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Ons wil vandag bly wees saam met die gestane Heer

- Composition Workshop Choir, Peregrina, Sister, Dargie, Dave

Vergelyking van Tilapia (Oreochromis Mossambicus)en Koi (Ciprinus Carpio) in verskillende produksiestelsels

- Van der Merwe, Johan Philip

  • Authors: Van der Merwe, Johan Philip
  • Date: 2002
  • Subjects: Fish culture
  • Language: Afrikaans
  • Type: Thesis , Masters , MTech (Agricultural Management)
  • Identifier: vital:10967 , http://hdl.handle.net/10948/114 , Fish culture
  • Description: Die studie was uitgevoer om te bepaal of warmwaterspesies soos tilapia (Oreochromis mossambicus) en koi (Ciprinus carpio) gebruik kan word as deel van 'n roterende akwakultuur produksie sisteem in die Wes-Kaap. Drie produksiestelsels (drywende hokstelsel; gronddamme en hersirkuleringseenheid) was ge-evalueer vir beide tilapia en koi produksie. Twee verskillende diëte (tilapia, 32% proteien, 'n lae waarde dieet en koi, 32% proteien, 'n hoë waarde dieet) was ook ge-evalueer vir die effek op koi produksie. Tilapia- en koi vingerlinge was teen dieselfde lading (250/hok) in elke produksiestelsel geplaas. By die begin van die proewe het die tilapia vingerlinge 'n gemiddelde gewig van 60-80g en die koi vingerlinge 'n gemiddelde lengte van 30-40 mm gehad. Die visse is twee keer per dag gevoer en data is op 'n maandelikse basis oor 'n periode van 84 dae versamel. Produksie data vir die tilapia versamel was: 1) die gemiddelde daaglikse toename, 2) die totale voer verbruik, 3) water temperature en 4) mortaliteite is daagliks aangeteken. Die produksie data versamel vir koi wat twee verskillende diëte ontvang het in drie verskillende produksiestelsels was: 1) die gemiddelde daaglikse toename in lengte, 2) die totale voer verbruik, 3) water temperature en 4) mortaliteite is daagliks aangeteken. Die resultate van die tilapia studie het aangedui dat tilapia in die hersirkuleeringseenheid het deurgaans 'n swaarder gewig gehad (p<0.05) as die van die drywende hokstelsel en gronddam stelsel. Terwyl die gronddam stelsel weer 'n swaarder gewig gehad het as die drywende hokstelsel behalwe vir April (171,67 / 39,49 vs 159,33 / 22,15). Nieteenstaande die verskil in begin gewig en eind gewig in die guns van die tilapia in die hersirkuleringseenheid teenoor die ander twee stelsels het die GDT tussen die drywende hokstelsel en die hersirkuleringseenheid nie noemenswaardig verskil nie (1,20 / 0,15 vs 1,40 / 0,24). Die tilapia in die gronddamme het egter swakker (p<0,05) gewigstoename van 0,72 / 0,32 g gehad teenoor die tilapia in die drywende hokstesel 1,40 / 0,24 g en 1,20 / 0,15 g van die tilapia in die hersirkuleringseenheid. Tilapia in die gronddamme het dus ongeveer 45% swakker gemiddelde gewigstoename getoon as die van die drywende hokstelsel en hersirkuleringseenheid. Die produksiestelsel het 'n hoogs betekenisvolle invloed (p<0,001) op die groeipotensiaal van tilapia gehad in hierdie studie. Die gemiddelde totale hoeveelheid voer verbruik was nie statisties verskillend tussen die drywende hokstelsel en gronddam stelsel nie (29,83 / 2,66 vs 30,83 / 5,42), maar wel (p<0,05) vir die hersirkuleringseenheid (29,94 / 0,88). Die VOV het nie verskil tussen die drywende hokstelsel en hersirkuleringeenheid, maar daar was wel 'n verskil (p<0,05) tussen hierdie twee stelsels en die van die gronddamme. Die totale gemiddelde mortaliteite van tilapia was die hoogste (p<0,05) vir die drywende hokstelsel in vergelyking met die gronddamme en hersirkuleringseenheid. Die drywende hokstelsel het 14,67 / 14,61% meer mortaliteite gehad as die gronddamme en hersirkuleringeenheid. Die koi studie se resultate dui aan dat die tipe stelsel het 'n hoogs betekenisvolle (p<0,001) invloed gehad op die gemiddelde toename in lengte van die koi vis vir die somerseisoen. Die tipe dieet het geen invloed op die toename in lengte van koi vis vir al drie die stelsels ge-evalueer, maar die interaksie tussen dieet en die tipe stelsel was wel betekenisvol (p<0.05). Die interaksie tussen die tipe dieet en die tipe stelsel was die hoogste vir die groddamme 136,41 / 32,46 mm en 136,25 / 33,08 mm vir beide tilapia en die koi diëte gevoer. Die gemiddelde totale voer wat deur koi visse in die drie stelsels verbruik is, het wel statisties van mekaar verskil (p<0,05). Koi visse in die gronddam stelsel het meer voer verbruik vir beide die tilapia- en koi dieet (31,03 / 2,01 en 29,67 / 3,57) in vergelyking met die (26,35 / 2,44 ; 26,98 / 0,49 en 5,50 # 0,52 en 6,13 / 0,22) vir die drywende hokke en hersirkuleringseenheid stelsels onderskiedelik. Die % mortaliteite was betekenisvol (p<0,05) vir die verskillende stelsels. Koi visse in die hersirkuleringseenheid het die hoogste mortaliteite gehad vir beide die tilapia en die koi diëte (65,50 / 18,07% en 79,50 / 38,27%) terwyl koi visse in die gronddamme die laagste mortaliteite ondervind het (1,20 / 1,20% en 2,33 / 4,89%) vir beide die tilapia en koi diëte. Die koi in die gronddam stelsel het die beste resultate gelewer en dit is ook moontlik om koi 'n lae waarde dieet te voer sonder nadelige effekte op produksie.
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  • Date Issued: 2002

Amen, Aleluya

- Church Choir, Composer Not Specified, Dargie, Dave

J L B Smith: sy lewe en werk

Here, skenk ons vryheid

- Composition Workshop Choir, Composer not specified, Dargie, Dave

Ons Lag, sing en dans

- Susan, Hendrik, not specified, composer not specified, Tracey, Hugh

Hallelujah

- Missa Zimbabwe in Afrikaans participants, Composer not specified, Dargie, Dave

Lam van God

- Church Choir, Composer Not Specified, Dargie, Dave

Identity and difference: a postcolonial analysis of Cape Malay as depicted in the literary texts from selected South African writers

- Chaudhari, Shamiega

  • Authors: Chaudhari, Shamiega
  • Date: 2009-11
  • Subjects: Postcolonialism , Orientalism
  • Language: Afrikaans
  • Type: text
  • Identifier: http://hdl.handle.net/${Handle} , vital:64143
  • Description: The identity of the Cape Malay is usually reduced to the submissive, the comic and the exotic dishes such as bobotie, curry and samosas. Terms like "slams","slaamaaier" and "halfnaatjie" (Roos 2003:3) were just a few of the derogatory names that was awarded to the Cape Malay. Many of these terms and identity constructions are in the South African literature immortalized. The true history, the struggle, tears and sacrifices of this community slipped by unnoticed and in silence. And today, after all this suffering, they become identity is called into question and this identity is referred to as a controversial identity. In the Western Cape this identity mainly centered around being Malay, being Coloured, Being Cape Muslim or Black Muslim. It seems as if the Cape Malay is in an intermediate identity (defined in English as "inbetweenness") are trapped, defined by their "Muslimness","Cape-ness", "Malay-ness" and "Coloured-ness". This dissertation examines the controversy of the Cape Malay identity and focus specifically on identity construction and Otherness. It emphasizes certain characteristics that people divided due to certain character traits that are different from the norm and therefore cause that they are considered the Other. The study is undertaken with the aim of establishing the authenticity of the Cape Malay identity state and how it is depicted in the works of selected South African writers. It intends to look specifically at the construction of identity through Otherness during the colonial period in Southern Africa as well as how these identities were implemented, rejected or accepted is. , Thesis (MA) -- Faculty of Social Sciences and Humanities, 2009
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  • Date Issued: 2009-11

Hans Lodeizen en die romantiek

- Van der Berg, D Z

  • Authors: Van der Berg, D Z
  • Date: 1980
  • Subjects: Lodeizen, Hans, 1924-1950 -- Criticism and interpretation , Poetry, Modern -- History and criticism , Romanticism
  • Language: Afrikaans
  • Type: Thesis , Masters , MA
  • Identifier: vital:3565 , http://hdl.handle.net/10962/d1002088
  • Description: Hans Lodeizen is reeds in 1950 oorlede en alhoewel sy bundel Het lnnerlijk behang reeds meer herdrukke beleef het as enige bundel van bekender Vyftigers soos Remco Campert en Hans Andreus, het daar tot dusver sIegs twee krltiese studies en verder korter artikels oor sy digkuns verskyn. Heelwat kritici wys ook op die romantiese trekke in sy digkuns, maar soos bevestig deur De Rover, is daar nog nie aandag gegee aan wat hierdie "romantiek" dan werklik behels nie. As 'n mens die gedigte van Hans Lodeizen en die kritiese werke daaroor lees, word dit gou duidelik dat daar oënskynlik sterk romantiese trekke in sy digkuns aanwesig is, maar dat dit tog nie suiwer romantiek is nle. Soos Rodenko dit uitdruk: "hij is geen romanticus-uit-één-stuk, maar een gebroken romanticus." Deur twee kritici, nl. Stuiveling en Cartens word hy onderskeidelik egter as ekspressionis en surrealis bestempel. Wanneer ons verder in aanmerking neem dat Lodeizen algemeen aanvaar word as die voorloper, of as lid van die Vyftigers wat skerp van die Romantiek verskil, ontstaan die vraag of dit geregverdig is om Lodeizen as 'n "gebroke" of wat-dan-ook-al romantikus te beskou. Die doel van hierdie tesis is dan om na te gean in hoeverre daar weI sprake van romantiese nalewing in sy digkuns is en of dit net nawerking is. In aansluiting by Ziolkowski sal ons van nalewing praat wanneer 'n sekere gegewe, wat ons op grond van die ontleding van die Romantiek in die eerste hoofstuk as "romanties" ervaar, uit die gees van 'n moderne werk spruit. As nawerking beskou ons dan daardie gevalle waar dit duidelik is, dat ons met 'n teksgedeelte oneie aan die gees van die res van die teks te make het, wat nie op die selfde tydsvlak bestaan nie as die teks waarin dit ingebed is. Aangesien nalewing georiënteer is op die ideologiese inhoud van 'n algemene geesteshouding soos dit in die literêre denke tot uitdrukking kom, moet daar eers vasgestel word of daar wel so 'n gedagtekompleks by verskillende Romantiese digters aan te toon is, want slegs enkele, losstaande elemente vorm nog geensins 'n geesteshoudlng of styl nie. Dit is dan die doel van die volgende hoofstuk, terwyl die daaropvolgende hoofstukke sal probeer vasstel of die hoofkenmerke van die tipologiese romantiek wel in die werk van Hans Lodeizen aanwesig is.
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  • Date Issued: 1980

Jesus gee die brood

- Katurura workshop participants, Banana, C., Dargie, Dave

Die musikale potensiaal van die kleuter en die ontwikkeling van 'n sillabus vir pre-primêre musiekopvoeding met besondere verwysing na die Dalcroze-, Kodaly-, en Orff-metodes

- Hendrikse, Salomé

  • Authors: Hendrikse, Salomé
  • Date: 1982
  • Language: Afrikaans
  • Type: Thesis , Masters , MMus
  • Identifier: vital:2667 , http://hdl.handle.net/10962/d1006147
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  • Date Issued: 1982

South African Typographical Union constitution as amended, reprinted and issued September 1982

- South African Typographical Union

Wanneer kom ons troudag gertjie

- Susan, Hendrik, not specified, composer not specified, Tracey, Hugh

'n Leesmoontlikheid van Jeanne Goosen se teks Louoond : die vrou as skrywer binne die Suid-Afrikaanse bestel

- Viljoen, Erika Valeska

  • Authors: Viljoen, Erika Valeska
  • Date: 1989
  • Subjects: Goosen, Jeanne -- Criticism and interpretation , Goosen, Jeanne -- Louoond
  • Language: Afrikaans
  • Type: Thesis , Masters , MA
  • Identifier: vital:3573 , http://hdl.handle.net/10962/d1002096 , Goosen, Jeanne -- Criticism and interpretation , Goosen, Jeanne -- Louoond
  • Description: This thesis investigates the narrative strategies of Jeanne Goosen, as employed in her short novel, Louoond. I regard this text as an excellent example of modern Afrikaans prose, and particular reference was made to her previous novel: Om 'n mens na te boots which indicates similarities to the text under scrutiny. Chapter One is a close reading of the first chapter of the novel, in order to identify certain prominent codes, and also to determine what the text itself prescribes. My presumption is that the text determines how it should be read, that no single, predetermined strategy can be rigidly applied to it. Thus I formulated my own individual possible reading from the first chapter, and I view it throughout as mere "speculation", since this possible reading remains only a possibility. Chapter Two contains the theoretical background that is necessary for a scientific study of this kind. I followed mainly the strategies of Roland Barthes and Jacques Derrida, who are pioneers in the post -modernistic theory. It was particularly important to investigate the role of the narrator: the narrator in Louoond presents herself as a writer, therefore it is the process that is paramount. In Chapter Three the code of writing, as identified in Chapter ʺOneʺ of Louoond, is followed closely throughout the text. In Louoond, which is metatextual, violence is textually inherent, and also part of the process of writing. This violence is definitely also part of the South African situation as it is signified in the novel. Throughout the narrator is in a state of tension about her own role in the ʺrevolutionʺ - in which also her own text is a revolution in language, but always within the NOW of South Africa. Chapter Four concerns itself mainly with the role of the woman as narrator, as muse, as primary protagonist. I discuss the code of woman in relation to prominent feminist writers, but it remains in context of the text. Each issue is in the first place determined by the text, the text therefore determines which feminist issues will be investigated. The South African situation, and specifically the Afrikaner situation, serves throughout as intertext for Louoond, as with the code of writing. Other intertextual references are important, because the text is never independent from anything outside itself, and could not exist in such independence. Music plays an important role, with Callas as muse and as fellow female artist, while George Sand functions as fellow writer. Woman, independent of man, is put forward as creator. In my reading, the text remains in the first place a fabrication/imitation of the South African reality, and the fInal scene reaffirms the ʺfinal catastropheʺ that is indicated in the motto as a ʺcondition of controlled hysteriaʺ
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  • Date Issued: 1989

!Khutse Gaosisen

- Composition Workshop Choir, Composer Not Specified, Dargie, Dave

Amen

- Katurura workshop participants, Molefe, S. C., Dargie, Dave

'n Dekonstruksie van 'n teks uit Die ongedanste dans van Breyten Breytenbach

- Vorster, Anton Ferreira

  • Authors: Vorster, Anton Ferreira
  • Date: 1988
  • Subjects: Breytenbach, Breyten -- Criticism and interpretation
  • Language: Afrikaans
  • Type: Thesis , Masters , MA
  • Identifier: vital:3572 , http://hdl.handle.net/10962/d1002095 , Breytenbach, Breyten -- Criticism and interpretation
  • Description: The thesis provides an interpretation of the poem ʺ(Taalstryd)ʺ (Lewendood, p.143) by employing deconstruction theory, particularly as it has been developed by Jacques Derrida. The main assumption is that the text is not a self-sufficient entity, but finds itself in a continually changing relationship with other texts, a relationship described by deconstructionists as intertextuality. This relationship, as it has been described by Julia Kristeva, does not only involve literary works, but also the world-as- text. In chapter one this point of view is illustrated in a discussion around the title of the poem. It is postulated that the title is not a neutral description of a period in the history of the development of the Afrikaans language. Rather, it represents an ideological concept which can be interpreted in various ways. The poem clearly lends itself to an interpretation of "the struggle for the Taal" as a struggle which has manifested itself in many different areas and historical periods within the South African context. In chapter two the discussion of the relationship between language, history and ideology is continued. It is shown how the ʺofficialʺ history represents a one-sided view of Afrikaans as a ʺEuropeanʺ language, greatly ignoring its African component. This representation relies on a logocentric approach to the relationship between language and writing. Breytenbach's poetry, like the writings of Derrida, can be regarded as a "deconstruction" of this approach. The ʺdisseminationʺ of meaning in ʺ(Taalstryd)ʺ is illustrated in terms of the poem's intertextual relationship with Breytenbachʾs ʺPlease don't feed the animalsʺ and Krigeʾs ʺLied van die Fascistiese bomwerpersʺ. Chapter three sets ʺ(Taalstryd)ʺ within the current debate surrounding Afrikaner survival. It is shown how the Afrikaner power base has been established and strengthened by way of legislation, the system of Christian National Education, as well as the creation of a nationalist-orientated history. This power base is currently in a state of crisis, in which different political groupings are continuing the ʺ(Taalstryd)ʺ
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  • Date Issued: 1988

'n Sintaktiese ondersoek na die gebruik van onderskikkende voegwoorde en sinsverbindende woorde in Afrikaans

- Bosch, Agnes Barbara

Tanga nokufumadeka Hompa

- Music workshop participants, Group composition, Dargie, Dave

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