Double Bass) and 1 Njele rattle.
- Full Text: false
- Date Issued: 1963