Maivhavhe nda dliwa
- Kruger, Jaco (Recorded by), Petros Rambofheni and group (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Petros Rambofheni and group (Performer) , Composer unknown
- Subjects: Tshandani , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Mbila , Tshizambi
- Type: Music , Sound
- Identifier: vital:15562 , JKC09b-04 , http://hdl.handle.net/10962/d1008751 , Tape number: JKC09 , Original tape number: 9 , Track number: 04
- Description: Traditional Shangaan song accompanied by the tshizambi friction musical bow , For further details refer to Jaco Kruger recording card: 111
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Petros Rambofheni and group (Performer) , Composer unknown
- Subjects: Tshandani , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Mbila , Tshizambi
- Type: Music , Sound
- Identifier: vital:15562 , JKC09b-04 , http://hdl.handle.net/10962/d1008751 , Tape number: JKC09 , Original tape number: 9 , Track number: 04
- Description: Traditional Shangaan song accompanied by the tshizambi friction musical bow , For further details refer to Jaco Kruger recording card: 111
- Full Text: false
Helele! Yiliphi leliyani?
- Princess Constance Magogo KaDinuzulu accompanied by Chief Gatsha Buthelezi (Performer), Composer not specified
- Authors: Princess Constance Magogo KaDinuzulu accompanied by Chief Gatsha Buthelezi (Performer) , Composer not specified
- Subjects: Parade song , Ugubu bow , Hissing , Indigenous folk music , Kwapindangene , Natal (KwaZulu-Natal) , South Africa
- Type: Sound , Music
- Identifier: vital:15490 , MOA37-02 , http://hdl.handle.net/10962/d1017848 , MOA37
- Description: English translation of title: 'Which regiment is that?' , Parade song by Princess Constance Magogo KaDinuzulu accompanied by Chief Gatsha Buthelezi, with ugubu bow , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Princess Constance Magogo KaDinuzulu accompanied by Chief Gatsha Buthelezi (Performer) , Composer not specified
- Subjects: Parade song , Ugubu bow , Hissing , Indigenous folk music , Kwapindangene , Natal (KwaZulu-Natal) , South Africa
- Type: Sound , Music
- Identifier: vital:15490 , MOA37-02 , http://hdl.handle.net/10962/d1017848 , MOA37
- Description: English translation of title: 'Which regiment is that?' , Parade song by Princess Constance Magogo KaDinuzulu accompanied by Chief Gatsha Buthelezi, with ugubu bow , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Title not specified
- Kruger, Jaco (Recorded by), Shonisani and Wilson Randima (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Wilson Randima (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Duet performance , Instrumental
- Type: Music , Sound
- Identifier: vital:15822 , JKC06a-13 , http://hdl.handle.net/10962/d1009011 , Tape number: JKC06 , Original tape number: 6 , Track number: 13
- Description: Duet performance of traditional Venda tune with 14 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 83
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Shonisani and Wilson Randima (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Duet performance , Instrumental
- Type: Music , Sound
- Identifier: vital:15822 , JKC06a-13 , http://hdl.handle.net/10962/d1009011 , Tape number: JKC06 , Original tape number: 6 , Track number: 13
- Description: Duet performance of traditional Venda tune with 14 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 83
- Full Text: false
An investigation into the causes of high demand for leave at B. J. Vorster Hospital
- Authors: Mene, Xolani Stephen
- Date: 2015-04
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/53312 , vital:45140
- Description: Due to the high demand for leave at B.J. Vorster Hospital; staff members, especially the nursing staff, tend to be on leave for long periods and sometimes be absent without leave. In some instances they request extensions to their leaves when they are already on leave. They do not report back for duties at the end of the leave period instead they provide reasons which warrant that the leave be extended. Subsequently, nurses who are on duty have to continue working because there is no-one to relieve the mand work needs to be done. A threatening situation which could lead to patients being left unattended tends to emerge under these circumstances. Hence in some instances nurses are called from other clinics to assist. Some employees absent themselves without leave and management does not appear to be taking action against such conduct. This leads to poor quality of health care in nursing which is a matter of concern to the community, to management and to the policy-makers. A qualitative research method was used in this study, in order to investigate the cause for high demand for leave at B.J. Vorster Hospital. Data collection was undertaken through interviews. The study found that the high demand for leave is attributed to fatigue resulting from huge workloads, claims of entitlement to leave, need to extend weekends due to family responsibilities. The study recommends that the management of leave and the current amount of leave days allocated to staff be reconsidered taking into account the relevant legislation including the Basic Conditions of Employment Act and the prevailing conditions in the hospital. , Thesis (MA) -- Faculty of Humanities, School of Governmental and Social Sciences, 2015.
- Full Text:
- Date Issued: 2015-04
- Authors: Mene, Xolani Stephen
- Date: 2015-04
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/53312 , vital:45140
- Description: Due to the high demand for leave at B.J. Vorster Hospital; staff members, especially the nursing staff, tend to be on leave for long periods and sometimes be absent without leave. In some instances they request extensions to their leaves when they are already on leave. They do not report back for duties at the end of the leave period instead they provide reasons which warrant that the leave be extended. Subsequently, nurses who are on duty have to continue working because there is no-one to relieve the mand work needs to be done. A threatening situation which could lead to patients being left unattended tends to emerge under these circumstances. Hence in some instances nurses are called from other clinics to assist. Some employees absent themselves without leave and management does not appear to be taking action against such conduct. This leads to poor quality of health care in nursing which is a matter of concern to the community, to management and to the policy-makers. A qualitative research method was used in this study, in order to investigate the cause for high demand for leave at B.J. Vorster Hospital. Data collection was undertaken through interviews. The study found that the high demand for leave is attributed to fatigue resulting from huge workloads, claims of entitlement to leave, need to extend weekends due to family responsibilities. The study recommends that the management of leave and the current amount of leave days allocated to staff be reconsidered taking into account the relevant legislation including the Basic Conditions of Employment Act and the prevailing conditions in the hospital. , Thesis (MA) -- Faculty of Humanities, School of Governmental and Social Sciences, 2015.
- Full Text:
- Date Issued: 2015-04
Mulovhidzana Part II and III
- Kruger, Jaco (Recorded by), Shonisani, Kruger and Randima (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Shonisani, Kruger and Randima (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Instrumental , Trio performance , Right hand of Part II
- Type: Music , Sound
- Identifier: vital:15618 , JKC08a-13 , http://hdl.handle.net/10962/d1008807 , Tape number: JKC08 , Original tape number: 8 , Track number: 13
- Description: Part II and III of trio performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 101
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Shonisani, Kruger and Randima (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Instrumental , Trio performance , Right hand of Part II
- Type: Music , Sound
- Identifier: vital:15618 , JKC08a-13 , http://hdl.handle.net/10962/d1008807 , Tape number: JKC08 , Original tape number: 8 , Track number: 13
- Description: Part II and III of trio performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 101
- Full Text: false
Divisional Map of Komgha
- Great Britain. Army. Quarter Master General's Department
- Authors: Great Britain. Army. Quarter Master General's Department
- Date: 1902
- Subjects: Komga (South Africa) -- Administrative and political divisions -- Maps Maps , South Africa
- Language: English
- Type: cartographic , map
- Identifier: http://hdl.handle.net/10962/54940 , vital:26638 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa , MP595
- Full Text: false
- Date Issued: 1902
- Authors: Great Britain. Army. Quarter Master General's Department
- Date: 1902
- Subjects: Komga (South Africa) -- Administrative and political divisions -- Maps Maps , South Africa
- Language: English
- Type: cartographic , map
- Identifier: http://hdl.handle.net/10962/54940 , vital:26638 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa , MP595
- Full Text: false
- Date Issued: 1902
Vho Madevha
- Kruger, Jaco (Recorded by), Ramabanda, Lukas (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Ramabanda, Lukas (Performer) , Composer unknown
- Subjects: Tshivhilwi , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Malombo song , Trance dance song , Bow , Tshizambi , Mbila , Solo
- Type: Music , Sound
- Identifier: vital:16040 , JKC09a-10 , http://hdl.handle.net/10962/d1009229 , Tape number: JKC09 , Original tape number: 9 , Track number: 10
- Description: Traditional Venda trance dance song accompanied by the tshizambi friction musical bow
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Ramabanda, Lukas (Performer) , Composer unknown
- Subjects: Tshivhilwi , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Malombo song , Trance dance song , Bow , Tshizambi , Mbila , Solo
- Type: Music , Sound
- Identifier: vital:16040 , JKC09a-10 , http://hdl.handle.net/10962/d1009229 , Tape number: JKC09 , Original tape number: 9 , Track number: 10
- Description: Traditional Venda trance dance song accompanied by the tshizambi friction musical bow
- Full Text: false
Normative Indicators for the Beery-Buktenica Developmental Test of Visual-Motor Integration on clinically unimpaired isiXhosa speaking adults with disadvantaged education
- Authors: Kili, Ziphozakhe
- Date: 2022-07
- Subjects: Grahamstown (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10353/27569 , vital:69316
- Description: This study aimed to develop normative indicators for the Beery-Buktenica Developmental Test of Visual-Motor Integration (Beery VMI) for Xhosa speaking adults in the Eastern Cape with a grade 11 or 12 qualification from a previously disadvantaged educational background. Method: the sample size was 40 participants between the ages of 19 to 40 years old. The study used participants that had no cognitive impairments. This study used independent t-test analysis to compare test performance between the following categories: urban versus rural, males versus females, age group 19-29 versus 30-40. The Kruskall Wallis test was used to establish whether classroom size would have an impact on test performance. Results: This study revealed that there was a no statistical difference in performance between urban and rural participants, males and females, and classroom size. There was no statistical significance between the age categories 19-29 versus 30-40 on the visual perception and motor coordination supplementary tests. However, there was a statistical significance noted, between the age categories on the visual-motor integration test performance. Conclusions: it was concluded that the Beery VMI can be used with more confidence when assessing the Xhosa speaking population from disadvantaged educational backgrounds. The norms in this study cannot be generalized to other ethnic groups or populations. It was further recommended that more studies like this take place, and more norms are created for the South Africans using the Beery VMI. , Thesis (MSoc) -- Faculty of Social Sciences and Humanities, 2022
- Full Text:
- Date Issued: 2022-07
- Authors: Kili, Ziphozakhe
- Date: 2022-07
- Subjects: Grahamstown (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10353/27569 , vital:69316
- Description: This study aimed to develop normative indicators for the Beery-Buktenica Developmental Test of Visual-Motor Integration (Beery VMI) for Xhosa speaking adults in the Eastern Cape with a grade 11 or 12 qualification from a previously disadvantaged educational background. Method: the sample size was 40 participants between the ages of 19 to 40 years old. The study used participants that had no cognitive impairments. This study used independent t-test analysis to compare test performance between the following categories: urban versus rural, males versus females, age group 19-29 versus 30-40. The Kruskall Wallis test was used to establish whether classroom size would have an impact on test performance. Results: This study revealed that there was a no statistical difference in performance between urban and rural participants, males and females, and classroom size. There was no statistical significance between the age categories 19-29 versus 30-40 on the visual perception and motor coordination supplementary tests. However, there was a statistical significance noted, between the age categories on the visual-motor integration test performance. Conclusions: it was concluded that the Beery VMI can be used with more confidence when assessing the Xhosa speaking population from disadvantaged educational backgrounds. The norms in this study cannot be generalized to other ethnic groups or populations. It was further recommended that more studies like this take place, and more norms are created for the South Africans using the Beery VMI. , Thesis (MSoc) -- Faculty of Social Sciences and Humanities, 2022
- Full Text:
- Date Issued: 2022-07
Makandi Part II
- Kruger, Jaco (Recorded by), Thiba and Kruger (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Thiba and Kruger (Performer) , Composer unknown
- Subjects: Tshanda village , Vhembe district , Transvaal (Limpopo) , South Africa , Indigenous music , Xylophone , Instrumental , Duet performance , Traditional music
- Type: Music , Sound
- Identifier: vital:15566 , JKC11b-24 , http://hdl.handle.net/10962/d1008755 , Tape number: JKC11 , Original tape number: 11 , Track number: 24
- Description: English translation of title: 'Taking big steps' , Part II of duet performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 131
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Thiba and Kruger (Performer) , Composer unknown
- Subjects: Tshanda village , Vhembe district , Transvaal (Limpopo) , South Africa , Indigenous music , Xylophone , Instrumental , Duet performance , Traditional music
- Type: Music , Sound
- Identifier: vital:15566 , JKC11b-24 , http://hdl.handle.net/10962/d1008755 , Tape number: JKC11 , Original tape number: 11 , Track number: 24
- Description: English translation of title: 'Taking big steps' , Part II of duet performance of traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 131
- Full Text: false
Vhana vha halwa
- Kruger, Jaco (Recorded by), Masindi Phampha (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Masindi Phampha (Performer) , Composer unknown
- Subjects: Malavuhe , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Lugube , Solo
- Type: Music , Sound
- Identifier: vital:16024 , JKC07b-07 , http://hdl.handle.net/10962/d1009213 , Tape number: JKC07 , Original tape number: 7 , Track number: 07
- Description: Traditional Venda song accompanied by the lugube musical bow , For further details refer to Jaco Kruger recording card: 94
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Masindi Phampha (Performer) , Composer unknown
- Subjects: Malavuhe , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Lugube , Solo
- Type: Music , Sound
- Identifier: vital:16024 , JKC07b-07 , http://hdl.handle.net/10962/d1009213 , Tape number: JKC07 , Original tape number: 7 , Track number: 07
- Description: Traditional Venda song accompanied by the lugube musical bow , For further details refer to Jaco Kruger recording card: 94
- Full Text: false
Rine ri funa vho Lutanga
- Kruger, Jaco (Recorded by), Mphaphuli, John (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Mphaphuli, John (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Bow , Tshihwana
- Type: Music , Sound
- Identifier: vital:15743 , JKC04a-07 , http://hdl.handle.net/10962/d1008932 , Tape number: JKC04 , Original tape number: 4 , Track number: 07
- Description: English translation of title: 'We love Mr Lutanga a well known domba leader' , Traditional Venda song with tshihwana bow accompaniment , For further details refer to Jaco Kruger recording card: 66
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Mphaphuli, John (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Bow , Tshihwana
- Type: Music , Sound
- Identifier: vital:15743 , JKC04a-07 , http://hdl.handle.net/10962/d1008932 , Tape number: JKC04 , Original tape number: 4 , Track number: 07
- Description: English translation of title: 'We love Mr Lutanga a well known domba leader' , Traditional Venda song with tshihwana bow accompaniment , For further details refer to Jaco Kruger recording card: 66
- Full Text: false
The application of the prescription act in labour disputes
- Authors: Mncanca, Siyamthanda
- Date: 2022-04
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/55498 , vital:52375
- Description: It is inevitable that in an employment relationship grievances and conflicts may emerge.1 This is attested to by the large volume of 193 732 disputes that were referred to the Commission for Conciliation, Mediation and Arbitration (CCMA) during the 2018/19 financial year.2 In the event where an employee is dismissed from work and he decides to challenge the dismissal, section 191 of the Labour Relations Act (LRA) grants the employee a right to refer the matter to the CCMA for conciliation or arbitration.3 The purpose of referring the disputes to the CCMA is to support an establishment of a voluntary, free of charge and expeditious mechanisms for labour disputes settlement and allow parties to resolve their disputes through a consensus based process before taking the route of a court process.4 There are time frames that are provided for the referral of disputes to the CCMA. Section 191 determines these time frames by stating that an employee must refer their alleged unfair dismissal to the CCMA within 30 days or 90 days when a dispute relates to an unfair labour practice in accordance with section 191(1)(b)(ii) of the LRA.5 The rationale behind these time frames was outlined in the Constitutional Court (CC) judgement of Toyota SA Motors (Pty) Ltd v CCMA,6 as a means to bring about the expeditious resolution of labour disputes which by their nature, require speedy resolution. , Thesis (L.L.M.) -- Faculty of Law, Mercantile Law, 2022
- Full Text:
- Date Issued: 2022-04
- Authors: Mncanca, Siyamthanda
- Date: 2022-04
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/55498 , vital:52375
- Description: It is inevitable that in an employment relationship grievances and conflicts may emerge.1 This is attested to by the large volume of 193 732 disputes that were referred to the Commission for Conciliation, Mediation and Arbitration (CCMA) during the 2018/19 financial year.2 In the event where an employee is dismissed from work and he decides to challenge the dismissal, section 191 of the Labour Relations Act (LRA) grants the employee a right to refer the matter to the CCMA for conciliation or arbitration.3 The purpose of referring the disputes to the CCMA is to support an establishment of a voluntary, free of charge and expeditious mechanisms for labour disputes settlement and allow parties to resolve their disputes through a consensus based process before taking the route of a court process.4 There are time frames that are provided for the referral of disputes to the CCMA. Section 191 determines these time frames by stating that an employee must refer their alleged unfair dismissal to the CCMA within 30 days or 90 days when a dispute relates to an unfair labour practice in accordance with section 191(1)(b)(ii) of the LRA.5 The rationale behind these time frames was outlined in the Constitutional Court (CC) judgement of Toyota SA Motors (Pty) Ltd v CCMA,6 as a means to bring about the expeditious resolution of labour disputes which by their nature, require speedy resolution. , Thesis (L.L.M.) -- Faculty of Law, Mercantile Law, 2022
- Full Text:
- Date Issued: 2022-04
Ku lila
- Kruger, Jaco (Recorded by), Lambani family (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Lambani family (Performer) , Composer unknown
- Subjects: Halambani , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Mbila , Xylophone
- Type: Music , Sound
- Identifier: vital:15530 , JKC14a-14 , http://hdl.handle.net/10962/d1008719 , Tape number: JKC14 , Original tape number: 14 , Track number: 14
- Description: English translation of title: 'The ground hornbills are crying' , Traditional Venda song accompanied by the 21 key xylophone , For further details refer to Jaco Kruger recording card: 147
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Lambani family (Performer) , Composer unknown
- Subjects: Halambani , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Mbila , Xylophone
- Type: Music , Sound
- Identifier: vital:15530 , JKC14a-14 , http://hdl.handle.net/10962/d1008719 , Tape number: JKC14 , Original tape number: 14 , Track number: 14
- Description: English translation of title: 'The ground hornbills are crying' , Traditional Venda song accompanied by the 21 key xylophone , For further details refer to Jaco Kruger recording card: 147
- Full Text: false
General plan of the South Eastern part of the district of Albany in the Colony of the Cape of Good Hope shewing the situation and exact boundaries of the lands allotted for the location of English Settlers as also towns, military and other establishments , personal grants of lands etc.
- Authors: Knobel, J
- Date: 1822
- Subjects: British settlers of 1820 (South Africa) Maps , Cape of Good Hope (South Africa) -- History, 1795-1872 Maps , Albany (South Africa) -- Maps Maps , South Africa
- Language: English
- Type: cartographic , map
- Identifier: http://hdl.handle.net/10962/55234 , vital:26679 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa MP107 , MP107
- Full Text: false
- Date Issued: 1822
- Authors: Knobel, J
- Date: 1822
- Subjects: British settlers of 1820 (South Africa) Maps , Cape of Good Hope (South Africa) -- History, 1795-1872 Maps , Albany (South Africa) -- Maps Maps , South Africa
- Language: English
- Type: cartographic , map
- Identifier: http://hdl.handle.net/10962/55234 , vital:26679 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa MP107 , MP107
- Full Text: false
- Date Issued: 1822
Main thesis title 2021: A framework for a waterfront development in Nelson Mandela Bay
- Sethosa, Thandisizwe Theophilus
- Authors: Sethosa, Thandisizwe Theophilus
- Date: 2021-04
- Subjects: Gqeberha (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master' theses , text
- Identifier: http://hdl.handle.net/10948/52957 , vital:44902
- Description: Internationally, waterfront developments have become major tourist attractions and added to a city's infrastructure. This study seeks to traverse available literature to develop a conceptual framework for Waterfront Development in Nelson Mandela Bay. A framework is a systematic arrangement of ideas that are used to establish an understanding of ideas and principles that are relevant to a research study. Following the comprehensive analysis of literature that has been carried out globally, a conceptual framework was adopted as a blueprint for successful Waterfront Developments from the Port of Adelaide in South Australia. The framework essentially comprises one dependent factor, namely A successful Waterfront Development. This factor was expected to be influenced positively by the following independent factors, namely Functionality, Accessibility, Natural Environment and Culture, History and Memory. This research pursued a positivistic approach using quantitative methods of analysis. Accordingly, the researcher tested a conceptual model through the use of an online survey and statistical analysis. The hypothesised Waterfront Development Model for Nelson Mandela Bay was evaluated statistically. This includes a detailed process of the assessment of the factors via Exploratory Factor Analysis (EFA). The EFA produced new factors and rearranged the items allocated to different factors in accordance to best statistical fit. The study's questionnaire was distributed to the residents of Nelson Mandela Bay and was completed by a sample of 202 residents. The study sought to identify relevant factors to inform management on how to drive a successful waterfront development imperative in the city. The factor ‘Critical Success Factor’ in the hypothesised model, through the EFA process produced four additional factors namely, ‘Unique NMB Identity’, ‘Public-Private Partnership’, ‘Development Time frames’ and ‘Ownership Structure’. The factor ‘Functionality ‘in the hypothesised model, through the EFA process produced three additional factors namely, ‘Leisure Activities’, ‘Port Activities’ and ‘Residential Potential. , Thesis (MBA) -- Faculty of Business and Economic Sciences, NMU Business School, 2021
- Full Text: false
- Date Issued: 2021-04
- Authors: Sethosa, Thandisizwe Theophilus
- Date: 2021-04
- Subjects: Gqeberha (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master' theses , text
- Identifier: http://hdl.handle.net/10948/52957 , vital:44902
- Description: Internationally, waterfront developments have become major tourist attractions and added to a city's infrastructure. This study seeks to traverse available literature to develop a conceptual framework for Waterfront Development in Nelson Mandela Bay. A framework is a systematic arrangement of ideas that are used to establish an understanding of ideas and principles that are relevant to a research study. Following the comprehensive analysis of literature that has been carried out globally, a conceptual framework was adopted as a blueprint for successful Waterfront Developments from the Port of Adelaide in South Australia. The framework essentially comprises one dependent factor, namely A successful Waterfront Development. This factor was expected to be influenced positively by the following independent factors, namely Functionality, Accessibility, Natural Environment and Culture, History and Memory. This research pursued a positivistic approach using quantitative methods of analysis. Accordingly, the researcher tested a conceptual model through the use of an online survey and statistical analysis. The hypothesised Waterfront Development Model for Nelson Mandela Bay was evaluated statistically. This includes a detailed process of the assessment of the factors via Exploratory Factor Analysis (EFA). The EFA produced new factors and rearranged the items allocated to different factors in accordance to best statistical fit. The study's questionnaire was distributed to the residents of Nelson Mandela Bay and was completed by a sample of 202 residents. The study sought to identify relevant factors to inform management on how to drive a successful waterfront development imperative in the city. The factor ‘Critical Success Factor’ in the hypothesised model, through the EFA process produced four additional factors namely, ‘Unique NMB Identity’, ‘Public-Private Partnership’, ‘Development Time frames’ and ‘Ownership Structure’. The factor ‘Functionality ‘in the hypothesised model, through the EFA process produced three additional factors namely, ‘Leisure Activities’, ‘Port Activities’ and ‘Residential Potential. , Thesis (MBA) -- Faculty of Business and Economic Sciences, NMU Business School, 2021
- Full Text: false
- Date Issued: 2021-04
Segwagwa
- Botha, Karika (Recorded by), Sesotho children (Performer), Composer unknown
- Authors: Botha, Karika (Recorded by) , Sesotho children (Performer) , Composer unknown
- Subjects: Shongoane village , Lephalale , Transvaal (Limpopo) , South Africa , Indigenous music , Poem , Recitation
- Type: Music , Sound
- Identifier: vital:15770 , JKC17a-19 , http://hdl.handle.net/10962/d1008959 , Tape number: JKC17 , Original tape number: 17 , Track number: 19
- Description: English translation of title: 'Frog' , Recited frog poem by a creche child
- Full Text: false
- Authors: Botha, Karika (Recorded by) , Sesotho children (Performer) , Composer unknown
- Subjects: Shongoane village , Lephalale , Transvaal (Limpopo) , South Africa , Indigenous music , Poem , Recitation
- Type: Music , Sound
- Identifier: vital:15770 , JKC17a-19 , http://hdl.handle.net/10962/d1008959 , Tape number: JKC17 , Original tape number: 17 , Track number: 19
- Description: English translation of title: 'Frog' , Recited frog poem by a creche child
- Full Text: false
The Sound of Africa: A documentary broadcast for the Canadian Broadcast Corporation
- Authors: Tracey, Hugh
- Subjects: Drum , Silence , Birds , Frogs , Lioness , Lion , Wild animals , Languages , Bemba , Zambia , Karanga , Zimbabwe , Northern Rhodesia , Southern Rhodesia , Mpondo , Eastern Cape , South Africa , Tonga , Zambezi , Quill , Cattle calling , Malimba , Hand piano , Tanganyika , Chief , Banana , Lake Victoria , Pipes , Flutes , Lakes , Choral singing , Forests , Drums , Xylophones , Guitars , Jazz , Penny whistles , Town , Hymn , Carol , Royal flautist , Soga , Mountains of the Moon , Grass plains , Choruses , Men , Ululation , Mafikeng , Tswana , Bush , Trees , Bows , Plucking , Twanging , Mouth-bow , Stick-bow , Zulu , Love song , Board Zither , Bangwe , Nyasaland , Harp , Uganda , Kenya , Kipsigi , Guitar , Luba , Congo River , Message drum , Portuguese , Seagulls , Chopi , Chepkong , Jimmy Rodgers
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15092 , http://hdl.handle.net/10962/d1008520 , Reel number: BC106, BC107, BC108, BC109
- Description: Documentary Broadcast for the Canadian Broadcasting Corporation in ‘The Sound of Africa‘ Series of illustrated talks by Hugh Tracey on his travels in search of African music , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Drum , Silence , Birds , Frogs , Lioness , Lion , Wild animals , Languages , Bemba , Zambia , Karanga , Zimbabwe , Northern Rhodesia , Southern Rhodesia , Mpondo , Eastern Cape , South Africa , Tonga , Zambezi , Quill , Cattle calling , Malimba , Hand piano , Tanganyika , Chief , Banana , Lake Victoria , Pipes , Flutes , Lakes , Choral singing , Forests , Drums , Xylophones , Guitars , Jazz , Penny whistles , Town , Hymn , Carol , Royal flautist , Soga , Mountains of the Moon , Grass plains , Choruses , Men , Ululation , Mafikeng , Tswana , Bush , Trees , Bows , Plucking , Twanging , Mouth-bow , Stick-bow , Zulu , Love song , Board Zither , Bangwe , Nyasaland , Harp , Uganda , Kenya , Kipsigi , Guitar , Luba , Congo River , Message drum , Portuguese , Seagulls , Chopi , Chepkong , Jimmy Rodgers
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15092 , http://hdl.handle.net/10962/d1008520 , Reel number: BC106, BC107, BC108, BC109
- Description: Documentary Broadcast for the Canadian Broadcasting Corporation in ‘The Sound of Africa‘ Series of illustrated talks by Hugh Tracey on his travels in search of African music , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
Ngoneni ngoneni bakithi?
- Rosalina Ndhlole and Juana Nkosi (Performer), Composer not specified
- Authors: Rosalina Ndhlole and Juana Nkosi (Performer) , Composer not specified
- Subjects: Self delectative , Indigenous folk music , Makweyana one string stressed bow gourd resonated , Mataffin , Nelpsruit , Transvaal (Mpumalanga) , South Africa
- Type: Sound , Music
- Identifier: vital:15376 , MOA27-22 , http://hdl.handle.net/10962/d1017681 , MOA27
- Description: English translation of title: 'What have I done, what have I done my people?' , Self delectative song by Rosalina Ndhlole and Juana Nkosi, accompanied by makweyana gourd resonated one string stressed bow , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Rosalina Ndhlole and Juana Nkosi (Performer) , Composer not specified
- Subjects: Self delectative , Indigenous folk music , Makweyana one string stressed bow gourd resonated , Mataffin , Nelpsruit , Transvaal (Mpumalanga) , South Africa
- Type: Sound , Music
- Identifier: vital:15376 , MOA27-22 , http://hdl.handle.net/10962/d1017681 , MOA27
- Description: English translation of title: 'What have I done, what have I done my people?' , Self delectative song by Rosalina Ndhlole and Juana Nkosi, accompanied by makweyana gourd resonated one string stressed bow , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Possible futures for the African built environment towards 2050
- Authors: Adendorff, Gillian Lorraine
- Date: 2014-04
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's/Doctoral theses , text
- Identifier: http://hdl.handle.net/10948/53325 , vital:45136
- Description: Purpose –The purpose of this thesis is to develop four scenarios for Africa’s built environment over the nextfortyyears: The ”Angel” or “Good Governance”Scenario,in which positive elements become a realisation for Africa’s built environment and are conjointly favourable; The “Dwarf” or “Uneven African Development”Scenario, in which key driving forces unfold inan uneven pattern, or have a differentiated impact on Africa’s built environment; The “Elf” or Bad Governance Scenario,in which less good governance prevails, but where a fortunate built environment and securemanagement allowsAfrica to become competitive and benefit from satisfactory economic growth;and The “Hobgoblin” or “Business and Governance as usual” Scenario,in which negative regional drivers of change corrode positive policies and initiatives in a manner which compounds the pre-existing threats of Africa’s built environment development.Design/Methodology/Approach –The goal of this thesis is not only to affirm what is already known and knowable regardingwhat is happening right now at the intersections of Africa and its built environment development, but also to explore the many ways in which environmental scanning and built environment development could co-involve,both push and inhibit each other,in the future. Thereafter, this thesis beginsto examine what possible paths may be implicatedfor Africa’s poor and vulnerable built environment. Scenario planning is a methodology designed to help researchers, organisations and even nations alike through this creative process. This thesis begins to identifydriversof change, and then combines these driversin different ways to create a set of scenarios regardinghow the future built environment of Africa could evolve.Practical implications –This thesis provides a useful insight regardingdrivers for change for Africa’s built environment,and how to anticipate these changes in the mostcurrentScenario planning.Originality/Value –This thesis addressesthe future of Africa’s built environment from a decision maker’s point of view over the next 40 years. , Thesis (PhD) -- Faculty of Engineering, the Built Environment and Technology, School of the Built Environment and Civil Engineering, 2021
- Full Text:
- Date Issued: 2014-04
- Authors: Adendorff, Gillian Lorraine
- Date: 2014-04
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's/Doctoral theses , text
- Identifier: http://hdl.handle.net/10948/53325 , vital:45136
- Description: Purpose –The purpose of this thesis is to develop four scenarios for Africa’s built environment over the nextfortyyears: The ”Angel” or “Good Governance”Scenario,in which positive elements become a realisation for Africa’s built environment and are conjointly favourable; The “Dwarf” or “Uneven African Development”Scenario, in which key driving forces unfold inan uneven pattern, or have a differentiated impact on Africa’s built environment; The “Elf” or Bad Governance Scenario,in which less good governance prevails, but where a fortunate built environment and securemanagement allowsAfrica to become competitive and benefit from satisfactory economic growth;and The “Hobgoblin” or “Business and Governance as usual” Scenario,in which negative regional drivers of change corrode positive policies and initiatives in a manner which compounds the pre-existing threats of Africa’s built environment development.Design/Methodology/Approach –The goal of this thesis is not only to affirm what is already known and knowable regardingwhat is happening right now at the intersections of Africa and its built environment development, but also to explore the many ways in which environmental scanning and built environment development could co-involve,both push and inhibit each other,in the future. Thereafter, this thesis beginsto examine what possible paths may be implicatedfor Africa’s poor and vulnerable built environment. Scenario planning is a methodology designed to help researchers, organisations and even nations alike through this creative process. This thesis begins to identifydriversof change, and then combines these driversin different ways to create a set of scenarios regardinghow the future built environment of Africa could evolve.Practical implications –This thesis provides a useful insight regardingdrivers for change for Africa’s built environment,and how to anticipate these changes in the mostcurrentScenario planning.Originality/Value –This thesis addressesthe future of Africa’s built environment from a decision maker’s point of view over the next 40 years. , Thesis (PhD) -- Faculty of Engineering, the Built Environment and Technology, School of the Built Environment and Civil Engineering, 2021
- Full Text:
- Date Issued: 2014-04
Ngiyamazi uZibhebhu ngobaba ongaseko
- Princess Constance Magogo KaDinuzulu (Performer), Composer not specified
- Authors: Princess Constance Magogo KaDinuzulu (Performer) , Composer not specified
- Subjects: Lament , Death of Cetshwayo , Ugubu bow , Indigenous folk music , Kwapindangene , Natal (KwaZulu-Natal) , South Africa
- Type: Sound , Music
- Identifier: vital:15500 , MOA37-12 , http://hdl.handle.net/10962/d1017858 , MOA37
- Description: English translation of title: 'I can never forget him' , Lament song for the death of Cetshwayo by Princess Constance Magogo KaDinuzulu , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Princess Constance Magogo KaDinuzulu (Performer) , Composer not specified
- Subjects: Lament , Death of Cetshwayo , Ugubu bow , Indigenous folk music , Kwapindangene , Natal (KwaZulu-Natal) , South Africa
- Type: Sound , Music
- Identifier: vital:15500 , MOA37-12 , http://hdl.handle.net/10962/d1017858 , MOA37
- Description: English translation of title: 'I can never forget him' , Lament song for the death of Cetshwayo by Princess Constance Magogo KaDinuzulu , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false