Arimau
- Medje men, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Medje men , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo City not specified f-cg
- Language: Yogo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/332592 , vital:61685 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3310-XYZ7507
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Medje men , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo City not specified f-cg
- Language: Yogo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/332592 , vital:61685 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3310-XYZ7507
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Arur
- Ongeng, Obong, Composer not specified, Tracey, Hugh
- Authors: Ongeng , Obong , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Lango
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/329251 , vital:61319 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3179-XYZ7374
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Ongeng , Obong , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Lango
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/329251 , vital:61319 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3179-XYZ7374
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Asenga omwami tagayala
- Abalere ba Kabaka flute and drum band, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Abalere ba Kabaka flute and drum band , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/329215 , vital:61315 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3176-XYZ7371a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Abalere ba Kabaka flute and drum band , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/329215 , vital:61315 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3176-XYZ7371a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Atabala - Atabala
- Chrisesitomu Gingo, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Chrisesitomu Gingo , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/328568 , vital:61240 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3148-XYZ7343a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Chrisesitomu Gingo , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/328568 , vital:61240 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3148-XYZ7343a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Atabala - Atabala
- Chrisesitomu Gingo, Maliame Namale, Composer not specified, Tracey, Hugh
- Authors: Chrisesitomu Gingo , Maliame Namale , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/328613 , vital:61245 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3151-XYZ7345
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Chrisesitomu Gingo , Maliame Namale , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/328613 , vital:61245 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3151-XYZ7345
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Attempted synthesis of a [beta] or [gamma] resorcinyl alcohol
- Authors: Ryding, William Wallace
- Date: 1952
- Subjects: Alcohol -- Synthesis , Resorcinol
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:4517 , http://hdl.handle.net/10962/d1014134
- Description: The ultimate objective of this research is the elucidation of the mechanism of the resorcinol-formaldehyde condensation. Whilst a vast literature has been built up about the phenol- formaldehyde condensation, that of resorcinol has received but scant attention, probably because the high reactivity of resorcinol rendered the following of the condensation extremely difficult. The earliest observation concerning the resorcinol-formaldehyde condensation was due to Baeyer who, in 1872, condensed resorcinol with various aldehydes. When the aldehyde was relatively inactive crystalline compounds were obtalned but with acetaldehyde or formaldehyde a resinous product resulted. In 1892 Caro condensed an excess ot resorcinol with formaldehyde in the presence of dilute hydrochloric acid; the product obtained recrystallised from alcohol as white microsoopic crystals, decomposed without melting at 250° and was stated to be bis (2- 4 dihydroxyphenyl) methane ... In decidlng upon the most suitable lines of attack it would seem that a survey of the literature relating to the phenol-formaldehyde concentration which might be expected to be closely related to that of resorcinol, would be of value. Summary of p. 1-5
- Full Text:
- Date Issued: 1952
- Authors: Ryding, William Wallace
- Date: 1952
- Subjects: Alcohol -- Synthesis , Resorcinol
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:4517 , http://hdl.handle.net/10962/d1014134
- Description: The ultimate objective of this research is the elucidation of the mechanism of the resorcinol-formaldehyde condensation. Whilst a vast literature has been built up about the phenol- formaldehyde condensation, that of resorcinol has received but scant attention, probably because the high reactivity of resorcinol rendered the following of the condensation extremely difficult. The earliest observation concerning the resorcinol-formaldehyde condensation was due to Baeyer who, in 1872, condensed resorcinol with various aldehydes. When the aldehyde was relatively inactive crystalline compounds were obtalned but with acetaldehyde or formaldehyde a resinous product resulted. In 1892 Caro condensed an excess ot resorcinol with formaldehyde in the presence of dilute hydrochloric acid; the product obtained recrystallised from alcohol as white microsoopic crystals, decomposed without melting at 250° and was stated to be bis (2- 4 dihydroxyphenyl) methane ... In decidlng upon the most suitable lines of attack it would seem that a survey of the literature relating to the phenol-formaldehyde concentration which might be expected to be closely related to that of resorcinol, would be of value. Summary of p. 1-5
- Full Text:
- Date Issued: 1952
Atu
- Kaizali Mulembwe, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Kaizali Mulembwe , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/320289 , vital:60320 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2888-XYZ7046
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Kaizali Mulembwe , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/320289 , vital:60320 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2888-XYZ7046
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Atu
- Andre Boniface Wahamba, group of Chokwe men, Composer not specified, Tracey, Hugh
- Authors: Andre Boniface Wahamba , group of Chokwe men , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Angola City not specified f-ao
- Language: Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/320280 , vital:60319 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2888-XYZ7046
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Andre Boniface Wahamba , group of Chokwe men , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Angola City not specified f-ao
- Language: Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/320280 , vital:60319 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2888-XYZ7046
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Atu
- Andre Boniface Wahamba and group of Chokwe men, Hugh Tracey
- Authors: Andre Boniface Wahamba and group of Chokwe men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Villa Luzu f-ao
- Language: Chokwe , Luvale
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183301 , vital:43953 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-01
- Description: "So many people have been born, so many people have died. Now all my folk are finished. So who will keep me company when I die?" This song with its antiphonal call and answer is typical of the style of the majority of folk songs of the Chokwe heard on the mines. This kind of performance is most difficult to record effectively for several reasons. Chianda dance song woth Sangu rattles, leg rattles held in the hand and gourds on sticks
- Full Text: false
- Date Issued: 1952
- Authors: Andre Boniface Wahamba and group of Chokwe men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Villa Luzu f-ao
- Language: Chokwe , Luvale
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183301 , vital:43953 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-01
- Description: "So many people have been born, so many people have died. Now all my folk are finished. So who will keep me company when I die?" This song with its antiphonal call and answer is typical of the style of the majority of folk songs of the Chokwe heard on the mines. This kind of performance is most difficult to record effectively for several reasons. Chianda dance song woth Sangu rattles, leg rattles held in the hand and gourds on sticks
- Full Text: false
- Date Issued: 1952
Au Revoir
- Tumba, Joseph, Composer not specified, Tracey, Hugh
- Authors: Tumba, Joseph , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Congo city not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308455 , vital:58921 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2443-XYZ5987
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Tumba, Joseph , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Congo city not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308455 , vital:58921 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2443-XYZ5987
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Ayambungu
- Zayi Pierre and Bodagi Alias and Ngbandi men, Hugh Tracey
- Authors: Zayi Pierre and Bodagi Alias and Ngbandi men , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Ubangi f-cg
- Language: Ngbandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166971 , vital:41424 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0121-10
- Description: "If ever I have a man out in prison I shall take him to the tribunal first." The tuning of bamboo notes is not easy as with metal notes on account of the nature of the overtones produced by bamboo. The tuning of these Ngombi Likembe was not quite the same as in the previous items, the reeds of bamboo from left to right was 236, 152, 212, 138, 200, 182, 166 and 332 vs. which gives a heptatonic scale:- 332, (304), (276), 236, 212, 200, 182, 166, 152, 138 vs. The top of this bowl shaped likembe was sewn onto the body which was made from a solid log hollowed out like a bowl with an 8" handle. The body was 21" broad and 7" deep. Topical song with Ngombi Likembe with bamboo notes.
- Full Text: false
- Date Issued: 1952
- Authors: Zayi Pierre and Bodagi Alias and Ngbandi men , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Ubangi f-cg
- Language: Ngbandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166971 , vital:41424 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0121-10
- Description: "If ever I have a man out in prison I shall take him to the tribunal first." The tuning of bamboo notes is not easy as with metal notes on account of the nature of the overtones produced by bamboo. The tuning of these Ngombi Likembe was not quite the same as in the previous items, the reeds of bamboo from left to right was 236, 152, 212, 138, 200, 182, 166 and 332 vs. which gives a heptatonic scale:- 332, (304), (276), 236, 212, 200, 182, 166, 152, 138 vs. The top of this bowl shaped likembe was sewn onto the body which was made from a solid log hollowed out like a bowl with an 8" handle. The body was 21" broad and 7" deep. Topical song with Ngombi Likembe with bamboo notes.
- Full Text: false
- Date Issued: 1952
Ayilongo lokele
- Saidi Kikongo and Wagenya fishermen, Hugh Tracey
- Authors: Saidi Kikongo and Wagenya fishermen , Hugh Tracey
- Date: 1952
- Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Stanleyville f-cg
- Language: Nande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168565 , vital:41625 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-01
- Description: This song is the original of the theme song for the film "Sanders of the river," which was made famous by Paul Robeson. Most of the river scenes with large Wagenya canoes holding 70 to 100 men were taken at this village above the Stanley falls by Zoltan Korda the producer of the film. In its English film version this song is known all over the world. Mr. Zoltan Korda himself confirmed this information and described the filming. The singers sing in parallel or organum, not unlike the songs of the Bemba people of Northern Rhodesia. Paddling song with large slit drum.
- Full Text: false
- Date Issued: 1952
- Authors: Saidi Kikongo and Wagenya fishermen , Hugh Tracey
- Date: 1952
- Subjects: Genya (African people) , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Stanleyville f-cg
- Language: Nande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168565 , vital:41625 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0127-01
- Description: This song is the original of the theme song for the film "Sanders of the river," which was made famous by Paul Robeson. Most of the river scenes with large Wagenya canoes holding 70 to 100 men were taken at this village above the Stanley falls by Zoltan Korda the producer of the film. In its English film version this song is known all over the world. Mr. Zoltan Korda himself confirmed this information and described the filming. The singers sing in parallel or organum, not unlike the songs of the Bemba people of Northern Rhodesia. Paddling song with large slit drum.
- Full Text: false
- Date Issued: 1952
Ayilongo lokele
- Wagenya Fisherman, Saidi Kikongo, Composer not specified, Tracey, Hugh
- Authors: Wagenya Fisherman , Saidi Kikongo , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo city not specified f-cg
- Language: Genya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/335268 , vital:61982 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3300-XYZ7527
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Wagenya Fisherman , Saidi Kikongo , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo city not specified f-cg
- Language: Genya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/335268 , vital:61982 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3300-XYZ7527
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Azaringwagate
- Ebogoma Gabriel, Hugh Tracey
- Authors: Ebogoma Gabriel , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166851 , vital:41411 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0120-12
- Description: Likembe songs such as this are the delight of the evening audiences in the huts at night. The subtle changes of rhythm enhance its otherwise simple theme. He re-tuned his instrument for this song as follows:- 800, 608, 488, 324, 276, 244, 400, 544, 656, 712, 364. (552) (648) (728). This scale was knocked slightly out of tune during playing. (See notes in brackets). There appears to be a note missing between 488 vs, and 400 vs. - unless the player deliberatly requred s hexatonic mode. Topical song wih Neikembe, Likembe.
- Full Text: false
- Date Issued: 1952
- Authors: Ebogoma Gabriel , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166851 , vital:41411 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0120-12
- Description: Likembe songs such as this are the delight of the evening audiences in the huts at night. The subtle changes of rhythm enhance its otherwise simple theme. He re-tuned his instrument for this song as follows:- 800, 608, 488, 324, 276, 244, 400, 544, 656, 712, 364. (552) (648) (728). This scale was knocked slightly out of tune during playing. (See notes in brackets). There appears to be a note missing between 488 vs, and 400 vs. - unless the player deliberatly requred s hexatonic mode. Topical song wih Neikembe, Likembe.
- Full Text: false
- Date Issued: 1952
Bachingola
- Stanley Mulenga, Bemba Men, Composer not specified, Tracey, Hugh
- Authors: Stanley Mulenga , Bemba Men , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia City not specified f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/317809 , vital:59989 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2826-XYZ7003
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Stanley Mulenga , Bemba Men , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia City not specified f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/317809 , vital:59989 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2826-XYZ7003
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Baele na ngbangbang
- Zande men, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Zande men , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo city not specified f-cg
- Language: Zande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/341203 , vital:62745 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3687-XYZ7610a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Zande men , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo city not specified f-cg
- Language: Zande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/341203 , vital:62745 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3687-XYZ7610a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Bagangali
- Authors: Bakia Pierre , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167368 , vital:41472 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-05
- Description: "I am the only son of my father. My wife, laugh just once so that I may see your teeth." Ngbanda Mandefu, the other harp player, a tall bearded man got up and danced in a style reminiscent of a Cossack dance, snapping his fingers and stamping now and then. Bakia Pierre is a large quietly spoken man who works in a Portuguese butchers shop in the small town of Buta. His songs were greeted with great applause and satisfaction by his fellow Zande in the circle. Topical song, with vertical angular Kundi harp, 5 strings.
- Full Text: false
- Date Issued: 1952
- Authors: Bakia Pierre , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167368 , vital:41472 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-05
- Description: "I am the only son of my father. My wife, laugh just once so that I may see your teeth." Ngbanda Mandefu, the other harp player, a tall bearded man got up and danced in a style reminiscent of a Cossack dance, snapping his fingers and stamping now and then. Bakia Pierre is a large quietly spoken man who works in a Portuguese butchers shop in the small town of Buta. His songs were greeted with great applause and satisfaction by his fellow Zande in the circle. Topical song, with vertical angular Kundi harp, 5 strings.
- Full Text: false
- Date Issued: 1952
Bagangali
- Bakia Pierre, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Bakia Pierre , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo city not specified f-cg
- Language: Zande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/340203 , vital:62614 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3619-XYZ7631
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Bakia Pierre , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo city not specified f-cg
- Language: Zande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/340203 , vital:62614 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3619-XYZ7631
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Bagbane
- Iyenga Francois and friend Eleo, Hugh Tracey
- Authors: Iyenga Francois and friend Eleo , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Bondo f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167458 , vital:41482 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-15
- Description: "You have left me for another woman." Tune without words with 2 Ekembe 12 note Likembe Mbiras.
- Full Text: false
- Date Issued: 1952
- Authors: Iyenga Francois and friend Eleo , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Bondo f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167458 , vital:41482 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-15
- Description: "You have left me for another woman." Tune without words with 2 Ekembe 12 note Likembe Mbiras.
- Full Text: false
- Date Issued: 1952
Bagbane
- Francois Iyenga, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Francois Iyenga , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo City not specified f-cg
- Language: Zande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/334442 , vital:61890 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3389-XYZ7599b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Francois Iyenga , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo City not specified f-cg
- Language: Zande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/334442 , vital:61890 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3389-XYZ7599b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952