Najele (The beads around your neck, Najele)
- Ezra Chimpanda and 2 Chewa men, Hugh Tracey
- Authors: Ezra Chimpanda and 2 Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza, Kota Kota District, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153569 , vital:39480 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-05
- Description: "The beads around your neck, Najele, I am tired." Najele was the name of his wife. Drinking song/
- Full Text: false
- Date Issued: 1958
- Authors: Ezra Chimpanda and 2 Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza, Kota Kota District, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153569 , vital:39480 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-05
- Description: "The beads around your neck, Najele, I am tired." Najele was the name of his wife. Drinking song/
- Full Text: false
- Date Issued: 1958
Wacepe Sifuliya (Not enough left in the pot)
- Ezra Chimpanda and 2 Chewa men, Hugh Tracey
- Authors: Ezra Chimpanda and 2 Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza, Kota Kota District, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153578 , vital:39481 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-06
- Description: "Aye, aye, there is not much beer left in the pot. I cannot be satisfied with that.". Drinking song/
- Full Text: false
- Date Issued: 1958
- Authors: Ezra Chimpanda and 2 Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza, Kota Kota District, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153578 , vital:39481 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-06
- Description: "Aye, aye, there is not much beer left in the pot. I cannot be satisfied with that.". Drinking song/
- Full Text: false
- Date Issued: 1958
Nthandazi kulibe nsoni (Nthandazi has no pity)
- Fani Mzamba and Chewa women, Hugh Tracey
- Authors: Fani Mzamba and Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156932 , vital:40069 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-14
- Description: Nthandazi is the name of a local labour recruting agency which has recruited her husband for work in Southern Rhodesia. So she was left alone at home until he returned. So she sings. "Nthandazi has no pity. It has taken away my man. At night I cry. All night I mourn." A baby's voice can be heard during the song, slung on its mother's back. Dance song for Chintala women dance.
- Full Text: false
- Date Issued: 1958
- Authors: Fani Mzamba and Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156932 , vital:40069 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-14
- Description: Nthandazi is the name of a local labour recruting agency which has recruited her husband for work in Southern Rhodesia. So she was left alone at home until he returned. So she sings. "Nthandazi has no pity. It has taken away my man. At night I cry. All night I mourn." A baby's voice can be heard during the song, slung on its mother's back. Dance song for Chintala women dance.
- Full Text: false
- Date Issued: 1958
Rungano (The story of the younger brother)
- Farai Takawarasha and Ncube Shoko, Hugh Tracey
- Authors: Farai Takawarasha and Ncube Shoko , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154558 , vital:39746 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-08
- Description: There were once two brothers who were both herdboys. The elder incited the younger to fight him. While they were fighting the elder brother tired and the younger brother beat him. So the elder brother ran away leaving the younger brother to bring home the cattle. The younger brother thought that their fight was over, but at midnight when he was already in bed he heard a knock at the door and found his older brother standing there. "What do you want?" "I would like to fight again" he replied. So they set to. Again the elder brother was defeated and during the fight they broke the windows and furniture. Early in the morning the elder brother returned and found the younger brother eating mealies, and the younger brother never suspected that the elder brother was eager to fight the third time. He offered the elder brother some mealies but he said he was still dissatisfied with the result of the fight. So they fought again a third time and again and again for six matches, until the younger brother decided he must leave the villgae for good. So he left his home and that was the end of the story. Rungano story.
- Full Text: false
- Date Issued: 1958
- Authors: Farai Takawarasha and Ncube Shoko , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154558 , vital:39746 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-08
- Description: There were once two brothers who were both herdboys. The elder incited the younger to fight him. While they were fighting the elder brother tired and the younger brother beat him. So the elder brother ran away leaving the younger brother to bring home the cattle. The younger brother thought that their fight was over, but at midnight when he was already in bed he heard a knock at the door and found his older brother standing there. "What do you want?" "I would like to fight again" he replied. So they set to. Again the elder brother was defeated and during the fight they broke the windows and furniture. Early in the morning the elder brother returned and found the younger brother eating mealies, and the younger brother never suspected that the elder brother was eager to fight the third time. He offered the elder brother some mealies but he said he was still dissatisfied with the result of the fight. So they fought again a third time and again and again for six matches, until the younger brother decided he must leave the villgae for good. So he left his home and that was the end of the story. Rungano story.
- Full Text: false
- Date Issued: 1958
A Namageli
- Faresi Gama and Nadiesi Namulinde, Hugh Tracey
- Authors: Faresi Gama and Nadiesi Namulinde , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Masula, Lilongwe, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153482 , vital:39457 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-19
- Description: A Namageli, the woman, waas called to Chief Masura's court and while in the court she gave to her child. She had been asked to expalin how she had obtained her child in the absence of her husband in Salisbury, Southern Rhodesia. The dramatic appearance of the child at the moment of investigations was a cause of merriment to all concerned. Pounding song with pestle and mortar.
- Full Text: false
- Date Issued: 1958
- Authors: Faresi Gama and Nadiesi Namulinde , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Masula, Lilongwe, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153482 , vital:39457 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-19
- Description: A Namageli, the woman, waas called to Chief Masura's court and while in the court she gave to her child. She had been asked to expalin how she had obtained her child in the absence of her husband in Salisbury, Southern Rhodesia. The dramatic appearance of the child at the moment of investigations was a cause of merriment to all concerned. Pounding song with pestle and mortar.
- Full Text: false
- Date Issued: 1958
Tikangomva (Yellow cloth)
- Faresi Gama and Najuzi Phiri (woman), Hugh Tracey
- Authors: Faresi Gama and Najuzi Phiri (woman) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Masula, Lilongwe, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153815 , vital:39525 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-06
- Description: "We heard that you bought a yellow cloth and we know at once you were going to be very proud of it. This usually happens at Masula." Topical song.
- Full Text: false
- Date Issued: 1958
- Authors: Faresi Gama and Najuzi Phiri (woman) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Masula, Lilongwe, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153815 , vital:39525 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-06
- Description: "We heard that you bought a yellow cloth and we know at once you were going to be very proud of it. This usually happens at Masula." Topical song.
- Full Text: false
- Date Issued: 1958
Kapitas ndi wachabi (The foreman is useless)
- Faresi Gama and Najuzi Phiri (woman), Hugh Tracey
- Authors: Faresi Gama and Najuzi Phiri (woman) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Masula, Lilongwe, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153824 , vital:39526 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-07
- Description: "The foreman is useless, I am not married, how am I going to make those bands by myself (Contour ridges). There is an agricultural demonstrator in this village who it appears occassionally demands the making of contour ridges through the lands. This song is in response to a demand upon an unmarried woman to complete the work. Topical song.
- Full Text: false
- Date Issued: 1958
- Authors: Faresi Gama and Najuzi Phiri (woman) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Masula, Lilongwe, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153824 , vital:39526 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-07
- Description: "The foreman is useless, I am not married, how am I going to make those bands by myself (Contour ridges). There is an agricultural demonstrator in this village who it appears occassionally demands the making of contour ridges through the lands. This song is in response to a demand upon an unmarried woman to complete the work. Topical song.
- Full Text: false
- Date Issued: 1958
Lile, Lile makonokaya (Lile, Lile, what will happen this year)
- Authors: Five Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160224 , vital:40421 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-07
- Description: This was said to have been sung when the Europeans first came to the country and the people did not know what was going to happen. The friction sticks are held in the left hand, the serated parts downwards and scraped with a small stick. The song was originally sung by Matengo people, a small tribe who were overrun and absorbed by the Ngoni people, it is said. If the explanation of the singers is correct, the song must be about 60-70 years old. Who Lile may have been, no one knew. M'kwenda dance with 5 Umkwenda friction sticks.
- Full Text: false
- Date Issued: 1958
- Authors: Five Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160224 , vital:40421 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-07
- Description: This was said to have been sung when the Europeans first came to the country and the people did not know what was going to happen. The friction sticks are held in the left hand, the serated parts downwards and scraped with a small stick. The song was originally sung by Matengo people, a small tribe who were overrun and absorbed by the Ngoni people, it is said. If the explanation of the singers is correct, the song must be about 60-70 years old. Who Lile may have been, no one knew. M'kwenda dance with 5 Umkwenda friction sticks.
- Full Text: false
- Date Issued: 1958
Akazi amachenjera (Women are clever)
- Authors: Five Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160233 , vital:40423 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-08
- Description: An old song, now only sung by the older men and danced by the men at drinking parties. This wicked old song was much enjoyed by the singers and by their contemporaries and all the older people around. "Women are very clever, they have their own ways of having fun (with other men). M'kwenda dance with 5 Umkwenda friction sticks.
- Full Text: false
- Date Issued: 1958
- Authors: Five Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160233 , vital:40423 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-08
- Description: An old song, now only sung by the older men and danced by the men at drinking parties. This wicked old song was much enjoyed by the singers and by their contemporaries and all the older people around. "Women are very clever, they have their own ways of having fun (with other men). M'kwenda dance with 5 Umkwenda friction sticks.
- Full Text: false
- Date Issued: 1958
Tsobola wambotolo (Bottled chillies)
- Five Chewa women, Hugh Tracey
- Authors: Five Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156995 , vital:40076 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-19
- Description: I do not eat chillies when they are in a bottle as they are too hot for me. Chintala women dance song.
- Full Text: false
- Date Issued: 1958
- Authors: Five Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156995 , vital:40076 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-19
- Description: I do not eat chillies when they are in a bottle as they are too hot for me. Chintala women dance song.
- Full Text: false
- Date Issued: 1958
Misonzi (Tears)
- Five Chewa women, Hugh Tracey
- Authors: Five Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156986 , vital:40075 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-18
- Description: It appears quite usual for the women to take a lament as a theme for their dance songs. The sorrow of a woman who has no one to sing with her is a case in point. "There is no friend of mine whom I can sing with. I can sing like a guitar. I have tucked my jacket into my skirt. I cry, having no friend of mine to sing wth." Chintala women dance song.
- Full Text: false
- Date Issued: 1958
- Authors: Five Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156986 , vital:40075 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-18
- Description: It appears quite usual for the women to take a lament as a theme for their dance songs. The sorrow of a woman who has no one to sing with her is a case in point. "There is no friend of mine whom I can sing with. I can sing like a guitar. I have tucked my jacket into my skirt. I cry, having no friend of mine to sing wth." Chintala women dance song.
- Full Text: false
- Date Issued: 1958
O Jele
- Five Chewa women, Hugh Tracey
- Authors: Five Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156970 , vital:40074 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-17
- Description: "When you say the name of my husband, do not call him O Mwali, I call him Ojele." A song which reflects a fine point of etiquette, the correct name of her husband. Chintala women dance song.
- Full Text: false
- Date Issued: 1958
- Authors: Five Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156970 , vital:40074 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-17
- Description: "When you say the name of my husband, do not call him O Mwali, I call him Ojele." A song which reflects a fine point of etiquette, the correct name of her husband. Chintala women dance song.
- Full Text: false
- Date Issued: 1958
Inu A Nambewe, inu A Phiri (You Nambewa, you Phiri)
- Five elderly Chewa men, Hugh Tracey
- Authors: Five elderly Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160242 , vital:40425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-09
- Description: After singing their song they tap their bamboo friction sticks and laugh and blow into the ends of the bamboos. A widow has to put string into her hair for two years after the husband dies, to mourn for him. The wicked old man is egging on the widow to be merry again. When this recording was played to some villagers in a nearby district, the Chief Njolomole was specially delighted to hear the blowing down the bamboo tubes at the end of the performance, an old drinking party custom, it appeared. "You Nambewa, you Phiri (two widows). Have you already taken off your mourning strings before you have finished mourning for your husband. You A Nabetha, and you A Naketha?" Drinking party dance song. Umkwenda with friction sticks.
- Full Text: false
- Date Issued: 1958
- Authors: Five elderly Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160242 , vital:40425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-09
- Description: After singing their song they tap their bamboo friction sticks and laugh and blow into the ends of the bamboos. A widow has to put string into her hair for two years after the husband dies, to mourn for him. The wicked old man is egging on the widow to be merry again. When this recording was played to some villagers in a nearby district, the Chief Njolomole was specially delighted to hear the blowing down the bamboo tubes at the end of the performance, an old drinking party custom, it appeared. "You Nambewa, you Phiri (two widows). Have you already taken off your mourning strings before you have finished mourning for your husband. You A Nabetha, and you A Naketha?" Drinking party dance song. Umkwenda with friction sticks.
- Full Text: false
- Date Issued: 1958
Bi-i-i! a Bikoko cigamba (Dirt! Bikoko, rags!)
- Five elderly Chewa women, Hugh Tracey
- Authors: Five elderly Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160605 , vital:40482 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-06
- Description: A husband is scolding his wife in public. She replies that he should not scold her in public but at the house because he is in rags himself and she is not like him - he who wears short trousers all in tatters and patches. "Bi-i-i! A Bikoko, rags. Tatters, tatters, tatters! Don't you scold me in front of other people, I am not the same as you because you are all ragged and wear short trousers. Konsolo dance song with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Five elderly Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160605 , vital:40482 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-06
- Description: A husband is scolding his wife in public. She replies that he should not scold her in public but at the house because he is in rags himself and she is not like him - he who wears short trousers all in tatters and patches. "Bi-i-i! A Bikoko, rags. Tatters, tatters, tatters! Don't you scold me in front of other people, I am not the same as you because you are all ragged and wear short trousers. Konsolo dance song with clapping.
- Full Text: false
- Date Issued: 1958
M'dankaka nawo (I should have come with you)
- Five elderly Chewa women, Hugh Tracey
- Authors: Five elderly Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160625 , vital:40484 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-07
- Description: The wife is singing to her husband. Lionde is the well-known ferry across the shire river, north of Blantyre on the main north road. It is above 100 miles from their village. The word Konsolo comes from the English word "Council" and was at the time in the 1930's considered a word of high praise for the most important people of the district. "I should have come with if only Lionde was near by. But because it is so far, I cannot come with you." Konsolo dance song with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Five elderly Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160625 , vital:40484 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-07
- Description: The wife is singing to her husband. Lionde is the well-known ferry across the shire river, north of Blantyre on the main north road. It is above 100 miles from their village. The word Konsolo comes from the English word "Council" and was at the time in the 1930's considered a word of high praise for the most important people of the district. "I should have come with if only Lionde was near by. But because it is so far, I cannot come with you." Konsolo dance song with clapping.
- Full Text: false
- Date Issued: 1958
Imbube Ingonyama (You are the lion)
- Five girls from the Queen mother's village, Hugh Tracey
- Authors: Five girls from the Queen mother's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152240 , vital:39237 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-08
- Description: The song goes on:- "You are growing up to eat man and kill people." The song is sung by the brides' party when the king's daughter is going to be married. The song is addressed to the bridegroom. Lamkhwanse Tsemba was the leader. The prefix "la" indicates she is married. Four of these girls were married and wore their hair in the "Swati dome", the other had her hair painted and combed to form a circular cap. Wedding song.
- Full Text: false
- Date Issued: 1958
- Authors: Five girls from the Queen mother's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152240 , vital:39237 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-08
- Description: The song goes on:- "You are growing up to eat man and kill people." The song is sung by the brides' party when the king's daughter is going to be married. The song is addressed to the bridegroom. Lamkhwanse Tsemba was the leader. The prefix "la" indicates she is married. Four of these girls were married and wore their hair in the "Swati dome", the other had her hair painted and combed to form a circular cap. Wedding song.
- Full Text: false
- Date Issued: 1958
Lezondaba. Imbube ingonyama (The stories)
- Five girls of the Queen Mother's village, Hugh Tracey
- Authors: Five girls of the Queen Mother's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152303 , vital:39244 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-15
- Description: Song for the Mhlanga ceremonies held by the young girls. This is the "reed" ceremony. The young girls go down to the rivers to cut reeds and this song is sung when they bring back the reeds to the village. "Whenever a girl fails in love, her young man is taken away to go to the war." The song was composed during the Second World War. Ceremonial Mhlanga song for reed ceremonies.
- Full Text: false
- Date Issued: 1958
- Authors: Five girls of the Queen Mother's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152303 , vital:39244 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-15
- Description: Song for the Mhlanga ceremonies held by the young girls. This is the "reed" ceremony. The young girls go down to the rivers to cut reeds and this song is sung when they bring back the reeds to the village. "Whenever a girl fails in love, her young man is taken away to go to the war." The song was composed during the Second World War. Ceremonial Mhlanga song for reed ceremonies.
- Full Text: false
- Date Issued: 1958
Imale yami idliwa yingwababane (My money has been eaten up by courtesans)
- Five young girls and group of women, Hugh Tracey
- Authors: Five young girls and group of women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153019 , vital:39373 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-10
- Description: One of the young women performed a dance during this recording. She had rattles made from the dry cocoons of a kind of bag worm found on trees, strapped on her ankles ("Magano" Umsinsi). Ukutsamba, with clapping and ankle rattles.
- Full Text: false
- Date Issued: 1958
- Authors: Five young girls and group of women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153019 , vital:39373 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-10
- Description: One of the young women performed a dance during this recording. She had rattles made from the dry cocoons of a kind of bag worm found on trees, strapped on her ankles ("Magano" Umsinsi). Ukutsamba, with clapping and ankle rattles.
- Full Text: false
- Date Issued: 1958
Nasi indoda ingishaya (My husband beats me)
- Five young women and group of men, Hugh Tracey
- Authors: Five young women and group of men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153010 , vital:39372 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-09
- Description: The women perform this dance after work or after bringing back the reeds to repair the village palings. These palings are well made with four horizontal strips tied with a woven grass cord (Lutinzi). Ukutsamba, with clapping and ankle rattles.
- Full Text: false
- Date Issued: 1958
- Authors: Five young women and group of men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153010 , vital:39372 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-09
- Description: The women perform this dance after work or after bringing back the reeds to repair the village palings. These palings are well made with four horizontal strips tied with a woven grass cord (Lutinzi). Ukutsamba, with clapping and ankle rattles.
- Full Text: false
- Date Issued: 1958
Kucalangibone Eswatini (This is the first time I have seen Swaziland and beautiful things)
- Five young women and group of men, Hugh Tracey
- Authors: Five young women and group of men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153001 , vital:39371 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-08
- Description: Among the 'beautiful things', beautiful girls may also be included. Women's dance. Ukutsamba, with clapping and ankle rattles.
- Full Text: false
- Date Issued: 1958
- Authors: Five young women and group of men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153001 , vital:39371 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-08
- Description: Among the 'beautiful things', beautiful girls may also be included. Women's dance. Ukutsamba, with clapping and ankle rattles.
- Full Text: false
- Date Issued: 1958