Musafu sumu (Bible hymn)
- Group of 16 Tonga men and boys, Hugh Tracey
- Authors: Group of 16 Tonga men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137402 , vital:37520 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-11
- Description: The leader is Joni Phiri. "Haye Mwazadi mwanozga." "You have done well to come." The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill where it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the mirliton buzzers so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the bases. 4 Movements of the Malipenga dance, the first 2 with Chandi and Muganda drums, with 12 singing horns (calabash), 1 bass drum.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 16 Tonga men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137402 , vital:37520 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-11
- Description: The leader is Joni Phiri. "Haye Mwazadi mwanozga." "You have done well to come." The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill where it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the mirliton buzzers so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the bases. 4 Movements of the Malipenga dance, the first 2 with Chandi and Muganda drums, with 12 singing horns (calabash), 1 bass drum.
- Full Text: false
- Date Issued: 1957
Anthu acilendo
- Lucy Nyamangwe, Tonga girls, Nsenga women, Hugh Tracey
- Authors: Lucy Nyamangwe , Tonga girls , Nsenga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Nsenga (African people) , Ngoni (African people) , Folk songs, Tonga (Zambezi) , Tonga (Zambezi people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184540 , vital:44233 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR185-16
- Description: "Men who travel away from home make their women think about them with longing as they sleep in their 'pyjamas' alone." The word 'pyjama' has been adopted locally as 'Majamara'. In point of fact the women do not sleep in pyjamas at all they say, and it is used as a figure of speech. Chioda dance song for young women with drum rhythm beaten on a box
- Full Text: false
- Date Issued: 1950
- Authors: Lucy Nyamangwe , Tonga girls , Nsenga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Nsenga (African people) , Ngoni (African people) , Folk songs, Tonga (Zambezi) , Tonga (Zambezi people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184540 , vital:44233 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR185-16
- Description: "Men who travel away from home make their women think about them with longing as they sleep in their 'pyjamas' alone." The word 'pyjama' has been adopted locally as 'Majamara'. In point of fact the women do not sleep in pyjamas at all they say, and it is used as a figure of speech. Chioda dance song for young women with drum rhythm beaten on a box
- Full Text: false
- Date Issued: 1950
Elesani banyanja kandhu ka doromo (Look at the Nyanja! There is something coming)
- Group of 14 Tonga men, Hugh Tracey
- Authors: Group of 14 Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137429 , vital:37523 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-13
- Description: The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill which it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the military band have been substituted by singing horns- with mirliton buzzers- so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the basses. 2nd and 3rd Movement of the Malipenga dance with bass drum (mine type), pegged, closed, wooden beaters and 1 small cylindrical drum, pegged, closed and wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 14 Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137429 , vital:37523 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-13
- Description: The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill which it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the military band have been substituted by singing horns- with mirliton buzzers- so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the basses. 2nd and 3rd Movement of the Malipenga dance with bass drum (mine type), pegged, closed, wooden beaters and 1 small cylindrical drum, pegged, closed and wooden beaters.
- Full Text: false
- Date Issued: 1957
Mwawuwona kambelembele
- Katenge-Kaunda and three Tonga men, Composer not specified, Tracey, Hugh
- Authors: Katenge-Kaunda and three Tonga men , Composer not specified , Tracey, Hugh
- Date: 1958-05-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/252025 , vital:52192 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT591-M63 , Research no. M3G6
- Description: A cheerful topical song sung at parties with simple humour accompanied with clapping.
- Full Text: false
- Date Issued: 1958-05-27
- Authors: Katenge-Kaunda and three Tonga men , Composer not specified , Tracey, Hugh
- Date: 1958-05-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/252025 , vital:52192 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT591-M63 , Research no. M3G6
- Description: A cheerful topical song sung at parties with simple humour accompanied with clapping.
- Full Text: false
- Date Issued: 1958-05-27
Muganda we Chitonga Banda (The drum of the Tonga Banda)
- Group of 16 Tonga men and boys, Hugh Tracey
- Authors: Group of 16 Tonga men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137369 , vital:37517 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-08
- Description: The leader is Joni Phiri. "Haye Mwazadi mwanozga." "You have done well to come." The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill where it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the mirliton buzzers so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the bases. 4 Movements of the Malipenga dance, the first 2 with Chandi and Muganda drums, with 12 singing horns (calabash), 1 bass drum laced, cylindrical with 2 beaters.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 16 Tonga men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137369 , vital:37517 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-08
- Description: The leader is Joni Phiri. "Haye Mwazadi mwanozga." "You have done well to come." The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill where it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the mirliton buzzers so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the bases. 4 Movements of the Malipenga dance, the first 2 with Chandi and Muganda drums, with 12 singing horns (calabash), 1 bass drum laced, cylindrical with 2 beaters.
- Full Text: false
- Date Issued: 1957
Pendeka
- Lucy Nyamangwe, Tonga women, Hugh Tracey
- Authors: Lucy Nyamangwe , Tonga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184940 , vital:44290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-15
- Description: "We are the jealous ones, we have been sent here." The pendeka is a kind of team-o-shanter worn by women. The force with which these women sing their simple songs shows how accustomed they are to sing them and the natural part such songs play in their lives. Kwaya dance for younger men and women
- Full Text: false
- Date Issued: 1950
- Authors: Lucy Nyamangwe , Tonga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184940 , vital:44290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-15
- Description: "We are the jealous ones, we have been sent here." The pendeka is a kind of team-o-shanter worn by women. The force with which these women sing their simple songs shows how accustomed they are to sing them and the natural part such songs play in their lives. Kwaya dance for younger men and women
- Full Text: false
- Date Issued: 1950
Ici ncumba
- Lucy Nyamangwe, Tonga girls, Nsenga women, Hugh Tracey
- Authors: Lucy Nyamangwe , Tonga girls , Nsenga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Nsenga (African people) , Ngoni (African people) , Folk songs, Tonga (Zambezi) , Tonga (Zambezi people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184531 , vital:44232 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR185-15
- Description: "Maria gave birth to her child on the lake steamer. Her midwives were sailors." This incident seems to have given rise to local hilarity. Chioda dance song for young women with drum rhythm beaten on a box
- Full Text: false
- Date Issued: 1950
- Authors: Lucy Nyamangwe , Tonga girls , Nsenga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Nsenga (African people) , Ngoni (African people) , Folk songs, Tonga (Zambezi) , Tonga (Zambezi people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184531 , vital:44232 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR185-15
- Description: "Maria gave birth to her child on the lake steamer. Her midwives were sailors." This incident seems to have given rise to local hilarity. Chioda dance song for young women with drum rhythm beaten on a box
- Full Text: false
- Date Issued: 1950
Slia Lazaro soka
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184579 , vital:44237 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-02
- Description: "I will meet my love some day, Elia let us go and sing with my love Steria (Esther)." Love song
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184579 , vital:44237 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-02
- Description: "I will meet my love some day, Elia let us go and sing with my love Steria (Esther)." Love song
- Full Text: false
- Date Issued: 1950
Ada a Banda
- Lucy Nyamangwe, Tonga girls, Nsenga women, Hugh Tracey
- Authors: Lucy Nyamangwe , Tonga girls , Nsenga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Nsenga (African people) , Ngoni (African people) , Folk songs, Tonga (Zambezi) , Tonga (Zambezi people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184549 , vital:44234 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR185-17
- Description: "My father, Banda, has gone off to work in the towns, for a long long time, to buy himself clothes." How true a reflection this is upon thousands of Tonga men in this district who go off to mines and towns for their own reasons leaving the women and children to fend for themselves at home. Many send back money, but as many others find local foreign girls and forget their home and children. Chioda dance song for young women with drum rhythm beaten on a box
- Full Text: false
- Date Issued: 1950
- Authors: Lucy Nyamangwe , Tonga girls , Nsenga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Nsenga (African people) , Ngoni (African people) , Folk songs, Tonga (Zambezi) , Tonga (Zambezi people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184549 , vital:44234 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR185-17
- Description: "My father, Banda, has gone off to work in the towns, for a long long time, to buy himself clothes." How true a reflection this is upon thousands of Tonga men in this district who go off to mines and towns for their own reasons leaving the women and children to fend for themselves at home. Many send back money, but as many others find local foreign girls and forget their home and children. Chioda dance song for young women with drum rhythm beaten on a box
- Full Text: false
- Date Issued: 1950
Ku canya kwe manyanda
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184606 , vital:44240 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-05
- Description: "Typewriters which look like water; Angels wearing different clothes. And all the young men practising magic." Religious song (23.24) with Bangwe Raft Zither, 7 strings
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184606 , vital:44240 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-05
- Description: "Typewriters which look like water; Angels wearing different clothes. And all the young men practising magic." Religious song (23.24) with Bangwe Raft Zither, 7 strings
- Full Text: false
- Date Issued: 1950
Akapunda (The conqueror)
- Group of 16 Tonga men and boys, Hugh Tracey
- Authors: Group of 16 Tonga men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137382 , vital:37518 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-09
- Description: The leader is Joni Phiri. "Haye Mwazadi mwanozga." "You have done well to come." The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill where it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the mirliton buzzers so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the bases. 4 Movements of the Malipenga dance, the first 2 with Chandi and Muganda drums, with 12 singing horns (calabash), 1 bass drum laced, cylindrical with 2 beaters.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 16 Tonga men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137382 , vital:37518 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-09
- Description: The leader is Joni Phiri. "Haye Mwazadi mwanozga." "You have done well to come." The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill where it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the mirliton buzzers so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the bases. 4 Movements of the Malipenga dance, the first 2 with Chandi and Muganda drums, with 12 singing horns (calabash), 1 bass drum laced, cylindrical with 2 beaters.
- Full Text: false
- Date Issued: 1957
Waba waplumu
- Katenge-Kaunda and three Tonga men, Composer not specified, Tracey, Hugh
- Authors: Katenge-Kaunda and three Tonga men , Composer not specified , Tracey, Hugh
- Date: 1958-05-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/252072 , vital:52197 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT592-M64 , Research no. M3G13
- Description: A story song about the village people blaming the boys sleeping down at the lake for stealing.
- Full Text: false
- Date Issued: 1958-05-27
- Authors: Katenge-Kaunda and three Tonga men , Composer not specified , Tracey, Hugh
- Date: 1958-05-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/252072 , vital:52197 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT592-M64 , Research no. M3G13
- Description: A story song about the village people blaming the boys sleeping down at the lake for stealing.
- Full Text: false
- Date Issued: 1958-05-27
Maiyo Ngondo
- Authors: Joviani Nkhoma , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184862 , vital:44280 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-07
- Description: His Bango is unusual in that it has two tin resonators, one at each end. He played the strings with his left hand and beat a simple pulse on one of the resonators with his right hand and miming the action at the word "Ndito", 'truly'. For the second song he turned his Bango round and held it at right angels pointing away from him touching the strings with his left hand and striking them with his right. This is the normal way of holding the instrument. The performer looked like a little old elf. Lament with Bango zither with 7 metal strings
- Full Text: false
- Date Issued: 1950
- Authors: Joviani Nkhoma , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184862 , vital:44280 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-07
- Description: His Bango is unusual in that it has two tin resonators, one at each end. He played the strings with his left hand and beat a simple pulse on one of the resonators with his right hand and miming the action at the word "Ndito", 'truly'. For the second song he turned his Bango round and held it at right angels pointing away from him touching the strings with his left hand and striking them with his right. This is the normal way of holding the instrument. The performer looked like a little old elf. Lament with Bango zither with 7 metal strings
- Full Text: false
- Date Issued: 1950
Kawoza ndirinde
- Filimon Phiri, Tonga women, Hugh Tracey
- Authors: Filimon Phiri , Tonga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184911 , vital:44286 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-12
- Description: The story is about a chief who died and left a window. People used to come and visit her every evening. She would play them a magical drum both to entertain her visitors and also to remind her of her husband. The drum would play rhythms by itself being touched. Story song
- Full Text: false
- Date Issued: 1950
- Authors: Filimon Phiri , Tonga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184911 , vital:44286 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-12
- Description: The story is about a chief who died and left a window. People used to come and visit her every evening. She would play them a magical drum both to entertain her visitors and also to remind her of her husband. The drum would play rhythms by itself being touched. Story song
- Full Text: false
- Date Issued: 1950
Kividu Kumuzi (At our home)
- Group of 16 Tonga men and boys, Hugh Tracey
- Authors: Group of 16 Tonga men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137387 , vital:37519 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-10
- Description: The leader is Joni Phiri. "Haye Mwazadi mwanozga." "You have done well to come." The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill where it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the mirliton buzzers so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the bases. 4 Movements of the Malipenga dance, the first 2 with Chandi and Muganda drums, with 12 singing horns (calabash), 1 bass drum.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 16 Tonga men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137387 , vital:37519 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-10
- Description: The leader is Joni Phiri. "Haye Mwazadi mwanozga." "You have done well to come." The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill where it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the mirliton buzzers so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the bases. 4 Movements of the Malipenga dance, the first 2 with Chandi and Muganda drums, with 12 singing horns (calabash), 1 bass drum.
- Full Text: false
- Date Issued: 1957
Ani siboni nimakuba (My great friend)
- Authors: Iron Khoma , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137303 , vital:37508 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0037-02
- Description: "Marry me, my dear friend. At our home is Nyasaland, the sand is white as cement. If you go to Lusaka you will find there Aleck Nkhata, the Tonga who comes from Nyasaland, of the same line as myself. Self-delectative nostalgic song with Bangwe board zither with 7 strings, lowest not used.
- Full Text: false
- Date Issued: 1957
- Authors: Iron Khoma , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137303 , vital:37508 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0037-02
- Description: "Marry me, my dear friend. At our home is Nyasaland, the sand is white as cement. If you go to Lusaka you will find there Aleck Nkhata, the Tonga who comes from Nyasaland, of the same line as myself. Self-delectative nostalgic song with Bangwe board zither with 7 strings, lowest not used.
- Full Text: false
- Date Issued: 1957
Edeliya timbengi tingaluwa
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184830 , vital:44276 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-03
- Description: My wife Nyaphiri, what kind of plague has struck you? Look at Edeliya - not married yet! Let us sing so we shall not forget the song." Topical song with Bangwe raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184830 , vital:44276 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-03
- Description: My wife Nyaphiri, what kind of plague has struck you? Look at Edeliya - not married yet! Let us sing so we shall not forget the song." Topical song with Bangwe raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
Ametela metela
- Kaphatikila Kanyingi, Hugh Tracey
- Authors: Kaphatikila Kanyingi , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186630 , vital:44519 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-19
- Description: The one stringed lute has a wooden bowl for a resonator with a sound hole on its side. The string is strained with a peg but final tuning is achieved by means of a straining string. It is bowed by a reed or bamboo bow with spittle and the fingering is achieved by gripping the string with the inside of the second segment of the second and fouth fingers. Self delecatative song with Karigo one stringed bowed Lute
- Full Text: false
- Date Issued: 1950
- Authors: Kaphatikila Kanyingi , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186630 , vital:44519 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-19
- Description: The one stringed lute has a wooden bowl for a resonator with a sound hole on its side. The string is strained with a peg but final tuning is achieved by means of a straining string. It is bowed by a reed or bamboo bow with spittle and the fingering is achieved by gripping the string with the inside of the second segment of the second and fouth fingers. Self delecatative song with Karigo one stringed bowed Lute
- Full Text: false
- Date Issued: 1950
Eneku awato
- Alfred Nyirenda, Tonga young boys, Hugh Tracey
- Authors: Alfred Nyirenda , Tonga young boys , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184893 , vital:44283 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-10
- Description: "You, the owner of the canoe, do not be mean with the fish you bring home. Share them with everyone of the crew." Although this work song may be genuinely used by fishermen on the lake, this rendering of it is clearly far from being associated with the actual paddling. Paddling canoe song with clapping
- Full Text: false
- Date Issued: 1950
- Authors: Alfred Nyirenda , Tonga young boys , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184893 , vital:44283 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-10
- Description: "You, the owner of the canoe, do not be mean with the fish you bring home. Share them with everyone of the crew." Although this work song may be genuinely used by fishermen on the lake, this rendering of it is clearly far from being associated with the actual paddling. Paddling canoe song with clapping
- Full Text: false
- Date Issued: 1950
Mungore
- Group of 14 Tonga men, Hugh Tracey
- Authors: Group of 14 Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137421 , vital:37522 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-12
- Description: The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill which it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the military band have been substituted by singing horns- with mirliton buzzers- so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the basses. 2nd and 3rd Movement of the Malipenga dance with bass drum (mine type), pegged, closed, wooden beaters and 1 small cylindrical drum, pegged, closed and wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 14 Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137421 , vital:37522 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-12
- Description: The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill which it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the military band have been substituted by singing horns- with mirliton buzzers- so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the basses. 2nd and 3rd Movement of the Malipenga dance with bass drum (mine type), pegged, closed, wooden beaters and 1 small cylindrical drum, pegged, closed and wooden beaters.
- Full Text: false
- Date Issued: 1957