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A buthu wa cimbira

- Nancy Luhoma, Mwenela Kaunda, Hugh Tracey

A Kawoko ndi ndhondo

- Chewa girls, Tracey, Hugh

  • Authors: Chewa girls , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/187344 , vital:44613 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-14
  • Description: This dance song reflects a local tragedy. There was a certain white man, popularly called 'Kawoko', a game warden in this district, they say, who had only one hand. There had been a recent campaign to shoot baboons (in 1949) which were destroying the fields. During the shooting, they allege, he missed the baboons but shot some of the men who were driving the baboons out of the bush. The African beaters also had guns and were shooting and some say it was their eratic shooting which caused the casualities. Three men died that day and Kawoko was blamed as he was in charge of the group. He left the district shortly afterwards. Mcoma dance song for women and girls, with 2 golblet drums, one weighted and whistles (-11.515-)
  • Full Text: false
  • Date Issued: 1950

A Luwe

- Taines Chirwa, Nancy Luhana, Tumbuka girls, Hugh Tracey

  • Authors: Taines Chirwa , Nancy Luhana , Tumbuka girls , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/185168 , vital:44335 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-14
  • Description: Luwe was the name of a certain man who had no children. He had married a woman who bore him no babes. The pre-occupation in the African mind with the question of offspring is frequently the subject of songs. The 'A' before the proper name is the equivalent of the English 'Mr.' (Mister). Pounding song with mortar and two pestles
  • Full Text: false
  • Date Issued: 1950

A Mdoka (Mdoka and the bee sting)

- R. W. Katenga-Kaunda and 3 Tonga lads, Hugh Tracey

  • Authors: R. W. Katenga-Kaunda and 3 Tonga lads , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Chinteche District f-rh
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/156225 , vital:39964 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-03
  • Description: Some young men came to see the chief who asked each in turn how their homes were. They said they were all alright except for Mdoka who had been stung by a bee on his lips. This gave rise to a song about his misfortune. The others also told the chief their stories including one about the fish they were catching and he sang a canoe song "Kanye Kanye madoda, Kanye kanye haiye." 'A' before a name is the local honorific equivalent of Mister. Story song with clapping.
  • Full Text: false
  • Date Issued: 1958

A Mwase ndibwerekani mthenga wanu

- Chewa girls, Tracey, Hugh

A pongozi mbanonoko

- Nancy Luhoma, Mwenela Kaunda, Hugh Tracey

A sante mwe

- 4 Tumbuka boys, Hugh Tracey

A Tembo

- Taines Chirwa, Nancy Luhana, Tumbuka girls, Hugh Tracey

A Yotamu amati andimange

- Ganizani Nyirenda, Hugh Tracey

Aliyeli nitauzeni (Aliyeli - greet me!)

- A. Nyambizi and Henga women, Hugh Tracey

Amama nkhawawone

- Eliya Chaya, Hugh Tracey

  • Authors: Eliya Chaya , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/185263 , vital:44359 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-05
  • Description: This instrument usually called Bangwe among the Yao is here called Bango. Simple song in typical vein by a village singer. The tuning of the Bango was:- 256, 236, 216, 198, 178, 156, 140 vs. Self delectative song with Bango board Zither (7 notes)
  • Full Text: false
  • Date Issued: 1950

Amati akatambe tilawe

- Chewa girls, Tracey, Hugh

  • Authors: Chewa girls , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/187335 , vital:44610 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-13
  • Description: "She wanted to go dancing, but she got into trouble and could not go." The girls stand in a circle and come out in pairs prancing a few steps in the centre of the circle. They retire and the next two come out until the whole circle has been completed. It was done very gracefully. Mcoma dance song for women and girls, with 2 golblet drums, one weighted and whistles (-11.515-)
  • Full Text: false
  • Date Issued: 1950

Ametela metela

- Kaphatikila Kanyingi, Hugh Tracey

  • Authors: Kaphatikila Kanyingi , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/186630 , vital:44519 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-19
  • Description: The one stringed lute has a wooden bowl for a resonator with a sound hole on its side. The string is strained with a peg but final tuning is achieved by means of a straining string. It is bowed by a reed or bamboo bow with spittle and the fingering is achieved by gripping the string with the inside of the second segment of the second and fouth fingers. Self delecatative song with Karigo one stringed bowed Lute
  • Full Text: false
  • Date Issued: 1950

Angoni sonu

- Maluba Mwale, Tonga men, Hugh Tracey

Atate wuchona kwa Rhodesia

- Joviani Nkhoma, Hugh Tracey

  • Authors: Joviani Nkhoma , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/184857 , vital:44279 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-06
  • Description: His Bango is unusual in that it has two tin resonators, one at each end. He played the strings with his left hand and beat a simple pulse on one of the resonators with his right hand and miming the action at the word "Ndito", 'truly'. For the second song he turned his Bango round and held it at right angels pointing away from him touching the strings with his left hand and striking them with his right. This is the normal way of holding the instrument. The performer looked like a little old elf. Lament with Bango zither with 7 metal strings
  • Full Text: false
  • Date Issued: 1950

Awoli a legimenti

- Tumbuka women, Hugh Tracey

  • Authors: Tumbuka women , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/185141 , vital:44332 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-11
  • Description: "Soilders wives, take care of your clothes, you may have to dispose of some of them to buy yourselves food." A poignant little song which reflects the experience of war wives (1939-45). It has an attractive melody in the chorus. Pounding song with mortar and two pestles
  • Full Text: false
  • Date Issued: 1950

Azungu musinjilo

- Eliya Chaya, Hugh Tracey

  • Authors: Eliya Chaya , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/185276 , vital:44360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-06
  • Description: This instrument usually called Bangwe among the Yao is here called Bango. Simple song in typical vein by a village singer. The tuning of the Bango was:- 256, 236, 216, 198, 178, 156, 140 vs. Self delectative song with Bango board Zither (7 notes)
  • Full Text: false
  • Date Issued: 1950

Benu

- Maluba Mwale, Tonga men, Hugh Tracey

  • Authors: Maluba Mwale , Tonga men , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chiundasi f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/184689 , vital:44249 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-13
  • Description: "What am I going to tell them? Where am I going to complain? I am singing like a church organ." Benu is the name of a jumping action in the dance. This instrument was particulary well played and well made of its kind. The one stringed lute appears to come from the upper Nile and has not been found south of Nyasaland and the Zambesi valley. Chioda dance song for young women with Karigo one stringed lute
  • Full Text: false
  • Date Issued: 1950

Bwelela

- Rabison Bande, Chewa men, Hugh Tracey

Bwezi langa

- Hodede Homwale, Hugh Tracey

  • Authors: Hodede Homwale , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/186489 , vital:44504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-08
  • Description: "I had a friend but the high God has taken him away." The pauses in the music are caused by the necessity of having to apply spittle to the bow. The fingering of the single string is done by the inside of the 2nd segment of the fingers of the left hand and not by the tips of the fingers. The open string was tuned to 182 vs. The string was made of twisted Wazi bark, it had a small friction pad of Ilala palm leaf (koko) wound onto where the reed bow (uta) was applied to the string. A loop of bark string was used near the Mtowo peg for fine tuning straining the string downwards the Mpini neck. The goat skin membrane was pinned onto a carved wooden bowl with a sound hole cut into its side. Lament, with 1 stringed Karigo lute
  • Full Text: false
  • Date Issued: 1950
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